National Portrait Gallery, London
The National Portrait Gallery (NPG) is an art gallery in London housing a collection of portraits of historically important and famous British people. It was the first portrait gallery in the world when it opened in 1856. The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery. It has been expanded twice since then. The National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Culture, Media and Sport.
The gallery's main entrance in 2018
|Collection size||195,000 portraits|
|Public transit access|| Charing Cross|
Charing Cross; Leicester Square; Embankment
The gallery houses portraits of historically important and famous British people, selected on the basis of the significance of the sitter, not that of the artist. The collection includes photographs and caricatures as well as paintings, drawings and sculpture. One of its best-known images is the Chandos portrait, the most famous portrait of William Shakespeare although there is some uncertainty about whether the painting actually is of the playwright.
Not all of the portraits are exceptional artistically, although there are self-portraits by William Hogarth, Sir Joshua Reynolds and other British artists of note. Some, such as the group portrait of the participants in the Somerset House Conference of 1604, are important historical documents in their own right. Often, the curiosity value is greater than the artistic worth of a work, as in the case of the anamorphic portrait of Edward VI by William Scrots, Patrick Branwell Brontë's painting of his sisters Charlotte, Emily and Anne, or a sculpture of Queen Victoria and Prince Albert in medieval costume. Portraits of living figures were allowed from 1969. In addition to its permanent galleries of historical portraits, the National Portrait Gallery exhibits a rapidly changing selection of contemporary work, stages exhibitions of portrait art by individual artists and hosts the annual BP Portrait Prize competition.
History and buildingsEdit
The three people largely responsible for the founding of the National Portrait Gallery are commemorated with busts over the main entrance. At centre is Philip Henry Stanhope, 4th Earl Stanhope, with his supporters on either side, Thomas Babington Macaulay, 1st Baron Macaulay (to Stanhope's left) and Thomas Carlyle (to Stanhope's right). It was Stanhope who, in 1846 as a Member of Parliament (MP), first proposed the idea of a National Portrait Gallery. It was not until his third attempt, in 1856, this time from the House of Lords, that the proposal was accepted. With Queen Victoria's approval, the House of Commons set aside a sum of £2000 to establish the gallery. As well as Stanhope and Macaulay, the founder Trustees included Benjamin Disraeli and Lord Ellesmere. It was the latter who donated the Chandos portrait to the nation as the gallery's first portrait. Carlyle became a trustee after the death of Ellesmere in 1857.
For the first 40 years, the gallery was housed in various locations in London. The first 13 years were spent at 29 Great George Street, Westminster. There, the collection increased in size from 57 to 208 items, and the number of visitors from 5,300 to 34,500. In 1869, the collection moved to Exhibition Road and buildings managed by the Royal Horticultural Society. Following a fire in those buildings, the collection was moved in 1885, this time to the Bethnal Green Museum. This location was ultimately unsuitable due to its distance from the West End, condensation and lack of waterproofing. Following calls for a new location to be found, the government accepted an offer of funds from the philanthropist William Henry Alexander. Alexander donated £60,000 followed by another £20,000, and also chose the architect, Ewan Christian. The government provided the new site, St Martin's Place, adjacent to the National Gallery, and £16,000. The buildings, faced in Portland stone, were constructed by Shillitoe & Son. Both the architect, Ewan Christian, and the gallery's first director, George Scharf, died shortly before the new building was completed. The gallery opened at its new location on 4 April 1896. The site has since been expanded twice. The first extension, in 1933, was funded by Lord Duveen, and resulted in the wing by architect Sir Richard Allison on a site previously occupied by St George's Barracks running along Orange Street.
In February 1909, a murder–suicide took place in a gallery known as the Arctic Room. In an apparently planned attack, John Tempest Dawson, aged 70, shot his 58 year–old wife, Nannie Caskie; Dawson shot her from behind with a revolver, then shot himself in the mouth, dying instantly. His wife died in hospital several hours later. Both were American nationals who had lived in Hove for around 10 years. Evidence at the inquest suggested that Dawson, a wealthy and well–travelled man, was suffering from a persecutory delusion. The incident came to public attention in 2010 when the Gallery's archive was put on-line as this included a personal account of the event by James Donald Milner, then the Assistant Director of the Gallery.
The collections of the National Portrait Gallery were stored at Mentmore Towers in Buckinghamshire during the Second World War, along with pieces from the Royal Collection and paintings from Speaker's House in the Palace of Westminster.
The second extension was funded by Sir Christopher Ondaatje and a £12m Heritage Lottery Fund grant, and was designed by London-based architects Edward Jones and Jeremy Dixon. The Ondaatje Wing opened in 2000 and occupies a narrow space of land between the two 19th-century buildings of the National Gallery and the National Portrait Gallery, and is notable for its immense, two-storey escalator that takes visitors to the earliest part of the collection, the Tudor portraits.
In January 2012, Catherine, Duchess of Cambridge announced the National Portrait Gallery as one of her official patronages. Her portrait was unveiled in January 2013. Reports in February 2014 revealed that the gallery holds nearly 20 portraits of Harriet Martineau and her brother James Martineau, whose great-nephew Francis Martineau Lupton was the Duchess's great-great-grandfather.
