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Johnny Rivers (born John Henry Ramistella; November 7, 1942) is an American rock 'n' roll singer, songwriter, guitarist, and record producer. His repertoire includes pop, folk, blues, and old-time rock 'n' roll. Rivers charted during the 1960s and 1970s but remains best known for a string of hit singles between 1964 and 1968, among them "Memphis" (a Chuck Berry cover), "Mountain of Love", "The Seventh Son", "Secret Agent Man", "Poor Side of Town" (a US #1), "Baby I Need Your Lovin'" (a Motown cover), and "Summer Rain".[1][2]

Johnny Rivers
New Orleans Jazz Fest 2007 Johnny Rivers.jpg
Rivers performing in 2007 at the New Orleans Jazz Fest
Background information
Birth nameJohn Henry Ramistella
Born (1942-11-07) November 7, 1942 (age 76)
New York City, New York, United States
OriginBaton Rouge, Louisiana, United States
GenresRock and roll, garage rock, rockabilly, blue-eyed soul
InstrumentsVocals, guitar
Years active1956–present
United Artists
Soul City


Life and careerEdit

Early yearsEdit

Rivers was born as John Henry Ramistella in New York City, of Italian ancestry. His family moved from New York to Baton Rouge, Louisiana. Influenced by the distinctive Louisiana musical style, Rivers began playing guitar at age eight, taught by his father and uncle. While still in junior high school, he started sitting in with a band called the Rockets, led by Dick Holler, who later wrote a number of hit songs, including "Abraham, Martin and John" and the novelty song, "Snoopy vs. the Red Baron".[1][2]

Ramistella formed his own band, the Spades, and made his first record at 14, while he was a student at Baton Rouge High School.[1] Some of their music was recorded on the Suede label as early as 1956.[3]

On a trip to New York City in 1958, Ramistella met Alan Freed, who advised him to change his name to "Johnny Rivers" after the Mississippi River, which flows through Baton Rouge.[1] Freed also helped Rivers gain several recording contracts on the Gone label.[2] From March 1958 to March 1959, Johnny Rivers released three records which did not sell well.[1]

Rivers returned to Baton Rouge in 1959, and began playing throughout the American South alongside comedian Brother Dave Gardner. One evening in Birmingham, Rivers met Audrey Williams, Hank Williams' first wife. She encouraged Rivers to move to Nashville, where he found work as a songwriter and demo singer. Rivers also worked alongside Roger Miller. By this time, Rivers had decided he would never make it as a singer, and song writing became his priority.[1][2]


In 1958, Rivers met fellow Louisianan James Burton, a guitarist in a band led by Ricky Nelson. Burton later recommended one of Rivers' songs, "I'll Make Believe," to Nelson who recorded it. They met in Los Angeles in 1961, where Rivers subsequently found work as a songwriter and studio musician. His big break came in 1963, when he filled in for a jazz combo at Gazzarri's, a nightclub in Hollywood, where his instant popularity drew large crowds.[1][2][4]

In 1964, Elmer Valentine gave Rivers a one-year contract to open at the Whisky a Go Go, on Sunset Strip in West Hollywood.[1][4] The Whisky had been in business just three days when the Beatles song "I Want to Hold Your Hand" entered the Billboard Hot 100.[2] The subsequent British Invasion knocked almost every American artist off the top of the charts, but Rivers was so popular that record producer Lou Adler decided to issue Johnny Rivers Live at the Whisky A Go Go,[1] which reached #12. Rivers recalled that his most requested live song then was "Memphis",[5] which reached #2 on the US Hit Parade in July 1964.[6] It sold over one million copies and was awarded a gold disc.[7] According to Elvis Presley's friend and employee, Alan Fortas, Presley played a test pressing of "Memphis" for Rivers that Presley had made but not released. Rivers was impressed and, much to Presley's chagrin, Rivers recorded and released it, even copying the arrangement (Fortas writes: "After that, Johnny was on Elvis's shit list" and was persona non grata from then on).[8] Rivers' version far outsold the Chuck Berry original from August 1959, which stalled at #87 in the US.[9]

