Pallywood, a portmanteau of "Palestinian" and "Hollywood", is a coinage used to describe supposed media manipulation, distortion or fraud by some Palestinians putatively designed to win the public relations war with Israel. The term came into currency with the Muhammad al-Durrah incident (2000) a controversy during the Second Intifada involving a challenge to the veracity of photographic evidence.
The term was coined and publicized in part by Richard Landes, as a result of an online documentary video he produced called Pallywood: According to Palestinian Sources, alleging specific instances of media manipulation.
Richard Landes' video
In 2005, Richard Landes produced an 18-minute online documentary video called Pallywood: According to Palestinian Sources. Landes and pro-Israel advocates argue that the Israeli government is insufficiently robust in countering Palestinian accounts of events in the Israeli–Palestinian conflict.
In his video, Landes shows Arab-Israeli conflict-related footage that was taken mostly by freelance Palestinian video journalists. He argues that systematic media manipulation (which he dubs "Pallywood") dates back to at least the 1982 Lebanon War, and argues that broadcasters are too uncritical of the veracity of Palestinian freelance footage.
He focuses in particular on the case of Muhammad al-Durrah, a 12-year-old Palestinian who was widely reported to have been killed by Israeli gunfire in the Gaza Strip on September 30, 2000 at the beginning of the Second Intifada. The shooting was filmed by a Palestinian freelance cameraman and aired on the France 2 television channel with narration by the veteran French-Israeli journalist Charles Enderlin, who was not present at the incident. It made worldwide headlines and the conduct of the Israel Defense Forces was heavily criticized internationally, severely damaging Israel's public standing on the world stage.
Landes questions the authenticity of the footage and disputes whether al-Durrah was killed at all, arguing that the entire incident was staged by the Palestinians. A 2013 Israeli investigation concluded that the al-Durrahs had not been hit by IDF fire and may not have been shot at all. The photographers disputed the Israeli conclusion.
Journalist Ruthie Blum, writing in the Jerusalem Post, describes "Pallywood" as a term coined by Richard Landes to refer to "productions staged by the Palestinians, in front of (and often with cooperation from) Western camera crews, for the purpose of promoting anti-Israel propaganda by disguising it as news." Landes himself describes Pallywood as "a term I coined... to describe staged material disguised as news." Besides al-Durrah, Landes cites the Gaza beach blast and Hamas's alleged exploitation of electricity shortages during the 2007–2008 Israel–Gaza conflict, as incidents of Pallywood. According to Blum, Landes's "pretty harsh claims" have earned him a "reputation in certain circles as a right-wing conspiracy theorist." Landes’ terminology, it has been argued by Crisoula, was skewed to be supportive of Israel, exhibiting,’all the hallmarks of conspiracy theory’.
Dr. Anat Berko, a research fellow with the International Policy Institute for Counter-Terrorism, and Dr. Edna Erez, head of the criminal justice department of the University of Illinois at Chicago, say that "the phenomenon of manufacturing documentation about the conflict has been referred to as "Pallywood" (Palestinian Authority Hollywood)." Similar allegations have been made by other media analysts, particularly after cases of media manipulation (dubbed "Hizbollywood") were uncovered during the 2006 Lebanon War. The Mackenzie Institute, a Canadian defense and security think tank, has argued that given "a long history of posing for the cameras... the cynical 'Pallywood' nickname from once-deceived journalists for [Palestinian Authority] news services becomes understandable."
The term has been applied beyond the Muhammad al-Durrah case in a number of publications, and by conservative commentators such as David Frum, Michelle Malkin and Melanie Phillips. Canadian columnist Paul Schneidereit has written, "[...] we've seen cases where the bodies of Palestinian martyrs carried on stretchers are inadvertently dropped, then, of their own volition, climb back on again. We’ve seen reports of massacres, as in Jenin in 2002, that turned out, after independent investigation, to have been greatly exaggerated. Needless to say, such episodes don’t instil an abiding trust in subsequent Palestinian claims, at least until they’re verified."
Controversies and criticism
David Frum alleged that pictures, taking during the 2014 Gaza War, showing two brothers, weeping and with the bloodied T-shirts after carrying the body of their dead father had been faked. The pictures, which were published by Reuters, the New York Times, and Associated Press, had been targeted for criticism by a pro-Israeli blogger. Frum backtracked from his accusation, and apologized to NYT photographer Sergey Ponomarev, after extensive debunking by Michael Shaw, but justified his "skepticism", describing other "Pallywood" claims.
After the death of two Palestinian teenagers in Beitunia, Michael Oren and Israeli official spokesmen argued the video from a security camera was fake or manipulated and the teenagers had only pretended to be hit, a pallywood view contradicted by both the videos themselves and the official investigation which discovered misconduct by a Border Police officer, who was put on trial for his actions.
Larry Derfner described Pallywood in +972 Magazine as "a particularly ugly ethnic slur". Eyal Weizman, whose work with Forensic Architecture has been called “Pallywood” in Israel, replied that "The bastards’ last line of defence is to call it ‘fake news’. The minute they revert to this argument is when they’ve lost all the others." Jonathan Cook argued also in 2018, that the fakery of brutality by Palestinians asserted in the word Pallywood applies with more force to what he says is the IDF's manufacturing of a more convenient reality than the real one existing with outbreaks of conflict.
- Media coverage of the Arab-Israeli conflict
- Terminology in Media, Culture and Politics
- Deception: Betraying the Peace Process
- Peace, Propaganda, and the Promised Land
- Relentless: The Struggle for Peace in the Middle East
- The Road to Jenin
- 1983 West Bank fainting epidemic
- Zoological conspiracy theories
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: But pro-Israel media-watchdog advocates have gone further, arguing that the footage is a prime example of what has been dubbed "Pallywood" - media manipulation, distortion and outright fraud by the Palestinians (and other Arabs, such as the Reuters photographer caught faking photos during the Second Lebanon War), designed to win the public relations war against Israel.
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A picture of an Israeli soldier head-locking a 12-year-old Palestinian boy has gone viral as the Israel Defence Forces (IDF) accused the boy's family of being "Pallywood stars" to stoke anti-Israel sentiments. The Israeli soldier, who was injured in the incident, was attempting to arrest the boy in Nabi Saleh. Pallywood is a term coined by US historian and author Richard Landes over alleged manipulation of the media in order to gain sympathy for the Palestinian cause.
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- Canadian journalist Paul Schneidereit writing in the Halifax, Nova Scotia, The Chronicle Herald, 27 November 2007 http://www.upjf.org/actualiees-upjf/article-13447-145-7-al-dura-shooting-pallycood-production-paul-schneidereit.html[permanent dead link]
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- Derfner, Larry (15 November 2014). "'Pallywood': A particularly ugly ethnic slur". +972 Magazine. Retrieved 19 May 2018.
I’ve been writing for years against the “Pallywood” theory – the right-wing notion that videos showing Palestinians getting killed by Israelis are really elaborate fakes meant to blacken Israel’s name. Yet it’s only this morning I realized that the term “Pallywood,” which was coined by Boston University Prof. Richard Landes, is an ethnic slur, and a particularly ugly one.
- Forensic Architecture: detail behind the devilry, Rowan Moore, 25 February, 2018 The Guardian
- Jonathan Cook, 'Israeli army’s lies can no longer salvage its image,' Mondoweiss 5 March 2018