Dazed and Confused (song)
"Dazed and Confused" is a song written by American singer-songwriter Jake Holmes in 1967. Performed in a folk rock-style, he recorded it for his debut album "The Above Ground Sound" of Jake Holmes. Although some concluded that it was about a bad acid trip, Holmes insists the lyrics refer to the effects of a girl's indecision on ending a relationship.
|"Dazed and Confused"|
1968 promotional single label
|Song by Jake Holmes|
|from the album "The Above Ground Sound" of Jake Holmes|
|Released||July 10, 1967|
After hearing Holmes perform the song in August 1967, English rock group the Yardbirds reworked it with a new arrangement. It soon became a centerpiece of their tours, several recordings of which have been released, including on Yardbirds '68, produced by guitarist Jimmy Page.
"Dazed and Confused" was further adapted by Page's new group for their debut album, Led Zeppelin. It became a signature song and concert staple for much of the group's career. Holmes attempted to contact Page in the 1980s regarding the songwriting credit, but received no response. In 2010, Holmes filed a lawsuit and the matter was settled out of court, with the credit on Led Zeppelin releases being changed to "Jimmy Page, inspired by Jake Holmes".
Background and compositionEdit
In the early 1960s, Jake Holmes performed and recorded with several popular music-style groups. He was influenced by psychedelic rock and groups such as the Byrds and the Blues Project, and wrote "Dazed and Confused" influenced by those styles and the darkness of the blues. In the spring of 1967, he recorded the song for his debut solo album "The Above Ground Sound" of Jake Holmes, as a trio of acoustic guitar, electric guitar, and bass. On July 10, it was released on the Tower Records label.
Holmes' singing is pitched, edgy, and the dark paranoia of some of the song's lyrics ("you're out to get me/you're on the right track") and ("I'm being abused/I'm better off dead"), coupled with the dissonant string bends of the instrumental break led some music writers and other sources to assume the song was about a bad acid trip; but Holmes said it was a song about a girl.
The arrangement is a modular dirge in the key of E minor built on a descending chromatic bass line alternating between the 3rd (E-G-F#-F-E) and the 7th (E-D-C#-C-B). The guitar chords ring and drone on the root E minor, augmented by bent notes over a menacing strummed beat and a solo dissolving "into an acid guitar drone".
In August 1967, Holmes opened for the Yardbirds at a Greenwich Village gig in New York. According to Holmes, "That was the infamous moment of my life when 'Dazed and Confused' fell into the loving arms and hands of Jimmy Page." When the track appeared on Led Zeppelin's eponymous debut album in 1969, Holmes was aware of it at the time, but did not follow up on it: "In the early 1980s, I did write them a letter and I said basically: 'I understand it's a collaborative effort, but I think you should give me credit at least and some remuneration.' But they never contacted me."
In June 2010, Holmes brought suit against Led Zeppelin guitarist Jimmy Page for copyright infringement, claiming to have written and recorded "Dazed and Confused" two years before it appeared on Led Zeppelin's debut album. In court documents Holmes cited a 1967 copyright registration for "Dazed and Confused", which was renewed in 1995. The case was "dismissed with prejudice"[a] on January 17, 2012, after the parties reached an undisclosed settlement out of court in the fall of 2011.
By late 1966, English rock group the Yardbirds' presence in the Top 40 market had been replaced by constant touring. In July 1967, they began their second tour of the U.S. as a quartet, with Jimmy Page as the sole guitarist. The group performed at more countercultural venues, such as the Fillmore Auditorium in San Francisco. Their sets became more varied with extended medleys and featured guitar instrumentals by Page, such as "White Summer" and "Glimpses".
On August 25, 1967, the group headlined at the Village Theater in New York City, with opening acts the Youngbloods and Jake Holmes. Yardbirds drummer Jim McCarty was the only Yardbird to catch Holmes' performance.[b] He liked the song and bought the album the next day, subsequently playing it to rest of the band. They reworked it, focusing the arrangements based on the descending bass line. Page added additional guitar riffs in the middle of the song.
The Yardbirds began to develop a new arrangement for "Dazed and Confused" while still on tour in the U.S. Holmes' brooding atmosphere and descending bass line were retained, as well as most of the lyrics. Page doubled the bass line, echoing Holmes' live performances with two acoustic guitarists. However, propelled by drums and an overdriven Fender Telecaster, the song quickly took on a new, distinctly non-folk sound.
Singer Keith Relf initially followed Holmes' verses, but later often changed the order or mixed lines from different verses. Led Zeppelin biographer Mick Wall feels that Relf only "slightly altered" the lyrics, while Page biographer Martin Power credits Relf with "writing new lyrics". Yardbirds chronicler Greg Russo describes that gradually the song "moved from Holmes' original lyrics to an alternate set of lyrics that combined words from Jake Holmes and Keith Relf."
