Ernestine Jane Geraldine Russell (June 21, 1921 – February 28, 2011) was an American film actress and one of Hollywood's leading sex symbols in the 1940s and 1950s.
Russell in 1945
Ernestine Jane Geraldine Russell
June 21, 1921
Bemidji, Minnesota, U.S.
|Died||February 28, 2011 (aged 89)|
|Occupation||Actress, model, singer|
|Spouse(s)||Bob Waterfield (m. 1943–1968; divorced)|
Roger Barrett (m. 1968; his death)
John Calvin Peoples (m. 1974–1999; his death)
Russell moved from the Midwestern United States to California, where she had her first film role in 1943 in Howard Hughes' The Outlaw. In 1947, Russell delved into music before returning to films. After starring in several films in the 1950s, including Gentlemen Prefer Blondes in 1953, Russell again returned to music while completing several other films in the 1960s. She starred in more than 20 films throughout her career.
Russell married three times, adopted three children, and in 1955 founded Waif, the first international adoption program. She received several accolades for her achievements in films, including having her hand and footprints immortalized in the forecourt of Grauman's Chinese Theatre, and having a star on the Hollywood Walk of Fame.
Russell was born on June 21, 1921, in Bemidji, Minnesota. She was the eldest child and only daughter of the five children of Geraldine (née Jacobi) and Roy William Russell. Her brothers are Thomas, Kenneth, Jamie, and Wallace.
Her father had been a first lieutenant in the U.S. Army, and her mother an actress with a road troupe; her mother was also the subject of a portrait by Mary Bradish Titcomb, Portrait of Geraldine J., which received public attention when purchased by Woodrow Wilson. Russell's parents lived in Edmonton, Canada until shortly before her birth and returned to that city nine days after her birth, where they lived for the first one or two years of her life.  The family then moved to Southern California where her father worked as an office manager.
Russell's mother arranged for her to take piano lessons. In addition to music, she was interested in drama and participated in stage productions at Van Nuys High School. Her early ambition was to be a designer of some kind, until the death of her father in his mid-40s, when she decided to work as a receptionist after graduation. She also modeled for photographers, and, at the urging of her mother, studied drama and acting with Max Reinhardt's Theatrical Workshop and with acting coach Maria Ouspenskaya.
In 1940, Russell was signed to a seven-year contract by film mogul Howard Hughes, and made her motion-picture debut in The Outlaw (1943), a story about Billy the Kid that went to great lengths to showcase her voluptuous figure.
The movie was completed in 1941, but it was not released until 1943 in a limited release. Problems occurred with the censorship of the production code over the way her ample cleavage was displayed in promotion of the film.
When the movie was finally passed, it had a general release in 1946. During that time, Russell was kept busy doing publicity and became known nationally. Contrary to countless incorrect reports in the media since the release of The Outlaw, Russell did not wear the specially designed underwire bra that Howard Hughes had designed and made for her to wear during filming. According to Jane's 1985 autobiography, she said that the bra was so uncomfortable that she secretly discarded it and wore her own bra with the cups padded with tissue and the straps pulled up to elevate her breasts.
Russell's measurements were 38(34D)-24-36, and she stood 5 ft 7 in (97-61-91 cm and 1.7 m), making her more statuesque than most of her contemporaries. Her favorite co-star Bob Hope once introduced her as "the two and only Jane Russell". He joked, "Culture is the ability to describe Jane Russell without moving your hands." Howard Hughes said, "There are two good reasons why men go to see her. Those are enough."
She was a popular pin-up photo with servicemen during World War II. Speaking about her sex appeal, Russell said, "Sex appeal is good - but not in bad taste. Then it's ugly. I don't think a star has any business posing in a vulgar way. I've seen plenty of pin-up pictures that have sex appeal, interest, and allure, but they're not vulgar. They have a little art to them. Marilyn's calendar was artistic."
