Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production.
Eastmancolor, introduced in 1950, was one of the first widely successful "single-strip colour" processes, and eventually displaced the more cumbersome Technicolor. Eastmancolor was known by a variety of names such as Deluxe color (20th Century Fox), Warnercolor, Metrocolor, Pathecolor and Columbiacolor, and others.
For more information on Eastmancolor, see
- Eastman Color Negative (ECN, ECN-1 and ECN-2), the photographic processing systems associated with Eastmancolor negative motion picture stock, and intermediate motion picture stocks (including interpositive and internegative stocks)
- Eastman Color Positive (ECP, ECP-1 and ECP-2), the photographic processing systems associated with Eastmancolor positive print motion picture stock for direct projection
- Color motion picture film, for background on Eastmancolor and other motion picture processes in general
- Eastman Kodak Fine Grain color negative films (1950 onwards), within the "List of motion picture film stocks" article
Examples of films that use EastmancolorEdit
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The 1959 British satirical comedy film The Mouse That Roared was filmed using the Eastmancolor process.
Eastmancolor became very popular in the South Indian film industry during early 60's.
- Jigokumon - (Japan) 1953
- Bad Day at Black Rock - 1955
- Hang Tuah-Malaysia/Singapore 1955
- Kandam Becha Kottu-Malayalam 1961
- Lava Kusha -Telugu 1963
- Amarashilpi Jakkanna-Telugu 1964
- Kathalikka Neramillai-Tamil 1964
- Karnan-Tamil 1964
- Padagotti-Tamil 1964
- Amarasilpi Jakkannachari-Kannada 1964
- Chemmeen-Malayalam 1965
- Thiruvilaiyadal-Tamil 1965
- Aayirathil Oruvan-Tamil 1965
- Enga Veetu Pillai-Tamil 1965
- Idhaya kamalam-Tamil 1965
- Anbe Vaa-Tamil 1966
- Agathiyar 1972
- "NFSA Journal" (PDF). 3. Nfsa.gov. 2008. Retrieved 2015-05-06.
- Peter Lev. Transforming the Screen, 1950-1959. University of California Press, 2003. p. 108.
- Stephen Neale. Contemporary Hollywood Cinema. Psychology Press, 1998. p. 120.
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