Fareeda Mehta (born July 1959) is an Indian film director who makes short films, documentaries and feature films. Also she collaborates closely with the Press Trust of India and organizations such as UNICEF, NCERT, NORAD and NFDC.

Fareeda Mehta
BornJuly 1959 (age 64)
Occupation(s)Film Director, Screenwriter

Early life and education edit

Mehta studied social sciences at Tata Institute of Social Sciences (TISS) in Bombay and later film directing at the Film and Television Institute of India (FTII), Pune.[1][2]

Career edit

After graduating at the FTII, Pune as a film director, Mehta made her first short film Hawa Ka Rang in 1989, which was awarded the first prize at the Turin Film Festival. She has also worked on several films directed by Kumar Shahani and Mani Kaul as an assistant.

Her first feature film as a director was the 2002 film Kali Salwaar starring Sadiya Siddiqui, Irrfan Khan, Kay Kay Menon and Vrajesh Hirjee. Centred on a Muslim prostitute coming from Muzzafarpur to Mumbai, Kali Salwaar was an almost abstract odyssey into migration, marginalization, and displacement. Her film is based on a story by Saadat Hasan Manto, the leftist Urdu short story writer of the nineteenth century. Almost the entire film was shot in her neighbourhood in Mumbai, focusing on a lively bazaar. Although the main themes are displacement and the sense of loss in an anonymous metropolis, the setting breathes a striking intimacy. Sultana, the main character, together with her husband and pimp Khudabaksh, soon find out that life in Mumbai is often beyond their control. With nothing left to make ends meet, Khudabaksh is attracted to fakir mysticism, leaving behind his wife, alone with the desperate wish to find a black garment to wear during Moharram, the Islamic month of mourning.[3]

According to Fareeda, Kali Salwaar does not have a message per se, but deals with exchange of energies. In a silent way it creates contemplative spaces in which the audience can pause and let imagination, emotions, and memory roam free. Kali Salwaar has been shown in many international film festivals, including the Indian Panorama in the International Film Festival of India, Goteborg Film Festival, Rotterdam International Film Festival (2003) and Durban International Film Festival (2003). It was nominated for 'Best Film' at the Bogota film festival.[2]

In her own words: "Perhaps cinema is the best form to show the unfolding of Destiny. Destiny, not as predetermined fate, but as it is getting made – as an unfolding of time and events within time. It gets made as people meet and exchange – a few words, or a look, or money. Seemingly inconsequential encounters change you forever and each time. In Kali Salwaar, I try to come close to this pulse of random movement and imperceptible ‘happening’".[1]

Filmography edit

Short films edit

Year Title Notes
1989 Hawa Ka Rang[4]
1994 Paitrik Sampati[4]
1994 Yaadon Ke Kinaare[4]

Documentary films edit

Year Title Notes
1991 Bhavatarana Worked as a Screenwriter only.
1995 In Search of Greener Pastures[4]

Feature films edit

Year Title Notes
1991 Kasba Worked as a Screenwriter only.
2002 Kali Salwaar[1][4][3]

References edit

  1. ^ a b c "Directors Jocelyn Saab and Fareeda Mehta feel that films can work as a wake up call to women". The Hindu (newspaper). 24 March 2008. Archived from the original on 11 April 2013. Retrieved 3 June 2021.
  2. ^ a b Kali Salwaar (2002) - Fareeda Mehta Cinephilanderer.com website, Published 3 August 2009, Retrieved 3 June 2021
  3. ^ a b Fatema Kagalwala (13 May 2017). "Unshackling Sultana (By shifting focus to the macro, Kali Salwar ceases to be a sex worker's story)". The Hindu (newspaper). Retrieved 3 June 2021.
  4. ^ a b c d e Fareeda Mehta profile on International Film Festival Rotterdam (IFFR) website Retrieved 3 June 2021

External links edit