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Oistrakh collaborated with major orchestras and musicians from many parts of the world, and was the dedicatee of numerous violin works, including both of Dmitri Shostakovich's violin concerti, and the violin concerto by Aram Khachaturian. He is considered one of the preeminent violinists of the 20th century.
He was born in the cosmopolitan city of Odessa, Ukraine (then part of the Russian Empire) into a Jewish family. His father was Fishl Oistrakh, son of a second guild merchant, and his mother was Beyle Oistrakh. At the age of five, young Oistrakh began his studies of violin and viola as a pupil of Pyotr Stolyarsky. In his studies with Stolyarsky he became very good friends with Iosif Brodsky, Nathan Milstein and other great violinists with whom he collaborated numerous times after achieving fame since their beginnings as fellow students at Stolyarsky School.
In 1914, at the age of six, Oistrakh performed his debut concert. He entered the Odessa Conservatory in 1923, where he studied until his graduation in 1926. In the Conservatory he also studied harmony with composer Mykola Vilinsky. His 1926 graduation concert consisted of Bach's Chaconne, Tartini's Devil's Trill Sonata, Rubinstein's Viola Sonata, and Prokofiev's Violin Concerto No. 1 in D major. In 1927, Oistrakh appeared as soloist playing the Glazunov Violin Concerto under the composer's own baton in Kiev, Ukraine — a concert which earned him an invitation to play the Tchaikovsky Violin Concerto in Leningrad with the Philharmonic Orchestra under Nikolai Malko the following year.
In 1927, Oistrakh relocated to Moscow, where he gave his first recital and met his future wife: pianist Tamara Rotareva (1906–1976). They were married a year later, and had one child, Igor Oistrakh, who was born in 1931. Igor Oistrakh would follow his father's path as a violinist, and eventually performed and recorded side-by-side with his father, including Bach's Double Concerto, which they first recorded in 1951, and Mozart's Sinfonia Concertante. In at least one of the recordings of Mozart's Sinfonia Concertante, Igor Oistrakh played violin, while David Oistrakh played viola.
From 1934 onwards, David Oistrakh held a position teaching at the Moscow Conservatory, and was later made professor in 1939. Some of his colleagues while teaching at the Moscow Conservatory included Yuri Yankelevich and Boris Goldstein. Oistrakh taught Oleg Kagan, Emmy Verhey, Oleh Krysa, Gidon Kremer, Yulia Brodskaya (Julia Verba), Zoya Petrosyan, Victor Danchenko, Victor Pikaizen, Cyrus Forough, Olga Parhomenko, and his son Igor Oistrakh. In the 1950s, David Oistrakh invited Yulia Brodskaya to be his assistant in teaching solo and chamber music and Rosa Fine as his assistant for solo students.
From 1940 to 1963, Oistrakh performed extensively in a trio that also included the cellist Sviatoslav Knushevitsky and the pianist Lev Oborin. It was sometimes called the 'Oistrakh Trio.' Oistrakh collaborated extensively with Oborin, as well as Jacques Thibaud, a French violinist.
During World War IIEdit
During World War II, he was active in the Soviet Union, premiering new concerti by Nikolai Miaskovsky and Khachaturian as well as two sonatas by his friend Sergei Prokofiev. He was also awarded the Stalin Prize in 1942. The final years of the war saw the blossoming of a friendship with Shostakovich, which would lead to the two violin concertos and the sonata, all of which were to be premiered by and become firmly associated with Oistrakh in the following years. Oistrakh's career was set from this point, although the Soviet Union was "protective" of its people and refused to let him perform abroad. He continued to teach in the Moscow Conservatory, but when Nazi Germany invaded the Soviet Union, he went to the front lines, playing for soldiers and factory workers under intensely difficult conditions. Arguably one of the most heroic acts in his life was a performance of Tchaikovsky's Violin Concerto to the end in the central music hall during the Battle of Stalingrad in the winter of 1942 while central Stalingrad was being massively bombed by the German forces. However, other sources indicate that Oistrakh performed in Leningrad that winter. Whether Oistrakh performed in Stalingrad is unconfirmed.
Oistrakh was allowed to travel after the end of the war. He traveled to the countries in the Soviet bloc and even to the West. His first foreign engagement was to appear at the newly founded "Prague Spring" Festival where he was met with enormous success. In 1949 he gave his first concert in the West – in Helsinki. In 1951, he appeared at the "Maggio Musicale" Festival in Florence, in 1952 he was in East Germany for the Beethoven celebrations, France in 1953, Britain in 1954, and eventually, in 1955, he was allowed to tour the United States. By 1959, he was beginning to establish a second career as a conductor, and in 1960 he was awarded the coveted Lenin Prize. His Moscow conducting debut followed in 1962, and by 1967 he had established a partnership with the celebrated Soviet pianist Sviatoslav Richter.
