Frederick George Peter Ingle Finch (28 September 1916 – 14 January 1977) was an English-Australian actor. He is best remembered for his role as crazed television anchorman Howard Beale in the film Network, which earned him a posthumous Academy Award for Best Actor, his fifth Best Actor award from the British Academy of Film and Television Arts, and a Best Actor award from the Golden Globes.
from Passage Home (1955)
Frederick George Peter Ingle Finch
28 September 1916
South Kensington, London, England
|Died||14 January 1977 (aged 60)|
|Resting place||Hollywood Forever Cemetery|
|Spouse(s)||Tamara Tchinarova (1943–59; 1 child)|
Yolande Turner (1959–65; 2 children)
Eletha Barrett (1973–77; his death; 1 child)
|Awards||Best Actor: 1976 Network|
HFinch was the first of two persons to win a posthumous Academy Award in an acting category, both of whom were coincidentally Australian, the other being Heath Ledger.
George Finch was born in New South Wales, Australia, but was educated in Paris and Zürich. He was a research chemist when he moved to Britain in 1912 and later served during the First World War with the Royal Army Ordnance Depot and the Royal Field Artillery. In 1915, at Portsmouth, Hampshire, George married Alicia Fisher, the daughter of a Kent barrister. However, George Finch was not Peter Finch's biological father. He learned only in his mid-40s that his biological father was Wentworth Edward Dallas "Jock" Campbell, an Indian Army officer, whose adultery with Finch's mother was the cause of George and Alicia's divorce, when Peter was two years old. Alicia Finch married Jock Campbell in 1922.
George gained custody of Peter, who was taken from his biological mother and brought up by his adoptive paternal grandmother, Laura Finch (formerly Black) in Vaucresson, France. In 1925 Laura took Peter with her to Adyar, a theosophical community near Madras, India, for a number of months, and the young boy lived for a time in a Buddhist monastery. Undoubtedly, as a result of his childhood contact with Buddhism, Finch always claimed to be a Buddhist. He is reported to have said: "I think a man dying on a cross is a ghastly symbol for a religion. And I think a man sitting under a bo tree and becoming enlightened is a beautiful one."
In 1926 he was sent to Australia to live with his great-uncle Edward Herbert Finch at Greenwich Point in Sydney. He attended the local school until 1929, then North Sydney Intermediate High School for three years. A school friend was RAF pilot and author Paul Brickhill.
Early career in AustraliaEdit
After graduating, Finch went to work as a copy boy for the Sydney Sun and began writing. However he was more interested in acting, and in late 1933 appeared in a play, Caprice, at the Repertory Theatre.
In 1934–35 he appeared in a number of productions for Doris Fitton at the Savoy Theatre, some with a young Sumner Locke Elliott. He also worked as a sideshow spruiker at the Sydney Royal Easter Show, in vaudeville with Joe Cody and as a foil to American comedian Bert le Blanc. At age 19 Finch toured Australia with George Sorlie's travelling troupe.
He did radio acting work with Hugh Denison's BSA Players (for Broadcasting Service Association, later to become Macquarie Players). He came to the attention of Australian Broadcasting Commission radio drama producer Lawrence H. Cecil, who was to act as his coach and mentor throughout 1939 and 1940. He was "Chris" in the Children's Session and the first Muddle-Headed Wombat.
He made his feature film debut in Dad and Dave Come to Town (1938), playing a small comic role for director Ken G. Hall. His performance was well received and Hall subsequently cast Finch in a larger role in Mr. Chedworth Steps Out (1939), supporting Cecil Kellaway.
During his war service Finch was given leave to act in radio, theatre and film. He appeared in a number of propaganda shorts, including Another Threshold (1942), These Stars Are Mine (1943), While There is Still Time (1943) and South West Pacific (1943), the latter for Ken G. Hall. He also appeared in two of the few Australian feature films made during the war, The Rats of Tobruk (1944) and the less distinguished Red Sky at Morning (1944).
Finch produced and performed Army Concert Party work, and in 1945 toured bases and hospitals with two Terence Rattigan plays he directed, French Without Tears and While the Sun Shines. He narrated the widely seen documentaries Jungle Patrol (1944) and Sons of the Anzacs (1945).
