Willi Donnell Smith (February 29, 1948 – April 17, 1987) was an American fashion designer. At the time of his death, Smith was regarded as one of the most successful African-American designers in the fashion industry.[1] His company, WilliWear Limited, launched in 1976 and by 1986 grossed over $25 million in sales.[1] After Smith's death, his business partner, Laurie Mallet, continued the line with various designers creating collections. Without Smith, the company floundered. Due to financial problems and poor sales, WilliWear Limited ceased production in 1990.[2] WilliWear was the first clothing company to create womenswear and menswear under the same label. The accessibility and affordability of Smith's clothing helped to democratize fashion.

Willi Smith
Born
Willi Donnell Smith

(1948-02-29)February 29, 1948
DiedApril 17, 1987(1987-04-17) (aged 39)
Cause of deathAIDS-related pneumonia complicated by shigella
NationalityAmerican
EducationMastbaum Technical High School
University of the Arts
Parsons The New School for Design
OccupationFashion designer
Label(s)
WilliWear Limited
RelativesToukie Smith (sister)

Early yearsEdit

Smith was born in Philadelphia, Pennsylvania, to Willie Lee Smith, an ironworker, and June Eileen Smith, a homemaker, both of whom were extremely clothes-conscious. As a boy, Smith spent hours sketching on the floor of his home and at the Philadelphia Museum of Art. When reflecting on his childhood, Smith once stated, "I loved to draw and design clothes, and my mother told me I was born to be an artist or designer."[3] After his parents divorced, his grandmother, Gladys Bush, nurtured and motivated Smith to pursue his dreams in design.

EducationEdit

Smith studied commercial art at Mastbaum Technical High School and attended Philadelphia College of Art, taking a course in fashion illustration. He then moved to New York City to go to Parsons The New School for Design, the art and design college of The New School. He received two scholarships to fund his studies at Parsons.[4] In 1965, Smith interned for couturier Arnold Scaasi, and began studying fashion design at Parsons in the fall while taking liberal arts classes at New York University.[5]

CareerEdit

In 1967, Smith left Parsons and pursued a career designing on his own. He first sought design inspiration from what people wore on the streets of New York. He befriended model Bethann Hardison in 1967 after striking up a conversation about her style on the street. Hardison became the fit model for Smith’s designs and a close friend.[6]

From 1969 to 1973, Smith worked as lead designer for the junior sportswear label Digits. Smith met future business partner and lifelong friend Laurie Mallet in 1970 while Mallet was in New York for a holiday break and hired her as his design assistant at Digits in 1971.[7] The following year, 1972, Smith was nominated for the Coty American Fashion Critics’ Award for his work as lead designer at Digits. In 1973, Smith was nominated for the Coty American Fashion Critics’ Winnie Award for the second time, and began designing patterns for the commercial pattern company Butterick. Smith resigned from Digits later that same year. In 1974, Smith partnered with his sister Toukie Smith and close friend Harrison Rivera-Terreaux to form his own label Willi Smith Designs, Inc.[7] Unfamiliar at the time with the business aspect of running a label, the company struggled and closed a few months later.[5]

Smith continued to design and, in 1976, traveled to Bombay (Mumbai) India with Mallet to produce a small collection of women’s separates in natural fibers.[8] The collection was a success, and soon after, Smith and Mallet formed the label WilliWear Ltd., with Mallet as President of the company and Willi Smith as Vice President and lead designer.The first Williwear fashion show was held at the Holly Solomon Gallery in the Spring of 1978 and showcased a collection of garments “influenced by nautical uniforms and Southeast Asian dress.”[7]

WilliWear was a massive success, providing chic, stylish clothing for the modern woman, and later men, at affordable prices and in natural fabrics. In 1982, Smith produced the first WilliWear men’s collection with Stuart Lazar as Executive Vice President of menswear.[7] Smith also hired Mark Bozek as head of communications for WilliWear that same year. After receiving his fifth Coty Award nomination, Willi Smith won the Coty American Fashion Critics’ Award in 1983.[9]

WilliWear produced several hallmark collections from 1982 to 1986, and in 1986 the company was worth over $25 million. Smith and Mallet further enriched the reputation of the brand through artist collaborations. After Smith’s death, on April 17, 1987, Mallet continued to run WilliWear. However, without its visionary namesake, the company faltered and ceased production in 1990.

