The hemline of skirts can vary from micro to floor-length and can vary according to cultural conceptions of modesty and aesthetics as well as the wearer's personal taste, which can be influenced by such factors as fashion and social context. Most skirts are self-standing garments, but some skirt-looking panels may be part of another garment such as leggings, shorts, and swimsuits.
In the western world, skirts are more commonly worn by women; with some exceptions such as the izaar which is worn by Muslim cultures and the kilt which is a traditional men's garment in Scotland and Ireland and sometimes England. Many fashion designers, such as Jean Paul Gaultier, Vivienne Westwood, Kenzo and Marc Jacobs have shown men's skirts. Transgressing social codes, Gaultier frequently introduces the skirt into his men's wear collections as a means of injecting novelty into male attire, most famously the sarong seen on David Beckham. Other cultures traditionally wear skirts.
At its simplest, a skirt can be a draped garment made out of a single piece of fabric (such as pareos), but most skirts are fitted to the body at the waist or hips and fuller below, with the fullness introduced by means of darts, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty.
Skirts were worn since prehistoric times. They were the simplest way to cover the lower body. Pants were not at hand for a very long time. A straw-woven skirt dating to 3.900 BC was discovered in Armenia at the Areni-1 cave complex. Skirts were the standard attire for men and women in all ancient cultures in the Near East and Egypt. The Sumerians in Mesopotamia wore kaunakes, a type of fur skirt tied to a belt. The term "kaunakes" originally referred to a sheep's fleece, but eventually came to be applied to the garment itself. Eventually, the animal pelts were replaced by kaunakes cloth, a textile that imitated fleecy sheep skin. Kaunakes cloth also served as a symbol in religious iconography, such as in the fleecy cloak of St. John the Baptist.
Ancient Egyptian garments were mainly made of linen. For the upper classes, they were beautifully woven and intricately pleated. Around 2,130 BC, during the Old Kingdom of Egypt, men wore wraparound skirts (kilts) known as the shendyt, They were made of a rectangular piece of cloth wrapped around the lower body and tied in front. By the Middle Kingdom of Egypt, longer skirts, reaching from the waist to ankles and sometimes hanging from the armpits, became fashionable. During the New Kingdom of Egypt, kilts with a pleated triangular section became fashionable for men. Beneath these, a shente, or triangular loincloth whose ends were fastened with cord ties, were worn.
In the Middle Ages, men and women preferred dress-like garments. The lower part of men′s dresses were much shorter in length compared to those for women. They were wide cut and often pleated or gored so that horse riding became more comfortable. Even a knight's armor had a short metal skirt below the breastplate. It covered the straps attaching the upper legs iron cuisse to the breastplate. Technological advances in weaving in the 13-15th century, like foot-treadle floor looms and scissors with pivoted blades and handles, improved tailoring trousers and tights. They became fashionable for men and henceforth became standard male attire whilst becoming taboo for women.
The earliest known culture to have females wear clothing resembling miniskirts were the Duan Qun Miao (短裙苗), which literally meant "short skirt Miao" in Chinese. This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were "probably shocking" to observers in medieval and early modern times.
In the Middle Ages, some upper-class women wore skirts over three metres in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when seated. Costume historians[who?] typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier.
During the 19th century, the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. In the 1890s the rainy daisy skirt was introduced for walking or sportswear. It had a significantly shorter hemline measuring as much as six inches off the ground and would eventually influence the wider introduction of shorter hemlines in the early 20th century.
20th and 21st centuriesEdit
Beginning around 1915, hemlines for daytime dresses left the floor for good. For the next fifty years fashionable skirts became short (1920s), then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the "New Look"), then shortest of all from 1967 to 1970, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo. However, a long skirt provided privacy when women needed to relieve themselves in the open.
Since the 1970s and the rise of pants/trousers for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs.
