Bernardo Bertolucci (Italian: [berˈnardo bertoˈluttʃi]; 16 March 1941 – 26 November 2018) was an Italian director and screenwriter, whose films include The Conformist, Last Tango in Paris, 1900, The Last Emperor (for which he won the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay), The Sheltering Sky, Little Buddha, Stealing Beauty and The Dreamers.
Bertolucci in 2011
|Died||26 November 2018 (aged 77)|
Bertolucci was born in the Italian city of Parma, in the region of Emilia-Romagna. He was the elder son of Ninetta (Giovanardi), a teacher, and Attilio Bertolucci, who was a poet, a reputed art historian, anthologist and film critic. His mother was born in Australia, to an Italian father and an Irish mother. Having been raised in an artistic environment, Bertolucci began writing at the age of fifteen, and soon after received several prestigious literary prizes including the Premio Viareggio for his first book. His father's background helped his career: the elder Bertolucci had helped the Italian filmmaker Pier Paolo Pasolini publish his first novel, and Pasolini reciprocated by hiring Bertolucci as first assistant in Rome on Accattone (1961).
Bertolucci had one brother, the theatre director and playwright Giuseppe (27 February 1947 – 16 June 2012). His cousin was the film producer Giovanni Bertolucci (24 June 1940 – 17 February 2005), with whom he worked on a number of films.
Bertolucci initially wished to become a poet like his father. With this goal in mind, he attended the Faculty of Modern Literature of the University of Rome from 1958 to 1961, where his film career as an assistant director to Pasolini began. Shortly after, Bertolucci left the University without graduating. In 1962, at the age of 22, he directed his first feature film, produced by Tonino Cervi with a screenplay by Pasolini, called La commare secca (1962). The film is a murder mystery, following a prostitute's homicide. Bertolucci uses flashbacks to piece together the crime and the person who committed it. The film which shortly followed was his acclaimed Before the Revolution (Prima della rivoluzione, 1964).
The boom of Italian cinema, which gave Bertolucci his start, slowed in the 1970s as directors were forced to co-produce their films with several of the American, Swedish, French, and German companies and actors due to the effects of the global economic recession on the Italian film industry.
Bertolucci caused controversy in 1972 with the film Last Tango in Paris, starring Marlon Brando, Maria Schneider, Jean-Pierre Léaud and Massimo Girotti. The film presents Brando's character, Paul, as he copes with his wife's suicide by emotionally and physically dominating a young woman, Jeane (Schneider). The depictions of Schneider, then 19 years old, were regarded as exploitative. In one scene, Paul anally rapes Jeane using butter as a lubricant. The use of butter was not in the script; Bertolucci and Brando had discussed it, but they did not tell Schneider. She said in 2007 that she had cried "real tears" during the scene and had felt humiliated and "a little raped". In 2013 Bertolucci said that he had withheld the information from Schneider to generate a real "reaction of frustration and rage". Brando alleged that Bertolucci had wanted the characters to have real sex, but Brando and Schneider both said it was simulated. In 2016 Bertolucci released a statement where he clarified that Schneider had known of the violence to be depicted in the scene, but had not been told about the use of butter.
Following the scandal surrounding the film's release, Schneider became a drug addict and suicidal. Criminal proceedings were brought against Bertolucci in Italy for the rape scene; the film was sequestered by the censorship commission and all copies were ordered destroyed. An Italian court revoked Bertolucci's civil rights for five years and gave him a four-month suspended prison sentence. In 1978 the Appeals Court of Bologna ordered three copies of the film to be preserved in the national film library with the stipulation that they could not be viewed, until Bertolucci was later able to re-submit it for general distribution with no cuts.
Bertolucci increased his fame with his next few films, from 1900 (1976), an epic depiction of the struggles of farmers in Emilia-Romagna from the beginning of the 20th century up to World War II with an international cast (Robert De Niro, Gérard Depardieu, Donald Sutherland, Sterling Hayden, Burt Lancaster, Dominique Sanda) to La Luna, set in Rome and in Emilia-Romagna, in which Bertolucci deals with the thorny issue of drugs and incest, and finally La tragedia di un uomo ridicolo (1981), with Ugo Tognazzi.
