Madame Bovary (1949 film)
Madame Bovary is a 1949 American romantic drama film adaptation of the classic 1857 novel of the same name by Gustave Flaubert. It stars Jennifer Jones, James Mason, Van Heflin, Louis Jourdan, Alf Kjellin (billed as Christopher Kent), Gene Lockhart, Frank Allenby and Gladys Cooper.
Theatrical release poster
|Directed by||Vincente Minnelli|
|Produced by||Pandro S. Berman|
|Screenplay by||Robert Ardrey|
|Based on||Madame Bovary|
by Gustave Flaubert
|Narrated by||James Mason|
|Music by||Miklós Rózsa|
|Cinematography||Robert H. Planck|
|Edited by||Ferris Webster|
|August 25, 1949(New York)|
It was directed by Vincente Minnelli and produced by Pandro S. Berman, from a screenplay by Robert Ardrey based on the Flaubert novel. The music score was by Miklós Rózsa, the cinematography by Robert H. Planck and the art direction by Cedric Gibbons and Jack Martin Smith.
The film was a project of the Metro-Goldwyn-Mayer studios and Lana Turner was set to star, but when pregnancy forced her to withdraw, Jones stepped into the title role. Production ran from mid-December 1948 to mid-March 1949 and the film premiered the following August.
The story of the adulterous wife who destroys the lives of many presented censorship issues with the Motion Picture Production Code. A plot device which structured the story around author Flaubert's obscenity trial was developed to placate the censors. The highlight of the film is an elaborately choreographed ball sequence set to composer Miklós Rózsa's lush film score.
The film opens with Gustave Flaubert (James Mason) in court to defend his novel, which has been accused of being a "disgrace to France and an insult to womanhood". In order to keep it from being banned, Flaubert tells the story of Madame Bovary from his perspective.
We are introduced to Emma (Jennifer Jones) when she is twenty years old. She lives with her father (Eduard Franz) on a small farm in the country. She is a lonely woman, and books are her only real companions. She fantasizes about love, and convinces herself that she will one day fall madly in love and have a perfect life. One day, Emma's father injures his leg. When the doctor, Charles Bovary (Van Heflin) comes, Emma falls in love with him instantly. Soon enough, Emma and Charles are married. The couple moves into a small house in the town of Yonville in Normandy. Emma is disappointed, but vows to make the house into her dream home. She insists upon decorating the house lavishly, and although Charles makes only a modest salary, he provides Emma with her every wish. Although her home is just how Emma always dreamed, she is still disappointed at her lack of social status, and feels trapped by her less-than-perfect marriage. She insists to Charles that she wants to have a baby boy, so that he will grow up and be able to live his life the way he wants and not be confined to the rank of the husband as women were. Emma is met with even more disappointment when she later gives birth to a girl, Berthe. Emma develops an intolerance toward Berthe and is uninvolved in raising her, depending heavily upon the nanny, Félicité (Ellen Corby). Unhappy with her life, Emma embarks on an affair with Leon Dupuis (Alf Kjellin).
When Charles is invited to a ball at the home of the wealthy Marquis D'Andervilliers (Paul Cavanagh), Emma is overjoyed. Charles does not want to go, thinking they won't fit in with the aristocratic crowd, but Emma finally persuades him to attend. Emma is very popular at the ball, wearing an extraordinary gown that is the envy of the party. She is finally living her dream, in the company of high society and popular with many men. Charles, on the other hand, feels very out of place and drinks far too much champagne. Finally, Charles drunkenly tries to dance with Emma. Embarrassed, Emma makes Charles take her home. Afterwards, Emma continues her affair with Leon. However, Leon's mother (Gladys Cooper) soon makes Leon move to Paris to attend law school.
Aristocrat Rodolphe Boulanger (Louis Jourdan), whom Emma had met at the ball, moves to Yonville and tries to have an affair with Emma. At first Emma resists, as she is determined to save her marriage. To do this, she asks Charles to perform a revolutionary surgical procedure, correcting the leg of Hyppolyte (Harry Morgan), a crippled man from the village. Performing the procedure successfully would bring Charles immense fame and fortune; however, Charles knows he is not a skilled enough doctor to do it. He bluntly refuses at first, but after he realizes how much Emma wants him to do it, he eventually consents. He prepares for the surgery, and the entire village gathers around his house to cheer him on. However, at the last minute, Charles decides he can't do it. Emma then gives up all hope of happiness with Charles and plunges into an affair with Rodolphe. She begins to mold his house into the home of her dreams, much as she did with Charles at the beginning of her marriage; however, Rodolphe finds this as nothing but an intrusion of privacy. The two of them plan to elope to Italy. She prepares to leave, but Rodolphe goes to Italy alone, leaving Emma alone and heartbroken. Emma locks herself in the attic and tries to jump out the window; Charles stops her just in time. She becomes very sick and stays in bed for several months.
