Union of Soviet Composers
Note: The Russian Music Society is not the same as the Union of Soviet Composers
The Union of Soviet Composers, otherwise known as Order of Lenin Union of Composers of USSR (Russian: Ордена Ленина Союз композиторов СССР) (1932- ) and later renamed in 1957 to Union of Soviet Composers of the USSR, is a state-created organization for musicians and Musicologists created in 1932 by Josef Stalin in the last year of the Cultural Revolution and first Five-Year Plan. It became the official replacement for the various artistic associations which were present before like the Association for Contemporary Music and the Russian Association of Proletarian Musicians, two of the independently-directed, music committees. According to Richard Taruskin, the Union had fully materialized into its full-form well before 1948 and in time for the delivery of Zhdanov's Doctrine.
Priorities of the organizationEdit
Their mission, as stated in 2021, is to contribute to "the moral and ethical education of a modern person." They also stipulate key tenants that the Union are focused on addressing, such as:
- Development and strengthening of the composer organizations in all regions;
- Stimulation and creation of ample opportunities for composer creativity;
- Advance of musical culture and compositions of the Russian composers in Russia and abroad;
- Development and support of youth composer creativity;
- Protection of copyright of composers;
- Edition of notes and record of discs, and distribution of pieces of music;
- Creation of positive image of the organization for expansion of opportunities and strengthening of the authority on musical space of the Russian Federation.
The Union of Soviet Composers was originally founded in 1932 at the behest of the Central Committee of the All-Union Communist Party of the Soviet Union in the final year of the Cultural Revolution, known as the Josef Stalin's first Five-Year Plan. The official memorandum entitled "On the Restructuring of Literary and Artistic Organizations," published in April 23rd of 1932 notes that while there has been significant progress towards in the fields of literature and art to develop and further Socialist ideals, there was still more work that had to be done in order to fully render these two disciplines Socialist oriented. The reasoning for dissolving the disparate Associations and organizations that had existed prior to 1932 such as the Association for Contemporary Music, the Russian Association of Proletarian Musicians, the [[All-Union Org. of Associations of Proletarian Writers], and the Russian Association of Proletarian Writers] was that these groups, with their distinct goals and aspirations, were stifling collective progress. This was dangerous, as the development of a socialist nation could only be facilitated if the arts and literature were focused on furthering party messaging. Such splinter groups were charged with "group insulation" and "isolation from political tasks," meaning that their focus was not enough of political education of the Proletariat. Thus, in effort to reign in their influence and centralize control over the arts and literature, they were disbanded and replaced with swift measure.
What emerged was the Union of Soviet Composers, its first realization being in Moscow, followed by Unions being formed in Leningrad (currently St. Petersburg), Yekaterinburg, Voronezh, Rostov-on-Don, Karelia, Tatarstan, and then in the individual Republics across the USSR at the time.
In 1939, the Union created its first leadership council called the Organizing Committee of the Union of Soviet Composers. This newly-instated administrative body, originally created by two seminal composers, the Soviet Ukrainian R.M. Glier and Armenian A.I. Khachaturian, was created as a way to consolidate management of all the separate branches of the Union of Soviet Composers. The original Board included notable musical luminaries from various musical distinctions, both literarily and performance-based, like M. Arkadiev, composer A. Goldenweiser, V. Gorodinsky, Boyarsky, composer N. Myaskovsky, S. Vasilenko, A. Alexandrov, A. Kerin, composer M. Ippolitov-Ivanov, composer V. Shebalin, B. Shekhter, V. Bely, B. Pshibyshevsky, composer A.F. Gedike, and pianist K. Igumnov.
On April 19th to the 25th of 1948, the first Constituent Congress was held where, during the proceedings, the governing bodies such as Secretariats and Chairmen were decided and the Charter was officially christened. Elected during the proceedings was the Inaugural Chairman of the Union, that being the seminal Soviet Musicologist Boris Asafiev (1948-1949), along with the first General Secretary, a title belonging to the composer T.N. Khrennikov. During the year, the Board would hold 1-2 plenary sessions, where a Secretariat would be elected who would collectively guide the Union in between sessions and act as the leading force of the Union's affairs. Following the First Congress, they would be held every five years until 1991.