The Last Emperor and later careerEdit
In 1987, Bertolucci directed the epic The Last Emperor, a biographical film telling the life story of Aisin-Gioro Puyi, the last Emperor of China. The film was independently produced by British producer Jeremy Thomas, with whom Bertolucci worked almost exclusively from then on. The film was independently financed and three years in the making. Bertolucci, who co-wrote the film with Mark Peploe, won the Academy Award for Best Director. The film uses Puyi's life as a mirror that reflects China's passage from feudalism through revolution to its current state.
At the 60th Academy Awards, The Last Emperor won all nine Oscars for which it was nominated: Best Picture, Best Director, Best Writing, Screenplay Based on Material from Another Medium, Best Cinematography, Best Film Editing, Best Costume Design, Best Art Direction-Set Decoration, Best Music, Original Score and Best Sound.
The Last Emperor was the first feature film ever authorized by the government of the People's Republic of China to film in the Forbidden City. Bertolucci had proposed the film to the Chinese government as one of two possible projects. The other film was La Condition Humaine by André Malraux. The Chinese government preferred The Last Emperor.
After The Last Emperor, The Sheltering Sky and Little Buddha, Bertolucci returned to Italy to film, and to revisit his old themes but with varying results from both critics and the public. He filmed Stealing Beauty in 1996, then The Dreamers in 2003, which describes the political passions and sexual revolutions of two siblings in Paris in 1968.
In 2012, his final film, Me and You was screened out of competition at the 2012 Cannes Film Festival and was released early in 2013 in the UK. The film is an adaptation of Niccolò Ammaniti's young-adult's book Me and You. The screenplay for the movie was written by Bertolucci himself, Umberto Contarello and Niccolò Ammaniti. Bertolucci originally intended to shoot the film in 3D but was forced to abandon this plan due to cost.
Bertolucci appeared on the Radio Four programme Start the Week on 22 April 2013, and on Front Row on 29 April 2013, where he chose La Dolce Vita, a film directed by Federico Fellini, for the "Cultural Exchange".
In the spring of 2018, in an interview with the Italian edition of Vanity Fair, Bertolucci announced that he was preparing a new film. He stated, "The theme will be love, let's call it that. In reality, the theme is communication and therefore also incommunicability. The favorite subject of Michelangelo Antonioni and the condition I found myself facing when I moved on from my films for the few, those of the sixties, to a broader cinema ready to meet a large audience."
As a screenwriter, producer and actorEdit
Bertolucci wrote many screenplays, both for his own films and for films directed by others, two of which he also produced.
Politics and personal beliefsEdit
Bertolucci's films are often very political. He was a professed Marxist and, like Luchino Visconti, who similarly employed many foreign artists during the late 1960s, Bertolucci used his films to express his political views; hence they are often autobiographical as well as highly controversial. His political films were preceded by others re-evaluating history. The Conformist (1970) criticised Fascist ideology, touched upon the relationship between nationhood and nationalism, as well as issues of popular taste and collective memory, all amid an international plot by Benito Mussolini to assassinate a politically active leftist professor of philosophy in Paris. 1900 also analyses the struggle of Left and Right.
On Twitter on 24 April 2015, Bertolucci participated in #whomademyclothes, Fashion Revolution's anti-sweatshop campaign commemorating the 2013 Savar building collapse, the deadliest accident in the history of the garment industry.
Bertolucci advocated the practice of Transcendental Meditation: "We want to evoke the present and it is difficult to do it all together, we can only meditate , as in transcendental meditation. One of the most powerful experiences. Either you meditate or watch a good movie, then the two things start to touch ... ".
