"Linen wrap"

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From the Met ref it is a tapestry with a "linen warp (weaving)" not a wrap. It sounds as if it was part of a long strip on the poem, with other pieces in the the other museums. I'll add a ref, mainly re the Met piece. Johnbod (talk) 20:39, 31 August 2013 (UTC)Reply

Archaeological Discussions, William N. Bates, American Journal of Archaeology , Vol. 20, No. 2 (Apr. - Jun., 1916), pp. 213-265, Published by: Archaeological Institute of America, Article Stable URL: http://www.jstor.org/stable/497116, pp. 260-2 adds a bit. Johnbod (talk) 20:49, 31 August 2013 (UTC)Reply
  • Johnbod, if I haven't said before that you ought to be on payroll it's due only to my negligence. Of course, if you were on payroll I could censure you for your non-MLA complaint citation style but hey, who's quibbling. Drmies (talk) 20:22, 3 September 2013 (UTC)Reply

File:Two scenes from Der Busant.jpg to appear as POTD

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Hello! This is a note to let the editors of this article know that File:Two scenes from Der Busant.jpg will be appearing as picture of the day on July 24, 2015. You can view and edit the POTD blurb at Template:POTD/2015-07-24. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. Thanks! — Chris Woodrich (talk) 00:25, 5 July 2015 (UTC)Reply

Der Busant is a Middle High German verse narrative known from a single manuscript and several fragments. It tells of a love affair between the Princess of France and the Prince of England, who elope but are separated after a buzzard steals one of the princess's rings; after more than a year of separation, with the prince having gone mad and living as a wild man, they are reunited.

This fragment of a linen tapestry, which depicts the prince as a wild man and the princess on her palfrey, is held at the Metropolitan Museum of Art.Tapestry: Unknown