Deception (1946 film)
Deception is a 1946 film noir movie released by Warner Brothers, and directed by Irving Rapper. The film is based on the play Monsieur Lamberthier by Louis Verneuil. The screenplay was written by John Collier and Joseph Than. It stars Bette Davis, Paul Henreid, and Claude Rains who had also appeared together in the highly successful Now, Voyager (1942).
Theatrical release poster
|Directed by||Irving Rapper|
|Produced by||Henry Blanke|
|Screenplay by||John Collier|
|Based on||Monsieur Lamberthier|
by Louis Verneuil
|Music by||Erich Wolfgang Korngold|
|Edited by||Alan Crosland Jr.|
|Distributed by||Warner Bros.|
|Box office||$2.3 million (US rentals) or $2,262,000|
Christine Radcliffe (Bette Davis) is seen running in the rain up the stairs of a large symphony hall in which a concert is already underway with a performance of the Hayden cello concerto in D. Her eyes fill with tears as she recognizes the cellist on stage: Karel Novak (Paul Henreid) who spent the war trapped in neutral Sweden. After his performance, Novak is mobbed by well-wishers, and a student reporter questions him about his favorite composers. Novak lists some famous ones, then adds, "And, of course, Hollenius."
Novak returns to his dressing room and as the concert is heard resuming after intermission with the Schubert's "Unfinished Symphony" Christine enters and their eyes meet in his mirror. The couple embraces while Christine cries, "I thought you were dead. I saw them kill you."
Karel and Christine return to her apartment. Karel becomes suspicious of the rare artwork on display and the fur coat hanging in the closet. Christine has told Karel that she is living a precarious existence as a pianist but this conflicts with the evidence in the apartment. He confronts her, but frightens himself with his own vehemence and apologises to her, then says he's leaving. She stops him with the confession she lowered herself to taking "rich, untalented pupils" who gifted her with the suspicious items.
They marry, but the composer Alexander Hollenius (Claude Rains) makes a dramatic entrance at their wedding reception. It is evident he is jealous, and the stress leads him to break a wine glass without deliberate intent. Hollenius soon gives Novak a manuscript score of his new cello concerto, which Novak agrees to perform at its premiere. It becomes apparent to Christine that a cellist in the orchestra, Bertram Gribble (John Abbott), is being tutored in the solo part by Hollenius. Suspecting the sabotage of her husband's career, she unsuccessfully attempts to bribe Gribble into not co-operating.
Friction develops between Novak and Hollenius, and the composer angrily breaks off a dress rehearsal on the grounds of Novak's temperamental behavior. On the evening of the premiere, Christine visits Hollenius, who threatens to tell Novak of their love affair. Distraught, Christine shoots him dead.
Another conductor, Neilsen (Einar Neilsen), takes the place of the absent Hollenius, and the performance is a great success. While well-wishers wait, Christine confesses everything to her husband, and they leave the concert hall together. As they walk out a lady says "Oh Christine you must be the happiest woman in the world" which eventually elicits a wan smile from Christine.
The film was based on a play Monsieur Lamberthier by Louis Verneuil, which was first performed in Paris in 1927. It opened on Broadway as Jealousy on October 22, 1928 at Maxine Elliott's Theatre, as a two-hander (play with only two main characters), with Fay Bainter and John Halliday. It was turned into a film also entitled Jealousy (1929) with Jeanne Eagels and Fredric March and directed by Jean de Limur. The play was presented again on Broadway on October 1, 1946 under the title Obsession at the Plymouth Theatre, with Eugenie Leontovich and Basil Rathbone. Warner Bros. originally purchased the play as a vehicle for Barbara Stanwyck and Paul Henreid.
Davis' solo piano playing was performed by Shura Cherkassky. Henreid's cello playing was dubbed by Eleanor Aller. The music for Hollenius' Cello Concerto was by Erich Wolfgang Korngold, who composed the music for this film. Korngold subsequently expanded this material and published it as his own cello concerto.
Despite the earlier success of Davis, Henreid, Rains and director Rapper, and generally positive reviews, Deception proved to be an expensive exercise for its producers. With high production costs and modest cinema patronage, it became the first Bette Davis film to lose money for Warner Bros.
Film critic Dennis Schwartz generally liked the film, writing, "Irving Rapper (Shining Victory/Now, Voyager/Rhapsody in Blue) helms this labored romantic melodrama, a remake of the early talkie 1929 Jealousy that was also based on a Louis Verneuil play. It's written by John Collier and Joseph Than ... With classical music filling the background, cheesy soap opera dialogue in the forefront, histrionics taking over the concert hall, none of the characters being likable and Bette Davis as hammy as ever, this preposterous opera-like tale is amazingly enjoyable as straight theatrical drama that is nevertheless campy and could easily have been treated as comedy."
According to Warner Bros records, the film earned $2,132,000 domestically and $1,130,000 foreign.
The film is recognized by American Film Institute in these lists:
- Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 27 DOI: 10.1080/01439689508604551
- "60 Top Grossers of 1946", Variety 8 January 1947 p8
- Deception on IMDb .
- Spada, James (1993). More Than a Woman. Little, Brown and Company. p. 241. ISBN 978-0-316-90880-1.
- Schwartz, Dennis. Ozus' World Movie Reviews, film review, August 4, 2010. Accessed: July 11, 2013.
- "AFI's 100 Years of Film Scores Nominees" (PDF). Retrieved 2016-08-06.
- Martin, Mick and Porter, Marsha DVD & Video Guide 2006