Ethel Waters (October 31, 1896 – September 1, 1977) was an American singer and actress. Waters frequently performed jazz, swing, and pop music on the Broadway stage and in concerts, but she began her career in the 1920s singing blues. Waters notable recordings include "Dinah", "Stormy Weather", "Taking a Chance on Love", "Heat Wave", "Supper Time", "Am I Blue?", "Cabin in the Sky", "I'm Coming Virginia", and her version of "His Eye Is on the Sparrow". Waters was the second African American to be nominated for an Academy Award. She was the first African-American to star on her own television show and the first African-American woman to be nominated for a Primetime Emmy Award.
A photograph of Waters from her appearance in Cabin in the Sky, 1943
|Born||October 31, 1896|
Chester, Pennsylvania, U.S.
|Died||September 1, 1977 (aged 80)|
|Resting place||Forest Lawn Memorial Park, Glendale, California, U.S.|
(m. 1909; div. 1913)
Clyde E. Matthews
(m. 1929; div. 1933)
(m. 1938; div. 1945)
|Relatives||Crystal Waters (great-niece)|
Waters was born in Chester, Pennsylvania on October 31, 1896 (some sources state her birth year as 1900) as a result of the rape of her teenaged African-American mother, Louise Anderson (1881–1962) by John Waters, (1878–1901), a pianist and family acquaintance from a middle-class African-American background. Waters's family was very fair skinned, her mother in particular. Many sources, including Ethel herself, have reported for years that her mother was 12 or 13 years old at the time of the rape, 13 when Ethel was born. Stephen Bourne opens his 2007 biography, Ethel Waters: StormyWeather, with the statement that genealogical research has shown that she may have been in her late teens.
Waters played no role in raising Ethel. Soon after she was born, her mother married Norman Howard, a railroad worker. Ethel used the surname Howard as a child and then reverted to her father's name. She was raised in poverty by Sally Anderson, her grandmother, who worked as a housemaid, and with two of her aunts and an uncle. Waters never lived in the same place for more than 15 months. Of her difficult childhood, she said "I never was a child. I never was cuddled, or liked, or understood by my family."
Waters grew tall, standing 5 feet 9.5 inches (1.765 m) in her teens. According to jazz historian and archivist Rosetta Reitz, Waters's birth in the North and her peripatetic life exposed her to many cultures. Waters married at the age of 13, but her husband was abusive, and she soon left the marriage and became a maid in a Philadelphia hotel, working for $4.75 per week. On her 17th birthday, she attended a costume party at a nightclub on Juniper Street. She was persuaded to sing two songs and impressed the audience so much that she was offered professional work at the Lincoln Theatre in Baltimore. She recalled that she earned the rich sum of $10 per week, but her managers cheated her out of the tips her admirers threw on the stage.
After her start in Baltimore, Waters toured on the black vaudeville circuit, in her words "from nine until unconscious." Despite her early success, she fell on hard times and joined a carnival traveling in freight cars headed for Chicago. She enjoyed her time with the carnival and recalled, "the roustabouts and the concessionaires were the kind of people I'd grown up with, rough, tough, full of larceny towards strangers, but sentimental and loyal to their friends and co-workers." But she did not last long with them and soon headed south to Atlanta, where she worked in the same club as Bessie Smith. Smith demanded that Waters not compete in singing blues opposite her. Waters conceded and sang ballads and popular songs. Around 1919, Waters moved to Harlem and became a performer in the Harlem Renaissance of the 1920s.
Her first Harlem job was at Edmond's Cellar, a club with a black patronage that specialized in popular ballads. She acted in a blackface comedy, Hello 1919. Jazz historian Rosetta Reitz pointed out that by the time Waters returned to Harlem in 1921, women blues singers were among the most powerful entertainers in the country. In 1921, Waters became the fifth black woman to make a record, for tiny Cardinal Records. She later joined Black Swan, where Fletcher Henderson was her accompanist. Waters later commented that Henderson tended to perform in a more classical style than she preferred, often lacking "the damn-it-to-hell bass."