1968 saw wide celebrations for the violinist's sixtieth birthday, which included a celebratory performance in the Great Hall of Moscow Conservatory of the Tchaikovsky concerto, one of his favourite works, under the baton of Gennady Rozhdestvensky. Oistrakh was now seen as one of the great violinists of his time, among such luminaries as Romania's George Enescu and Lithuanian-born Jascha Heifetz.
Oistrakh suffered a heart attack as early as 1964. He survived and continued to work at a furious pace. He had already become one of the principal cultural ambassadors for the Soviet Union to the West in live concerts and recordings. After conducting a cycle of Brahms with the Concertgebouw Orchestra, he died from another heart attack in Amsterdam in 1974. His remains were returned to Moscow, where he was interred in Novodevichy Cemetery.
Oistrakh received many awards and distinctions. Within the Soviet Union, David Oistrakh was awarded the Stalin Prize in 1943, the title of People's Artist of the USSR in 1953, and the Lenin Prize in 1960. He also won the 1935 Soviet Union Competition. Several reputable works from the standard violin repertoire are dedicated to Oistrakh, including a concerto by Khachaturian, two concerti by Shostakovich, and several other pieces.
Oistrakh's fame and success were not limited to the Soviet Union: he placed second at the Henryk Wieniawski Violin Competition in Warsaw, after 16-year-old prodigy Ginette Neveu, and further improved upon that by winning the grand prize in the Queen Elisabeth Competition in Brussels.
David Oistrakh is known to have played at least seven Stradivarius violins owned by the Soviet Union. He initially selected the 1702 Conte di Fontana Stradivarius, which he played for 10 years before exchanging it for the 1705 Marsick Stradivarius in June 1966, which he played until his death.
David Oistrakh used bows by Albert Nürnberger and Andre Richaume throughout his life. Up until 1957, he used a Nürnberger bow. "The Andre Richaume bow bought by his son Igor Oistrakh in 1957 had filled David with such enthusiasm that Igor made a gift of it." Oistrakh had remarked that this (Richaume) bow gave him great satisfaction, so much so that when in Paris, he had to meet Richaume in person.
Honours and awardsEdit
- Two Orders of Lenin – 1946 and 1966
- Order of the Badge of Honour, twice – 1937 and ?
- People's Artist of the USSR, 1953
- Stalin Prize, 1st class – 1943
- Lenin Prize – 1960
- Honoured Artist of the RSFSR
There is a yearly music festival, "The David Oistrakh Festival," from late August to October, in Estonia. Oistrakh also makes two very brief appearances as a conductor in Depeche Mode's People are People music video.
Notes and referencesEdit
- "The 20 Greatest Violinists of All Time", BBC Music Magazine, 14 September 2016
- Birth and circumcision records of David Oistrakh in the office of the city rabbi of Odessa (1908)
- David Oistrakh in the list of people evacuated to Sverdlovsk (1942)
- Beyla Oistrakh in the list of people evacuated to Sverdlovsk (1942)
- Music in the USSR. VAAP-INFORM. 1989.
We repeated it almost word for word at the meeting of the musical society in the district centre of Sirvintos, attended by Igor Oistrakh, Khalida Akh- tyamova, Victor Pikaizen, the pupils of the great David Oistrakh to whose memory are devoted the courses of the highest performing skill,
- The Strad - Volume 95. Orpheus. 1984. p. 413.
He left a number of recordings as a conductor, the most interesting being those in which he accompanied string soloists: Harold in Italy with Barshai (Oistrakh did not make a recording of this work playing the viola, although it was in his regular repertory) and concertos with Oleg Kagan, Igor Oistrakh, Viktor Pikaizen and Rosa Fain, all pupils of his. Which brings us to one of the most enduring monuments to Oistrakh's genius - his success as a pedagogue
- Yakov Soroker, "David Oistrakh" p.139. Lexicon Publishing, Jerusalem, 1982.
- Raffin, Jean Francois; Millant, Bernard (2000). L'Archet. Paris: L'Archet Éditions. ISBN 2-9515569-0-X.
- Yuzefovich, Victor (1977). David Oistrakh: Conversations with Igor Oistrakh.
- Roth, Henry. Violin Virtuosos: From Paganini to the 21st Century. ISBN 1-879395-15-0.
- Applebaum, Sam. The Way They Play. 4.
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