Forest Lawn Memorial Park (Glendale)

Forest Lawn Memorial Park is a privately owned cemetery in Glendale, California. It is the original and current flagship location of Forest Lawn Memorial-Parks & Mortuaries, a chain of six cemeteries and four additional mortuaries in Southern California.

Forest Lawn Memorial Park
Forestlawn mausoleum.jpg
Forest Lawn's Great Mausoleum
Established1906; 115 years ago (1906)
Coordinates34°07′30″N 118°14′24″W / 34.125°N 118.240°W / 34.125; -118.240 (Forest Lawn Memorial Park, Glendale)Coordinates: 34°07′30″N 118°14′24″W / 34.125°N 118.240°W / 34.125; -118.240 (Forest Lawn Memorial Park, Glendale)
Owned byForest Lawn
Size300 acres
No. of graves250,000+
No. of interments250,000+
Find a GraveForest Lawn Memorial Park


Forest Lawn Memorial Park was founded in 1906 as a not-for-profit cemetery by a group of businessmen from San Francisco. Dr. Hubert Eaton and C. B. Sims entered into a sales contract with the cemetery in 1912. Eaton took over the management of the cemetery in 1917. Although Eaton did not start Forest Lawn, he is credited as being the "Founder" of Forest Lawn Memorial-Park for his innovations of establishing the "memorial-park plan" (eliminating upright grave markers and bringing in works by established artists) and being the first to open a funeral home on dedicated cemetery grounds. Eaton was a firm believer in a joyous life after death. He was convinced that most cemeteries were "unsightly, depressing stoneyards" and pledged to create one that would reflect his optimistic, Christian beliefs, "as unlike other cemeteries as sunshine is unlike darkness." He envisioned Forest Lawn to be "a great park devoid of misshapen monuments and other signs of earthly death, but filled with towering trees, sweeping lawns, splashing fountains, beautiful statuary, and. memorial architecture."[1] A number of plaques which state Eaton's intentions are signed "The Builder." Frederick Llewellyn, Eaton's nephew, became CEO of Forest Lawn in 1966. In 1987 he was succeeded by his son, John Llewellyn, who is the current Chairman of Forest Lawn.[2]

Most of its burial sections have evocative names, including Eventide, Babyland (for infants, shaped like a heart), Graceland, Inspiration Slope, Slumberland (for children and adolescents), Sweet Memories, Whispering Pines, Vesperland, Borderland (on the edge of the cemetery), and Dawn of Tomorrow.

Forest Lawn originally participated in racial segregation and "for decades refused entrance to blacks, Jews, and Chinese".[3]

Forest Lawn MuseumEdit

Song of the Angels by William Bouguereau, 1881.

The Forest Lawn Museum in Glendale opened in 1952 and is next to the Hall of Crucifixion-Resurrection.  The Forest Lawn Museum rotates art exhibitions twice yearly. The museum has hosted solo exhibitions for Henri Matisse, Winslow Homer, Ian Hornak, Francisco Goya, Rembrandt, Marc Davis. In 2021, the Forest Lawn Museum held an exhibition on Judson Studios,[4] the oldest family-run stained glass studio in the United States. Judson Studios has produced numerous stained glass windows for Forest Lawn in the Hall of Crucifixion-Resurrection and the Great Mausoleum.  

Forest Lawn Museum’s art collection consists primarily of original bronze and marble sculptures by European and American artists. The permanent collection also includes stained glass that used to be part of William Randolph Hearst’s collection. Forest Lawn’s purchased the stained glass works in 1954. The windows date from c. 1315-1575, and display impressive examples of French, German, and Austrian craftsmanship in Gothic and Renaissance styles.

One of the most famous objects in the Forest Lawn Museum's permanent collection is by French artist, William Bouguereau, (1825-1905) who painted Song of the Angels in 1881. Bouguereau studied at the Ecole des Beaux Arts in Paris, as well as in Rome. He was considered a leading French academic painter in the nineteenth century.  In 2005, Song of the Angels was conserved by the Chief Paint Conservator at the Getty Center, Mark Leonard.  It is regarded as one of the most important examples of Bouguereau's work in the United States.

Another important work in the Forest Lawn Museum collection is a replica of Lorenzo Ghiberti’s Gates of Paradise. The original doors, which are 17 feet tall and cast in bronze, art part of the Baptistery of St. John in Florence, Italy. Michelangelo is said to have exclaimed: “These doors are worthy to be the gates of Paradise!” The doors feature ten panels that start with creation and end with the visit of the Queen of Sheba to Jerusalem a millennia before the birth of Christ. They are meant to be from left to right, top to bottom.  The Forest Lawn replica was cast by Professor Bruno Bearzi, who developed an innovative technique to reveal the gold on the centuries-old doors. He then made a cast of the doors for Forest Lawn. These doors, which are occasionally covered, are permanently installed in the Forest Lawn Museum galleries.  

