John Bernard Lee (10 January 1908 – 16 January 1981), known as Bernard Lee, was an English actor, best known for his role as M in the first eleven Eon-produced James Bond films. Lee's film career spanned the years 1934 to 1979, though he had appeared on stage from the age of six. He was trained at the Royal Academy of Dramatic Art in London. Lee appeared in over one hundred films, as well as on stage and in television dramatisations. He was known for his roles as authority figures, often playing military characters or policemen in films such as The Third Man, The Blue Lamp, The Battle of the River Plate, and Whistle Down the Wind. He died of stomach cancer in 1981, aged 73.
Lee was born on 10 January 1908, the son of Nellie (née Smith) and Edmund James Lee. He was born in either County Cork in what is now the Republic of Ireland, or Brentford, London.[nb 1] Edmund, an actor, introduced his six-year-old son to the stage in 1914 in a sketch called "The Double Event" at the Oxford Music Hall in London. Lee attended the Royal Academy of Dramatic Art, and worked as a fruit porter to pay his fees.
After graduating from RADA in the 1930s, Lee began working in repertory theatre in Rusholme, Manchester and Cardiff before beginning work on the West End stage in thrillers, such as Blind Man's Bluff. Lee also played comedic roles, such as with Arthur Askey in Ten Minute Alibi.
Lee's screen debut was in The Double Event in 1934, followed by a role as Cartwright in Berthold Viertel's Rhodes of Africa (1936), a biopic of Cecil Rhodes, in which he starred alongside Walter Huston, Oskar Homolka, and Basil Sydney. Although Lee was in wartime service in the army between 1940 and 1946, he had managed to act in several films earlier which were released between 1939 and 1943, including Murder in Soho, The Frozen Limits, and Let George Do It! (known in the US as To Hell with Hitler).
Lee served with the Royal Sussex Regiment during the Second World War. While waiting to be demobbed he attended a golfing ladies' night where he met a producer. This subsequently led to him being offered a part in the play Stage Door.
Film and stage actorEdit
In the late 1940s, Lee returned to the stage whilst also developing a successful film career. He appeared in Herbert Wilcox's The Courtneys of Curzon Street (1947), playing a colonel alongside Anna Neagle, Michael Wilding and Daphne Slater; the film was a major success and became the best-selling film at the British box office of 1947. He developed a reputation for playing "solid, dependable characters such as policemen, serving officers or officials" in films such as The Fallen Idol (1948), The Third Man (1949), The Blue Lamp (1950), Last Holiday (1950), Cage of Gold (1950), Mr. Denning Drives North (1952), The Yellow Balloon (1953), Beat the Devil (1953), and Father Brown (1954), and commanders, colonels, or brigadiers in films such as Morning Departure (1950), Calling Bulldog Drummond (1951), Appointment with Venus (1951), and many more. In John Huston's Beat the Devil, Terence Pettigrew considers Lee to have been instrumental to the climax of the film, remarking that it was "left to Bernard Lee to inject a badly needed touch of earthiness at the end." In total, Lee appeared in over one hundred films during his career.
During the 1950s Lee had a long run on stage, appearing as Able Seaman Turner in Seagulls Over Sorrento, a role he later reprised in the film of the same name with Gene Kelly (released in the US as Crest of the Wave). In 1954 Lee starred opposite Gregory Peck in The Purple Plain, playing a Royal Air Force medical officer based in Burma during the late Second World War. In 1956 he portrayed Captain Patrick Dove in one of the most successful British films of that year, Michael Powell and Emeric Pressburger's war film The Battle of the River Plate, based upon the battle of the same name. He starred alongside John Gregson, Anthony Quayle and Peter Finch. George Lovell remarked that Captain Patrick Dove was played "ponderously by Bernard Lee, but he forms a much closer bond with the battleship's commander, Captain Langsdorff (Peter Finch)." The film was critically acclaimed, nominated for three BAFTA Awards in 1957, for "Best British Film", "Best British Screenplay" and "Best Film From Any Source", and was the fourth most popular film in Britain in 1957. Other films of this period include The Spanish Gardener (1956), Dunkirk (1958), Beyond This Place (1959), Whistle Down the Wind (1961), and The L-Shaped Room (1962).
James Bond seriesEdit
In 1962 Lee was cast in the role that The Illustrated Who's Who of the Cinema said would be his best remembered. playing the character of M, the head of the Secret Intelligence Service (MI6)—and the superior of James Bond—in the first Eon Productions film, Dr. No. A number of Bond scholars have noted that Lee's interpretation of the character was in line with the original literary representation; Cork and Stutz observed that Lee was "very close to Fleming's version of the character", whilst Rubin commented on the serious, efficient, no-nonsense authority figure. Smith and Lavington, meanwhile, remarked that Lee was "the very incarnation of Fleming's crusty admiral." One American newspaper, The Spokesman-Review, described Lee as "a real roast-beef-and-Yorkshire-pudding type of British actor." Murray Pomerance refers to Lee as a "paternal actor" in embodying this role. Terence Pettigrew, in his study British film character actors: great names and memorable moments agreed, noting that Lee was a "gruff, reliable, no-nonsense role character actor", with "kindly eyes, droll manner and expressly Anglo-Saxon level-headedness". In 1967 Lee appeared in O.K. Connery, a spoof of the James Bond film series which starred Connery's brother Neil Connery, Lois Maxwell (Miss Moneypenny), and several former actors of the series. During this period he also appeared in several ITC television productions such as The Baron, Man in a Suitcase, and Danger Man. In 1972 he portrayed Tarmut the sculptor in Terence Fisher's Hammer Horror picture Frankenstein and the Monster from Hell, alongside Peter Cushing, Shane Briant, and David Prowse; it was not released until 1974.
