This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (April 2009) (Learn how and when to remove this template message)
Grove Press is an American publishing imprint that was founded in 1947. Imprints include: Black Cat, Evergreen, Venus Library, and Zebra. Barney Rosset purchased the company in 1951 and turned it into an alternative book press in the United States. He partnered with Richard Seaver to bring French literature to the United States. The Atlantic Monthly Press, under the aegis of its publisher, Morgan Entrekin, merged with Grove Press in 1991. Grove later became an imprint of the publisher Grove/Atlantic, Inc.
|Country of origin||United States|
|Headquarters location||New York City, New York|
|Distribution||Publishers Group West|
Grove Press was founded in 1947 in Greenwich Village on Grove Street. The original owners only published three books in three years and so sold it to Barney Rosset in 1951 for three thousand dollars.
Under Rosset's leadership, Grove introduced American readers to European avant-garde literature and theatre, including French authors Alain Robbe-Grillet, Jean Genet, and Eugène Ionesco. In 1954 Grove published Samuel Beckett's play Waiting for Godot after it had been refused by more mainstream publishers. Since then Grove has been Beckett's U.S. publisher. Grove is also the U.S. publisher of the works of Harold Pinter; in 2006 it published a collection called The Essential Pinter, which includes Pinter's Nobel Lecture, entitled "Art, Truth & Politics".In 2006 Grove published an anniversary bilingual edition of Waiting for Godot and a special four-volume edition of Beckett's works, with commissioned introductions by Edward Albee, J. M. Coetzee, Salman Rushdie, and Colm Tóibín, to commemorate his centenary (April 2006). Grove was also the first American house to publish the unabridged complete works of the Marquis de Sade, translated by Seaver and Austryn Wainhouse. Grove also had an interest in Japanese literature, publishing several anthologies as well as works by Kenzaburō Ōe and others.
Grove published most of the American Beats of the 1950s (Jack Kerouac, William Burroughs, and Allen Ginsberg) as well as poets like Frank O'Hara of the New York School and poets associated with Black Mountain and the San Francisco Renaissance such as Robert Duncan. In 1963, Grove published My Life and Loves: Five Volumes in One/Complete and Unexpurgated, with annotations, collecting Frank Harris' work in one volume for the first time.
From 1957 to 1973 Grove published Evergreen Review, a literary magazine whose contributors included Edward Albee, Bertolt Brecht, William S. Burroughs, Albert Camus, Lawrence Ferlinghetti, Nat Hentoff, LeRoi Jones, John Lahr, and Timothy Leary.
The defining movements of the 1960s in America—the antiwar, civil rights, black power, counterculture, and student movements in the United States—along with revolutions across the globe, were debated, exposed, and discussed in Grove’s publications as was the sexual revolution. Grove’s books challenged prevailing attitudes about sex through dozens of erotic books, many by "anonymous" authors; introduced the layperson to new directions in psychology through Eric Berne’s Games People Play; and gave voice to revolutionaries around the world, including Che Guevara and Malcolm X. They published works by Frantz Fanon and Régis Debray, and numerous books opposing the Vietnam war and the draft, including information on G.I. rights.
Censorship and obscenity battlesEdit
Rejecting conventional notions of obscenity and morality, Grove gained a reputation as a controversial publisher committed to fighting censorship as it published some of the most well-known banned books.
In 1959, Grove Press published an unexpurgated version of D.H. Lawrence’s Lady Chatterley's Lover. The U.S. Post Office Department confiscated copies sent through the mail. Rosset sued the New York city postmaster and his Lawyer Charles Rembar won in New York, and then on federal appeal.
Grove’s success in publishing Lady Chatterley’s Lover paved the way for Rosset to publish another contested work that was ultimately cleared by the courts, Henry Miller's 1934 novel, Tropic of Cancer. The book contained explicit sexual passages and therefore could not be published in the United States. In 1961, Grove Press issued a copy of the work and lawsuits were brought against dozens of individual booksellers in many states for selling it. The issue was ultimately settled by the U. S. Supreme Court's 1973 decision in Miller v. California. (The Miller of the Miller case was unrelated to Henry Miller.)
The William S. Burroughs novel Naked Lunch was banned in some parts of the world for approximately ten years. The first American publisher was Grove Press. The book was banned by Boston courts in 1962 due to obscenity, but that decision was reversed in a landmark 1966 opinion by the Supreme Judicial Court of Massachusetts. This was the last major literary censorship battle in the US. Upon publication, Grove Press added to the book supplementary material regarding the censorship battle as well as an article written by Burroughs on the topic of drug addiction. Grove would publish several editions of the novel over the next four decades, including a "Restored Text" version in 2002. Grove also published the first American paperback editions of other Burroughs works including The Soft Machine, Nova Express and The Ticket That Exploded. Grove would also publish the final collection of the author's writings, the posthumously published Last Words: The Final Journals of William S. Burroughs, and in 2008 published the American first edition of And the Hippos Were Boiled in Their Tanks, the first release of a novel that Burroughs and Jack Kerouac had collaborated on in the mid-1940s.
