George Lawrence Petros (born January 11, 1955) is an American art designer, author, editor, interviewer and illustrator. From 1984 through 1992 he published and edited EXIT, a punk-inspired art and science fiction magazine he founded with Adam Parfrey and Kim Seltzer. From 1992 through 2000 he edited and art-directed Seconds, an all-interview music and culture magazine founded by Steven Blush. From 2000 through 2005 he was a contributing editor of Juxtapoz, the low-brow art magazine founded by Robert Williams, and the senior editor of Propaganda, a goth/industrial music and style magazine founded by Fred H. Berger. He is the author of Art That Kills: A Panoramic Portrait of Aesthetic Terrorism 1984-2001, The New Transsexuals: The Next Step In Human Evolution, and the editor of American Hardcore: A Tribal History. His art and writing have appeared in Heavy Metal, Thrasher, Paper, Screw, Apocalypse Culture 2, ArtSync, and on DEVO album covers.
Petros was born in 1955 at Chicago, Illinois. His father, uncle and grandfather were plumbers and mechanical engineers. The family moved to Clearwater, Florida, in 1968. Petros returned to Chicago in 1978, where he studied commercial art at Ray-Vogue Institute of Design and worked as an engineering technician for the City of Chicago. In 1982 he moved to New York City. He has two daughters, Erin and Christine.
EXIT was a New York City-based large-format alternative comic art, science fiction and graphics magazine published from 1984 through 1992. It was founded in 1983 by Petros, Adam Parfrey and Kim Seltzer, with R. Bruce Ritchie joining shortly afterward. Five issues were released; a sixth was partially completed. The magazine's history is divided into two eras: the first, from inception through 1987, was characterized by the collaboration of Petros and Parfrey; and the second, spanning from Parfrey's 1987 departure until the project's end, was characterized by Petros's work with Michael Andros, Salvatore Canzonieri, Robert N. Taylor and John Aes-Nihil.
Science, science fiction, fringe politics and alternative history influenced EXIT's graphic style. Some of the magazine's contributors worked in a form Petros christened Serial Art, which adopts the techniques of timelines, graphs and diagrams to show changes, processes, and the flow of situations. Serial Art also appropriates techniques of comic art and film storyboards. Other contributors worked in a form Ritchie christened Propagandart, which adopts principles of advertising and propaganda in order to manipulate emotions and opinions. EXIT also presented alternative comics, photomontage, photography, poetry and incendiary literature.
In his introduction to the compilation The EXIT Collection (Tacit Press, 1998), Petros describes EXIT as "An outlaw Pop Art magazine in opposition to both the underground and the establishment. It was a forum for extreme ideologies and inclinations manifested as political pornography, psychosexual terrorism, scientific threats and infernal texts. It was graced by contributions from the best artists and writers in America — famous, infamous, and unknown."
Among the many artists and writers who contributed to EXIT were Robert Williams, Mark Mothersbaugh, JG Thirlwell, Genesis P-Orridge, Joe Coleman, Steven Cerio, Mike Diana, Alex Grey, Richard Kern, Lydia Lunch, Nick Zedd, Raymond Pettibon, Boyd Rice, S. Clay Wilson, GG Allin, H. R. Giger, Marilyn Manson, Nikolas Schreck, Zeena LaVey, Jim Blanchard and Jonathan Shaw. Notorious criminals whose artwork appeared in the magazine include John Wayne Gacy, Henry Lee Lucas, Richard Ramirez, James Earl Ray and Ottis Toole.
Seconds (ISSN 1052-5025) was a New York City-based all-interview music, culture and true crime magazine founded in 1987 by promoter and DJ Steven Blush. The magazine was noteworthy for its fusion of punk rock and heavy metal sensibilities. It also covered R&B and hip hop. Seconds presented itself as pursuing The Art of the Interview, a phrase that appeared on its cover from 1995. The final issue appeared in 2000.