Post-war career in AustraliaEdit
After the war, Finch continued to work extensively in radio and established himself as Australia's leading actor in that medium, winning Macquarie Awards for best actor in 1946 and 1947. He also worked as a compere, producer and writer.
In 1946, Finch co-founded the Mercury Theatre Company, which put on a number of productions in Sydney over the next few years (initially in the diminutive St James' Hall), as well as running a theatre school.
Finch continued to appear in the (rare) Australian feature films made around this time including A Son is Born (1946) and Eureka Stockade (1949). He was a leading contender to play Sir Charles Kingsford-Smith in Smithy (1946) but lost out to Ron Randell.
Visit of Laurence Olivier and Vivien Leigh, and return to BritainEdit
Laurence Olivier and Vivien Leigh toured Australia in 1948 with the Old Vic Company. They attended the Mercury production of The Imaginary Invalid on the factory floor of O'Brien's Glass Factory starring Finch. Olivier was impressed with Finch's acting and encouraged him to move to London, his birthplace. He left Australia for good in 1948.
When Finch arrived in Britain, Olivier became his mentor and put him under long-term contract. His first big break was being cast in James Bridie's play Daphne Laureola at the Old Vic supporting Edith Evans. This was a significant critical and commercial success and established Finch in London immediately.
He was soon cast in his first British movie, playing a murderous actor in Train of Events (1949). Critic C. A. Lejeune praised his work in the London Observer commenting that he "adds good cheekbones to a quick intelligence and is likely to become a cult, I fear." The Scotsman said "he should be regarded as one of the most hopeful recruits to the British screen."
He had a small role as an Australian prisoner of war in The Wooden Horse (1950), the third most popular film at the British box office in 1950. His performance as a Pole in Daphne Laureola led to his casting as a Polish soldier in The Miniver Story, the sequel to the wartime morale boosting film Mrs. Miniver; unlike its predecessor, it was poorly received critically.
During this time, Finch continued to appear on stage in various productions while under contract to Olivier. Finch's closeness to the Olivier family led to an affair with Olivier's beautiful but increasingly unstable wife, Vivien Leigh, which began in 1948, and continued on and off for several years, ultimately falling apart due to her deteriorating mental condition.
Rising film reputationEdit
Finch's film roles increased in size and prestige through the early 1950s. For Walt Disney he played the Sheriff of Nottingham in The Story of Robin Hood and His Merrie Men (1952). He was given two good roles in films from Alexander Korda: as Richard D'Oyly Carte in The Story of Gilbert and Sullivan (1953), and as a priest in The Heart of the Matter (1953), from the Graham Greene novel.
In 1953 he appeared in his first Hollywood movie, Elephant Walk (1954), shot in Ceylon and Los Angeles. The circumstances of production were turbulent; filming started with Vivien Leigh in the lead but she had a nervous breakdown during production and had to be replaced by Elizabeth Taylor. The experience helped sour Finch on a Hollywood career and he would only work occasionally there for the rest of his career.
Under contract to RankEdit
Towards the end of 1954 Finch's contract with Laurence Olivier was about to expire and he instead signed a seven-year contract with the Rank Organisation worth £87,500 to make one film a year for them. "We are going to build Peter into a major British star", said Earl St. John, Rank's head of production, at the time.
Finch's first roles for Rank under the new arrangement gave him star parts but were, on the whole, undistinguished: Make Me an Offer (1954), Simon and Laura (also 1954), Josephine and Men (1955), and Passage Home (also 1955).
However, he was then cast as an Australian soldier in A Town Like Alice (1956), which became the third most popular film at the British box office in 1956 and won Finch a BAFTA for Best Actor. He followed it with The Battle of the River Plate (1956), playing Captain Hans Langsdorff. This was also successful financially and British exhibitors voted Finch the seventh most popular British star at the box office for 1956.
Finch returned to Australia to make The Shiralee (1957), one of his favourite parts, and the tenth most popular movie at the British box office that year. He followed it with another Australian story, the bushranger tale Robbery Under Arms (1957), which did less well. However exhibitors still voted Finch the third most popular British star of 1957, and the fifth most popular overall, regardless of nationality.