She recorded for Black Swan from 1921 through 1923. Her contract with Harry Pace made her the highest paid black recording artist at the time. In early 1924, Paramount bought Black Swan, and she stayed with Paramount through the year.
She first recorded for Columbia in 1925, achieving a hit with "Dinah". She started working with Pearl Wright, and they toured in the South. In 1924, Waters played at the Plantation Club on Broadway. She also toured with the Black Swan Dance Masters. With Earl Dancer, she joined what was called the "white time" Keith Vaudeville Circuit, a vaudeville circuit performing for white audiences and combined with screenings of silent movies. They received rave reviews in Chicago and earned the unheard-of salary of US$1,250 in 1928. In September 1926, Waters recorded "I'm Coming Virginia", composed by Donald Heywood with lyrics by Will Marion Cook. She is often wrongly attributed as the author. The following year, Waters sang it in a production of Africana at Broadway's Daly's Sixty-Third Street Theatre. In 1929, Waters and Wright arranged the unreleased Harry Akst song "Am I Blue?", which was used in the movie On with the Show and became a hit and her signature song.
Film, theater and televisionEdit
In 1933, Waters appeared in a satirical all-black film, Rufus Jones for President, which featured the child performer Sammy Davis Jr. as Rufus Jones. She went on to star at the Cotton Club, where, according to her autobiography, she "sang 'Stormy Weather' from the depths of the private hell in which I was being crushed and suffocated." In 1933, she had a featured role in the successful Irving Berlin Broadway musical revue As Thousands Cheer with Clifton Webb, Marilyn Miller, and Helen Broderick.
She became the first black woman to integrate Broadway's theater district more than a decade after actor Charles Gilpin's critically acclaimed performances in the plays of Eugene O'Neill beginning with The Emperor Jones in 1920.
Waters held three jobs: in As Thousands Cheer, as a singer for Jack Denny & His Orchestra on a national radio program, and in nightclubs. She became the highest-paid performer on Broadway. Despite this status, she had difficulty finding work. She moved to Los Angeles to appear in the 1942 film Cairo. During the same year, she reprised her starring stage role as Petunia in the all-black film musical Cabin in the Sky directed by Vincente Minnelli, and starring Lena Horne as the ingenue. Conflicts arose when Minnelli swapped songs from the original script between Waters and Horne: Waters wanted to perform "Honey in the Honeycomb" as a ballad, but Horne wanted to dance to it. Horne broke her ankle and the songs were reversed. She got the ballad and Waters the dance. Waters did sing the Academy Award nominated "Happiness is Just a Thing Called Joe".
In 1939 Waters became the first African American to star in her own television show, before Nat King Cole appeared in 1956. The Ethel Waters Show, a 15-minute variety special, appeared on NBC on June 14, 1939; it included a dramatic performance of the Broadway play Mamba's Daughters based in the Gullah community of South Carolina and produced with her in mind. The play was based the novel by DuBose Heyward.
She was nominated for an Academy Award for Best Supporting Actress for the film Pinky (1949) under the direction of Elia Kazan after the first director, John Ford, quit over disagreements with Waters. According to producer Darryl F. Zanuck, Ford "hated that old...woman (Waters)." Ford, Kazan stated, "didn't know how to reach Ethel Waters." Kazan later referred to Waters's "truly odd combination of old-time religiosity and free-flowing hatred."
In 1950, she won the New York Drama Critics Circle Award for her performance opposite Julie Harris in the play The Member of the Wedding. Waters and Harris repeated their roles in the 1952 film version.
It was the first nationally broadcast weekly television series starring an African-American in the leading role. She starred as Beulah for the first year of the TV series before quitting in 1951, complaining that the portrayal of blacks was "degrading." She was replaced by Louise Beavers in the second and third season. She guest-starred in 1957 and 1959 on NBC's The Ford Show, Starring Tennessee Ernie Ford. In a 1957 segment, she sang "Cabin in the Sky".