Petros began writing for Seconds in 1987; in 1992 he became editor and occasional art director. The magazine expanded its coverage to include individuals involved with science and science fiction. Under Petros's editorship the magazine presented interviews with, among others, Charles Manson, Karlheinz Stockhausen, Henny Youngman, Bauhaus, Joan Jett, Marilyn Manson, Dan Aykroyd, James Earl Ray, Anton LaVey, White Zombie, Bijou Phillips, characters from Andy Warhol's Factory Family, David Crosby, John Waters, Richard Ramirez, Henry Lee Lucas, Ed "Big Daddy" Roth, Sandra Bernhard, David Cronenberg, Tiny Tim, musicians contributing to the History of Jamaican Jazz, Ronnie Biggs, Vincent Bugliosi, Philip Glass, Marianne Faithfull, Danzig, Metallica, Ron Jeremy, Lyndon LaRouche, Martin Denny, Esquivel!, Jim Jarmusch, Nick Cave, Ravi Shankar, Camille Paglia, Boy George, The Moody Blues, Wayne Kramer, Malcolm McLaren, Moby, Traci Lords, The Black Crowes, Afrika Bambaataa, Carlos Santana, Barry White, Steve Reich, Jimmy Page & Robert Plant, Bootsy Collins, Sammy Hagar, David Lee Roth, Travis Tritt and Deborah Harry.
Petros's personal interview subjects for Seconds included Wendy Carlos, Timothy Leary, John McLaughlin, Jayne County, Dr. Fiorella Terenzi, Ed Sanders, Allen Ginsberg, representatives of SETI (Search for Extra-Terrestrial Intelligence), David Bowie, J.G. Thirlwell, Yoko Ono, Ray Conniff, Space Shuttle commander Capt. Robert "Hoot" Gibson, Alvin Lee, Harlan Ellison, J.G. Ballard, Gail Zappa, Man or Astro-man?, the editors of High Times Magazine, DJ Spooky That Subliminal Kid, Jonn Serrie, Steven Cerio, Jim Blanchard, Jean-Luc Ponty, Pharoah Sanders, PM Dawn and Roger Dean.
Juxtapoz (ISSN 1077-8411) is a San Francisco-based art and culture magazine founded in 1994 by Robert Williams to define and celebrate urban alternative and underground contemporary art. Juxtapoz is published by High Speed Productions, the same company that publishes Thrasher skateboard magazine. It connects psychedelic and hot rod art, graffiti and street art to more historically-recognized genres of art like pop, assemblage, old masters painting, and conceptual art.
Juxtapoz originally reflected Williams' own Kustom Kulture sensibility which, when emulated by other artists, came to be known as lowbrow art.
Propaganda was a Gothic subculture magazine founded in 1982 by New York City photographer Fred H. Berger. It focused on all aspects of goth culture, including fashion, sexuality, music, art, literature, body modification, BDSM, paganism, role-playing, vampirism, and fetishism. Propaganda was the longest-running and most popular gothic subculture magazine in the United States. Petros began writing for the magazine in 2000 and in 2001 was appointed senior editor. He interviewed musicians and artists such as Marilyn Manson, Genesis P-Orridge, Genitorturers and H.R. Giger, as well as providing news content for the Propaganda website.
- Exploding Hearts Exploding Stars: The Serial Art and Propagandart of George Petros by George Petros (Norman Gosney Pubns, 1992, ISBN 1-881875-00-8)
- The EXIT Collection edited by George Petros, Michael Andros, associate editor (Tacit, 1998, ISBN 0-9661340-0-1)
- American Hardcore: A Tribal History by Steven Blush, edited by George Petros (Feral House, 2001, ISBN 0-922915-71-7)
- .45 Dangerous Minds: The Most Intense Interviews From Seconds Magazine edited by Steven Blush and George Petros (Creation Books, 2005, ISBN 1-84068-124-1)
- Art That Kills: A Panoramic Portrait of Aesthetic Terrorism 1984-2001 by George Petros (Creation Books, 2006, ISBN 1-84068-143-8)
- Les Barany's Carnivora edited by George Petros (Scapegoat Publications, 2008, ISBN 978-0-9795132-1-3)
- The New Transsexuals: The Next Step In Human Evolution by George Petros (PetrosIdeas, 2012, ISBN 978-0-9855018-0-8)
- Black Sunshine: The Tampa Underground and Beyond compiled and produced by George Petros (Cleopatra Records, 2003); can be heard at georgepetros.com/bs/tracks.htm
- New York City Rock N Roll compiled and produced by Steven Blush; project coordinator etc.: George Petros (Radical Records, 2004)
- Easy Listening Acid Trip compiled by George Petros, 1987-2007; can be heard at georgepetros.com/ez/
- Interview with George Petros: "From Propagandart to the Art of the Interview" by Aaron Garland, March 2000.
- "How Black is Black Metal?" by Kevin Coogan, first appeared in HITLIST, February/March 1999, Volume one, Number one, Berkeley CA, USA.
- Excerpt from interview discussing Exit magazine, "Adam Parfrey and Feral House Productions", an interview by R. Nicholas Taylor in CyberPsychos AOD #6.