CollaborationsEdit

Willi Smith was an avid patron of the arts and collaborated with an extensive group of artists from 1973 up until his passing in 1987. He designed costumes for choreographer Dianne McIntyre’s productions The Lost Sun (1973), The Deep South Suite (1976), and Take-Off From a Forced Landing (1984).[10] Smith also designed costumes for the Bill T. Jones/ Arnie Zane Dance Company’s performance Secret Pastures (1984),[11] as well as for La MaMa Experimental Theatre Club's production Cotton-Club Gala (1985).[10]

Smith and Mallet also collaborated with twenty-one contemporary artists in 1984 to design T-shirts with silk-screened artwork. These T-shirts displayed original work by artists including Keith Haring, Christo, SITE, Suzan Pitt, Les Levine, Edwin Schlossberg, Kim Steele, Jose Gracia Severo, Barbara Kruger, Lynn Hershman, Jenny Holzer, Tod Siler, Dan Friedman ,and Andrew "Zephyr" Witten. The shirts were a part of the WilliWear Productions’ collection and video presentation Made in New York (1984).[12][13] Made in New York, directed by Les Levine, was the first short film project that Smith undertook to present his clothes in motion on the street and to combine the disciplines of art, fashion, and film in one form. In 1985, Smith also worked with Max Vadukul to direct the short film Expedition, which was shot in Senegal and showcased ensembles inspired by Senegalese street fashion.[14]

Smith showcased his designs through film in Made in New York (1984) and Expedition (1985), as well as for film in Spike Lee’s School Daze (1987), creating the homecoming court costumes.[7] Elements of film were also included in the presentation of the Fall 1983 WilliWear collection "Street Couture", held at the Puck Building, and incorporated video art by Juan Downey, music by Jorge Socarras, and makeup by Linda Mason.[14] The presentation of the Spring 1983 WilliWear collection "City Island", featured video art, which was created by artist Nam June Paik.[14] Other significant WilliWear collections include the Fall 1984 collection "SUB-Urban", Spring 1985 collection "Sightseeing", the 1984 collection for WilliWear Productions’ Made in New York, and the 1985 collection for Expedition.[7] From 1982 to 1987, WilliWear showrooms in New York City, Los Angeles, and London were designed by the conceptual design and architecture studio SITE. For the WilliWear showroom on 209 W 38th Street in New York City, SITE partnered with Smith and Mallet to design an industrial, chic, monochrome streetscape with a sidewalk doubling as a runway and chain-link fencing serving as display racks.[15]

Additionally, Smith designed the suits for Edwin Schlossberg and his groomsmen when he married Caroline Kennedy, in 1986,[16] and designed the wedding dress worn by Mary Jane Watson when she married Peter Parker in the Amazing Spider-Man Annual #21, in 1987.[17][18] Smith also designed the uniforms for the workers on Jeanne-Claude and Christo's 1983 installation Surrounded Islands as well as for Pont Neuf Wrapped (1985) in Paris, France.[19]

DeathEdit

On April 16, 1987, Smith was admitted to Mt. Sinai Medical Center in New York City after contracting shigella and pneumonia while on a fabric buying trip to India in February 1987.[20][1][21] He died of pneumonia complicated by shigella the following day at the age of 39.[20] According to Smith's lawyer Edward Hayes, Smith's death was AIDS related. Smith was apparently unaware that he had contracted the disease and had shown no symptoms. It was only after he was hospitalized that tests revealed he was HIV positive.[22] Laurie Mallet, Smith's business partner, later said that while the designer was always "fragile" and often too sick to work, she did not feel that he was seriously ill. When asked if Smith had any idea that he had AIDS, Mallet said that Smith never confided this to her, but she felt "maybe he had some idea, some feeling."[21] Smith's funeral was held on April 20 at the Frank E. Campbell Funeral Chapel in Manhattan, after which his remains were cremated.[22][1] On May 1, 1987, a memorial service was held for Smith at his alma mater, Parsons The New School for Design.[23]

Smith, who was openly gay,[24] has a panel in the original NAMES Project AIDS Memorial Quilt.[25] Smith is also lamented in a poem "Speak: A Poem for the Millennium March", by Keith Boykin, read by its author for the Millennium March on Washington for Equality on April 29, 2000.

LegacyEdit

Willi Smith was one of the first American designers to create clothing inspired by and for everyday people and what they wore on city streets – making his clothing some of the earliest examples of streetwear.[6] Smith also sourced natural fabrics from India for WilliWear collections. The designer blurred the lines of gendered fashion in American sportswear with suits created for both his WilliWear Men’s and Women’s collections.[7] Smith also played a key role in the democratization of fashion by keeping WilliWear at an affordable price-point, as well as by partnering with pattern companies Butterick and McCall’s to produce home sewing patterns of his collections.[26] He sought not to target an exclusive clientele with his work, but instead to ensure that his clothing could be worn by people from varied backgrounds. Smith's label WilliWear set the stage for later streetwear brands such as FUBU and WalkerWear.[27] Smith’s gender-neutral collections for WilliWear can be seen as precursors for contemporary gender-neutral brands such as One DNA and the Phluid Project.