The Yardbirds' major innovations were the instrumental breaks and an extended instrumental middle section. Writer-educator Susan Fast describes the breaks, appearing between the verses and after Page's solo, as "a detail that contributes significantly to the drama of the piece, creating enormous tension at the end of each verse before moving on to the next.
It begins with a bowed electric guitar phrasings by Page, answered by vocal and harmonica interjections by Relf. Page attributed the idea of using a violin bow on the guitar to a suggestion from violinist David McCallum, Sr., whom he met in his pre-Yardbirds days as a session musician. The bowed section gives way to Page's riff-laden guitar solo, propelled by a bass ostinato and fast driving 4/4 meter. The song returns to the slow tempo 12/8 verse structure before the coda. The Yardbirds' new arrangement, contributed by the four members, soon amounted to a major reworking of Holmes' original piece. Bassist Chris Dreja later said, "We found it, arranged it and played it. In a way, it was a great epitaph, because we were feeling very dazed and confused about what the hell was going on!"
"Dazed and Confused" was a regular part of the Yardbirds' performances during their final tours in 1967 and 1968. The song debuted during their short US tour in late 1967, which included a date at the Village Theater. When they returned to England, the group performed a nine-minute version in January 1968, around the time the full quartet recorded their last single, "Think About It".[c] On March 5–6, the Yardbirds performed "Dazed and Confused" for BBC Radio. In his Led Zeppelin biography When Giants Walked the Earth, Wall notes that the relatively concise 5:48 version "sounds almost identical musically to the number Page would take credit for on the first Zeppelin album". (Led Zeppelin's studio version lasts 6:28.) Another short (5:46) performance was filmed by French television on March 9 for Bouton Rouge. AllMusic critic Bruce Eder notes it "comes off much better than the official [sic] Anderson Theater version from later the same month."
On March 28, 1968, the Yardbirds returned to New York to begin their final US tour. Before their March 30 concert at the Anderson Theater, representatives from Epic Records, the group's American label, informed them that it was going to be recorded for a live album. The group felt that it was not sufficiently prepared, but proceeded, with "Dazed and Confused" as their third number. Disappointed with the playbacks, the Yardbirds rejected any idea of releasing the recordings as a live album. However, after Page's rise to fame in Led Zeppelin, Epic released the album in 1971, with "Dazed and Confused" retitled "I'm Confused" (with no composer credit or performance rights organization). (Within a week, Page responded with an injunction, which prevented further sales of the album.) Although the recording and the group's performance is a bit rough, in a review Eder singled out the song as "something new, a slow blues as dark, forbidding, and intense as anything that the band ever cut – it showed where Page, if not his band, was heading." In 2017, Page remixed the Anderson Theater recordings and the song (with the correct title) was issued on Yardbirds '68.
Recordings and releasesEdit
The Yardbirds never attempted to record the piece in the studio. However, Page used an abbreviated version of his guitar solo from "Dazed and Confused" for the middle-section guitar solo of "Think About It".
Several live recordings of "Dazed and Confused" are in release. If the song was introduced, it was announced as "Dazed and Confused" – it is unknown why Epic re-titled it "I'm Confused".
- Unknown venue, England (January 1968) – Glimpses 1963–1968, released 2011
- BBC Radio broadcast, England (March 5–6, 1968) – Glimpses 1963–1968, released 2011
- Bouton Rouge television broadcast, France (March 9, 1968) – Cumular Limit, released 2000
- Anderson Theatre, New York City (March 30, 1968) – Live Yardbirds: Featuring Jimmy Page, released 1971, Yardbirds '68 (2017)
- Shrine Auditorium, Los Angeles (May 31 & June 1, 1968) – Last Rave-Up in L.A.
|"Dazed and Confused"|
Cover of the 1969 US promotional EP
|Song by Led Zeppelin|
|from the album Led Zeppelin|
|Released||January 12, 1969|
|Songwriter(s)||Jimmy Page, inspired by Jake Holmes[d]|
When the Yardbirds disbanded in 1968, Page planned to record the song in the studio with the successor group he had assembled that summer. According to Zeppelin bassist John Paul Jones, the first time he heard the song was at the band's first rehearsal session at Gerrard Street in London, in 1968: "Jimmy played us the riffs at the first rehearsal and said, 'This is a number I want us to do'." The future Led Zeppelin recorded their version in October 1968 at Olympic Studios, London, and the song was included on their debut album Led Zeppelin (1969). "Dazed and Confused" was the second song recorded at the Olympic sessions.
Page recorded the song in one take with a Telecaster and violin bow as he had performed it with the Yardbirds.[e] Singer Robert Plant wrote a new set of bluesier lyrics, according to Page, though Plant is not credited on the album, due to contractual obligations to Chrysalis Records. Plant's vocal is raw and powerful, delivered with "unrelenting passion." Other than the lyrics and vocal, the song remained very similar to that performed by the Yardbirds earlier that year.