In the late 1950s (1957 to be exact), there was a ubiquitous decision to create a Union of Soviet Composers that was not tied to the political party and was operated as an independent organization, equivalent in freedoms to their pre-1932 form. Ergo, the previous name was changed to the Union of Composers of the RSFSR and local organizations were then allowed to operate as satellite organizations of the main body, however retaining the localized independence. At the first Constituent Conference of the new Union in 1960, D. Shostakovich was elected as the General Secretary in a unanimous vote.
Under the leadership of Shostakovich, the musical and compositional directive of the organization reoriented towards prioritizing contemporary musicians and their works for public display and publishing. Due to his failing healthy, however, he left the leadership position after only eight years of service during the Second Constituent Congress in 1968. The Union is said to have dedicated itself in Shostakovich's name as a result of his amassed achievements. It was during the Second Constituent Conference that a couple new leaders would be elected, General Secretary being Stanislav Stempnevsky, while the Chairman of the Board would be Georgy Sviridov.
In 1974, during the Third Constituent Conference, that all-together new leadership would be elected. Rodion Shchedrin would become the Chairman of the Board and hold this position for the next 17 years of his life, while Andrey Eshapi would become the Deputy Secretary, Vladislav Kazenin the General Secretary and Deputy Chairman, and Jan Frenkel the second Deputy Chairman. As representatives of the various satellite organizations were the following, all whom comprised the General Secretariat: F. Vasiliev (Chuvash ASSR), R. Gazizov (Bashkir ASSR), V. Krasnoskulov (Rostov-on-Don), Librarian and Publisher V. Kupriyanov (Mari ASSR), A. Novikov (Novosibirsk), A. Puzei (Sverdlovsk), M. Simanovsky (Saratov), M. Tariverdiev, V. Agafonnikov, the Musicologist Y. Korev (Moscow), B. Tishchenko, V. Uspensky (Leningrad), M. Yarullin (Tatar ASSR).
From 1990 to 2014, the eclectic Russian composer Vladislav Kazenin held the position as Chairman of the Union. Once he was appointed, he began developing and expanding the organization's projects and activities, infusing the Union with more outreach-based ventures like educational events, community concerts, and building networks between communities, event organizations, and musical collectives. Additionally, "creative collectives" were formed across Russia in many regions and Oblasts including: Republic of Sakha, the Republic of Tyva, Mordovia, Krasnoyarsk, Chelyabinsk, Perm Oblast, the Republic of Adygea, Smolensk, Kaliningrad Oblast, Kirov, the Komi Republic, Kostroma, Yaroslavl, Vologda, Bryansk, Penza, Belgorod, Chita, Kaluga, Abakan, and the Moscow region.
Substantial work and effort is being placed in the contemporary manifestation of the Union to creating competitions for budding Musicians and Composers in various degrees of educative and thematic distinction. For example, there is "The International Prokofiev Competition" in honor of S. Prokofiev, the A. Petrov "All-Russia Prize for Young Composers" otherwise known as "Crystal Tuning Fork" Competition, the "International Competition for Young Composers" in honor of P.I. Yurgenson ”, and "The Governor's International Youth Competition" or "The Youth Gavrilin Contest" in honor of V. Gavrilin.
In 2015, the Eleventh Constituent Congress was held where contemporary composer Rashid Kalimullin was elected as Chairman of the Union, after having served previously as General Secretary of the Union in the Republic of Tatarstan and Deputy Chairman of the main Union.
IN 2017, the Twelfth Constituent Congress was held and it was attended by some of Russia's most popular, contemporary composers, although their names are not immediately recognizable for foreign audiences. Attendees included A. Kroll, Vladimir Matetsky, Alexander Klevitsky, Vsevolod Zaderatsky, Alexey Rybnikov, Alexander Tchaikovsky, film composer Yuri Poteenko, and sculptor Alexander Sokolov. Under discussion was the restructuring of leadership for the impending new decade and developing partnership projects with the adjacent Russian Musical Society, another organization of like stature in Russia.
Starting in/around the early 1970s, music festivals began to be held by the Union in various regional territories of the USSR including Omsk, Saratov Oblast, Ufa, Sverdlovsk Oblast, the Tyumen Oblast, Vilnius, Suzdal, Vladimir Oblast, Gorky Oblast (currently Nizhny Novgorod), and cities within the North Caucasus. Early festivals started a long-lasting tradition of annual gatherings of musical professionals and enthusiasts, some of the events being "Panorama of the Music of Siberia" (Novosibirsk), "Don Spring" (Rostov-on-Don), and "Festival in the Kuban."