Additionally, many young designers and artists worked at WilliWear before launching their own successful careers and labels, including Antthony Mark Hankins, James Mischka, Jon Coffelt, John Bartlett, and Andre Walker, among many others. While WilliWear was very successful, the company had experienced creative, quality, and merchandising problems in the year before Smith's death. In an effort to remedy these problems, Smith's business partner Laurie Mallet hired a new staff and brought in additional designers in an effort to appeal to a more sophisticated demographic. After Smith's death, Mallet vowed to continue the line. In late 1987 and 1988, she opened WilliWear stores in Paris and New York City (a London location was opened before Smith's death which proved to be very successful).[21][23] However, Mallet struggled to maintain the success the line had when Smith was alive. By 1989, sales had decreased. In November 1989, Mallet hired then up and coming designer Andre Young to design the line's Fall 1990 collection.[28] Upon its debut in April, the line was panned by critics. To save money, Mallet closed the WilliWear stores and tried to generate revenue by convincing chain stores to carry the line.[29] Mallet's efforts failed and, in 1990, the women's division of WilliWear ceased production. Shortly thereafter, the men's division also ceased production.[27]

ExhibitionsEdit

In 1981, Willi Smith participated in the Black Fashion Museum’s Bridal Gowns of Black Designers exhibition. He designed a two-piece wedding ensemble consisting of “a rajah style jacket in cotton satin and velveteen jodhpurs,”[30] which was prominently displayed during the show. The following year, Smith participated in the Project Space One (MoMA PS1) exhibition Art As Damaged Goods.[31] Smith and Mallet also collaborated with local art galleries, which hosted early WilliWear and WilliWear Productions fashion shows. The line of artist T-shirts for WilliWear Productions was first exhibited at the Ronald Feldman Gallery, then during the Artventure fundraiser hosted at AREA by the Public Art Fund in 1984.[7]

Cooper Hewitt, Smithsonian Design Museum will host the first retrospective exhibition on Willi Smith from March 13, 2020, to October 25, 2020. The exhibition is curated by Alexandra Cunningham Cameron, Curator of Contemporary Design, and Hintz Secretarial Scholar at Cooper Hewitt with Curatorial Assistants Julie Pastor and Darnell Jamal Lisby.[32] The collaborative and accessible nature of Willi Smith’s work will be highlighted through the exhibition and will be incorporated to a greater extent through the Willi Smith Community Digital Archive, which the public can contribute to.[33] The archive will serve as a resource for scholars and enthusiasts gain greater insight and understanding into the life, work, and legacy of the visionary American designer.