As of 2002, the 1969 promotional EP using "Babe I'm Gonna Leave You" as the A-side track and "Dazed and Confused" as B-side had been one of top ten Led Zeppelin music collectibles. A collector Rick Barrett, dedicated to his Led Zeppelin memorabilia, sold several copies of the promo EP for US$300–500 each, "depending on the condition of the sleeve and of the record itself," said Barrett.
In June 2010, Holmes filed a lawsuit in United States District Court, alleging copyright infringement and naming Page as a co-defendant. The suit was "dismissed with prejudice" on January 17, 2012,[a] after an undisclosed settlement between Page and Holmes was reached out of court in the fall of 2011. Subsequent Led Zeppelin albums, such as Celebration Day (2012) and the remastered and deluxe editions of the group's debut album (2014), expanded the songwriter's credit for "Dazed and Confused" to "By Page – Inspired by Jake Holmes."
- 1: Bass intro and wah-wah interludes
- 2: Main vocal theme
- 3: Fast instrumental and 'oriental' riffs
- 4: "San Francisco/Achilles Last Stand" or "Woodstock"
- 5: Violin bow episode including echo-slapping from the guitar; interlude with Plant's 'instrumental voice'; improvised bowing leading up to a full bowed crescendo of the main theme from Gustav Holst's Mars, the Bringer of War, and return of the rhythm section
- 6: Fast guitar solo and battle with Plant
- 7: Slower tempo solo and 'funky' moods
- 8: Violent breaks and call and response interlude
- 9: Faster solo in crescendos and occasional break-up tempo
- 10: New arrangement of Mars, the Bringer of War (slow and fast versions) and final frenzy
- 11: Return to main theme
- 12: Coda. Final instrumental and vocal battle inside syncopated rhythms, drum-solo and final explosion.
"Dazed and Confused" was performed on every Led Zeppelin concert tour up to and including their 1975 shows at Earls Court. It was then removed from their live set, although Page continued to perform parts of the bowed guitar segment during solo spots on subsequent tours, as preludes to "Achilles Last Stand" (1977 tour) and "In the Evening" (Knebworth 1979 and Tour Over Europe 1980).
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A live version of "Dazed and Confused" recorded July 1973 at New York's Madison Square Garden was featured in the Led Zeppelin concert film The Song Remains the Same (1976), with the bowed guitar section used as the soundscape for Page's fantasy sequence. The version on the accompanying soundtrack clocked in at 29:22. Other live recordings are found on the following official releases:
- Led Zeppelin BBC Sessions (1997), two versions, March 3, 1969 (Playhouse Theatre) and 1 April 1971 (Paris Theatre); a third version, recorded 27 June 1969 (Playhouse Theatre) appeared on the bonus disc of The Complete Sessions (2016)
- Led Zeppelin DVD (2003), three versions filmed, March 17, 1969 (Gladsaxe Teen Club, Denmark), March 25, 1969 (Staines Studio, London) and January 9, 1970 (Royal Albert Hall, London)
- How the West Was Won (2003), a 25:25 version recorded June 25, 1972 (LA Forum)
- Celebration Day (2012), recorded and filmed December 10, 2007 (O2 Arena, London) during the band's reunion concert in tribute to Ahmet Ertegan.
- Led Zeppelin (Deluxe Edition) remastered series (2014), recorded October 10, 1969 (Olympia Theatre, Paris) and released as a companion disc to the Led Zeppelin I remaster.
|Rock and Roll Hall of Fame||USA||"The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll"||1994||*|
|Pause & Play||USA||"Time Capsule Inductions – Songs"||1998||*|
|NME||UK||"117 Songs to soundtrack your summer"||2003||*|
|Toby Creswell||Australia||"1001 Songs: the Great Songs of All Time"||2005||*|
|Pitchfork Media||USA||"The 200 Greatest Songs of the 1960s"||2006||11|
|Q||UK||"The 20 Greatest Guitar Tracks"||2007||2|
|Q||UK||"21 Albums That Changed Music – Key Track"||2007||6|
(*) designates unordered lists.
- "Dismissed with prejudice" signifies that the plaintiff/litigant (Holmes in this case) is permanently barred from filing another case on the same claim.
- Several music writers indicate that the Yardbirds heard Holmes perform "Dazed and Confused" at the Cafe au Go Go and/or the Bitter End in New York's Greenwich Village, where he was playing around the same time.
- For the A-side, "Goodnight Sweet Josephine", producer Mickie Most replaced Dreja and McCarty with studio musicians Clem Cattini (drums), John Paul Jones (bass) and Nicky Hopkins (piano).
