Dead Men Don't Wear Plaid

Dead Men Don't Wear Plaid is a 1982 neo-noir comedy-mystery film, directed by Carl Reiner. Starring Steve Martin and Rachel Ward, the film is both a parody of and a homage to film noir and the pulp detective movies of the 1940s. The title refers to Martin's character telling a story about a woman obsessed with plaid in a scene that was ultimately cut from the film.[2]

Dead Men Don't Wear Plaid
Theatrical poster
Directed byCarl Reiner
Written byCarl Reiner
George Gipe
Steve Martin
Produced byWilliam E. McEuen
Richard McWhorter
David V. Picker
Narrated bySteve Martin
CinematographyMichael Chapman
Edited byBud Molin
Music byMiklós Rózsa
Steve Goodman
Distributed byUniversal Pictures
Release date
May 21, 1982 (1982-05-21)
Running time
88 minutes
CountryUnited States
Budget$9 million
Box office$18 million[1]

Edited by Bud Molin, Dead Men Don't Wear Plaid is partly a collage film, incorporating clips from 19 vintage films. They are combined with new footage of Martin and other actors similarly shot in black-and-white, with the result that the original dialogue and acting of the classic films become part of a completely different story.

Among the actors who appear from classic films are Ingrid Bergman, Humphrey Bogart, James Cagney, Joan Crawford, Bette Davis, Brian Donlevy, Kirk Douglas, Ava Gardner, Cary Grant, Alan Ladd, Veronica Lake, Burt Lancaster, Charles Laughton, Fred MacMurray, Ray Milland, Edmond O'Brien, Vincent Price, Barbara Stanwyck, and Lana Turner.

This was the last film for both costume designer Edith Head and composer Miklós Rózsa.


Juliet Forrest, the daughter of noted scientist and cheesemaker John Hay Forrest, asks private investigator Rigby Reardon to investigate her father's death, which she believes to be murder. Searching Dr. Forrest's lab Rigby finds two lists, one titled "Friends of Carlotta" (FOC) and the other "Enemies of Carlotta" (EOC), as well as an affectionately autographed photo of singer Kitty Collins, whose name appears on one of the lists. His search is interrupted by a man posing as an exterminator, who shoots Rigby in the arm and takes the lists from the seemingly dead investigator.

Rigby manages to find his way to Juliet's house, where she sucks out the bullet, snakebite-style, and points Rigby to the club at which Kitty sings. Juliet also reveals a note to her father from her alcoholic brother-in-law, Sam Hastings, which in turn reveals that Dr. Forrest gave him a dollar bill "for safekeeping". Despite warnings that the mentally disturbed Leona will not be of much use, Rigby calls Leona, who after a rambling discussion, hangs up. On the way out, Juliet asks Rigby to leave further news with her butler or cleaning woman. Mention of the latter causes Rigby to go berserk due to his own father running off with the cleaning woman and his mother dying of a broken heart.

Rigby tracks down alcoholic Sam and gets Dr. Forrest's dollar, which has "FOC" names scrawled on it — including Kitty Collins and her boyfriend Swede Anderson. Rigby tracks down Kitty Collins at a nightclub, asking her if she's one of Carlotta's friends, which causes her to leave abruptly. He trails her to a restaurant, where she ditches her brooch into her soup. Rigby subsequently retrieves the brooch, which contains an "EOC" list, on which all names are crossed out, except Swede Anderson's. Rigby visits Swede but while Rigby prepares his famous "java", Swede is killed. Rigby is also shot, in the same arm as last time, causing Juliet to suck out another bullet. Rigby calls his mentor Philip Marlowe for assistance. Juliet hands over a key from Dr. Forrest's desk, a key to a train station locker 1936, and asks him to call with any progress. Marlowe meanwhile, picks up the EOC list to check against any unsolved murders.

Rigby goes to the train station to collect the contents of locker 1936, which contains more lists. He finds F.X. Huberman, whose name he found on one of the lists and who turns out to be a "classy dame with bedroom eyes," throwing a party. She flirts with Rigby, then drugs his drink and steals the locker key. Rigby regains consciousness after crawling back to his office, where Juliet finds him. She informs Rigby that Sam Hastings has died falling out of a window reaching for a bottle of whiskey. She also has a reference for him from her father's office. The reference is to an article in The New York Times about a South American cruise ship called Immer Essen (German for always eating) on whose last voyage Sam Hastings was a passenger. When Marlowe calls, Rigby questions him about Walter Neff, the ship's owner, and learns that Neff cruises supermarkets looking for blondes.