Statuary and artEdit

A copy of Michelangelo's David

The six Forest Lawn cemeteries contain about 1,500 statues, about 10% of which are reproductions of famous works of art. Leonardo da Vinci's The Last Supper has been recreated in stained glass in the Memorial Court of Honor at the Glendale location 'in vibrant, glowing and indestructible colors.' There are also a number of full-sized reproductions of other Renaissance sculptures, including Michelangelo's David and Moses. This cemetery is the only place containing a complete collection of replica Michelangelo sculptures,[citation needed] which were made from castings taken from the originals and use marble sourced from the original quarries in Carrara, Italy.

Some of the inspiration at Forest Lawn Glendale is patriotic rather than pious, such as the Court of Freedom, with its large mosaic of John Trumbull's Declaration of Independence and a 13-foot (4.0 m)-tall statue of George Washington. On display in the "Hall of the Crucifixion" is the panoramic painting by the Polish artist Jan Styka entitled The Crucifixion. It is the largest permanently mounted religious painting in the world, measuring 195 feet (59 m) in length by 45 feet (14 m) in height. The main gates of Forest Lawn Glendale are claimed to be the world's largest wrought iron gates.[5]


Forest Lawn Glendale has three non-denominational chapels: "The Little Church of the Flowers", "The Wee Kirk o' the Heather" and "The Church of the Recessional", which are all exact replicas of famous European churches. Over 60,000 people have been married here, including Ronald Reagan and Jane Wyman.

More than 335,000 people are buried at Forest Lawn Glendale, and over a million people visit it each year.

Forest Lawn's 300 acres (120 ha) of intensely landscaped grounds and thematic sculptures were the inspiration for the biting commentary of Evelyn Waugh's 1948 satirical novel The Loved One and Jessica Mitford's acerbic 1963 The American Way of Death. Many commentators have considered Forest Lawn to be a unique American creation, and perhaps a uniquely maudlin Los Angeles creation, with its "Disneyland-type theme park" approach to death.

Great MausoleumEdit

The Great Mausoleum features eleven terraces and over 100 stained glass windows. This massive building contains the same amount of steel and concrete as a seventy-story skyscraper. The Great Mausoleum embodies an eclectic mix of architectural styles, and it is the artistic centerpiece of the memorial park.  

The original architect of the Great Mausoleum was T. Paterson Ross; however, numerous people worked on the Great Mausoleum, and the construction designs underwent several rounds of changes. Construction of the Great Mausoleum began in 1917, and it was officially inaugurated in 1920. Construction for the large complex finished only in the 1970s.  

Forest Lawn Replica of Last Supper

The Memorial Terrace was later added to the Great Mausoleum in the late 1920s, while the Memorial Court of Honor was inaugurated in 1931. The largest piece in the gallery is the Last Supper stained glass window by Rosa Caselli-Moretti and her sister, Cecilia Caselli- Moretti. This monumental project took over six years to complete. It was carried out in the sisters’ studio in Perugia, Italy before being shipped to Glendale. The window was formally dedicated April 28, 1931. Commissioned expressly for the Memorial Court of Honor are the replicas of the seven Michelangelo sculptures including the Pietà.  One of the last building phases for the Great Mausoleum incorporates the use of French Gothic architecture. This features lofty ceilings and the installation of large, stained glass windows, creating an ethereal and tranquil space in the Great Mausoleum.

Notable intermentsEdit

See alsoEdit


  1. ^ Llewellyn, John F. (2018). Birth of a Cemetery: Forest Lawn Memorial-Park, Tropico Press, Glendale. ISBN 978-0966580174.
  2. ^ Llewellyn, John F. (1998). A Cemetery Should Be Forever, p. xviii. Tropico Press, Glendale. ISBN 0966580125.
  3. ^ Ehrenreich, Ben (1 November 2010). "The End. - Features". Los Angeles Magazine. Archived from the original on 22 July 2011. Retrieved 5 June 2011.CS1 maint: bot: original URL status unknown (link)
  4. ^ Popescu, Adam (2021-04-21). "Stained Glass That Breaks All the Rules". The New York Times. ISSN 0362-4331. Retrieved 2021-10-05.
  5. ^ "Entrance Gates (Forest Lawn)". Archived from the original on 12 March 2016. Retrieved 2016-03-11.

External linksEdit