His next two films for Rank were not particularly successful: Windom's Way (1957), where he played a doctor caught up in the Malayan Emergency, and Operation Amsterdam (1959), a war time diamond thriller.
The Nun's Story and international stardomEdit
Finch's career received a boost when Fred Zinnemann cast him opposite Audrey Hepburn in The Nun's Story (1959). This was an enormous financial and critical success and established Finch's reputation internationally.
For Disney he played Alan Breck in a version of Kidnapped (1960). He then received great acclaim for his performance as Oscar Wilde in The Trials of Oscar Wilde (1960), winning another BAFTA; the film however was not popular.
Finch co-wrote and directed an award-winning short film, The Day (1960) and announced plans to direct a feature but it did not eventuate. He won his third BAFTA for Best Actor for No Love for Johnnie (1961), although like Oscar Wilde, the film lost money. He was originally chosen to play Julius Caesar in Cleopatra (1963) and filmed scenes in London, but when the film was postponed he withdrew; the role was recast with Rex Harrison.
Finch made a series of unsuccessful Hollywood films: The Sins of Rachel Cade (1961), an attempt to repeat the success of The Nun's Story, with Angie Dickinson; then two for director Robert Stevens at MGM: I Thank a Fool (1962) and In the Cool of the Day (1963).
Finch restored his critical reputation with two highly acclaimed British films: The Pumpkin Eater (1964) and Girl with Green Eyes (1964). He had an uncredited cameo in First Men in the Moon (1964), then had a good role in tough adventure film for Robert Aldrich, The Flight of the Phoenix (1965).
Finch's next three films saw him support notable female stars: Sophia Loren in Judith (1966), Melina Mercouri in 10:30 P.M. Summer (1966) and Julie Christie in Far from the Madding Crowd (1967). He was reunited with Aldrich for The Legend of Lylah Clare (1968). The Red Tent (1970) was an expensive international adventure film, with Finch as Umberto Nobile.
Finch's career received another boost when Ian Bannen dropped out of the lead in Sunday Bloody Sunday (1971). Finch replaced him and his performance was rewarded with another BAFTA for Best Actor and an Oscar Nomination.
The momentum of this was lost somewhat by Something to Hide (1972) and the disastrous musical remake of Lost Horizon (1973). He played Lord Nelson in Bequest to the Nation (1973) and an opportunistic financier in England Made Me (1973). The Abdication (1974) was an unsuccessful historical drama.
Finch was asked if he wanted to audition for the part of news presenter Howard Beale in Network (1976), written by Paddy Chayefsky and directed by Sidney Lumet. The audition was successful and Finch played the role. The movie was his biggest commercial and critical hit in years.
Shortly after Raid on Entebbe finished shooting, Finch undertook a promotional tour for Network. On 13 January 1977 he appeared on The Tonight Show Starring Johnny Carson. The day after, he had a heart attack in the lobby of the Beverly Hills Hotel and died at the age of 60. He is interred in the Hollywood Forever Cemetery.
Finch was nominated for an Oscar for Network and went on to posthumously win the award, which was accepted by his widow, Eletha Finch. Although James Dean, Spencer Tracy and Massimo Troisi were also posthumously nominated for a Best Actor Oscar, Finch was the first actor to have won the award posthumously, as well as the first Australian actor to win a Best Actor award. He was the only posthumous winner of an Oscar in an acting category until fellow Australian Heath Ledger won the Academy Award for Best Supporting Actor in 2009; there were many earlier posthumous Oscar winners in non-acting categories. Finch also won five Best Actor awards from the British Academy of Film and Television Arts (BAFTA), including one for Network.
Shortly before he died, Finch told a journalist:
We all say we're going to quit occasionally. I'd like to have been more adventurous in my career. But it's a fascinating and not ignoble profession. No one lives more lives than the actor. Movie making is like geometry and I hated maths. But this kind of jigsaw I relish. When I played Lord Nelson I worked the poop deck in his uniform. I got extraordinary shivers. Sometimes I felt like I was staring at my own coffin. I touched that character. There lies the madness. You can't fake it.