When production moved to Hollywood, Hattie McDaniel, star of radio's Beulah from 1947 to 1952, was cast in the title role in Summer 1951, but she only filmed six shows before falling ill. She was quickly replaced by Louise Beavers in later 1951. The McDaniel episodes were shelved pending an improvement of her health, and so the second season began in April 1952 starting with the Beavers episodes. The six McDaniel episodes were tagged onto the end of the second season, starting in July 1952 and running until August 1952. It was around this time that McDaniel learned that she had advanced breast cancer. Beavers returned in the role of Beulah for the first part of the third Beulah season, which aired from September to December 1952.
In 1953, she appeared in a Broadway show, At Home With Ethel Waters that opened on September 22, 1953 and closed October 10 after 23 performances.
Waters married three times and had no children. When she was 13, she married Merritt "Buddy" Purnsley in 1909; they divorced in 1913. She married Clyde Edwards Matthews in 1929, and they divorced in 1933. She married Edward Mallory in 1938; they divorced in 1945. Waters was the great-aunt of the singer-songwriter Crystal Waters.
In 1938, Waters met artist Luigi Lucioni through their mutual friend, Carl Van Vechten. Lucioni asked Waters if he could paint her portrait, and a sitting was arranged at his studio at 64 Washington Square South. Waters bought the finished portrait from Lucioni in 1939 for $500. She was at the height of her career and the first African American to have a starring role on Broadway. In her portrait, she wore a tailored red dress with a mink coat draped over the back of her chair. Lucioni positioned Waters with her arms tightly wrapped around her waist, a gesture that conveyed vulnerability, as if she were trying to protect herself. The painting was considered lost because it had not been seen in public since 1942. Huntsville (Alabama) Museum of Art Executive Director Christopher J. Madkour and historian Stuart Embury traced it to a private residence. The owner considered Waters to be "an adopted grandmother" but she allowed the Huntsville Museum of Art to display Portrait of Ethel Waters in the 2016 exhibition American Romantic: The Art of Luigi Lucioni where it was viewed by the public for the first time in more than 70 years. The museum acquired Portrait of Ethel Waters in 2017, and it was shown in an exhibition in February 2018].
By 1955, Waters was deeply in debt for back taxes; the IRS seized royalties of her work. She lost tens of thousands in jewelry and cash in a robbery. Her health suffered, and she worked sporadically. Yet she had faced lean times before. A turning point came in 1957 when she attended the Billy Graham Crusade in Madison Square Garden. She entered the Garden that night a disillusioned, lonely, 61-year-old woman. She had become successful at giving out happiness, but her personal life lacked peace. She was in debt, had physical problems, weighed too much to perform comfortably, and was worried about her career.
Years later, she gave this testimony of that night, "In 1957, I, Ethel Waters, a 380-pound decrepit old lady, rededicated my life to Jesus Christ, and boy, because He lives, just look at me now. I tell you because He lives; and because my precious child, Billy, gave me the opportunity to stand there, I can thank God for the chance to tell you His eye is on all of us sparrows." In her later years, Waters often toured with the preacher Billy Graham on his crusades.
Ethel was written and performed by Terry Burrell as a one-woman tribute to Waters. It ran as a limited engagement in February and March 2012.
Awards and honorsEdit
- Her recording of "Stormy Weather" (1933) was listed in the National Recording Registry by the National Recording Preservation Board of the Library of Congress in 2003.
- Gospel Music Hall of Fame, 1983
- Christian Music Hall of Fame, 2007
- Waters was approved for a star on the Hollywood Walk of Fame in 2004.
- In 2015, a historical marker memorializing Waters was unveiled along Route 291 in Chester, Pennsylvania to recognize her life and talents in the city of her birth.