Juliet offers to dye her hair to serve as bait, but Rigby is protective of her as more than a client. He tries to recruit several of his former associates without success, and instead disguises himself as a blonde and meets Neff. Rigby drugs him and finds documents about the Immer Essen, including a passenger manifest identical to an EOC list, and articles about the ship's imprisoned captain, Cody Jarrett, who refuses to talk to anyone about it but his mother. Rigby then dresses up as Jarrett's mother to visit Jarrett in prison without arousing the prison guards' suspicion. He tries to win Jarrett's confidence by explaining the Friends of Carlotta are after him. Rigby doesn't learn anything from Jarrett though, so he cashes in a favor with the warden to act as a prisoner for a few days. Jarrett turns out to be a Friend of Carlotta after all, kidnaps Rigby during a breakout, and shoots him while he's still in the trunk of the getaway car.

After sucking out a third bullet, Juliet leaves for the drugstore for medicine. On her way out, a call comes in from an old flame. Juliet overhears parts of it on an extension in the next room, and thinking Rigby is two-timing her, calls Rigby from a pay phone and closes the case. While Rigby is drinking, thinking himself betrayed by Juliet, Marlowe calls and tips Rigby off that Carlotta is an island off Peru. At a cafe, Rigby finds Kitty Collins there. Carlos Rodriguez, a local policeman from Rigby's gun-running past, warns Rigby of the locals, including Kitty's new boyfriend, Rice. The next day, one of the characters Rodriguez warned Rigby of approaches him and tries to bribe Rigby into leaving the island.

Kitty drops by Reardon's room. Carlos calls to tell him Rice is in town with a group of Germans when the telephone line is cut. Kitty then drugs Rigby's drink, causing him to pass out. He wakes up to see Rice trying to suffocate him. After exchanging shots and chasing through the "Fiesta de Carlotta" fireworks celebration, Rigby shoots Rice and frisks the corpse for instructions leading him to a hideout where he finds Juliet, her father (actually still alive), and her butler, who introduces himself as Field Marshal Wilfried von Kluck.

Rigby and the Field Marshal compete about the right to explain what happened by interrupting each other's monologue. It turns out that Dr. Forrest had been tricked into divulging a secret cheese mold by Nazis posing as a humanitarian organization. Once he discovered their true intent, to use the mold's corrosive properties to destroy America with strategically placed cheese bombs and make a comeback, he assembled a list of Nazi agents, the "Friends of Carlotta." Before he could divulge the names to the FBI, he was abducted and his death faked to prevent a police investigation. The Immer Essen, a cruise ship passing by, witnessed the corrosive effects of the mold tests, making all passengers "Enemies of Carlotta" and targets for murder. Rigby is captured but Juliet gets the Field Marshal to say "cleaning woman," causing Rigby to go berserk, break his chains and overpower the Nazis. While Juliet gets Rodriguez, the Field Marshal manages to pull one of the switches, destroying Terre Haute, Indiana, before being shot dead by Rigby. Rodriguez rounds up the other Nazis while Rigby shares a long kiss with Juliet.


Archive footage (in order of appearance)Edit

All actors featured in archive footage were still alive at the time of the movie's release except Ladd, Bogart, Lake, Arnold, Crawford, and Laughton. Bergman died just a few months after the film's debut.