Finch was married three times. In 1943, he married Romanian-born French ballerina Tamara Tchinarova; they worked together on a number of films. They had a daughter, Anita, born in 1950. They divorced in 1959, after she discovered his affair with actress Vivien Leigh in California. He then married South African-born actress Yolande Turner (née Yolande Eileen Turnbull); they had two children together, Samantha and Charles Peter. During their marriage, Finch had an affair with the singer Shirley Bassey. Bassey had a daughter, also named Samantha, born in 1963; Bassey's husband at the time, the openly gay film producer Kenneth Hume, believed that Finch was her biological father. Finch and Turner divorced in 1965. In 1972 Finch married Mavis "Eletha" Barrett, who was known as Eletha Finch. They had a daughter together, Diana.
In 1954, the Australian journalist and author George Johnston wrote a well-researched series of biographical articles on Finch, his life, and his work, which appeared in the Sydney Sun-Herald on four consecutive Sundays, which were certainly the first detailed account of Finch's life to be published. Finch later provided the inspiration for the character Archie Calverton in Johnston's novel, Clean Straw for Nothing.
In 1980, American author Elaine Dundy published a biography of Finch titled Finch, Bloody Finch: A Biography of Peter Finch. That year, his second wife, Yolande Finch, also published a posthumous account of their life together, Finchy: My Life with Peter Finch. Another biography had previously been published by his friend and colleague Trader Faulkner, in 1979.
According to an entry in Brian McFarlane's The Encyclopedia of British Film, republished on the British Film Institute's Screenonline website, Finch "did not emerge unscathed from a life of well-publicised hell-raising, and several biographies chronicle the affairs and the booze, but a serious appraisal of a great actor remains to be written."
|1935||The Magic Shoes||Prince Charming||A short film, now considered lost, although some stills exist at Australia's National Film and Sound Archive.|
|1938||Dad and Dave Come to Town||Bill Ryan||Finch only has one scene of note, acting opposite Bert Bailey. A copy of the scene is available at Australian Screen Online.|
|1939||Mr. Chedworth Steps Out||Arthur Jacobs||A clip of Finch acting opposite Cecil Kellaway is available at Australian Screen Online|
|1941||While There is Still Time||Jim||A propaganda short film made for the Australian government during the Second World War.|
|The Power and the Glory||Frank Miller|
|1942||Another Threshold||A propaganda short film made for the Australian government during the Second World War.|
|1943||South West Pacific||RAAF pilot||A propaganda short film made for the Australian government during the Second World War.|
|These Stars Are Mine||Reynolds Jnr||A propaganda short film|
|1944||The Rats of Tobruk||Peter Linton||A clip of Finch's death scene is available at Australian Screen Online|
|Jungle Patrol||Narrator||Documentary made for the Australian government during the Second World War.|
|1945||Sons of the Anzacs||Narrator||Documentary about the Australian army during World War II.|
|1946||A Son Is Born||Paul Graham|
|1948||Red Sky at Morning||Michael||This is considered a lost film.|
|1949||Eureka Stockade||Humffray||Australian film made before he left for Britain|
|Train of Events||Philip Mason||(segment The Actor)|
|Primitive Peoples||Narrator, camera assistant||Three-part documentary about the people of Arnhem Land|
|1950||The Wooden Horse||Australian in Hospital|
|The Miniver Story||Polish officer||First Hollywood-financed film|
|1952||The Story of Robin Hood and His Merrie Men||Sheriff of Nottingham|
|1953||The Story of Gilbert and Sullivan||Richard D'Oyly Carte|
|The Heart of the Matter||Father Rank|
|1954||Elephant Walk||John Wiley||First Hollywood film. He was originally to co-star with Vivien Leigh but she had a nervous breakdown and was replaced by Elizabeth Taylor.|
|The Queen in Australia||Narrator||Australian documentary|
|1955||Passage Home||Captain Lucky Ryland|
|The Dark Avenger||Comte De Ville||He stars opposite fellow Australian Errol Flynn.|
|Make Me an Offer||Charlie|
|Josephine and Men||David Hewer|
|Simon and Laura||Simon Foster|
|1956||A Town Like Alice||Joe Harman||BAFTA Award for Best British Actor|
|The Battle of the River Plate||Capt. Langsdorff, Admiral Graf Spee|
|1957||The Shiralee||Jim Macauley||Clips from the film are available at Australian Screen Online|
|Robbery Under Arms||Captain Starlight|
|Windom's Way||Alec Windom||Nominated – BAFTA Award for Best British Actor|
|1959||Kidnapped||Alan Breck Stewart|
|Operation Amsterdam||Jan Smit|
|The Nun's Story||Dr. Fortunati||Nominated – BAFTA Award for Best British Actor|
|1960||The Day||Co-wrote and directed award-winning short film.|
|The Trials of Oscar Wilde||Oscar Wilde||BAFTA Award for Best British Actor|
Moscow International Film Festival Award for Best Actor in a Leading Role
|1961||The Sins of Rachel Cade||Colonel Henry Derode|
|No Love for Johnnie||Johnnie Byrne||BAFTA Award for Best British Actor|
Silver Bear for Best Actor at the 11th Berlin International Film Festival.