On 30 January 1972 Lee's first wife, Gladys Merredew, died in a fire at their seventeenth-century home in Oare, Kent which also left Lee hospitalised. According to the actor Jack Warner, "Bernard and Gladys had a lovely seventeenth-century cottage in the Kent village of Oare, and it was there she died tragically in a fire early in 1972. Bernard and Gladys were trapped in their bedroom when the fire started on the ground floor. Bernard escaped through a window and ran to get a ladder in an attempt to rescue Gladys, but unhappily was unsuccessful. It was an awful end to a long and happy marriage." In February 1972 Lee was mugged and robbed by two youths. After the mugging and fire, Lee turned to drink, was unable to find work for two years, and ran into debt. By chance Lee met Richard Burton in a pub, who, upon hearing of Lee's problems, gave him a cheque for $6,000 to clear his debts, together with a note saying that everyone has a spot of trouble once in a while. Burton's gift assisted Lee in overcoming his depression. In 1975 both Lee and Lois Maxwell accepted roles in their usual Bond characters in the poorly received French James Bond spoof, From Hong Kong with Love.
Three years after the fire, Lee married television director's assistant Ursula McHale. Lee's first marriage produced a daughter, Ann, who also followed her father onto the stage, and did so with his blessing, Lee saying "She's doing what she wants to do and enjoying every moment of it." Ann later married Alan Miller, a stage actor and later stage manager at the BBC: their son is the British actor Jonny Lee Miller. Lee's hobbies included golf, fishing, reading, music and sailing.
In November 1980 Lee was admitted to the Royal Free Hospital in London, suffering from stomach cancer. He died there on 16 January 1981, just six days after his 73rd birthday; his wife Ursula was present at his death. After his death, Ursula joined Exit (now Dignity in Dying) after witnessing Lee's suffering.
Lee died after filming began on For Your Eyes Only, but before he could film his scenes as M. Out of respect for Lee, no replacement was found, and the script was rewritten so that the character was said to be on leave. A year after Lee's death, Terence Pettigrew summarised his acting work as a "Gruff, reliable, no-nonsense role character actor, whose many credits include policemen, servicemen, father figures, and spy chiefs. Mostly shows the honest, hard-working face of officialdom, with only very occasional lapses." Lee was replaced in the role of M by Robert Brown who acted with Lee in The Spy Who Loved Me
Filmography and other worksEdit
From 1962 to 1979 Lee featured in eleven James Bond films as the character M, Bond's superior.
|1963||From Russia with Love|
|1967||You Only Live Twice|
|1969||On Her Majesty's Secret Service|
|1971||Diamonds Are Forever|
|1973||Live and Let Die|
|1974||The Man with the Golden Gun|
|1977||The Spy Who Loved Me|
- Two reliable and independent sources (the British Film Institute (BFI) and John Parker's 1981 reference work Who's Who in the Theatre, Volume 1) have differing locations for Lee's place of birth, with Parker showing London and the BFI listing Cork, stating "Some sources give London as birthplace". The 1938, 1942 and 1943 editions of the International Motion Picture Almanac also claim he was born in County Cork.
- Parker 1981, p. 413.
- "Lee, Bernard". BFI Film & TV Database. British Film Institute. Retrieved 19 January 2012.
- IMPA 1942, p. 355.
- Foster, Paul (13 December 1973). "Busy time for Bond's boss". Evening Times. p. 5. Retrieved 6 February 2012.
- "Obituary: Mr Bernard Lee". The Times. 19 January 1981. p. 12.
- Billington, Michael (19 January 1981). "Bond's loss". The Guardian. p. 9.
- Pettigrew 1982, p. 120.
- McFarlane 2005, p. 407.
- Aldgate & Richards 2007, p. 82.
- "Anna Neagle Most Popular Actress". The Sydney Morning Herald. National Library of Australia. 3 January 1948. p. 3. Retrieved 15 December 2012.
- Pettigrew 1982, p. 118.
- "Bernard Lee is Dead; British Actor Had Roles in James Bond Movies". The New York Times. 18 January 1981. p. 28.
- "Crest of the Wave(1954)". Turner Classic Movies. Retrieved 4 January 2012.
- Lovell 2000, p. 224.
- Anderson, Lindsay; Dent, David (8 January 1958). "Time For New Ideas". The Times. London. p. 9.
- Lloyd, Fuller & Desser 1983, p. 260.
- "Actor Lee In Bond Films Dead". Associated Press. London. 17 January 1981.
- Cork & Stutz 2007, p. 154.