When Emma recovers, she and Charles travel to Rouen to see the opera. While they are there, they see Leon, who has returned from Paris. Emma stays the night in Rouen, while Charles returns to Yonville. Leon says he is a lawyer now, and has much more money than he did before. However, Emma rejects Leon's attempts to renew their affair. Emma returns to Yonville to find out that Charles is out of town to attend his father's funeral. While he is gone, the conniving town moneylender Lheureux (Frank Allenby) visits Emma to collect the Bovarys' huge amount of debts. Lheureaux capitalizes on Charles' father's death, and after a series of clever moves he obtains and then sells power of attorney over Charles' estate to Monsieur Guillaumin. Guillaumin attempts to have Emma repay him with sexual favors; however, she refuses and tries to borrow money from other people. She first asks Leon for the money. However, Leon admits that he is actually only a clerk at the law firm he works for, and has no money to lend her. Emma then asks Rodolphe, who has returned to Yonville. At first, Emma tries flirting with him; then, she breaks down and begs him for money. Rodolphe refuses to lend it to her. Charles returns home to find an announcement that his property will be sold to repay the debts. Emma breaks into the village apothecary and swallows arsenic. She returns home, and although Charles attempts to save her, Emma dies.
The film then returns to the courtroom, where it ends with Flaubert being acquitted of all charges.
first billed 
- Jennifer Jones as Emma Bovary
- James Mason as Gustave Flaubert
- Van Heflin as Charles Bovary
- Louis Jourdan as Rodolphe Boulanger
- Alf Kjellin (billed as Christopher Kent) as Leon Dupuis
- Gene Lockhart as J. Homais
- Frank Allenby as Lheureux
- Gladys Cooper as Madame Dupuis
- John Abbott as Mayor Tuvache
- Harry Morgan as Hyppolyte
- George Zucco as Dubocage
- Ellen Corby as Félicité
- Eduard Franz as Rouault
- Henri Letondal as Guillaumin
- Esther Somers as Madame Lefrançois
- Paul Cavanagh as Marquis D'Andervilliers
- Larry Simms as Justin
- Vernon Steele as Priest
Reviews from critics were mixed. Bosley Crowther of The New York Times was mostly positive, calling it a "faithful transcription" of the novel with an understanding of the protagonist "beautifully and tenderly put forth in the patient unfolding of the story which a cohort of talents has contrived." Crowther suggested, however, that Jones was "a little bit light for supporting the anguish of this classic dame." Variety called the film "interesting to watch but hard to feel. It is a curiously unemotional account of some rather basic emotions and this failure to plumb beneath its characters lessens the broad, general appeal somewhat. However, the surface treatment of Vincente Minnelli's direction is slick and attractively presented."  Richard L. Coe of The Washington Post called it a "persuasive picture", with Jones "bringing a depth of acting infrequently seen on the screen and a performance that far outweighs any of her previous ones." Edwin Schallert of the Los Angeles Times wrote, "If one is patient with the slowness of 'Madame Bovary' he or she will find unique interest in this picture because in treatment and character it is well off the beaten path in Hollywood productions." However, Schallert found Jones to be "erratic in the quality of her presentation. She is pictorial on all occasions, surprisingly fine at times, very uncertain and wavering in her delineation at others." Harrison's Reports published a negative review, calling the direction "heavy-handed" and the story "very unpleasant and slow-moving, and not one of the principal characters wins any sympathy, not even the heroine's ill-treated husband, a weakling who humbly accepts her sinning." Philip Hamburger of The New Yorker called it "a dull-witted adaptation of the Flaubert classic. As interpreted by Miss Jones, Mme. Bovary could be Mme. X or Mme. Defarge, or Mme. Typhoid Mary, so amateurish and flaccid was her acting."
The film is recognized by American Film Institute in these lists:
- "Madame Bovary". AFI Catalog of Feature Films. Retrieved June 4, 2018.
- The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- Staff writer (n.d.). "Madame Bovary (1949)". The New York Times. Retrieved January 8, 2010.
- Smith, Cecil (Sep 15, 1957). "Busy Lana Turner Recalls When She Was Little Jodie: Lana Turner Recalls When She Was Just Little Jodie". Los Angeles Times. p. E1.
- Crowther, Bosley (August 26, 1949). "The Screen In Review". The New York Times: 15.
- "Madame Bovary". Variety: 16. August 3, 1949.
- Coe, Richard L. (August 22, 1949). "Jennifer Jones As Mme. Bovary". The Washington Post: 10.
- Schallert, Edwin (September 19, 1949). "'Madame Bovary' Unique Venture in Adaptation". Los Angeles Times: 31.
- "'Madame Bovary' with Jennifer Jones, Van Heflin and James Mason". Harrison's Reports: 126. August 6, 1949.
- Hamburger, Philip (September 3, 1949). "The Current Cinema". The New Yorker: 61.
- "Top Grossers of 1949". Variety. 4 January 1950. p. 59.
- "AFI's 100 Years of Film Scores Nominees" (PDF). Retrieved 2016-08-06.
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