In June 2017 it was annouanced that the NPG has been awarded funding of £9.4 million from the Heritage Lottery Fund towards its major transformation programme Inspiring People, the Gallery's biggest ever development. The Gallery had already raised over £7m of its £35.5m target. The building works are scheduled to start in 2020. The project's full title is subtitled Transforming the reach of the National Portrait Gallery 
In October 2019, a group of semi-naked environmental campaigners were drenched in fake oil, in the Ondaatje Wing main hall, as part of a protest against BP's sponsorship of a collection of pieces in the gallery. The protest performance piece, which was entitled Crude Truth, involve a clothed protester reciting a monologue in which they called upon arts organisations to sever ties with companies “funding extinction”. Three activists covered in black liquid lay down for about five minutes on a plastic sheet before standing up again, wiping themselves down with towels, and cleaning up after themselves. The action, which was applauded by onlookers, passed uninterrupted.
In addition to the busts of the three founders of the gallery over the entrance, the exterior of two of the original 1896 buildings are decorated with stone block busts of eminent portrait artists, biographical writers and historians. These busts, sculpted by Frederick R. Thomas, depict James Granger, William Faithorne, Edmund Lodge, Thomas Fuller, The Earl of Clarendon, Horace Walpole, Hans Holbein the Younger, Sir Anthony van Dyck, Sir Peter Lely, Sir Godfrey Kneller, Louis François Roubiliac, William Hogarth, Sir Joshua Reynolds, Sir Thomas Lawrence and Sir Francis Chantrey.
Finances and staffEdit
The National Portrait Gallery's total income in 2007–2008 amounted to £16,610,000, the majority of which came from government grant-in-aid (£7,038,000) and donations (£4,117,000). As of 31 March 2008, its net assets amounted to £69,251,000. In 2008, the NPG had 218 full-time equivalent employees. It is an exempt charity under English law.
- 1857–1895 Sir George Scharf KCB
- 1895–1909 Sir Lionel Cust KCVO FSA – previously at the Department of Prints and Drawings at the British Museum, and from 1901 to 1927 filled the role of Surveyor of the King's Pictures.
- 1909–1916 Charles John Holmes – Later director of the National Gallery
- 1917–1927 James Milner
- 1927–1951 Henry Hake
- 1951–1964 Charles Kingsley Adams
- 1964–1967 Sir David Piper – Later director of the Fitzwilliam Museum and fellow of Christ's College, Cambridge (1967–1973), and first director of the Ashmolean Museum (1973–1985)
- 1967–1973 Sir Roy Strong
- 1974–1994 John Hayes
- 1994–2002 Charles Saumarez Smith
- 2002–2015 Sandy Nairne CBE, FSA
- 2015– Nicholas Cullinan
Legal threat against Wikipedia volunteerEdit
On 14 July 2009, the National Portrait Gallery sent a demand letter alleging breach of copyright against an editor-user of Wikipedia, who downloaded thousands of high-resolution reproductions of public domain paintings from the NPG website, and placed them on Wikipedia's sister media repository site, Wikimedia Commons. The Gallery's position was that it held copyright in the digital images uploaded to Wikimedia Commons, and that it had made a significant financial investment in creating these digital reproductions. Whereas single-file low resolution images were already available on its website, the images added to Wikimedia Commons were re-integrated from separate files after the user "found a way to get around their software and download high-resolution images without permission."
In 2012, the Gallery licensed 53,000 low-resolution images under a Creative Commons licence, making them available free of charge for non–commercial use. A further 87,000 high-resolution images are available for academic use under the Gallery's own licence that invites donations in return; previously, the Gallery charged for high-resolution images.
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- Hulme, Graham pg 105
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- Poole, Andrea Geddes (2010). "Stewards of the Nation's Art: Contested Cultural Authority, 1890–1939". University of Toronto Press. p. 207. ISBN 978-0-8020-9960-0.
- "Murder And Suicide In The National Portrait Gallery". The Times (38892). 25 February 1909. p. 12.
- "Inquests. The Shooting Affair At The National Portrait Gallery". The Times (38895). 1 March 1909. p. 3.
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- Martin-Robinson 2014, pp. 128
- Fiachra Gibbons, Arts correspondent (5 May 2000). "The Queen shares a joke with Lady Thatcher". The Guardian. London. Retrieved 10 December 2011.
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- Mills, Eleanor (15 March 2017), Bodelwyddan Castle to sever ties with National Portrait Gallery, Museums Association, retrieved 16 March 2017
- "Unprecedented expansion for the National Portrait Gallery". Retrieved 15 June 2017.
- "Inspiring People: Transforming our National Portrait Gallery". Retrieved 15 June 2017.
- "National Portrait Gallery Corporate Plan 2016–19" (PDF). Retrieved 15 June 2017.
- Busby, Mattha (20 October 2019). "Semi-naked activists protest against National Portrait Gallery's links with BP". The Guardian. ISSN 0261-3077. Retrieved 21 October 2019.
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- Charities Act 1993, Schedule 2.
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- Martin-Robinson, John (2014). Requisitioned: The British Country House in the Second World War. London: Arum. ISBN 978-1-78131-095-3.
- Cannadine, David, National Portrait Gallery: a Brief History, National Portrait Gallery, 2007, ISBN 978-1-85514-387-6
- Hulme, Graham, The National Portrait Gallery: an Architectural History, National Portrait Gallery Publications, 2000, ISBN 1-85514-293-7
- Saumarez Smith, Charles, The National Portrait Gallery, 2nd. rev. ed., National Portrait Gallery, 2010, ISBN 978-1-85514-433-0