|1962||I Thank a Fool||Stephen Dane|
|1963||In the Cool of the Day||Murray Logan|
|1964||The Pumpkin Eater||Jake Armitage|
|Girl with Green Eyes||Eugene Gaillard|
|First Men in the Moon||Bailiff's man||Finch plays an uncredited cameo in this film. He was visiting the set when the actor who was supposed to play the part failed to show up.|
|1965||The Flight of the Phoenix||Capt. Harris|
|10:30 P.M. Summer||Paul|
|1967||Come Spy with Me||Cameo appearance||Uncredited|
|Far from the Madding Crowd||William Boldwood||National Board of Review Award for Best Actor|
|1968||The Legend of Lylah Clare||Lewis Zarken|
|1969||The Red Tent||General Umberto Nobile|
|The Greatest Mother of Them All||Sean Howard||Short film (20 mins). Dir. Robert Aldrich|
|1971||Sunday Bloody Sunday||Dr. Daniel Hirsh||BAFTA Award for Best Actor in a Leading Role|
National Society of Film Critics Award for Best Actor
Nominated – Academy Award for Best Actor
Nominated – Golden Globe Award for Best Actor – Motion Picture Drama
Nominated – New York Film Critics Circle Award for Best Actor
|1972||Something to Hide||Harry Field|
|1973||Lost Horizon||Richard Conway|
|Bequest to the Nation||Adm. Lord Horatio Nelson|
|England Made Me||Erich Krogh|
|1974||The Abdication||Cardinal Azzolino|
|1976||Network||Howard Beale||Academy Award for Best Actor|
BAFTA Award for Best Actor in a Leading Role
Golden Globe Award for Best Actor – Motion Picture Drama
|Raid on Entebbe||Yitzhak Rabin||TV film|
Nominated – Emmy Award for Outstanding Lead Actor – Miniseries or a Movie, (final film role)
Awards and nominationsEdit
|1956||BAFTA Award for Best British Actor||A Town Like Alice||Won|
|1957||BAFTA Award for Best British Actor||Windom's Way||Nominated|
|1959||BAFTA Award for Best British Actor||The Nun's Story||Nominated|
|1960||BAFTA Award for Best British Actor||The Trials of Oscar Wilde||Won|
|1961||BAFTA Award for Best British Actor||No Love for Johnnie||Won|
|1971||BAFTA Award for Best Actor in a Leading Role||Sunday Bloody Sunday||Won|
|1971||Academy Award for Best Actor||Sunday Bloody Sunday||Nominated|
|1971||Golden Globe Award for Best Actor – Motion Picture Drama||Sunday Bloody Sunday||Nominated|
|1976||Academy Award for Best Actor||Network||Won|
|1976||BAFTA Award for Best Actor in a Leading Role||Network||Won|
|1976||Golden Globe Award for Best Actor – Motion Picture Drama||Network||Won|
- Caprice by Sil Vara – Repertory Theatre, Sydney, 1933
- The Ringer by Edgar Wallace as Samuel Hackett – Studio Theatre, Sydney, 1934
- Peter Pan by J. M. Barrie as a pirate – Savoy Theatre, Sydney, 1934 (later transferred by Ben Fuller to the Majestic Theatre, Newtown) – directed by Doris Fitton
- Counsellor at Law by Elmer Rice, as the Boot Black – Savoy Theatre, Sydney, 1934 – directed by Doris Fitton with Sumner Locke Elliott
- Richard of Bordeaux by Gordon Daviot, as the fair Page Maudelyn – Savoy Theatre, Sydney, 1935 – directed by Doris Fitton with Sumner Locke Elliott and John Wyndham
- Joe Coady's Vaudeville Show – Maccabean Hall, Sydney, 1935
- Bert le Blanc comedy show, as stooge to le Blanc – Sydney, 1935
- Jimmy Sharman's Boxing Tent, as spruiker – Royal Easter Show, Sydney, 1935
- Interference by Roland Pertwee and Harold Dearden, as Douglas Helder – St James' Hall, Sydney, 1935 – directed by Edward Howell with Howell, Rosalind Kennerdale and Therese Desmond
- False Colours by Frank Harvey – Independent Theatre, Sydney, 1935.