- Wording from 2014 reissue; originally credited to Page alone.
- Page only used a bow on a few Led Zeppelin songs, including "How Many More Times", "In the Light", and the intro to "In the Evening".
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- Hulett & Prochnicky 2011, p. 33.
- Davis 1985, p. 34.
- Colby & Fitzpatrick 2002, p. 106.
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- Shadwick 2005, p. 20.
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- Russo 2016, p. 94.
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- Russo & Paytress 2011, Disc 5 back cover.
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- Russo 2016, p. 99.
- Russo 2016, pp. 99, 212.
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Included was "I'm Confused," which would appear on the first Led Zeppelin album as "Dazed and Confused," a hard-rock classic.
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- "Sundays With Marty: Buddy Miles, Billy Preston, David Essex, Led Zeppelin, John Lennon and More". Magnet. Retrieved July 21, 2016.
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- Hodgkinson, Will (2008). Song Man: A Melodic Adventure, Or, My Single-Minded Approach to Songwriting. p. 129.
- Schinder, Scott (2008). Icons of Rock. p. 385. ISBN 9780313338472.
- Thompson, Dave (2002). The Music Lover's Guide to Record Collecting. San Francisco: Music Player Group. p. 274. ISBN 0-87930-713-7. LCCN 2002016095.
- Barrett, Rick (2008). "Rick Barrett: Reflects on the Collective Culture of Led Zeppelin Memorabilia". Sonic Boom: The Impact of Led Zeppelin (Interview). 1: Break and Enter. Interviewed by Frank Reddon. ISBN 978-0978444600.
- "Led Zeppelin sued by folk singer for alleged plagiarism". New York Post. June 29, 2010. Retrieved January 18, 2015.
- Rey 1997, p. 253.
- Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9.
- "The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll – December 1994 (archive.org version)". Jacobs Media. Archived from the original on July 19, 2009. Retrieved 2014-01-28.
- "Time Capsule Inductions: Songs – July 1998". Pause & Play. Archived from the original on 2011-05-15. Retrieved 2009-02-10.
- Songs to soundtrack your summer "117 Songs to soundtrack your summer – May 2003" Check
|url=value (help). NME. Retrieved 2009-02-10.
- Creswell, Toby (2005). "Dazed and Confused". 1001 Songs: the Great Songs of All Time (1st ed.). Prahran: Hardie Grant Books. p. 745. ISBN 978-1-74066-458-5.
- "The 200 Greatest Songs of the 1960s – August 2006". Pitchfork. Retrieved 2009-02-10.
- Greatest Guitar Tracks "The 20 Greatest Guitar Tracks – September 2007" Check
|url=value (help). Q. Retrieved 2017-03-31.
- Albums That Changed Music "21 Albums That Changed Music: Key Track – November 2007" Check
|url=value (help). Q. Retrieved 2009-02-10.
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- Clayson, Alan (2006). Led Zeppelin: The Origin of the Species: How, Why and Where It All Began (1st. ed.). Chrome Dreams. ISBN 1-84240-345-1.
- Colby, Paul; Fitzpatrick, Martin (2002). The Bitter End: Hanging Out at America's Nightclub. Lanham, Maryland: Rowman & Littlefield. ISBN 978-0815412069.
- Davis, Stephen (1985). Hammer of the Gods (book). New York City: Ballantine Books. ISBN 0-345-33516-3.
- Fast, Susan (2001). In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. Oxford, England: Oxford University Press. ISBN 978-0198033592.
- Hulett, Ralph; Prochnicky, Jerry (2011). Whole Lotta Led: Our Flight with Led Zeppelin. New York City: Kensington Publishing. ISBN 978-0806535555.
- Kaye, Lenny (1971). Live Yardbirds: Featuring Jimmy Page (Album notes). The Yardbirds. New York City: Epic Records. OCLC 33891308. E 30615.
- Lewis, Dave (2004). The Complete Guide to the Music of Led Zeppelin. ISBN 0-7119-3528-9.
- Power, Martin (2016). No Quarter: The Three Lives of Jimmy Page. London: Omnibus Press. ISBN 978-1783235360.
- Rey, Luis (1997). Led Zeppelin Live: An Illustrated Exploration of Underground Tapes. The Hot Wacks Press. ISBN 978-0969808077.
- Russo, Greg (2016) . Yardbirds: The Ultimate Rave-Up. Floral Park, New York: Crossfire Publications. ISBN 978-0-9791845-7-4.
- Russo, Greg; Paytress, Mark (2011). Glimpses 1963–1968 (Boxed set booklet). The Yardbirds. United Kingdom: Easy Action. OCLC 811355562. EARS 035.
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- Tolinski, Brad (2012). Light and Shade: Conversations with Jimmy Page. Crown Publishing Group. ISBN 978-0-307-98573-6.
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