- 1971: National Society of Film Critics Award for best director
- 1973: Nastro d'Argento for Best Director
- 1987: Academy Award for Best Director
- 1987: Academy Award for Best Adapted Screenplay
- 1987: Golden Globe Award for Best Director
- 1987: Golden Globe Award for Best Screenplay
- 1987: David di Donatello for Best Director
- 1987: David di Donatello for Best Script
- 1987: Nastro d'Argento for Best Director
- 1987: Directors Guild of America Award for best director
- 1997: Honorable Mention at the Locarno International Film Festival
- 1997: Award special visual sensitivity in directing at the Camerimage
- 1997: Award for collaborating director – director of photography (Vittorio Storaro) at Camerimage
- 1998: Recognition for free expression by the National Board of Review
- 2007: Golden Lion for his career at the Venice Film Festival
- 2011: Honorary Palme d'Or at Cannes Film Festival
- Grand-Officer of the Order of Merit of the Italian Republic of Italy (Rome, 2 June 1988), under proposal of the Council of Ministers.
- Gold Medal of the Italian Medal of Merit for Culture and Art of Italy (Rome, 21 February 2001). For having been able to combine poetry and great cinema as in the history of Italian cinema. For having known how to make different cultures and worlds dialogue, remaining strongly rooted in the culture of your country. For having been able to represent with passion and courage the political, social and cultural history of the last hundred years.
- Master's Degree Honoris Causa in History and Criticism of Arts and Performance of the University of Parma (Laurea Magistrale Honoris Causa in Storia e critica delle arti e dello spettacolo). Bernardo Bertolucci is one of the greatest and recognized filmmakers in the world. His cinema is a reference point for entire generations of directors, has thrilled millions of viewers, also arousing extensive cultural debates that have gone well beyond the film industry, and is the subject of significant historical and theoretical studies published in all of the major world languages.
- "Bernardo Bertolucci". Front Row. 29 April 2013. BBC Radio 4. Retrieved 18 January 2014.
- BBC News (11 April 2011). "Bernardo Bertolucci to receive Palme d'Or honour". BBC News. BBC. Retrieved 25 August 2012.
- Williams, Philip (3 February 2007). "The Triumph of Clare Peploe". Movie Maker. Archived from the original on 30 July 2017. Retrieved 29 June 2015.
- "Bernardo Bertolucci Biography (1940-)". Filmreference.com. Retrieved 14 September 2010.
- Bertolucci, B.; Gerard, F.S.; Kline, T.J.; Sklarew, B.H. (2000). Bernardo Bertolucci: Interviews. University Press of Mississippi. ISBN 9781578062058. Retrieved 16 October 2016.
- "Bernardo Bertolucci - biografia". cinquantamila.corriere.it. Retrieved 16 October 2016.
- theblackpaul (3 June 2010). "A YOUNG BERTOLUCCI TALKS ABOUT PASOLINI (from "Pasolini l'Enragé")". YouTube. Google, Inc. Retrieved 25 August 2012.
- Izadi, Elahe (5 December 2016). "Why the ‘Last Tango in Paris’ rape scene is generating such an outcry now", The Washington Post.
- Geoffrey Macnab (1 February 2013). "Bernardo Bertolucci: 'I thought I couldn't make any more movies'". The Guardian. Retrieved 16 February 2013.
- Summers, Hannah (4 December 2016). "Actors voice disgust over Last Tango in Paris rape scene confession", The Guardian.
- Lee, Benjamin (5 December 2016). "Bernardo Bertolucci: Last Tango controversy is 'ridiculous'". The Guardian. ISSN 0261-3077. Retrieved 2 June 2017.
- McLellan, Dennis (4 February 2011). "Maria Schneider dies at 58; actress in 'Last Tango in Paris'". Los Angeles Times. Retrieved 24 March 2015.
- Rannakino (2012). "Bernardo Bertolucci". Rannakino. Rannakino. Archived from the original on 13 February 2013. Retrieved 26 August 2012.
- Rashkin, Esther (2008). Unspeakable Secrets and the Psychoanalysis of Culture. Albany, New York: SUNY Press. p. 224. ISBN 978-0791475348. Retrieved 24 March 2015.
- Malkin, Bonnie; agencies (3 December 2016). "Last Tango in Paris director suggests Maria Schneider 'butter rape' scene not consensual". The Guardian.
- "Hollywood Reacts With Disgust, Outrage Over 'Last Tango in Paris' Director's Resurfaced Rape Scene Confession".