- So This is Hollywood – Apollo Theatre, Melbourne, 1935 – with Robert Capron, Lou Vernon and Thelma Scott
- Under the Big Top – touring show with George Sorlie, various Queensland towns, 1936, playing Herbert Hughes in Laughter of Fools by H.F. Maltby, Smithers in Married by Proxy by Avery Hopwood, Peter in Fair and Warmer by Avery Hopwood, Hunter in Ten Minute Alibi by William Armstrong – all directed by William McGowan with Murray Matheson, Rosalind Kennerdale, Leslie Crane, Eva Moss, Norman French, Julia Adair and George Douglas.
- White Cargo by Leon Gordon, as Ashley – Theatre Royal, Sydney, 1938 – directed by Ben Lewin with Mary MacGregr, James Raglan, Frank Bradley
- Personal Appearance by Laurence Riley as Clyde Pelton – Theatre Royal, Sydney and Comedy Theatre, Melbourne, 1938 – directed by Peter Dearing, with Betty Balfour, Frank Bradley, Cecil Perry
- Army Concert Party work 1941–1944
- Night of January 16th by Ayn Rand, as DA Flint – Minerva Theatre, Sydney, 1944 – directed by Frederick J Blackman with Lawrence H. Cecil and Thelma Grigg
- While the Sun Shines by Terence Rattigan, as the Earl of Harpenden – Minerva Theatre, Sydney 1944 – directed by Frederick J Blackman with Pat McDonald, Ron Randell, Roger Barry (later toured this production to army hospitals and bases in 1945)
- French Without Tears by Terence Rattigan – various army hospitals and bases, 1945 – Finch directed
- Diamond Cuts Diamond by Nicolai Gogol, as Ikharev – Conservatorium of Music, Sydney, 16–17 July 1946 – directed by Sydney John Kay
- The Pastry Baker by Lope de Vega – Conservatorium of Music, Sydney, 16–17 July 1946 – director only
- The Broken Pitcher by Heinrich von Kleist, as Adam – Conservatorium of Music, Sydney, 16–17 July 1946
- French Without Tears by Terence Rattigan – Killara Hall, Sydney and Sydney Radio Theatre, 1947 – Finch directed a cast including Leonard Thiele, Tom Lake, Alan White, Adele Brown, Ron Patten
- Midsummer Night by Lajos Bíró – touring production, Sydney 1948 – directed only
- Anatole's Wedding Morning by Arthur Schnitzler – touring production, Sydney 1948 – directed only
- The Imaginary Invalid by Molière, as Argan – O'Brien's Glass Factory and Sydney Town Hall, Sydney, 1948 – directed by Sydney John Kay with June Wimble, Elsie Dane, Al Thomas, John Faassen, Patricia Harrison, Allan Ashbolt, Tom Lake
- Daphne Laureola by James Bridie, as Ernest Piaste – Wyndham's Theatre, London, 1949 – directed by Murray MacDonald for Laurence Olivier Productions with Edith Evans and Felix Aylmer
- The Damascus Blade by Bridget Boland, as Henry Adams – provincial tour, 1950 – directed by Laurence Olivier for Laurence Olivier Productions with John Mills and Beatrix Lehmann
- The White Falcon – provincial tour, 1950 – starring Basil Radford and Sheila Burrel – Finch worked on this as a director only
- Captain Carvallo by Denis Cannan, as Professor Winke – St James Theatre, London, 1950 – directed by Laurence Olivier for Laurence Olivier Productions with Diana Wynyard and Jill Bennett
- Point of Departure by Jean Anouilh and Kitty Black, as Orpheus – Duke of York Theatre, London, 1951 – directed by Peter Ashmore for the Company of Four with Mai Zetterling and Stephen Murray (Finch replaced Dirk Bogarde for six weeks on 12 March 1951)
