Amaterasu (天照), Amaterasu-ōmikami (天照大神／天照大御神／天照皇大神), or Ōhirume-no-muchi-no-kami (大日孁貴神) is a deity of the Japanese myth cycle and also a major deity of the Shinto religion. She is seen as the goddess of the sun and the universe. The name Amaterasu is derived from Amateru and means "shining in heaven". The meaning of her whole name, Amaterasu-ōmikami, is "the great august kami (deity) who shines in the heaven".[N 1] According to the Kojiki and Nihon Shoki in Japanese mythology, the Emperors of Japan are considered to be direct descendants of Amaterasu.
Amaterasu appears to be the Japanese expression of a historical pan-Asiatic solar goddess. Several similarities have been noticed between the Japanese solar goddess and the Korean solar goddess, Hae-nim, particularly in regard to shamanistic worship, using the same symbols and practices. Another possible expression is the Chinese goddess, Xihe. Although historically, she probably was venerated highly throughout Asia, only in Japan did this deity find continuous worship as a central figure, as elsewhere, several other religious movements, such as Buddhism and Taoism, discouraged the veneration of solar goddesses.
Records of the worship of Amaterasu are found from the c. 712 CE Kojiki and c. 720 CE Nihon Shoki, the oldest records of Japanese history. In Japanese mythology, Amaterasu, the goddess of the sun, is the sister of Susanoo, the god of storms and the sea, and of Tsukuyomi, the god of the moon. It was written that Amaterasu had painted the landscape with her siblings while she created ancient Japan. Amaterasu, the supreme Japanese deity, was said to have been created by the divine couple Izanagi and Izanami, who were themselves created by, or grew from, the originator of the Universe, Amenominakanushi. All three deities were born from Izanagi when he was purifying himself upon entering Yomi, the underworld, after breaking the promise not to see dead Izanami and he was chased by her and Yakusan-no-ikaduchigami, 八雷神, surrounding rotten Izanami. Amaterasu was born when Izanagi washed out his left eye, Tsukuyomi was born from the washing of the right eye, and Susanoo from the washing of the nose.
Izanagi set Amaterasu up as the ruler of the High Plains of Heaven, Tsukuyomi as the ruler of the night and Susanoo as the ruler of the seas. Originally, Amaterasu shared the sky with Tsukuyomi, her husband and brother until, out of disgust, he killed the goddess of food, Uke Mochi, when she pulled "food from her rectum, nose, and mouth". This killing upset Amaterasu causing her to label Tsukuyomi an evil god and split away from him; separating night from day.
The texts also tell of a long-standing rivalry between Amaterasu and her other brother, Susanoo. When Izanagi ordered him to leave Heaven, he went to bid his sister goodbye. Amaterasu was suspicious, but when Susanoo proposed a challenge to prove his sincerity, she accepted. Each of them took an object belonging to the other and from it, birthed deities. Amaterasu birthed three women from Susanoo's sword while he birthed five men from her necklace. Claiming the gods were hers because they were born of her necklace, and the goddesses were his, she decided that she had won the challenge, as his item produced women. The two were content for a time, but her brother became restless and went on a rampage, destroying Amaterasu's rice fields, hurling a flayed pony at her loom, and killing one of her attendants in a fit of rage. Amaterasu, who was in fury and grief, hid inside the Ama-no-Iwato ("heavenly rock cave"), thus effectively hiding the sun for a long period of time. Eventually, she was persuaded to leave the cave and Susanoo was punished by being banished from heaven. Both later amended their conflict when Susanoo gave her the Kusanagi-no-Tsurugi sword as a reconciliation gift. When they both reconciled the sun became visible again.
According to legend, Amaterasu bequeathed to her descendant Ninigi: the mirror, Yata no Kagami; the jewel, Yasakani no Magatama; and the sword, Kusanagi-no-Tsurugi. Collectively, the sacred mirror, jewel, and sword became the three Imperial Regalia of Japan.
The Ise Shrine located in Ise, Honshū, Japan, houses the inner shrine, Naiku, dedicated to Amaterasu. Her sacred mirror, Yata no Kagami, is said to be kept at this shrine as one of the imperial regalia objects. A ceremony known as Shikinen Sengu is held every twenty years at this shrine to honor many deities enshrined Jingu, or Ise Jingu, which is formed by 125 shrines altogether. At that time, new shrine buildings are built at a location adjacent to the site first. After the transfer of the object of worship, new clothing and treasure and offering food to the goddess the old buildings are taken apart. The building materials taken apart are given to many other shrines and buildings to renovate. This practice is a part of the Shinto faith and has been practiced since the year 690. But this practice is not only for Amaterasu but also for many other deities enshrined in Jingu.
|Look up amaterasu in Wiktionary, the free dictionary.|
- ama means "heaven"; tera is an inflectional form of teru, "to shine"; su is an honorific auxiliary verb that shows respect for the actor; then, amaterasu means "to shine in the heaven"; ō means "big" or "great"; mi is a prefix for noble and august beings.
- Akira Matsumura, ed. (1995). Daijirin (in Japanese) (2nd ed.). Sanseido Books. ISBN 978-4385139005.
- Jacques H. Kamstra, Encounter Or Syncretism: The Initial Growth of Japanese Buddhism
- Wallin, edited by Anne Buttimer, Luke (1999). Nature and Identity in Cross-Cultural Perspective. Dordrecht: Springer Netherlands. ISBN 9789401723923.
- Watts Barton, David (January 24, 2017). "Amaterasu and the Gods of Ancient Japan". japanology.org. Innovation Design Co. Retrieved April 10, 2017.
- Cotterell, Arthur (2005). World Mythology. United Kingdom: Parragon Publishing. p. 195. ISBN 1-40544-767-2.
- Roberts, Jeremy (2010). Japanese Mythology A To Z (PDF) (2nd ed.). New York: Chelsea House Publishers. ISBN 978-1604134353.
- Wheeler, Post (1952). The Sacred Scriptures of the Japanese. New York: Henry Schuman. pp. 393–395. ISBN 978-1425487874.