Rivers continued to record mostly live performances throughout 1964 and 1965, including Go-Go-style records with songs featuring folk music and blues rock influences including "Maybellene" (another Berry cover), after which came "Mountain of Love", "Midnight Special", "Seventh Son" (written by Willie Dixon), plus Pete Seeger's" Where Have All the Flowers Gone?", all of which were hits.[1][10]

Rivers in a publicity photo in 1973

In 1963, Rivers began working with writers P.F. Sloan and Steve Barri on a theme song for the American broadcast of a British television series Danger Man, starring Patrick McGoohan. At first Rivers balked at the idea but eventually changed his mind. The American version of the show, titled Secret Agent, went on the air in the spring of 1965. The theme song was very popular and created public demand for a longer single version. Rivers' recording of "Secret Agent Man" reached #3 on the Billboard Hot 100 chart in 1966.[11] It sold one million copies, also winning gold disc status.[7]

In 1966, Rivers began to record ballads that featured background vocalists. He produced several hits including his own "Poor Side of Town", which would be his biggest chart hit and his only #1 record. He also started his own record company, Soul City Records which included the 5th Dimension, whose recordings of "Aquarius/Let the Sunshine In" and "Wedding Bell Blues" were #1 hits for the new label. In addition, Rivers is credited with giving songwriter Jimmy Webb a major break when the 5th Dimension recorded his song "Up, Up, and Away".[2] Rivers also recorded Webb's "By the Time I Get to Phoenix". It was covered by Glen Campbell, who had a major hit with it.[12]

Rivers continued to record more hits covering other artists, including "Baby I Need Your Lovin'" released by the Four Tops, and "The Tracks of My Tears" by the Miracles, both going Top 10 in 1967. In 1968, Rivers put out Realization, a #5 album that included the #14 pop chart single "Summer Rain", written by a former member of the Mugwumps, James Hendricks. The album included some of the psychedelic influences of the time and marked a change in Rivers' musical direction, with more introspective songs including "Look To Your Soul" and "Going Back to Big Sur".[13]


Rivers on October 11, 1975

In the 1970s Rivers continued to record more songs and albums that were successes with music critics, but did not sell well. L.A. Reggae (1972), reached the LP chart as a result of the #6 hit "Rockin' Pneumonia and the Boogie Woogie Flu," a cover version of the Huey "Piano" Smith and the Clowns song. The track became Rivers' third million seller, which was acknowledged with the presentation of a gold disc by the Recording Industry Association of America (R.I.A.A.) on January 29, 1973.[7] Reviewing L.A. Reggae in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said, "there are modernization moves, of course—two get-out-the-vote songs (just what George needs) plus the mysterious reggae conceit plus a heartfelt if belated antiwar song—but basically this is just Johnny nasalizing on some fine old memories. 'Rockin' Pneumonia' and 'Knock on Wood' are especially fine."[14]

Other hits from that time period were 1973's "Blue Suede Shoes," (recorded in 1955 by Carl Perkins), that would reach the top 40 on the Billboard Hot 100,[3] and "Help Me Rhonda" in 1975, (originally a #1 hit for the Beach Boys), on which Brian Wilson sang back-up vocals.

Rivers' last Top 10 entry was his 1977 recording of "Swayin' to the Music (Slow Dancing)" originally released by Funky Kings and written by Jack Tempchin. Rivers' last Hot 100 entry, also in 1977, was "Curious Mind (Um, Um, Um, Um, Um, Um)," originally released by Major Lance and written by Curtis Mayfield. In addition, Rivers recorded the title song for the late night concert-influenced TV show The Midnight Special.[13]

1980s to presentEdit

Rivers (left) playing with Argentine guitarist Pappo, 1986

Rivers continued releasing material into the 1980s (e.g., 1980s Borrowed Time LP), although his recording career was winding down. He is still touring, however, performing 50 to 60 shows a year. Increasingly he has returned to the blues that inspired him initially.