- Othello by William Shakespeare, as Iago – St James Theatre, London, 1951 – directed by Orson Welles for Laurence Olivier Productions with Orson Welles, Gudrun Ure, Maxine Audley and Edward Mulhare
- The Happy Time by Samuel Taylor, as Papa – St James Theatre, London, 1952 – directed by George Devine for Laurence Olivier Productions, with Geneviève Page, Ronald Squire, George Devine, Rachel Kempson
- Romeo and Juliet by William Shakespeare, as Mercutio – Old Vic Theatre, London, 1952 – directed by Denis Carey with Claire Bloom, Athene Seyler, Lewis Casson and Alan Badel
- An Italian Straw Hat by Eugène Labiche and Marc Michel adapted by Thomas Walton, as Mons Beaujolais – Old Vic Theatre, London, 1953 – directed by Denis Carey with Laurence Payne, Paul Rogers, Jane Wenham, Gudrun Ure
- Two for the Seesaw by William Gibson, as Jerry Ryan – Theatre Royal, Brighton and Theatre Royal Haymarket, London, 1958–59 – directed by Arthur Penn for H. M. Tennent with Gerry Jedd
- The Seagull by Anton Chekhov translated by Ann Jellicoe, as Trigorin – Queen's Theatre, London, 1964 – directed by Tony Richardson with Peggy Ashcroft, Peter McEnery, Vanessa Redgrave, Paul Rogers and George Devine.
Select TV creditsEdit
- The Forgotten Elite (October 1949)
Select radio creditsEdit
- The Laughing Woman (1939)
- Interference (1939) – the first episode of Australia's version of Lux Theatre of the Air
- Men in White (1939)
- The Daughter of the Dragon (1939)
- Night Nurse (1939)
- Mutiny on the Bounty (1941)
- Mr Deeds Comes to Town (1941)
- The Laughing Woman (1946) – reprise of his performance for which Finch won the 1946 Macquarie Award for Best Male Actor on Australian radio
- Such Men Are Dangerous (1946) as Czar Paul I
- Crime and Punishment (1946) as Raskolnikov
- Redemption (1946) by Tolstoy – Finch won the 1947 Macquarie Award for Best Male Actor on Australian radio
- When You Come Home (1946)
- Big Sister (1946)
- Crossroads of Life (1946)
- Man of Destiny (1948)
- Obituary Variety, 19 January 1977, p. 94.
- "Finch, Frederick George Peter Ingle (1916–1977)". Australian Dictionary of Biography Online Edition. Retrieved 27 July 2008.
- Some sources say that Finch's real name was William Mitchell, but there are no records that substantiate this, and it appears to be an urban myth.
- "Index entry". FreeBMD. ONS. Retrieved 6 May 2011.
- Faulkner (1979)
- Peter Finch at AllMovie.
- "Peter Finch". AllMovie. Retrieved 27 July 2008.
- The Times, 24 November 1970, p. 14 (Obituary – George Ingle Finch)
- "Radio Actor Might Have Become Monk." The Australian Women's Weekly 27 February 1937: 36 accessed 17 December 2011
- Paul Croucher, Buddhism in Australia: 1848–1988, New South Wales University Press, 1989, pp. 24–25
- "Peter Finch – Actors and Actresses".
- "The Repertory Theatre". The Sydney Morning Herald. 16 December 1933. p. 8. Retrieved 11 February 2012 – via National Library of Australia.
- Bert le Blanc's real name Bertram Leon Cohn (1889-1974) (National Archives of Australia); and Cohn was widely known as either "the Jew Comedian" () or "the Hebrew comedian" ().