Skirt is a part of uniform for girls in many schools across the world, with length of skirt varying as per local culture. The pleated tartan skirt has been a component of girls' school uniforms since the early twentieth century in UK. In 21st century, skirt has become part of Western dress code for women and is worn as business casual and office wear, and also as sportswear (ex. in tennis). Skirt may also be mandatory as formal wear, such as for airhostesses, waitresses, nurses and military women.
- A-line skirt, a skirt with a slight flare, roughly in the shape of a capital letter A
- Bell-shaped skirt, flared noticeably from the waist but then, unlike a church bell, cylindrical for much of its length
- Circle skirt, a skirt cut in sections to make one or more circles with a hole for the waist, so the skirt is very full but hangs smoothly from the waist without darts, pleats, or gathers
- Culottes, a form of divided skirt, split skirt or pantskirt constructed like a pair of shorts, but hanging like a skirt.
- Divided skirt, see under: Culottes.
- Full skirt, a skirt with fullness gathered into the waistband
- Gored skirt, a skirt that fits through the waistline and flares at the hem. May be made of from four to twenty-four shaped sections. Dates from 14th century and much used in 19th century. Very popular in the late 1860s, mid-1890s, early 20th century, 1930s, 1940s, and now worn as a classic skirt style.
- Inverted pleated skirt, a skirt made by bringing two folds of fabric to a center line in front and/ or back. May be cut straight at sides or be slightly flared. Has been a basic type of skirt since 1920s.
- Pencil skirt, see under: Straight skirt.
- Pleated skirt, a skirt with fullness reduced to fit the waist by means of regular pleats ('plaits') or folds, which can be stitched flat to hip-level or free-hanging
- Short skirt, a skirt with hemline above the knee
- Straight skirt or Pencil skirt, a tailored skirt hanging straight from the hips and fitted from the waist to the hips by means of darts or a yoke; may have a vent or kick-pleat set in the hem for ease of walking
- Underskirt, simple, basic skirt over which an overskirt, or drapery, hangs.
- Wrap or wraparound skirt, a skirt that wraps around the waist with an overlap of material
Fads and fashionsEdit
- Ballerina skirt, a mid-calf full skirt popular in the 1950s.
- Broomstick skirt, a light-weight ankle-length skirt with many crumpled pleats formed by compressing and twisting the garment while wet, such as around a broomstick. (1980s and on)
- Bubble dress/skirt, (also called tulip skirt or balloon skirt) a voluminous skirt whose hem is tucked back under to create a “bubble effect” at the bottom. Popular in the 1950s.
- Cargo skirt, a plain utilitarian skirt with belt loops and numerous large pockets, based on the military style of Cargo pants and popularised in the 1990s.
- Crinoline, a very full skirt supported by hoops or multiple petticoats, popular at various times from the mid 19th century onwards.
- Dirndl skirt, (durn′del) a skirt in the Bavarian-Austrian dirndl style, made of a straight length of fabric gathered at the waist. The style derives from Tyrolean peasant costume.
- Denim skirt (or jeans skirt), a skirt made of denim, often designed like 5-pocket jeans, but found in a large variety of styles.
- Godet skirt, (go-day’), a skirt with triangular pieces of fabric inserted upward from the hem to give more fullness. Popular in 1930s.
- Hobble skirt, a long and tight skirt with a hem narrow enough to significantly impede the wearer's stride
- Kilt-skirt, a wrap-around skirt with overlapping aprons in front and pleated around the back. Though traditionally designed as women's wear, it is fashioned to mimic the general appearance of a man's kilt.
- Leather skirt, a skirt made of leather
- Lehenga (also Ghagra; Garara ), a long, pleated skirt, often embroidered, worn mostly as the bottom part of the Gagra choli in North India and Pakistan.
- Maxi skirt, an ankle-length daytime skirt, popular with women in late 1960s as reaction against miniskirts.
- Micromini, an extremely short miniskirt.