- Commemorative stamp, U.S. Post Office, 1994
- Nomination, Best Supporting Actress, Academy Awards, Pinky 1949
- Nomination, Outstanding Single Performance by an Actress in a Series, Primetime Emmy Awards, for Route 66 "Goodnight Sweet Blues", 1962
- Three recordings by Waters were inducted into the Grammy Hall of Fame, a special Grammy Award established in 1973 to honor recordings that are at least twenty-five years old and have "qualitative or historical significance."
|Ethel Waters: Grammy Hall of Fame Awards|
|1929||"Am I Blue?"||Traditional Pop (Single)||Columbia||2007|
(Keeps Rainin' All The Time)
|1925||"Dinah"||Traditional Pop (Single)||Columbia||1998|
|1921||"Down Home Blues"||5|
|"There'll Be Some Changes Made"||5|
|1922||"Spread Yo' Stuff"||7|
|1925||"Sweet Georgia Brown"||6|
|"I've Found a New Baby"||11|
|1927||"I'm Coming, Virginia"||10|
|1929||"Am I Blue?"||1|
|"True Blue Lou"||15|
|1931||"Three Little Words"||8|
|"I Got Rhythm"||17|
|"You Can't Stop Me from Loving You"||13|
|"Shine On, Harvest Moon"||9|
|"River, Stay 'Way from My Door"||18|
|"Don't Blame Me"||6|
|"A Hundred Years from Today"||7|
|1934||"Come Up and See Me Sometime"||9|
|"Miss Otis Regrets (She's Unable to Lunch Today)"||19|
|1938||"You're a Sweetheart"||16|
- On with the Show (1929) as Ethel
- Gift of Gab (1934) as Ethel Waters
- Tales of Manhattan (1942) as Esther
- Cairo (1942) as Cleona Jones
- Cabin in the Sky (1943) as Petunia Jackson
- Stage Door Canteen (1943) as Ethel Waters
- Pinky (1949) as Dicey Johnson
- The Member of the Wedding (1952) as Berenice Sadie Brown
- Carib Gold (1957) as Mom
- The Heart Is a Rebel (1958) as Gladys
- The Sound and the Fury (1959) as Dilsey
- Rufus Jones for President (1933) as Mother of Rufus Jones
- Bubbling Over (1934) as Ethel Peabody
- Let My People Live (1939)
- First African American, male or female, to star in own TV show, The Ethel Waters Show, which was broadcast on NBC on June 14, 1939.
- Starred in title role of Beulah on ABC-TV from 1950 to 1951.
- TV guest appearances from 1950 to 1952 on The Jackie Gleason Show, Texaco Star Theater, This Is Show Business, What's My Line?, and The Chesterfield Supper Club
- Person to Person (1954)
- Whirlybirds, episode "The Big Lie" (1959)
- Route 66, episode "Good Night, Sweet Blues" (1961)
- The Hollywood Palace, hosted by Diana Ross and the Supremes (1969)
- Daniel Boone, episode "Mamma Cooper" (1970)
- Hello 1919! (1919)
- Jump Steady (1922)
- Plantation Revue (1925)
- Black Bottom (1926)
- Miss Calico (1926–27)
- Paris Bound (1927)
- Africana (1927)
- The Ethel Waters Broadway Revue (1928)
- Lew Leslie's Blackbirds (1930)
- Rhapsody in Black (1931)
- Broadway to Harlem (1932)
- As Thousands Cheer (1933–34)
- At Home Abroad (1935–36)
- Mamba's Daughters (1939; 1940)
- Cabin in the Sky (1940–41)
- Laugh Time (1943)
- Blue Holiday (1945)
- The Member of the Wedding (1950–51)
- At Home with Ethel Waters (1953)
- The Voice of Strangers (1956)
- Bourne, Stephen (July 10, 2018). Ethel Waters: Stormy Weather. Scarecrow Press. ISBN 9780810859029. Retrieved July 10, 2018 – via Google Books.