- Kelley, Seth (3 December 2016). "'Last Tango in Paris' Rape Scene Was Not Consensual, Director Bernardo Bertolucci Admits".
- Canby, Vincent (12 February 1982). "Tragedy of a Ridiculous Man: A Kidnaping as Seen by Bertolucci". The New York Times.
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- "'The Last Emperor' Wins 9 Oscars And Is Named Best Film of 1987". The New York Times. 12 April 1988. Retrieved 29 November 2018.
- Love And Respect, Hollywood-Style, an April 1988 article by Richard Corliss in Time
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- "Why Stealing Beauty Is the Ultimate Summer Movie". Vogue. Retrieved 12 December 2017.
- Bradshaw, Peter (6 December 2004). "The Dreamers". The Guardian. Retrieved 12 December 2017.
- "Speciale Palma d'Oro a Bertolucci". Cinematografo.it. Retrieved 2 August 2011.
- "2012 Official Selection". Cannes. Retrieved 26 May 2012.
- Bradshaw, Peter (22 May 2012). "Cannes 2012: Me and You (Io e Te) – review". Latin American Film. Retrieved 26 May 2012.
- Gemmi, Nicoletta (18 February 2011). "Bernardo Bertolucci girerà il suo prossimo film in 3D". Archived from the original on 26 November 2018. Retrieved 1 March 2011.
- Vivarelli, Nick (7 October 2011). "Bertolucci abandons 3D plan for 'Me and You'". Variety. Retrieved 21 April 2012.
- "Start the week". 22 April 2013. Retrieved 29 November 2013.
- "Cultural Exchange". 29 April 2013. Retrieved 29 November 2013.
- "Addio a Bernardo Bertolucci. L'ultima intervista" (in Italian). November 2018. Retrieved 30 November 2018.
- "Archive of films Golem: The Spirit of Exile / Golem: L'esprit de l'exil". Karlovy Vary International Film Festival. Retrieved 30 November 2018.
- "Interview to Mymovies". Mymovies.it. Retrieved 2 August 2011.
- Andre Soares (30 September 2009). "Penelope Cruz, Bernardo Bertolucci, Gael Garcia Bernal Sign Polanski Petition". Alt Film Guide. Retrieved 31 August 2013.
- "Fashion Revolution: who made your clothes?".
- Bignardi, Irene (26 November 2018). "È morto Bernardo Bertolucci, l'ultimo grande maestro". La Repubblica. Divisione Stampa Nazionale. GEDI Gruppo Editoriale S.p.A. Retrieved 26 November 2018.
- "Oscar-winning director Bertolucci dies". BBC News. BBC. 26 November 2018. Retrieved 27 November 2018.
- Szalai, Georg (26 November 2018). "Bernardo Bertolucci, Oscar-Winning Italian Director of 'The Last Emperor,' Dies at 77". The Hollywood Reporter. Retrieved 27 November 2018.
- Nigel Andrews (29 November 2018). "Bernardo Bertolucci, film director, 1941-2018". Financial Times. Retrieved 30 November 2018.
- "Grande Ufficiale Ordine al Merito della Repubblica Italiana" (in Italian). Presidenza della Repubblica. 2 June 1988. Retrieved 29 November 2018.
- "Medaglia d'oro ai benemeriti della cultura e dell'arte" (in Italian). Presidenza della Repubblica. 21 February 2001. Retrieved 29 November 2018.
- "Laurea ad honorem a Bertolucci, ecco la motivazione". La Repubblica. 16 December 2014. Retrieved 29 November 2014.
|Wikimedia Commons has media related to Bernardo Bertolucci.|
- Bernardo Bertolucci on IMDb
- Ebiri, Bilge (September 2004). "Bernardo Bertolucci". Senses of Cinema: Great Directors Critical Database. Archived from the original on 31 March 2010.
- Jeremy Isaacs, "Face to Face: Bernardo Bertolucci", BBC interview, September 1989.
- Roger Ebert, review, The Last Emperor, Chicago Sun-Times, 9 December 1987.