- Midi skirt, skirt with hem halfway between ankle and knee, below the widest part of the calf. Introduced by designers in 1967 as a reaction to very short mini skirts.
- Mini-crini, a mini-length version of the crinoline, designed by Vivienne Westwood in the mid 1980s.
- Poodle skirt, a circle or near-circle skirt with an appliqued poodle or other decoration (1950s)
- Puffball skirt (also called "puff" or "pouf"), a bouffant skirt caught in at the hem to create a puffed silhouette. Popular in the mid-late 1980s when it was inspired by Westwood's "mini-crini".
- Rah-rah skirt, a short, tiered, and often colourful skirt fashionable in the early-mid-1980s.
- Sarong, a square or rectangle of fabric wrapped around the body and tied on one hip to create a skirt that can be worn by both sexes
- Scooter skirt or skort (variant), a skirt that has an attached pair of shorts underneath for modesty. Alternatively, but with similar effect, a pair of shorts incorporating a skirt-like flap across the front of the body.
- Skater skirt, a short, high-waisted circle skirt with a hemline above the knee, often made of lighter materials to give the flowing effect that mimics the skirts of figure skaters.
- Squaw dress or fiesta dress, a one or two piece outfit based on Native American clothing. Fashionable in the 1940s and 50s.
- Swing skirt, flared skirt, circular or cut in gores, fitted at hips with a wide flare at the hem. Popular in the late 1930s and at interval since. Very popular in mid-1980s.
- T-skirt, made from a tee-shirt, the T-skirt is generally modified to result in a pencil skirt, with invisible zippers, full length two-way separating side zippers, as well as artful fabric overlays and yokes.
- Tiered skirt, made of several horizontal layers, each wider than the one above, and divided by stitching. Layers may look identical in solid-colored garments, or may differ when made of printed fabrics.
- Prairie skirt (variant), a flared skirt with one or more flounces or tiers (1970s and on)
- Trouser skirt or cullotte, a straight skirt with the part above the hips tailored like men's trousers, with belt loops, pockets, and fly front.
- Tulip skirt, see under: Bubble skirt.
There are a number of garments marketed to men which fall under the category of "skirt" or "dress". These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies – the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the fustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt-like garments from various cultures include:
- The fustanella is a full-pleated skirt worn by men in Greece and other parts of the Balkans. By the mid-20th Century, it was relegated to ceremonial use and as period or traditional costume. It is worn by the Evzones, or Evzoni (Greek: Εύζωνες, Εύζωνοι, pronounced [evˈzones, evˈzoni]), which is the name of several historical elite light infantry and mountain units of the Greek Army. Today, it refers to the members of the Presidential Guard who parade the presidential mansion wearing a short version of this historic costume.
- The gho is a knee-length robe worn by men in Bhutan. They are required to wear it every day as part of national dress in government offices, in schools and on formal occasions.
- The hakama is worn in Japan. There are two types of hakama, divided umanori (馬乗り, "horse-riding hakama") and undivided andon hakama (行灯袴, "lantern hakama"). The umanori type has wide and divided legs, similar to culottes. Some hakamas are pleated.
- The kilt is a skirt of Gaelic and Celtic history, part of the Scottish national dress in particular, and is worn formally and to a lesser extent informally. Irish and Welsh kilts also exist but are not so much a part of national identity.
- The sarong is a piece of cloth that may be wrapped around the waist to form a skirt-like garment. Sarongs exist in various cultures under various names, including the pareo and lavalava of the Hawaiian islands and Polynesia (Samoa, Tonga, Tahiti, and Fiji), the Indian dhoti and lungi, and the South Indian and Maldivian mundu.
- Basic types
- Fads and fashions
- World culture
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- Brockmamn, Helen L.: The Theory of Fashion Design, Wiley, 1965.
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- Tozer, Jane, and Sarah Levitt: Fabric of Society: A Century of People and Their Clothes 1770–1870, Laura Ashley Ltd., 1983; ISBN 0-9508913-0-4
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