In mid-1980, comedian Steve Martin was having lunch with director Carl Reiner and screenwriter George Gipe.[3] They were also discussing a screenplay Martin had written when he suggested that they use a clip from an old film. From this suggestion came the idea of using all sorts of clips from films throughout the entire feature. The three men left the lunch thinking about how they could incorporate all of these old clips into a story. Reiner planned to work Martin into the old footage via over-the-shoulder shots so that it looked like the comedian was talking to these vintage actors, a strategy used effectively several times in the film. In one scene, trick photography makes it appear that Martin is in the same shot (not over-the-shoulder) as Cary Grant in a clip from Suspicion. Reiner and Gipe spent countless hours looking through classic films for specific shots and "listening for a line that was ambiguous enough but had enough meat in it to contribute a line".[3] They took lines of dialogue from clips they wanted to use and juxtaposed them while also trying to write a story based on them. Reiner and Gipe finally worked out a story and then met with Martin, who contributed some funny material of his own.[3]

Martin purposely chose not to watch any classic films noir because he "didn't want to act like Humphrey Bogart … I didn't want to be influenced".[3] The filmmakers enlisted some of the people that helped define many of the classic films from the 1940s. Costume designer Edith Head created over 20 suits for Martin in similar fashion to those worn by Cary Grant or James Stewart. Production designer John DeCuir, a veteran with 40 years of experience, designed 85 sets for the ten-week shooting schedule. Director of photography Michael Chapman studied the angles and lighting popular among '40s film noir, conducting six months of research with Technicolor to try to match the old film clips with his new footage.[3]

Principal photography began on July 7, 1981, with the bulk of the shooting done on soundstages of Laird International Studios in Culver City and three exterior locations shot in and around Los Angeles. Martin usually acted opposite actors dressed exactly like the classic movie stars he was interacting with so that he had someone he could talk to and who would respond to his lines.[3]

The gag used in the film that employs Rigby going berserk whenever the term "cleaning woman" is heard is a homage to the old "Slowly I Turned" vaudeville routine.

Films usedEdit

The following films were used in Dead Men Don't Wear Plaid. Five films were already owned by Universal, and the rest were licensed from other studios. Of the five films owned by Universal, four have been originally owned by Paramount. Note that some of the film license owners have changed since the original release of the films.


Warner Bros.*Edit

*At the time of release, United Artists owned these films.


**These films are now owned by Warner Bros. as a result of their 1996 acquisition of Turner Entertainment Co., who owned the rights since 1986.

RKO Pictures***Edit

*** Suspicion is now owned by Warner Bros. as a result of their 1996 acquisition of Turner Entertainment Co., who owned the rights since 1986. Notorious is now owned by Walt Disney Studios Motion Pictures as a result of their 1996 acquisition of American Broadcasting Company, who owned the rights to most of the films produced by David O. Selznick.

Paramount PicturesEdit

Columbia PicturesEdit

Critical receptionEdit

Rotten Tomatoes gives the film a rating of 79% based on reviews from 24 critics with the consensus: "Dead Men Don't Wear Plaid is more elaborate pastiche than uproarious comedy, but the farce works thanks to the sly lampooning of Hollywood noir and Steve Martin's performance as a goofy gumshoe."[4]

In his review for Newsweek magazine, David Ansen wrote, "A one joke movie? Perhaps, but it's such an engaging joke that anyone who loves old movies will find it irresistible. And anyone who loves Steve Martin will be fascinated by his sly performance, which is pitched exactly between the low comedy of The Jerk and the highbrow Brechtianisms of Pennies from Heaven."[5] Vincent Canby's review for The New York Times praised Martin's performance: "the film has an actor who's one of America's best sketch artists, a man blessed with a great sense of timing, who is also self-effacing enough to meet the most cockeyed demands of the material."[6] Time magazine's Richard Corliss wrote, "The gag works for a while, as Martin weaves his own plot-web into the 18 old movies, but pretty soon he's traveling on old good will and flop sweat".[7]

See alsoEdit


  1. ^ Dead Men Don't Wear Plaid at Box Office Mojo
  2. ^
  3. ^ a b c d e f "Dead Men Don't Wear Plaid Production Notes". Universal Pictures. 1982.
  4. ^ Dead Men Don't Wear Plaid at Rotten Tomatoes
  5. ^ Ansen, David (May 24, 1982). "This Film for Hire". Newsweek.
  6. ^ Canby, Vincent (May 21, 1982). "Steve Martin Stars in Reiner Comedy". The New York Times. Retrieved 2009-11-06.
  7. ^ Corliss, Richard (May 17, 1982). "White Meat". Time. Archived from the original on October 15, 2010. Retrieved 2009-11-06.

External linksEdit