Dead Can Dance
Dead Can Dance is an Australian-British musical project formed in 1981 in Melbourne by Lisa Gerrard and Brendan Perry. The band relocated from Melbourne to London in May 1982. Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern mantras, and art rock."
Dead Can Dance
|Years active||1981–1998, 2005, 2011–present|
|Labels||4AD, Warner Bros., Rhino/Atlantic, Rykodisc, PIAS|
|Associated acts||The Scavengers, The Marching Girls, Junk Logic, Microfilm, Heavenly Bodies, Pieter Bourke|
|Past members||Paul Erikson|
Having disbanded in 1998, they reunited briefly in 2005 for a world tour and reformed in 2011 when they released and toured a new album, Anastasis. They released a new album in 2018 called Dionysus and are touring again as of mid-2019.
Formation and early yearsEdit
Dead Can Dance formed in Melbourne, Australia in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals, Simon Monroe (Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vocals and guitar. Gerrard and Perry were a couple who met as members of Melbourne's little band scene. In May 1982, the band left Monroe in Australia and moved to London, England, where they signed with alternative rock label 4AD. With the duo, the initial United Kingdom line-up were Paul Erikson and Peter Ulrich.
The group's debut album, Dead Can Dance, was released in February 1984. The artwork, which depicts a ritual mask from New Guinea, "provide[s] a visual reinterpretation of the meaning of the name Dead Can Dance", set in a faux Greek typeface. The album featured "drum-driven, ambient guitar music with chanting, singing and howling", and fit in with the ethereal wave style of label mates Cocteau Twins. They followed with a four-track extended play, Garden of the Arcane Delights in August. AllMusic described their early work as "as goth as it gets" (despite the group themselves rejecting the label), while the EP saw them "plunging into a wider range of music and style".
For their second album, Spleen and Ideal, the group comprised the core duo of Gerrard and Perry with cello, trombone and tympani added in by session musicians. Released in November 1985, it was co-produced by the duo and John A. Rivers. Raggett describes it as "a consciously medieval European sound [...] like it was recorded in an immense cathedral". The group built a following in Europe, and the album reached No. 2 on the UK indie charts. By 1989, Gerrard and Perry had separated domestically – Gerrard returned to Australia and Perry moved to Ireland – but still wrote, recorded and performed as Dead Can Dance.
Dead Can Dance's albums were not widely available until the early 1990s, when 4AD made a distribution deal with Warner Bros. Records. Later, 4AD allied itself with the Beggars Banquet Records Group, which included that eponymous label and XL Recordings in the US, but the band's recordings remained distributed through Warner Bros. Subsequent releases, however, were licensed to Rhino/Atlantic Records, a sister label within Warner Music. Its 1991 compilation A Passage in Time remains with 4AD independently of the Rhino and Warner Bros. deals; it was initially only released in the US.
The duo's sixth studio album, Into the Labyrinth, was issued in September 1993 and dispensed with guest musicians entirely; it sold 500,000 copies worldwide and appeared in the Billboard 200. The band became 4AD's highest-selling act. They followed with a world tour in 1994 and recorded a live performance in California which was released as Toward the Within, with video versions on Laserdisc and VHS (later on DVD). Many unofficial bootlegs of concerts spanning its career exist, containing several rare songs that were only performed live. Toward the Within is the duo's first official live album, which reached the Billboard 200 and was followed by In Concert 19 years later. Gerrard released her debut solo recording, The Mirror Pool, and reunited with Perry on the Dead Can Dance studio album Spiritchaser in 1996. The album also charted on Billboard 200 and reached No. 1 on the Top World Music Albums Chart.
Disbandment and reunionsEdit
In 1998, Dead Can Dance began recording a follow-up album to Spiritchaser, which was due to be released in early 1999 followed by a planned world tour. However, they separated before it was completed and canceled the tour. One song from the recording sessions, "The Lotus Eaters", was eventually released on the box set Dead Can Dance (1981-1998) and on the two-disc compilation Wake (2003). Gerrard teamed with Pieter Bourke (Snog, Soma) to issue Duality in April 1998. Perry released Eye of the Hunter in October 1999.
Dead Can Dance reunited in 2005 and released limited-edition recordings of thirteen shows from its European tour and eight recordings from the subsequent North American tour, as well as a compilation titled Selections from Europe 2005. These concerts were recorded and released on The Show record label.
On 28 March 2010, in an interview for Bulgaria's Katehizis.com online music magazine, Perry revealed the possibility of a future Dead Can Dance reunion:
"Yes, I've been talking about it with Lisa [Gerrard]. Maybe in the end of next year we'll start work again. We've been talking about doing something like taking a small chamber orchestra – 10 or 15 people – and tour with them. And we have to write songs. We have to write new material – totally new – so the whole, entire set will be a new album. Then we'll go into the studio after the tour, record, produce and release a record as well."
This was confirmed in Brendan Perry's official web forum on 12 May 2011:
"I have been talking with Lisa Gerrard this past week with regard to recording a new DCD album this coming winter. We hope to complete the album by the summer of 2012 and then embark on an extensive two month world tour in late 2012." The band made a formal announcement about its world tour and new album, Anastasis, for a release date of 13 August.
On 30 September 2011, Dead Can Dance announced the release of a four track EP entitled Live Happenings – Part 1 available for free download from their website. Since December, the EP Live Happenings – Part 2 replaced the first EP. Both EPs contain songs from their 2005 Tour. Since January 31, 2012, the EP available was Live Happenings – Part 3, to be replaced by Live Happenings – Part IV on March 20, 2012.
In late 2011, the band announced a reunion world tour, including 12 US cities, to be accompanied by the release of a new album on a new label. The tour was scheduled to begin on 9 August 2012 in Canada and continue until 19 September 2012 in Turkey, 21 and 23 September in Greece, 13 October in Russia, then 28 October 2012 in Ireland, then Mexico and South America and then in Lebanon and finally Australia in February 2013. On 15 November 2012 it was announced that the band would be returning to Europe to continue its tour, starting on 28 May 2013 in Portugal. The final show of the Anastasis World Tour was in Santiago, Chile, on July 13, 2013.
On 8 September 2015, the band announced the sale of Brendan Perry's Quivvy Church Studio. When asked what this decision meant for the future of Dead Can Dance, Perry responded on the band's official Facebook page that the band has relocated to France and that they are in the process of fabricating a new recording and rehearsal studio.
In September 2018 their website announced tour dates in Europe in May and June 2019.
- James Hannaham (1997). Goth and the Glorification of Suffering in Rock Music. Cambridge, Massachusetts: MIT Press. pp. 91–119.
Bela Lugosi's Dead and I Don't Feel So Good Either
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