- Rubin 2003, p. 227-228.
- Smith & Lavington 2002, p. 15.
- "Talented Bernard Lee – typical British actor". The Spokesman-Review. 20 February 1960. p. 80. Retrieved 6 February 2012.
- Pomerance 2004, p. 184.
- Pykett 2008, p. 52.
- Luck, Norman (31 January 1972). "Cottage fire kills wife of actor Bernard Lee". Daily Express. p. 8.
- Warner 1975, p. 52.
- "Two convicted of robbing actor". The Times. 13 September 1972. p. 2.
- Waite, Keith (29 January 1975). "The secret of M". Daily Mirror. p. 11.
- Henning, Moyra (18 January 1981). "Bond film 'M' is dead". Sunday Express. p. 1.
- Sloan, Robin Adams (12 February 1981). "A friend in need". The Spokesman-Review. p. 61. Retrieved 6 February 2012.
- Britton 2006, p. 149.
- McFarlane, Brian. "Lee, Bernard (1908–1981)". Screenonline. British Film Institute. Retrieved 4 January 2012.
- Reid, Vicki (3 October 2009). "Jonny Lee Miller: interview". The Daily Telegraph. London. Retrieved 6 February 2012.
- "Jonny Lee Miller". BuddyTV. Archived from the original on 15 May 2013. Retrieved 6 February 2012.
- "Spy Chief M Dies". United Press International. 17 January 1981.
- "Mercy death call by M widow". Daily Mirror. 24 January 1981. p. 9.
- Barnes & Hearn 2001, p. 138.
- Pfeiffer & Worrall 1998, p. 98.
- Rubin 2003, p. 227.
- Aldgate, Anthony; Richards, Jeffrey (2007). Britain can take it: British cinema in the Second World War. London: I.B. Tauris. ISBN 978-1-84511-445-9.
- Barnes, Alan; Hearn, Marcus (2001). Kiss Kiss Bang! Bang!: the unofficial James Bond film companion. Batsford Books. ISBN 978-0-7134-8182-2.
- Britton, Wesley Alan (30 October 2006). Onscreen And Undercover: The Ultimate Book of Movie Espionage. Greenwood Publishing Group. ISBN 978-0-275-99281-1.
- Cork, John; Stutz, Collin (2007). James Bond Encyclopedia. London: Dorling Kindersley. ISBN 978-1-4053-3427-3.
- Gifford, Denis (1986). The British film catalogue 1895–1985: a reference guide. London: David & Charles Plc. ISBN 978-0-7153-8835-8.
- Halliwell, Leslie (1987). Halliwell's film guide. London: Charles Scribner's Sons. ISBN 978-0-684-18826-3.
- International Motion Picture Almanac. Groton, Massachusetts: Quigley Publishing Company. 1942.
- Kabatchnik, Amnon (2011). Blood on the Stage, 1950–1975: Milestone Plays of Crime, Mystery and Detection: An Annotated Repertoire. Plymouth, Devon: Scarecrow Press. ISBN 978-0-8108-7783-2.
- Katz, Ephraim (1979). The Film Encyclopedia. New York: Crowell. ISBN 978-0-690-01204-0.
- Lloyd, Ann; Fuller, Graham; Desser, Arnold (1983). The Illustrated who's who of the cinema. London: Orbis Publishing. ISBN 978-0-85613-521-7.
- Lovell, George (28 December 2000). Consultancy, Ministry & Mission. Continuum International Publishing Group. ISBN 978-0-86012-312-5.
- McFarlane, Brian (2005). The Encyclopedia of British film. London: Methuen Publishing. ISBN 978-0-413-77526-9.
- Parker, John (1981). Who's who in the theatre, volume 1. Bristol: Pitman. ISBN 0-8103-0235-7.
- Pettigrew, Terence (1982). British film character actors: great names and memorable moments. Rowman & Littlefield. ISBN 978-0-7153-8270-7.
- Pomerance, Murray (2004). Bad: Infamy, Darkness, Evil, and Slime on Screen. SUNY Press. ISBN 978-0-7914-5940-9.
- Pfeiffer, Lee; Worrall, Dave (1998). The essential Bond. London: Boxtree Ltd. ISBN 978-0-7522-2477-0.
- Pykett, Derek (20 July 2008). British Horror Film Locations. McFarland. ISBN 978-0-7864-3329-2.
- Quinlan, David (1998). The film lover's companion: an A to Z guide to 2,000 stars and the movies they made. New York: Carol Publishing Group. ISBN 978-0-8065-1892-3.
- Rubin, Steven Jay (2003). The Complete James Bond Movie Encyclopedia. New York: McGraw-Hill. ISBN 0-07-141246-8.
- Slide, Anthony (1998). 'Banned in the USA': British films in the United States and their censorship, 1933–1960. London: I.B. Tauris. ISBN 978-1-86064-254-8.
- Smith, Jim; Lavington, Stephen (2002). Bond films. London: Virgin Books. ISBN 978-0-7535-0709-4.
- Warner, Jack (1975). Jack of all trades: an autobiography. London: W. H. Allen Ltd. ISBN 978-0-491-01952-1.