She did not appear in another movie until 1946, when she played Joan Kenwood in Young Widow for Hunt Stromberg, who released through United Artists. The film went over budget by $600,000 and was a box office failure.
Early musical venturesEdit
In 1947, Russell attempted to launch a musical career. She sang with the Kay Kyser Orchestra on radio, and recorded two singles with his band, "As Long As I Live" and "Boin-n-n-ng!" She also cut a 78 rpm album that year for Columbia Records, Let's Put Out the Lights, which included eight torch ballads and cover art that included a diaphanous gown that for once put the focus more on her legs than on her breasts.
In a 2009 interview for the liner notes to another CD, Fine and Dandy, Russell denounced the Columbia album as "horrible and boring to listen to." It was reissued on CD in 2002, in a package that also included the Kyser singles and two songs she recorded for Columbia in 1949 that had gone unreleased at the time. In 1950, she recorded a single, "Kisses and Tears," with Frank Sinatra and The Modernaires for Columbia.
Russell shot Montana Belle for Fidelity Pictures in 1948, playing Belle Starr. The film was intended to be released by Republic Pictures, but the producer sold the film to RKO, who released it in 1952.
Howard Hughes bought RKO Pictures, who would be Russell's main employer for the next few years.
Hughes cast Russell opposite Robert Mitchum and Vincent Price in His Kind of Woman (1951), a film noir originally directed by John Farrow in 1950 which would be re-shot by Richard Fleischer the following year.
Russell did two more film noirs: The Las Vegas Story (1952) with Price and Victor Mature, and Macao (1952) with Mitchum. His Kind of Woman and Macao were minor hits but both involved so much re-shooting through the interference of Hughes that they lost money.
Gentlemen Prefer BlondesEdit
Russell played Dorothy Shaw in the hit film Gentlemen Prefer Blondes (1953) opposite Marilyn Monroe for 20th Century Fox. The film was a huge success, Russell's biggest hit since The Outlaw, making over $5 million.
Back at RKO she was in Howard Hughes's production The French Line (1954), a musical. The movie's penultimate moment showed Russell in a form-fitting one-piece bathing suit with strategic cutouts, performing a then-provocative musical number titled "Lookin' for Trouble". In her autobiography, Russell said that the revealing outfit was an alternative to Hughes' original suggestion of a bikini, a very racy choice for a movie costume in 1954. Russell said that she initially wore the bikini in front of her "horrified" movie crew while "feeling very naked." The movie earned $3 million.
Hughes also produced Underwater! (1955), an adventure film with Russell and Richard Egan at RKO. It made $2 million but because of its large cost was a financial flop Her contract with Hughes eventually ended in February 1954.
In 1953, Russell and her first husband, former Los Angeles Rams quarterback Bob Waterfield, formed Russ-Field Productions. In March 1954 they signed a six-picture deal with United Artists to last over three years; Russell only had to appear in three of the films.
Russ-Field loaned out Russell's services for appearing in Foxfire (1955) at Universal, opposite Jeff Chandler. Russell was paid $200,000 for her role and had the right to draw on Chandler's services for a film later on for her own production company. The film was a moderate success, earning $2 million.
Russ-Field produced Gentlemen Marry Brunettes (1955), a sequel to Blondes in which Russell starred alongside Jeanne Crain, for release through United Artists. It was not as successful as the original. 
Russ-Field also made some films without Russell for UA: The King and Four Queens (1956) starring Clark Gable and Eleanor Parker (co produced with Gable's company), and Run for the Sun (1956) starring Richard Widmark and Jane Greer.
As an actor only, Russell made Hot Blood (1956) with Cornel Wilde at Columbia and The Revolt of Mamie Stover (1956) at Fox, in the latter playing a role meant for Marilyn Monroe. None of these films were particularly successful.
