Maggi Hambling CBE (born 23 October 1945) is a British painter and sculptor. Perhaps her best-known public works are the sculptures A Conversation with Oscar Wilde in London and Scallop, a 4-metre-high steel piece on Aldeburgh beach dedicated to Benjamin Britten. Both works have attracted a great degree of controversy.
Hambling in 2006
|Born||23 October 1945|
|Known for||painting, sculpture|
Early life and educationEdit
Maggi Hambling was born in Sudbury, Suffolk She had two siblings, a sister, Ann, who was 11 years older, and a brother, Roger, nine years older than Hambling. Her brother had wanted a brother but ignored the fact that his younger sibling is female and taught her carpentry and "how to wring a chicken's neck." Hambling was close to her mother who taught ballroom dancing and took Hambling along to be her partner. It was from her father that she inherited her artistic skills. She was not as close to her father as she was to her mother but when her father retired at the age of 60, Hambling gave her some oil paints and discovered that she had a knack for painting.
Hambling first studied art under Yvonne Drewry at the Amberfield School in Nacton. She then studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines, then at Ipswich School of Art (1962–64), Camberwell (1964–67), and finally the Slade School of Art, graduating in 1969.
Hambling is a painter as well as a sculptor. She is known for her intricate land and seascapes, including a celebrated series of North Sea paintings created since late 2002. She is also known for her portraits, with several works in the National Portrait Gallery, London.
In 1980 Hambling became the first artist in residence at the National Gallery, after which she produced a series of portraits of the comedian Max Wall. Wall responded to Hambling's request to paint him with a letter saying: "Re: painting little me, I am flattered indeed – what colour?" She has taught at Wimbledon School of Art.
Women feature prominently in her portrait series. For example, Hambling was commissioned by the National Portrait Gallery to paint Professor Dorothy Hodgkin in 1985. The portrait features Hodgkin at a desk with four hands, all engaged in different tasks. Her wider body of work is held in many public collections including the British Museum, Tate Collection, National Gallery, Scottish National Gallery of Modern Art and the Victoria and Albert Museum.
Hambling is known for her choice in painting the dead. She states that it is her way of grieving for those who are gone, particularly her way of coping with the death of those she held close like Henrietta Moraes, her mother, father in their coffins. Hambling tells NYTimes George Melly gave her the nickname of "Maggi (coffin) Hambling" and joked that this is the name she would be known by. Her work is spurred through anger—for the destruction of the planet, about politics, for social issues.
Hambling is frequently described as a controversial figure.
Works and receptionEdit
Memorial to Oscar WildeEdit
Fans of Wilde, notably Derek Jarman, first suggested a memorial in the 1980s. A committee, led by Sir Jeremy Isaacs and including the actors Dame Judi Dench and Sir Ian McKellen and the poet Seamus Heaney, raised the money and commissioned Hambling. Her design features Wilde's bronze head rising from a green granite sarcophagus which also serves as a bench; Wilde's hand was holding a cigarette. The work is inscribed with a quotation from his play Lady Windermere's Fan: "We are all in the gutter but some of us are looking at the stars".
Some critics were visceral in their loathing of the work, but supporters said it was well-loved by the public. The chief art critic of The Independent, wrote that ultimately the sculpture was not about Wilde or the viewing public, but a reflection of Hambling herself.
Memorial to Benjamin BrittenEdit
Scallop (2003) celebrates the composer Benjamin Britten and stands on the beach at Aldeburgh, Suffolk, near where he lived and not far from Hambling's village. The four-metre-high (13 ft) steel sculpture is pierced with the words "I hear those voices that will not be drowned" from his opera Peter Grimes. Britten was a homosexual and a conscientious objector during World War II, and his memorial was opposed by some.
Hambling describes Scallop as a conversation with the sea:
- "An important part of my concept is that at the centre of the sculpture, where the sound of the waves and the winds are focused, a visitor may sit and contemplate the mysterious power of the sea."
Throughout antiquity, scallops and other hinged shells have symbolised the feminine principle. The outside of the shell represents protection, and the inside, the "life-force slumbering within the Earth", an emblem of the vulva. Many paintings of Venus, the Roman goddess of love and fertility, included a scallop shell to identify her, as for example in Botticelli's The Birth of Venus.
The scallop is the traditional emblem of St James the Great and hence was chosen by pilgrims returning from the Way of St James (Camino de Santiago). The scallop shell found its way into heraldry as a badge of those who had walked all the way to the apostle's shrine at Santiago de Compostela in Galicia; later it became a symbol of pilgrimage in general. The scallop shell is also associated with Saint Augustine and his attempts to understand the mysteries of the divine.
Proposed memorial to Mary WollstonecraftEdit
In May 2018, Hambling was chosen to create a statue commemorating Mary Wollstonecraft, the “foremother of feminism”. The Mary on the Green campaign has been working to erect a permanent memorial to the philosopher and author of A Vindication of the Rights of Woman since 2011. It chose Hambling for the sculpture unanimously. Hambling's design, features a figure – described as an everywoman – emerging out of organic matter. It is inspired by Wollstonecraft's claim to be “the first of a new genus”. Wollstonecraft's famous quotation, “I do not wish women to have power over men but over themselves.”, will appear on the plinth. The statue is to be erected in Newington Green, north London, across from the Newington Green Unitarian Church, where Wollstonecraft worshipped. Newington Green is known as the birthplace of feminism because of Wollstonecraft's roots there, and is where Wollstonecraft moved her school for girls from Islington in 1784.
Hambling described herself as "lesbionic" (her adjective). She formed a relationship with a fellow artist, Victoria (“Tory”) Dennistoun, from a family of horse racing jockeys and trainers, who was married to John Lawrence (later Lord Oaksey), aristocrat and horse racing journalist. Lord and Lady Oaksey's "marriage broke up in unhappily public fashion in the mid-1980s". Tory Lawrence and Hambling have been together ever since, living in a cottage near Saxmundham in Suffolk. The house was left to Hambling by Lady Gwatkin ( Isolen Mary June Wilson), widow of Norman Gwatkin.
For the last year of the life of Henrietta Moraes, she and Hambling were in a relationship. The artists' model, Soho muse, and memoirist died in 1999 and Hambling produced a posthumous volume of charcoal portraits of her.
She has an eclectic personality shown when she once showed up to another television show filming in dinner jackets, bow ties and a false moustache.
Hambling does not care for her critics' words and enjoys controversy as well as dividing opinions. She speaks her mind and did not let the words of others affect her work or her determination to create what she wants. She is a woman of her word and once said that she would not speak during a television show if she could not smoke. The camerawoman had stated she would not work with someone who did; Hambling stuck to her word and did not speak.
Hambling gave up smoking in 2004 and was involved in the campaign against the total ban on smoking in public places in England which took effect on 1 July 2007. Speaking at a news conference at the House of Commons on 7 February 2007, she said: "I wholeheartedly support the campaign against a ban on smoking in public places. Just because I gave up at 59, other people may choose not to. There must be freedom of choice, something that is fast disappearing in this so-called free country." She took up smoking again on her 65th birthday but only 'the ones that smell of toothpaste'.
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