Luigi Pistilli (19 July 1929 – 21 April 1996) was an Italian actor of stage, screen, and television.
Pistilli in Death Rides a Horse (1967)
|Born||19 July 1929|
|Died||21 April 1996 (aged 66)|
|Cause of death||Suicide by hanging|
At one time Luigi Pistilli was one of Italy's most respected actors of stage, screen, and television. In theater, was considered one of the country's finest interpreters of Bertolt Brecht's plays in The Threepenny Opera and St Joan of the Stockyards.
He is known to Italian horror movie buffs mainly for his three 1972 thrillers Twitch of the Death Nerve, Iguana with the Tongue of Fire and Your Vice is a Locked Room and Only I Have the Key. Pistilli committed suicide in 1996 at age 66.
Born in Grosseto, Pistilli studied acting at Milan's Piccolo Teatro, graduating in 1955. Although he went into acting in films, he never completely severed his ties with the theater and often returned to appear in plays directed by Giorgio Strehler.
He appeared in many spaghetti Westerns such as The Good, the Bad and the Ugly (1966) (as the priest Pablo Ramírez, brother of Eli Wallach's character Tuco) and in For a Few Dollars More (1965) as the cunning second-in-command Groggy (his first credited film role). He played the murderous Albert in the Mario Bava giallo Twitch of the Death Nerve (A Bay of Blood) in 1971. He had a regular role on the popular Italian television Mafia drama La piovra (The Octopus). He also appeared as the main villain in Death Rides a Horse (1967).
After a role in the 1970 Charles Bronson thriller Cold Sweat, in 1972 he appeared in two giallo films Iguana With the Tongue of Fire and Your Vice Is a Locked Room and Only I Have the Key (playing an alcoholic), and appeared as an exorcising priest in the 1974 cult horror film The Eerie Midnight Horror Show (aka The Sexorcist).
Pistilli committed suicide in his home in Milan just before he was scheduled to appear in the final performance of Terence Rattigan's Tosca on April 21, 1996. The program was panned by critics and audiences, and that might have contributed to Pistilli's state of mind. However, according to his suicide note, Pistilli had suffered deep despair after making bitter public comments regarding the recent end of a four-year off-stage relationship with singer/actress Milva. In his note he apologized to her for the spiteful statements released in the published interview.
- Walter e i suoi cugini (1961) – Man discussing with Tavolini (uncredited)
- For a Few Dollars More (1965) – Groggy (Indio's Gang)
- One Hundred Thousand Dollars for Lassiter (1966) – Danny
- Texas, Adios (1966) – Hernandez
- The Good, the Bad and the Ugly (1966) – Father Pablo Ramirez
- We Still Kill the Old Way (1967) – Arturo Manno
- Death Rides a Horse (1967) – Walcott
- La lunga sfida (1967) – Paynes
- The Sweet Body of Deborah (1968) – Philip (starring Carroll Baker)
- Roma come Chicago – Banditi a Roma (1969) – Colangeli
- The Great Silence (1968) – Henry Pollicut
- The Libertine (1968) – Otto Frank, aka Mr. X
- The Protagonists (1968) – Tassoni
- L'amante di Gramigna (1969)
- The Lady of Monza (1969) – Count Fuentes
- Machine Gun McCain (1969) – Duke Mazzanga
- Eagles Over London (1969) – Maj. Krueger
- La notte dei serpenti (1969) – Lieutenant 'The Snake' Hernandez
- Dead of Summer (1970) – Doctor Volterra
- Cold Sweat (1970) – Fausto Gelardi (starring Charles Bronson)
- Veruschka – poesia di una donna (1971) – Luigi the manager
- Twitch of the Death Nerve (1971) aka A Bay of Blood – Chief of Police
- The Case of the Scorpion's Tail (1971) – Inspector Stavros
- The Iguana with the Tongue of Fire (1971) – Detective John Norton
- Caliber 9 (1972) – Mercuri
- Your Vice Is a Locked Room and Only I Have the Key (1972) – Oliviero
- A White Dress for Marialé (1972) – Paolo
- Tragic Ceremony at Villa Alexander (1972) – Lord Alexander
- Il gatto di Brooklyn aspirante detective (1973) – Tony Mangialafoglia
- The Black Hand (The Birth of the Mafia) (1973) – Don Nunzio Pantaleo
- Number One (1973) – Police Man
- One Way (1973) – Javier
- Silence the Witness (1974) – Inspector De Luca
- The Eerie Midnight Horror Show (1974) aka The Sexorcist – Father Xeno
- The Suspects (1974) – Marcello Angiotti
- The Killers Are Our Guests (1974) – Commissario Di Stefano
- Cagliostro (1975) – Cardinal de Rohan
- Due Magnum .38 per una città di carogne (1975) – Commissario Perri
- Sins Without Intentions (1975) – Stefania's Stepfather
- MitGift (1976) – Commissario
- La principessa nuda (1976) – Marco
- Illustrious Corpses (1976) – Cusan
- Confessions of a Frustrated Housewife (1976) – Doctor Carlo
- Antonio Gramsci: The Days of Prison (1977) – Gennaro Gramsci
- Mamma Ebe (1985) – Roberto Lavagnino
- Una casa in bilico (1986)
- Mal d'Africa (1990)
- L'amante senza volto (1993) – Athos Magnani
- "Luigi Pistilli". The New York Times. Baseline. All Media Guide, LLC, The New York Times Company. Archived from the original on 8 December 2014. Retrieved 3 March 2019.
- Goldin, Jay (17 December 2018). "Wars, Whores, and the Moral Reconstruction of the West: Unforgiven and The Good, the Bad and the Ugly". Bright Lights Film Journal. Retrieved 11 April 2019.
- Neibaur, James L. (12 March 2015). The Clint Eastwood Westerns. Rowman & Littlefield. p. 19. ISBN 9781442245044.
- Antonio Dipollina (23 April 1996). "' MI UCCIDO PERCHE' TI HO OFFESA'". La Repubblica. p. 24. Retrieved 1 February 2015.