Return to musicEdit
On the musical front, Russell formed a gospel quartet in 1954, with three other members of a faith-sharing group called the Hollywood Christian Group. The other original members were Connie Haines, Beryl Davis, and Della Russell. Haines was a former vocalist in the Harry James and Tommy Dorsey orchestras, while Davis was a British emigrant who had moved to the U.S. after success entertaining American troops stationed in England during World War II. Della Russell was the wife of crooner Andy Russell. Backed by an orchestra conducted by Lyn Murray, their choral single "Do Lord" reached number 27 on the Billboard singles chart in May 1954, selling two million copies. Della Russell, no relation to Jane, soon left the group, but Jane, Haines, and Davis followed up with a trio LP for Capitol Records, The Magic of Believing. Later, another Hollywood bombshell, Rhonda Fleming, joined them for more gospel recordings. The Capitol LP was issued on CD in 2008, in a package that also included the choral singles by the original quartet and two tracks with Fleming replacing Della Russell. A collection of some of Russell's gospel and secular recordings was issued on CD in Britain in 2005, and it includes more secular recordings, including Russell's spoken-word performances of Hollywood Riding Hood and Hollywood Cinderella backed by a jazz group that featured Terry Gibbs and Tony Scott.
In October 1957, she debuted in a successful solo nightclub act at the Sands Hotel in Las Vegas. She also fulfilled later engagements in the U.S., Canada, Mexico, South America, and Europe. A self-titled solo LP was issued on MGM Records in 1959. It was reissued on CD in 2009 under the title Fine and Dandy, and the CD included some demo and soundtrack recordings, as well. "I finally got to make a record the way I wanted to make it," she said of the MGM album in the liner notes to the CD reissue. In 1959, she debuted with a tour of Janus in New England, performed in Skylark and also starred in Bells Are Ringing at the Westchester Town House in Yonkers, New York.
Russell moved into television, appearing in episodes of Colgate Theatre, Westinghouse Desilu Playhouse, Death Valley Days, and The Red Skelton Hour. In 1999, she remarked, "Why did I quit movies? Because I was getting too old! You couldn't go on acting in those years if you were an actress over 30."
Russell was referenced in a 1956 episode of the Honeymooners. Ralph Kramden (played by Jackie Gleason) arrives home "dead" tired, vowing to go straight to bed after dinner, quipping, "You couldn’t get me out of this house tonight if you told me that Jane Russell was runnin’ a party upstairs and she couldn’t get started until I arrived!" Later, Kramden becomes aware that his best friend and neighbor, Ed Norton, is in fact throwing a party upstairs and did not invite him. After being reminded by his wife, Alice, of his reluctance to attend even a party that Jane Russell were throwing, an insulted Kramden rants, "I was talking about Jane Russell: I said nothing about any party that Norton's running!"
Russell made her first movie appearance in a number of years in Fate Is the Hunter (1964), in which she was seen as herself performing for the USO in a flashback sequence. She was second billed in two Westerns, Johnny Reno (1966) and Waco (1966), and starred in Cauliflower Cupids, filmed in 1966 but not released until 1970. She had a character role in The Born Losers (1967) and Darker Than Amber (1970).
Also in the 1970s, Russell started appearing in television commercials as a spokeswoman for Playtex "'Cross-Your-Heart Bras' for us full-figured gals", featuring the "18-Hour Bra", still one of International Playtex's best-known products even as of early March 2011.
Russell wrote an autobiography in 1985, Jane Russell: My Path and My Detours.
In 1989, Russell received the Women's International Center Living Legacy Award. Her handprints and footprints are immortalized at Grauman's Chinese Theatre, and she has a star on the Hollywood Walk of Fame at 6850 Hollywood Boulevard. Russell was voted one of the 40 Most Iconic Movie Goddesses of all time in 2009 by Glamour (UK edition).
Russell was portrayed by Renee Henderson in the 2001 CBS miniseries Blonde, based on the novel by Joyce Carol Oates and portrayed leaving her imprints at Grauman's along with Marilyn Monroe in the HBO film Norma Jean & Marilyn, starring Ashley Judd and Mira Sorvino.
