Talk:Claire Edmondson
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Contested deletion
editThis page should not be speedy deleted as an unambiguous copyright infringement, because the part in question has been removed from the page. --MerMarr00 (talk) 17:33, 12 November 2016 (UTC)
Copyright problem removed
editPrior content in this article duplicated one or more previously published sources. Copied or closely paraphrased material has been rewritten or removed and must not be restored, unless it is duly released under a compatible license. (For more information, please see "using copyrighted works from others" if you are not the copyright holder of this material, or "donating copyrighted materials" if you are.)
For legal reasons, we cannot accept copyrighted text or images borrowed from other web sites or published material; such additions will be deleted. Contributors may use copyrighted publications as a source of information, and, if allowed under fair use, may copy sentences and phrases, provided they are included in quotation marks and referenced properly. The material may also be rewritten, providing it does not infringe on the copyright of the original or plagiarize from that source. Therefore, such paraphrased portions must provide their source. Please see our guideline on non-free text for how to properly implement limited quotations of copyrighted text. Wikipedia takes copyright violations very seriously, and persistent violators will be blocked from editing. While we appreciate contributions, we must require all contributors to understand and comply with these policies. Thank you. Cabayi (talk) 19:33, 12 November 2016 (UTC)
The article need to be depersonalised
editThe section about the controversy contains some WP:OR especially this section
The music video for Broken Social Scene's Sweetest Kill (June 2011) polarised people across the internet. A dark take on love gone wrong, the video featured Bijou Phillips lovingly chopping up her boyfriend and burying him in a rose garden.[3] In 2011 women rarely killed in pop culture and the video was subject to backlash. Despite the backlash, it quickly became the dreamy “Female Gaze” calling card. The video was celebrated by many, while agitating some indie fans, with a handful of men harassing Edmondson online, calling her despicable and bemoaning she ruined their favourite band for them. While this female powerplay horrified many, others wrote of its importance.[4] In one indie music video, Edmondson managed to dismantle the indie film world’s “manic pixie dream girl” trope.
i don't even know what that last phrase is supposed to mean...--Domdeparis (talk) 11:20, 24 November 2016 (UTC)