- Dobrin, Arnold (July 10, 1972). Voices of joy, Voices of Freedom: Ethel Waters, Sammy Davis, Jr., Marian Anderson, Paul Robeson, Lena Horne. Coward, McCann & Geoghegan. Retrieved July 10, 2018 – via Internet Archive.
ethel waters husband.
- Manning, Frankie; Millman, Cynthia R. (July 10, 2018). Frankie Manning: Ambassador of Lindy Hop. Temple University Press. ISBN 9781592135639. Retrieved July 10, 2018 – via Google Books.
- "The Story of Crystal Waters' "Gypsy Woman (She's Homeless)"". Thump.vice.com. April 8, 2016. Retrieved July 10, 2018.
- "Ethel Waters". Britannica.com. Retrieved July 10, 2018.
- In her second autobiography, To Me, It's Wonderful, Waters stated that she was born in 1896. She had explained in the first autobiography, His Eye is on the Sparrow, that, in order to get a group insurance deal, friends had persuaded her to say that she was born in 1900.
- Bourne, Stephen (2007). Ethel Waters: Stormy Weather. Scarecrow Press. p. 2. ISBN 978-0-8108-5902-9.
- Hale, Ron F. (May 2, 2016). "Ethel Waters: The Sparrow that Soared". The Christian Index. Retrieved January 2, 2020.
- McElrath, Jessica. "Remembering the Career of Ethel Waters". Archived from the original on February 18, 2009. Retrieved July 23, 2009.
- Ethel Waters. Encyclopedia.com. Retrieved 25 September 2016.
- Robinson, Alice M.; Roberts, Vera Mowry; Barranger, Milly, eds. (1989). Notable Women in the American Theatre: A Biographical Dictionary. Westport, Connecticut: Greenwood Press. p. 903.
- Waters, Ethel; Samuels, Charles T. (1951). His Eye on the Sparrow: An Autobiography. New York: Doubleday.
- "Baltimore Afro-American". news.google.com. Baltimore Afro-American. September 12, 1959. Retrieved March 17, 2011.
- "Waters, Ethel". Current Biography. H. W. Wilson: 899–900. 1941. Retrieved February 6, 2008.
- Waters, Ethel; Samuels, Charles T. (1992). His Eye on the Sparrow: An Autobiography. New York: Da Capo Press. p. 147.
- Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 12. ISBN 1-85868-255-X.
- "The Rise and Fall of Black Swan Records". Redhotjazz.com. Retrieved March 20, 2018.
- "I'm Coming Virginia (1927)". Jazzstandards.com. Retrieved March 14, 2017.
- Bogle, Donald (2011). Heat Wave: The Life and Career of Ethel Waters. HarperCollins. p. 656. ISBN 9780062041722.
- Simpson, Janice (February 22, 2015). "Pivotal Moments in Broadway's Black History". Playbill. Retrieved March 7, 2018.
- "Ethel Waters". Encyclopedia.com. Retrieved March 7, 2018 – via Contemporary Black Biography, Thomson Gale, 2005.
- Looney, Deborah. "Cabin in the Sky". Turner Classic Movies. Retrieved March 7, 2018.
- "First Black Seen on Television". aaregistry.org. Retrieved February 15, 2018.
- "Mamba's Daughters Broadway". Playbill. Retrieved March 1, 2017.
- Eyman, Scott (1999). Print the Legend: The Life and Times of John Ford. Johns Hopkins University. p. 361.
- "Beulah: Harry Builds a Den". TV.com. Retrieved May 14, 2020.
Some sources indicate that the series ended in 1953. The last episode, "Harry Builds A Den", aired on Dec. 23, 1952.
- Lance, Steven (1996). Written Out of Television: A TV Lover's Guide to Cast Changes, 1945–1994. Lanham, Maryland: Madison Books. ISBN 1-56833-070-7.
- "Beulah". Archive of American Television. Retrieved March 1, 2017.