Grove had to defend its Evergreen Review on several occasions due to what was deemed objectionable content. Issues were occasionally seized by the authorities.
In 1962, Grove had sales of $2 million, but after legal bills, lost $400,000. But by 1964, they were profitable, and by 1967, Grove went public and built its own headquarters. In 1970, the staff of 150 began organizing a union. Rosset fired some of the organizers (and later re-hired them in arbitration). The organizers responded with a picket line and an occupation of the building. Rosset called the police, and the occupiers left. His editor, Richard Seaver, talked to the pickets and convinced them to disperse. Grove distributed an anti-union information sheet, and the union vote failed, 86–34. After the vote, Grove fired half its workers.
Obscene, a documentary feature about Rosset and Grove Press by Neil Ortenberg and Daniel O’Connor, was released September 26, 2008. The film was a selection of the 2007 Toronto International Film Festival. Featured in the film are Amiri Baraka, Lenny Bruce, William S. Burroughs, Jim Carroll, Lawrence Ferlinghetti, Allen Ginsberg, Al Goldstein, Erica Jong, Ray Manzarek, Michael McClure, Henry Miller, John Rechy, Ed Sanders, Floyd Salas, John Sayles, Gore Vidal, John Waters, and Malcolm X.
In popular cultureEdit
Grove Press is referenced several times in the AMC series Mad Men, directly or indirectly. In Season 1, Episode 3, Joan Holloway returns a borrowed copy of D. H. Lawrence's Lady Chatterley's Lover; the book's first U.S. publisher was Grove Press, who fought numerous court battles over it. Season 2, Episode 13 is titled "Meditations in an Emergency," after a book of poetry by Frank O'Hara published by Grove Press in 1957; later in the episode Don Draper is seen reading the book, after being challenged by a colleague ("You wouldn't like it."). The episode reportedly boosted sales of the book by 218%. Season 4, Episode 11 features Eric Berne's Games People Play, another best-seller published by Grove Press. In Season 5, Episode 9, Don is seen at the theater holding an issue of Evergreen Showcard, Grove's short-lived off-Broadway theatrical magazine. In Season 7, Episode 6, Don mentions to Peggy that he and Megan had seen the film I Am Curious (Yellow) the previous evening (Don: "[I'm] still scandalized." Peggy: "Of course Megan would want to see a dirty movie."); the film's U.S. distributor was Grove Press. In 2010, in an interesting example of art influencing life, Grove/Atlantic (the successor company to Grove Press) published—for real—the memoir of fictional Roger Sterling: Sterling's Gold: Wit and Wisdom of an Ad Man.
- Glass, Loren. Counterculture Colophon: Grove Press, the Evergreen Review, and the Incorporation of the Avant-Garde. Stanford: Stanford University Press, 2013.
- Silverman, Al (2008). The Time of Their Lives: The Golden Age of Great American Publishers, Their Editors and AuthorsThe Time of Their Lives: The Golden Age of Great American Publishers, Their Editors and Authors. New York: Truman Talley. ISBN 9780312350031.
- "Grove Atlantic". www.groveatlantic.com. Archived from the original on 2010-06-15. Retrieved 2016-07-08.
- Grove Press Records, Syracuse University Special Collections Research Center
- Kaplan, Fred (July 20, 2009). "The Day Obscenity Became Art". The New York Times.
- Sicha, Choire (January 9, 2012). "All the Young Dudes: A posthumous memoir goes behind the scenes at the celebrated publisher of Burroughs, Lawrence, and Malcolm X". Slate.
- McGrath, Charles (September 23, 2008). "Publisher Who Fought Puritanism, and Won". The New York Times.
- "Obscene: A Film By Neil Ortenberg & Daniel O'Connor". Double O Film Productions.
- Zmuda, Natalie. "'Mad Men' as Fashion Muse," Advertising Age, 4 Aug 2008.
- Evergreen Black Cat Books, librarything.com. Retrieved 1 November 2018.
- Evergreen Books (Grove Press) - Book Series List, publishinghistory.com. Retrieved 1 November 2018.
- Grove/Atlantic, Inc.—Official website (Grove Press and Atlantic Monthly Press; with links also to Atlantic Books, Ltd., Canongate Books, Ltd., and Open City Magazine)
- Grove Press Records at Syracuse University Special Collections Research Center
- Venus Library (imprint of Grove Press) - Front covers of titles (1969-1973)
- One Touch of Venus (Library): Odyssey of an Imprint, Part I
- One Touch of Venus (Library): Odyssey of an Imprint, Part 2
- "Barney Rosset, The Art of Publishing No. 2". The Paris Review (Interview) (145). Interviewed by Ken Jordan. Winter 1997.