Once the Soviet Union began to collapse, the music festivals around the early 1990s took on their own traditions and unique features. More and more were foreign composers being featured on concert programming and several festivals are seminal to note during this time such as: "Panorama of the Music of Russia", established in 1973 by R. Shchedrin himself, it has become one of the best known and seminal events for the popularization of contemporary Russian composers and ever since 1993, it has been held all throughout the country, "Composers of Russia for Children" and "Music of Friends." Since 1993, The Panorama of Russian Music Festival has been held in regions such as Chelyabinsk Oblast, Ufa, Lipetsk Oblast and Voronezh Oblast.
Since the fall of the Soviet Union, much emphasis has been placed on children's repertoire. In the late 2000s, several festivals in Smolensk Oblast, Tver Oblast, Kirov Oblast and Saratov were dedicated to promulgating its public appeal. In recent years, new contemporary music festivals have emerged across Russia, including places such as Astrakhan Oblast, Krasnoyarsk, the "International Festival of New Music" in Kazan, "Musical Summer in Tuva" in Kyzyl and various other events in the cities of Tuva.
In 2015, after 48 years of absence The Red Carnation International Festival-Competition of Patriotic Songs was reinstated as an annual tribute to the popularizing and legacy of Russian Patriotic repertoire.
1941-1942: Vissarion Shebalin (Chairman of the Board)
1941-1942: Vissarion Shebalin (Chairman of the Board)
1948-1991 - Tikhon Khrennikov (General Secretary)
1948-1949: Boris Asafiev (First Chairman of the Union)
1968-? - Georgy Sviridov (Chairman of the Board)
1968-?: Stanislav Stempnevsky (Executive Secretary)
1978-1995: Vissarion Shebalin (Chairman of the Board)
1978-?: Andrey Eshpai (First Secretary)
1978-?: Vladislav Kazenin (Executive Secretary then Deputy Chairman)
1978-?: Jan Frenkel (Second Deputy Chairman)
1990-2014: Vladislav Kazenin (Chairman of the Board)
2010-2015: Rashid Kalimullin (Deputy Chairman)
2015-: Rashid Kalimullin (Chairman)
According to M. Yakovlev, as of 1978 the total membership had totalled over 2,098.
|1932-1963||Vissarion Shebalin||Composer (One of the original founders)|
Awards and HonorsEdit
- "Российский Музыкальный Союз".
- *Официальный сайт Союза композиторов России
- "О союзе". unioncomposers.ru. Retrieved 2021-08-30.
- "On Restructuring Literary-Artistic Organizations". Seventeen Moments in Soviet History. 2015-08-30. Retrieved 2021-08-30.
- "Постановление "О перестройке литературно-художественных организаций"". www.hist.msu.ru. Retrieved 2021-08-30.
- "Composers Union of the USSR". TheFreeDictionary.com. Retrieved 2021-08-30.
- "International "Prokofiev" Competition". Interlude. 2006-10-10. Retrieved 2021-08-30.
- "About the Competition". konkurspetrov.ru. Retrieved 2021-08-30.
- "International Jurgenson Competition for Young Composers — Centre for Contemporary Music". www.studionewmusic.ru. Retrieved 2021-08-30.
- "Youth Gavrilin Contest". cultinfo.ru. Retrieved 2021-08-30.
- ""World of Siberia" international festival of ethnic music and crafts". www.festmir.ru. Retrieved 2021-08-30.
- "About the city". old.rostov-gorod.ru. Retrieved 2021-08-30.
- Russia, Theatre Union of. "Theatrical Kuban' Regional Festival". www.rtlb.ru. Retrieved 2021-08-30.
- "The International Festival of New Music". Ministry of Culture of the Republic of Tatarstan (in Russian). Retrieved 2021-08-30.
- "Festival "Musical Summer in Tuva" is starting in Tuva". Electronic magazine «The New Research of Tuva» (in Russian). Retrieved 2021-08-30.
- "Главная — Фестиваль Красная Гвоздика" (in Russian). Retrieved 2021-08-30.
- Точка невозврата. Куда пикирует Союз Композиторов России