- Bourne, Stephen (2007). Ethel Waters: Stormy Weather. Lanham, Maryland: Scarecrow Press. p. 96. ISBN 978-0-8108-5902-9. Retrieved November 25, 2010.
- Jones, Kenneth (October 7, 2005). "His Eye is on the Sparrow, Musical Bio of Ethel Waters, Premieres in Florida Oct. 7". Playbill. Retrieved January 2, 2020.
- "At Home with Ethel Waters Broadway". Playbill. Retrieved January 2, 2020.
- "Huntsville Museum of Art celebrates Black History Month with newly acquired portrait of Ethel Waters". WHNT.com. February 2, 2018. Retrieved January 2, 2020.
- Embury, Dr. Stuart (2018). Art and Soul - Luigi Lucioni and Ethel Waters: A Friendship. Huntsville, Alabama: Huntsville Museum of Art. pp. 3, 22.
- Need citation for robbery
- Hale, Ron F. (May 2, 2016). "Ethel Waters: The Sparrow that Soared". Christian Index. Retrieved July 21, 2019.
- Knaack, Twila (1978). Ethel Waters: I Touched A sparrow. Word Books. p. 41.
- Hale, Ron F. (May 2, 2016). "Ethel Waters: The Sparrow that Soared". Christian Index. Retrieved July 21, 2019.
- White, Alvin E. (November 19, 1977). "Ethel Waters Remembered". The Afro American. Retrieved November 16, 2010.
- Bogle, Donald (2011). Heat Wave: The Life and Career of Ethel Waters. New York: HarperCollins.
- Wilson, Scott. Resting Places: The Burial Sites of More Than 14,000 Famous Persons (3d ed.). McFarland & Company. Kindle edition. Kindle location 49813.
- Gioia, Michael (February 23, 2012). "Terry Burrell Is Ethel Waters in World-Premiere Musical Ethel!, Opening Feb. 23 at Walnut Street". Playbill. Retrieved January 2, 2020.
- "Christian Music Hall of Fame". Christian Music Hall of Fame and Museum. January 20, 2008. Archived from the original on February 5, 2008. Retrieved February 6, 2008.
- "A Star for Ethel Waters: Home". www.ethelwatersstar.com. Archived from the original on September 25, 2017. Retrieved November 15, 2018.
- Quinn, Rose. "Chester great Ethel Waters memorialized in marker on Route 291". Delcotimes.com. Retrieved September 25, 2017.
- Tucker, Richard (July 3, 2003). "Ethel Waters: Commemorative Stamp". Ebony Society of Philatelic Events and Reflections. Archived from the original on September 8, 2008. Retrieved February 6, 2008.
- "Awards Database: Ethel Waters". Los Angeles Times. Retrieved February 6, 2008.
- "Grammy Hall of Fame". The Recording Academy. 2007. Archived from the original on December 24, 2010. Retrieved February 6, 2008.
- Whitburn, Joel (1986). Pop Memories: 1890-1954. Record Research. ISBN 0-89820-083-0.
- Bogle, Donald (2011). Heat wave: The Life and Career of Ethel Waters (1st ed.). HarperCollins. pp. 466–467. ISBN 9780062041722.
- Barnet, Andrea (2004). All-Night Party: The Women of Bohemian Greenwich Village and Harlem, 1913–1930. Chapel Hill, North Carolina: Algonquin Books. ISBN 1-56512-381-6.
- Johnson, Mayme Hatcher; Miller, Karen E. Quinones (2008). Harlem Godfather: The Rap on My Husband, Ellsworth "Bumpy" Johnson. New York: Oshun Publishing Company. ISBN 978-0-9676028-3-7.
- Southern, Eileen (1997). The Music of Black Americans: A History. New York: W. W. Norton. ISBN 0-393-97141-4.
- Iain Cameron Williams. Underneath a Harlem Moon: The Harlem to Paris Years of Adelaide Hall. Bloomsbury Publishers, ISBN 0-8264-5893-9
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