AwardsEdit

ReferencesEdit

  1. ^ a b c d James, George (April 19, 1987). "Willi Smith, Clothes Designer; Creator of Vivid Sportswear". The New York Times. Retrieved January 15, 2020.
  2. ^ Hochswender, Woody (June 5, 1990). "Patterns". The New York Times. Retrieved January 16, 2020.
  3. ^ Willi Smith Coty Award Biography. 1979. Folder 6. CFDA Lambert, 1944-1979. Gladys Marcus Library Special Collections & College Archives. Fashion Institute of Technology, New York, NY.
  4. ^ "Willi Smith". newschool.edu. July 24, 2019. Retrieved January 15, 2020.
  5. ^ a b Rayner, Polly (October 21, 1984). "WilliWear Designer Creates 'Basic Clothes with a Sense of Humor'". The Morning Call. Retrieved January 16, 2020.
  6. ^ a b Square, Jonathan (2020). "WilliWear to Streetwear". In Cunningham Cameron, Alexandra (ed.). Willi Smith: Street Couture. New York: Rizzoli Electa. p. 71. ISBN 978-0-8478-6819-3.
  7. ^ a b c d e f g h Cunningham Cameron, Alexandra (2020). "Timeline". Willi Smith: Street Couture. New York: Rizzoli Electa. p. 18. ISBN 978-0-8478-6819-3.
  8. ^ Cunningham Cameron, Alexandra (2020). Willi Smith: Street Couture. New York: Rizzoli Electa. p. 12. ISBN 978-0-8478-6819-3.
  9. ^ Shapiro, Harriet (November 14, 1983). "Willi Smith Snags a Coty with His Street-Smart Threads". people.com. Retrieved January 16, 2020.
  10. ^ a b Barber, Tiffany E. (2020). "Real Clothes for Real Dance". In Cunningham Cameron, Alexandra (ed.). Willi Smith: Street Couture. New York: Rizzoli Electa. pp. 100–111. ISBN 978-0-8478-6819-3.
  11. ^ Kisselgoff, Anna (November 17, 1984). "Dance: Jones and Zane Offer 'Secret Pastures'". The New York Times. Retrieved January 16, 2020.
  12. ^ Bozek, Mark (March 9, 1984). "Artist T-shirts" (Press release). New York: WilliWear Productions.
  13. ^ Silva, Horacio (2020). "Artventure". In Cunningham Cameron, Alexandra (ed.). Willi Smith: Street Couture. New York: Rizzoli Electa. p. 174. ISBN 978-0-8478-6819-3.
  14. ^ a b c Cunningham Cameron, Alexandra (2020). Willi Smith: Street Couture. New York: Rizzoli Electa. pp. 15–16. ISBN 978-0-8478-6819-3.
  15. ^ Bullock, Michael (2020). "SITE's Iconic Ghost Cityscape". Willi Smith: Street Couture. New York: Rizzoli Electa. pp. 188–197. ISBN 978-0-8478-6819-3.
  16. ^ Slagle, Alton (July 19, 1986). "Caroline Wants Private Wedding, But Won't Get It". Sun Sentinel. Retrieved January 16, 2020.
  17. ^ Gross, Michael (June 2, 1987). "Spider-Man to Wed Model". The New York Times. Retrieved January 16, 2020.
  18. ^ James, George (April 19, 1987). "Willi Smith, Clothes Designer; Creator of Vivid Sportswear". The New York Times. Retrieved January 15, 2020.
  19. ^ Earnest, Jarrett (2020). "Willi Smith in Pieces". In Cunningham Cameron, Alexandra (ed.). Willi Smith: Street Couture. New York: Rizzoli Electa. pp. 48–53. ISBN 978-0-8478-6819-3.
  20. ^ a b Belcher, Jerry (April 20, 1987). "Pioneered 'Street Couture' : Fashion Designer Willi Smith Dies at 39". Los Angeles Times. latimes.com. Retrieved January 21, 2017.
  21. ^ a b c Smith, Marguerite T. (May 17, 1987). "Sustaining Williwear's Spirit". New York Times. nytimes.com. Retrieved January 22, 2017.
  22. ^ a b "Fashion Designer Willi Smith Had AIDS, His Attorney Says". Los Angeles Times. latimes.com. April 24, 1987. Retrieved January 21, 2017.
  23. ^ a b Buck, Genevieve (April 29, 1987). "Though The `Real` Willi Is Gone, Williwear Plans To Forge Ahead". Chicago Tribune. chicagotribune.com. Retrieved January 22, 2017.
  24. ^ Gates, Henry Louis; Appiah, Anthony (1999), Africana: The Encyclopedia of the African and African American Experience, Basic Civitas Books, p. 774, ISBN 0-465-00071-1
  25. ^ Knight, Christopher (October 4, 1992). "Art: Commentary: A Stitch in Time : The NAMES Project AIDS Memorial Quilt returns to Washington, its 21,000 panels casting a shadow that reaches the White House". Los Angeles Times. latimes.com. p. 2. Retrieved January 22, 2017.
  26. ^ Emery, Joy (2014). A History of the Paper Pattern Industry: The Home Dressmaking Fashion Revolution. New York: Bloomsbury Academic. p. 186. ISBN 9780857858313.
  27. ^ a b Romero, Elena (2012). Free Stylin': How Hip Hop Changed the Fashion Industry. ABC-CLIO. pp. 37–44. ISBN 0-313-38646-3.
  28. ^ Hawkins, Timothy (February 23, 1990). "Toukie Smith Puts New Angles on Style". Los Angeles Times. latimes.com. Retrieved January 22, 2017.
  29. ^ Walls, Jeanette (June 11, 1990). "Strapped Williwear Hangs By a Thread". New York Magazine. New York Media, LLC. 23 (23): 14. ISSN 0028-7369.
  30. ^ Nichols, Elaine; Jones, Adrienne (2020). "Wedding Dress for the Black Fashion Museum". In Cunningham Cameron, Alexandra (ed.). Willi Smith: Street Couture. New York: Rizzoli Electa. p. 77. ISBN 978-0-8478-6819-3.
  31. ^ "Fashion (Winter 1982): Willi Smith: Art as Damaged Goods". moma.org. January 17, 1982. Retrieved January 16, 2020.
  32. ^ "Cooper Hewitt to Present "Willi Smith: Street Couture"". cooperhewitt.org. July 24, 2019. Retrieved January 16, 2020.
  33. ^ "Willi Smith Digital Community Archive". cooperhewitt.org. December 3, 2019. Retrieved January 16, 2020.
  34. ^ Duka, John (September 30, 1983). "Coty Winners: Smith and Flusser". New York Times. nytimes.com. Retrieved January 22, 2017.
  35. ^ a b Price Alford, Holly; Stegemeyer, Anne (2014). Who's Who In Fashion. Bloomsbury Publishing USA. p. XLIII. ISBN 1-609-01969-5.

External linksEdit