Personal life and deathEdit
She described herself as "vigorously pro-life".
She was also unable to have children, after a botched abortion in her teenage years left her infertile. 
Russell was married three times, first to Waterfield; they were married from 1943 until their divorce in July, 1968. He was a UCLA All-America, Cleveland Rams quarterback, Los Angeles Rams quarterback, Los Angeles Rams head coach, and member of the Pro Football Hall of Fame. Two months after her divorce from Waterfield, Russell married actor Roger Barrett; the marriage ended when he died of a heart attack only two months later in November, 1968. She married real-estate broker John Calvin Peoples on January 31, 1974, living with him until his death from heart failure on April 9, 1999. Russell and Peoples lived in Sedona, Arizona, for a few years, but spent the majority of their married life residing in Montecito, California.
In February 1952, Russell and Waterfield adopted a baby girl, whom they named Tracy. In December 1952, they adopted a 15-month-old boy, Thomas, whose birth mother, Hannah McDermott, had moved to London to escape poverty in Northern Ireland, and, in 1956, they adopted a nine-month-old boy, Robert John. In 1955, she founded Waif, an organization to place children with adoptive families, and which pioneered adoptions from foreign countries by Americans. At the height of her career, Russell started the "Hollywood Christian Group", a weekly Bible study at her home which was attended by many of the leading names in the film industry.
In the 2013 film Philomena, Russell's photograph appears on a wall; a character states that Russell bought a child for £1000 from the tainted Sean Ross Abbey in Ireland featured in this true-life movie, but this claim is countered in at least one recent British report, which states that in the mid-1950s, Russell and her husband "rather informally adopted a son from a woman living in London, but originating in Derry, Northern Ireland. There was a major scandal and a court case, after which Russell was allowed to formalise the adoption."
In 1953, she tried to convert Marilyn Monroe during the filming of Gentlemen Prefer Blondes; Monroe later said, "Jane tried to convert me (to religion), and I tried to introduce her to Freud". Russell appeared occasionally on the Praise The Lord program on the Trinity Broadcasting Network, a Christian television channel based in Costa Mesa, California.
Russell was a prominent supporter of the Republican Party, and attended Dwight Eisenhower's inauguration, along with such other notables from Hollywood as Lou Costello, Dick Powell, June Allyson, Hugh O'Brian, Anita Louise, and Louella Parsons. She was a recovering alcoholic who had gone into rehab at the age of 79, and described herself in a 2003 interview, saying, "These days, I am a teetotal, mean-spirited, right-wing, narrow-minded, conservative Christian bigot, but not a racist."
Russell resided in the Santa Maria Valley along the Central Coast of California. She died at her home in Santa Maria of a respiratory-related illness on February 28, 2011. Her funeral was held on March 12, 2011, at Pacific Christian Church, Santa Maria.
- The Outlaw (1943)
- Young Widow (1946)
- The Paleface (1948)
- His Kind of Woman (1951)
- Double Dynamite (1951)
- The Las Vegas Story (1952)
- Macao (1952)
- Son of Paleface (1952)
- Montana Belle (1952)
- Road to Bali (1952; cameo)
- Gentlemen Prefer Blondes (1953)
- The French Line (1954)
- Underwater! (1955)
- Foxfire (1955)
- The Tall Men (1955)
- Gentlemen Marry Brunettes (1955)
- Hot Blood (1956)
- The Revolt of Mamie Stover (1956)
- The Fuzzy Pink Nightgown (1957)
- Fate Is the Hunter (1964; cameo)
- Johnny Reno (1966)
- Waco (1966)
- Born Losers (1967)
- Darker than Amber (1970)
|1950||Screen Directors Playhouse||The Paleface|
|1952||Stars in the Air||The Paleface|
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