Matter of Britain

  (Redirected from Arthurian romance)

The Matter of Britain is the body of Medieval literature and legendary material associated with Great Britain and Brittany, and the legendary kings and heroes associated with it, particularly King Arthur. It was one of the three great story cycles recalled repeatedly in medieval literature, together with the Matter of France, which concerned the legends of Charlemagne, and the Matter of Rome, which included material derived from or inspired by classical mythology.

HistoryEdit

The three "Matters" were first described in the 12th century by French poet Jean Bodel, whose epic La Chanson des Saisnes ("Song of the Saxons") contains the line:

Ne sont que III matières à nul homme atandant,
De France et de Bretaigne, et de Rome la grant.

"Not but with three matters no man should attend:
Of France, and of Britain, and of Rome the grand."

The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "Matter of Rome", and the tales of the Paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "Matter of France". King Arthur is the chief subject of the Matter of Britain, along with stories related to the legendary kings of Britain, as well as lesser-known topics related to the history of Great Britain and Brittany, such as the stories of Brutus of Troy, Coel Hen, Leir of Britain (King Lear), and Gogmagog.

Themes and subjectsEdit

Legendary history of BritainEdit

The legendary history of Britain was created partly to form a body of patriotic myth for the country. Several agendas thus can be seen in this body of literature. The Historia Brittonum, the earliest known source of the story of Brutus of Troy, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the original settlement of pre-Roman Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic myth-making just as Virgil linked the founding of Rome to the Trojan War in The Æneid. Geoffrey also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of Londinium, had a name he interpreted as Troi-Novant, "New Troy".

More speculative claims link Welsh mythology with several of the rulers and incidents compiled by Geoffrey in his Historia Regum Britanniae. It has been suggested, for instance, that Leir of Britain, who later became King Lear, was originally the Welsh sea-god Llŷr, related to the Irish Ler. Various Celtic deities have been identified with characters from Arthurian literature as well: for example Morgan le Fay was often thought to have originally been the Welsh goddess Modron or Irish the Morrígan. Many of these identifications come from the speculative comparative religion of the late 19th century and have been questioned in more recent years.

William Shakespeare was interested in the legendary history of Britain, and was familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth.

Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Pictish and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabrán mac Domangairt especially incorporates elements of both those histories.

Arthurian cycleEdit

The Arthurian literary cycle is the best-known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of the heroes like Arthur, Gawain and Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail.

The Arthurian tales have been changed throughout time, and other characters have been added to add backstory and expand on other Knights of the Round Table. The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult.

In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, 20th-century reconstructed versions. The work of Jessie Weston, in particular From Ritual to Romance, traced Arthurian imagery through Christianity to roots in early nature worship and vegetation rites, though this interpretation is no longer fashionable.[1] It is also possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth, a theme explored by mythologist Joseph Campbell amongst other.[citation needed]

Noteworthy authorsEdit

MedievalEdit

Author Century Œuvres
Béroul 12th Tristan
Chrétien de Troyes 12th Erec and Enide, Cligès, Lancelot, the Knight of the Cart, Yvain, the Knight of the Lion, Perceval, the Story of the Grail
Geoffrey Chaucer 14th The Canterbury Tales
Geoffrey of Monmouth 12th Historia Regum Britanniae
Gottfried von Strassburg 13th Tristan
Hartmann von Aue 12th Erec, Ywain
Layamon 13th Brut
Thomas Malory 15th Le Morte d'Arthur
Marie de France 12th The Lais of Marie de France: Lai de Yonec, Lai de Frêne, Lai de Lanval (...)
Nennius 09th Historia Brittonum
Robert de Boron 12th Merlin
Taliesin 06th Book of Taliesin
Thomas of Britain 12th Tristan and Iseult
Wace 12th Roman de Brut, Roman de Rou
Wolfram von Eschenbach 12th Parzival
Raoul de Houdenc 12th Meraugis de Portlesguez
Païen de Maisières 13th La Mule sans frein
Rustichello da Pisa 13th Roman de Roi Artus, Gyron le courtois, Meliodus
Ulrich von Zatzikhoven 13th Lanzelet

AnonymousEdit

Œuvres Century
Alliterative Morte Arthure 14th–15th
L'âtre périlleux 13th
Blandin de Cornouaille 14th
Le Chevalier à l'Épée
Le Chevalier au Papegau
La Demoiselle à la Mule 12th
Folie Tristan d'Oxford 12th
Gliglois
Hunbaut
Le Roman de Jaufré
The Lancelot-Grail Cycle 13th
Life of Caradoc
The Mabinogion
Les Merveilles de Rigomer 13th
Of Arthour and of Merlin 13th
Perlesvaus 13th
The Post-Vulgate Cycle 13th
Prose Tristan
Sir Gawain and the Green Knight 14th
Stanzaic Morte Arthur 14th

ModernEdit

See alsoEdit

ReferencesEdit

FootnotesEdit

  1. ^ Surette, Leon (Summer 1988). "The Waste Land and Jessie Weston: A Reassessment". Twentieth Century Literature. 34 (2): 223–244. doi:10.2307/441079. JSTOR 441079.

SourcesEdit

  • Pearsall, Derek (2005). Arthurian Romance: a short introduction. Oxford: Blackwell.CS1 maint: ref=harv (link) ISBN 9780631233206
  • Green, D.H. (2005). The Beginnings of Medieval Romance: Fact and fiction, 1150–1220. Cambridge: Cambridge University Press.CS1 maint: ref=harv (link) ISBN 9780521049566
  • Dover, Carol, ed. (2005). A Companion to the Lancelot-Grail Cycle. Boydell & Brewer.CS1 maint: ref=harv (link) ISBN 9781843842453

External linksEdit