- Richard Lane, The Golden Age of Australian Radio Drama, Melbourne University Press, 1994
- "World War Two Nominal Roll".
- "18 Aug 1949 – The Social Round of Events in Sydney Yesterday". Trove.
- Stephen Vagg, 'Finch, Fry and Factories: A History of the Mercury Theatre' Australasian Drama Studies April 2007 
- "Finch, In Films, Plays A Zestful Strangler". The Sunday Herald. Sydney. 10 April 1949. p. 8 Supplement: Magazine. Retrieved 12 February 2012 – via National Library of Australia.
- "International Manners", Lejeune, C. A. The Observer [London] 21 Aug 1949: 6.
- "Train of Events": "Star" from Platform 13 The Scotsman [Edinburgh, Scotland] 22 Aug 1949: 6.
- Time magazine, 23 October 1950
- The Age (Melbourne), 26 February 1951
- Richard Brooks (7 August 2005). "Olivier Worn Out by Love and Lust of Vivien Leigh". The Sunday Times. timesonline.co.uk. Retrieved 27 July 2008.
- Production Information on Othello at Wellsnet
- From an original theatre programme, printer's date 30 January 1952.
- "Peter Finch Wins £87,500 Contract". The Sydney Morning Herald. 20 November 1954. p. 3. Retrieved 11 February 2012 – via National Library of Australia.
- "The Most Popular Film Star in Britain." The Times (London) 7 December 1956: 3. The Times Digital Archive. Web. 11 July 2012.
- "British Actors Head Film Poll: Box-Office Survey", the Manchester Guardian (1901–1959) (Manchester) 27 December 1957: 3.
- "Actor Peter Finch, 60, Starring in 'Network,' Dies", The Washington Post, 15 January 1977
- ABC Eyewitness News; 23 February 2009; Midnight broadcast
- "'Slumdog Millionaire' fulfills its Oscar destiny". TODAY.com.
- Paul Rosenfield, "Peter Finch – Michelin Guide to Show Biz Comes to Rest in Hollywood", Los Angeles Times, 9 January 1977: r29
- Artsvi Bakhchinyan (2012). Внучка армянского помещика, соперница Вивьен Ли, переводчица балетных звезд [Granddaughter of an Armenian landowner; rival of Vivien Leigh, interpreter to ballet stars]. Inie Berega (in Russian). Retrieved 21 March 2015.
- Paul Donnelley (2003). Fade to Black: A Book of Movie Obituaries. Music Sales Group. p. 240. ISBN 978-1-84938-246-5.
- Dancing into the Unknown, Tamara Tchinarova Finch, 2007; ISBN 978-1-85273-114-4; accessed 20 August 2014.
- "No title". The Sydney Morning Herald. 28 April 1941. p. 4. Retrieved 11 February 2012 – via National Library of Australia.
- "From George, With Sadness". The Australian Women's Weekly. 27 August 1969. p. 13. Retrieved 10 February 2012 – via National Library of Australia.
- Finch, Peter (1916–1977) at the BFI's Screenonline. (N.B.: Miscalculates age at time of death as 61, not 60.).
- "BFI Screenonline: Finch, Peter (1916-1977) Biography".
- 'Lost Treasure Trove' at AFC Archive
- ""Sons of the Anzacs"". The Mercury. Hobart, Tas. 10 February 1945. p. 9. Retrieved 11 February 2012 – via National Library of Australia.
- "2nd Moscow International Film Festival (1961)". MIFF. Archived from the original on 16 January 2013. Retrieved 2012-11-04.
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|Wikimedia Commons has media related to Peter Finch.|
- Finch, Peter (1916–1977) at the BFI's Screenonline. (N.B.: Miscalculates age at time of death as 61, not 60.)
- Peter Finch on IMDb
- Peter Finch media holdings[permanent dead link] at the National Film and Sound Archive of Australia.
- Peter Finch Australian theatre credits at AusStage
- Peter Finch at Australian Dictionary of Biography
- Audio interview with Peter Finch from 1973 discussing Australia
- Peter Finch's appearance on This Is Your Life
- Documentation relating to Peter Finch's war service at National Archives of Australia