In 1998 Rivers reactivated his Soul City Records label and released Last Train to Memphis. In early 2000, Rivers recorded with Eric Clapton, Tom Petty and Paul McCartney on a tribute album dedicated to Buddy Holly's backup band, the Crickets.[15]

Rivers performing at the Mohegan Sun Casino on June 18, 2011, in Connecticut

Johnny Rivers career total is 9 Top 10 hits on the Billboard Hot 100 and 17 in the Top 40 from 1964 to 1977; he has sold well over 30 million records.

Rivers is one of a small number of performers including Mariah Carey, Paul Simon, Billy Joel, Pink Floyd (from 1975's Wish You Were Here onward), Queen, Genesis (though under the members' individual names and/or the pseudonym Gelring Limited) and Neil Diamond, who have their names as the copyright owner on their recordings (most records have the recording company as the named owner of the recording). This development was spearheaded by the Bee Gees with their $200 million lawsuit against RSO Records, the largest successful lawsuit against a record company by an artist or group.[16]

On June 12, 2009, Johnny Rivers was inducted into the Louisiana Music Hall of Fame.[1] His name has been suggested many times for induction into the Rock and Roll Hall of Fame, but he has never been selected. Rivers, however, was a nominee for 2015 induction into America's Pop Music Hall of Fame.

On April 9, 2017, Rivers performed a song, accompanying himself on acoustic guitar, at the funeral for Chuck Berry, at The Pageant, in St. Louis, Missouri. One of Rivers' biggest and earliest hits was his cover of Berry's "Memphis, Tennessee".



  1. ^ a b c d e f g h i j k "Louisiana Music Hall of Fame – Johnny Rivers". Louisiana Music Hall of Fame. Retrieved October 31, 2010.
  2. ^ a b c d e f g "Johnny Rivers Biography". Retrieved October 31, 2010.
  3. ^ a b Poore, Billy (1998). Rockabilly: A Forty-Year Journey, p. 101. Hal Leonard Corporation. ISBN 0-7935-9142-2.
  4. ^ a b Quisling, Erik, and Williams, Austin (2003). Straight Whisky: A Living History of Sex, Drugs, and Rock 'n' Roll on the Sunset Strip, pp. 19–21. Bonus Books, Inc. ISBN 1-56625-197-4.
  5. ^ Johnny Rivers interviewed on the Pop Chronicles (1969)
  6. ^ "Cash box: Top 100 singles 1964". Cashbox Magazine. Retrieved October 31, 2010.
  7. ^ a b c Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 181, 210 & 319. ISBN 0-214-20512-6.
  8. ^ Fortas, Alan and Nash, Alanna (1992). Elvis from Memphis to Hollywood, p.228, Aurum Press. ISBN 978-1-84513-322-1.
  9. ^ "Cash box: Top 100 singles 1963". Cashbox Magazine. Retrieved October 31, 2010.
  10. ^ Price, Randy. "The 60s Charts". Cash Box Top Singles. Cashbox Magazine. Retrieved January 30, 2010.
  11. ^ Whitburn, Joel (1998). Billboard Top 10 Charts, 1958–1997. Menomonee Falls, Wisconsin: Record Research Inc. p. 148. ISBN 0-89820-126-8.
  12. ^ "By the Time I Get to Phoenix". Songfacts. Retrieved January 9, 2015.
  13. ^ a b "Johnny Rivers Hits". Retrieved October 31, 2010.
  14. ^ Christgau, Robert (1981). "Consumer Guide '70s: R". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved March 12, 2019 – via
  15. ^ Simons, Jeff (May 11, 2000). "Rivers still on road with electric guitar". Amarillo Globe News. Retrieved April 5, 2017.
  16. ^ Marcone, Stephen (2006). Managing Your Band: Artist Management : the Ultimate Responsibility. Wayne NJ: HiMarks. pp. 297–98. ISBN 978-0965125024. Retrieved April 5, 2017.

External linksEdit