The Three Musketeers (1973 live-action film)
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The Three Musketeers (also known as The Three Musketeers: The Queen's Diamonds) is a 1973 film based on The Three Musketeers by Alexandre Dumas. It was directed by Richard Lester and written by George MacDonald Fraser. It was originally proposed in the 1960s as a vehicle for The Beatles, whom Lester had directed in two other films.
|The Three Musketeers|
|Directed by||Richard Lester|
|Produced by||Alexander Salkind|
|Written by||George MacDonald Fraser|
|Based on||The Three Musketeers|
by Alexandre Dumas père
|Music by||Michel Legrand|
|Edited by||John Victor Smith|
|Distributed by||20th Century Fox|
|Box office||$10.1 million (rentals)|
The film adheres closely to the novel, and also injects a fair amount of humor. It was shot by David Watkin, with an eye for period detail. The fight scenes were choreographed by master swordsman William Hobbs.
Having learned swordsmanship from his father, the young country bumpkin d'Artagnan arrives in Paris with dreams of becoming a king's musketeer. Unaccustomed to the city life, he makes a number of clumsy faux pas. First he finds himself insulted, knocked out and robbed by the Comte de Rochefort, an agent of Cardinal Richelieu, and once in Paris comes into conflict with three musketeers, Athos, Porthos, and Aramis, each of whom challenges him to a duel for some accidental insult or embarrassment. As the first of these duels is about to begin, Jussac arrives with five additional swordsmen of Cardinal Richelieu's guards. D'Artagnan sides with the musketeers in the ensuing street fight and becomes their ally in opposition to the Cardinal, who wishes to increase his already considerable power over the king, Louis XIII. D'Artagnan also begins an affair with his landlord's wife, Constance Bonacieux, who is dressmaker to the Queen, Anne of Austria.
Meanwhile, the Duke of Buckingham, former lover of the Queen, turns up and asks for something in remembrance of her; she gives him a necklace with twelve settings of diamonds, a gift from her husband. From the Queen's treacherous lady-in-waiting, the Cardinal learns of the rendezvous and suggests to the none-too-bright King to throw a ball in his wife's honor, and request she wear the diamonds he gave her. The Cardinal also sends his agent Milady de Winter to England, who seduces the Duke and steals two of the necklace's diamonds.
Meanwhile, the Queen has confided her troubles in Constance, who asks d'Artagnan to ride to England and get back the diamonds. D'Artagnan and the three musketeers set out, but on the way the Cardinal's men attack them. Only d'Artagnan and his servant make it through to Buckingham, where they discover the loss of two of the diamond settings. The Duke replaces the two settings, and d'Artagnan races back to Paris. Porthos, Athos, and Aramis, wounded but not dead as d'Artagnan had feared, aid the delivery of the complete necklace to the Queen, saving the royal couple from the embarrassment which the Cardinal had plotted.
Captain Tréville eventually inducts d'Artagnan into the Musketeers of the King's Guard.
- Michael York as d'Artagnan
- Oliver Reed as Athos
- Frank Finlay as Porthos / O'Reilly
- Richard Chamberlain as Aramis
- Jean-Pierre Cassel as King Louis XIII of France
- Geraldine Chaplin as Anne of Austria
- Charlton Heston as Cardinal Richelieu
- Faye Dunaway as Milady de Winter
- Christopher Lee as the Count De Rochefort
- Simon Ward as the Duke of Buckingham
- Raquel Welch as Constance Bonacieux
- Spike Milligan as M. Bonacieux
- Roy Kinnear as Planchet
- Nicole Calfan as Kitty
According to George MacDonald Fraser, Richard Lester became involved with the project when the producers briefly considered casting The Beatles as the Musketeers, as Lester had directed two films with the group. The Beatles idea fell by the wayside but Lester stayed.
Lester says the producers "wanted it to be a sexy film and they wanted it to be with big sexy stars" such as Leonard Whiting and Ursula Andress. The director said "I just didn't say no to anything in the early stages."
Richard Lester had wanted to make a film about of the novel Flashman by George MacDonald Fraser but been unable to raise the finance. Fraser had never written a script before, but in late 1972 Lester offered him the job of writing the script for The Three Musketeers.
According to Fraser, Lester originally said he wanted to make a four-hour film and cast Richard Chamberlain as Aramis. It was later decided to turn the script into two films. Fraser says he wrote them as two films, but no one told the actors.
Lester says the Salkinds left him alone creatively for most of the film apart from insisting that Raquel Welch and Simon Ward be cast.
The movie was met with mostly positive reviews. Vincent Canby of The New York Times had this to say about the film: "Mr. Lester seems almost exclusively concerned with action, preferably comic, and one gets the impression after a while that he and his fencing masters labored too long in choreographing the elaborate duels. They're interesting to watch, though they are without a great deal of spontaneity."
Awards and nominationsEdit
Raquel Welch won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy for her performance. The film was nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy.
George MacDonald Fraser won the Writers' Guild of Great Britain Award for Best British Comedy Screenplay.
The film was originally intended to be an epic which ran for three hours including an intermission, but during production, it was determined the film could not make its announced release date in that form, so a decision was made to split the long epic into two shorter features, the second part becoming 1974's The Four Musketeers.
According to Ben Mankiewicz on a May 14, 2016 showing of the film on TCM, during an advance screening, attended by the cast, after the movie ended a trailer for The Four Musketeers was shown, which none of the cast had heard anything about until then.
This incensed the actors and crew, since they were being paid for one film, and their original contracts made no mention of a second feature, resulting in lawsuits being filed to receive compensation for salaries associated with the sequel.
This led to the Screen Actor's Guild requiring all future actors' contracts to include what has become known as the "Salkind clause" (named after producers Alexander and Ilya Salkind), which stipulates how many films are being made.
The Four Musketeers was released the following year, with footage originally intended to combine with this film's to be part of a much longer film.
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- At the Movies: Costs of making 'Superman' go up, up and away. Buckley, Tom. New York Times 26 May 1978: C6.
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- Soderbergh, Steven; Lester, Richard (1999). Getting away with it : or, The further adventures of the luckiest bastard you ever saw. Faber and Faber.