Arthur Davis (animator)

Arthur Davis (né Davidavitch)[1] (June 14, 1905 – May 9, 2000) was an American animator and a director for Warner Brothers' Termite Terrace cartoon studio.

Arthur Davis
Arthur Davidavitch

(1905-06-14)June 14, 1905
DiedMay 9, 2000(2000-05-09) (aged 94)
Other namesArt Davis
Artie Davis
OccupationAnimator, Director
Years active1926–2000
EmployerFleischer Studios (1927-1929)
Screen Gems (1929-1942)
Warner Bros. Cartoons (1942-1962)
Walter Lantz Productions (1962-1965)
DePatie–Freleng Enterprises (1963-1981)
Rae Kessler
(m. 1928; died 1978)

Early lifeEdit

Davis was born in Yonkers, New York to Hungarian parents.[1] He is the younger brother of animator Mannie Davis.


Davis got his start as a teenager at the Fleischer Studios in New York, working as an assistant probably in 1924 since Dick Huemer proposed him to be an assistant. He is reputed to have been the first in-betweener in the animation industry. Another of his distinctions was that he tapped out the famous "bouncing ball" of the "Follow the Bouncing Ball" cartoons of the 1920s. While one of the Fleischer brothers played the ukulele, Davis would keep time with a wooden stick with a white thumbtack on the end, which was photographed and incorporated into the films as the actual moving ball. Later he was an animator for the Charles Mintz studio. While there, he helped create and develop Toby the Pup and Scrappy with fellow animators Dick Huemer and Sid Marcus. Davis would eventually be promoted to director and remained at the studio even when Mintz died in 1939[2][3]

In 1942, Davis left Screen Gems along with Frank Tashlin for Warner Bros. Cartoons. Davis worked as an animator for Tashlin's department until late 1944 when it was assumed by Robert McKimson. Later in May 1945, when Bob Clampett left to start his own studio, Davis took over Clampett's unit. Davis finished a few of Clampett's planned cartoons, including "The Goofy Gophers", "Bacall to Arms", and "The Big Snooze".[4][5]

Davis directed a number of Looney Tunes and Merrie Melodies shorts, with a tone somewhere between those of Clampett and McKimson. He had a distinctive characteristic visual style, which can be seen as far back as Davis' Columbia shorts, in which the characters move from the foreground to the background, as well as from side to side, using all axes of the animation field. His department was shut down only three years later in 1949 when Warners was having a budget problem. Davis was then taken into Friz Freleng's unit, and served as one of Freleng's key animators for many years.

In 1962, thirteen years after his unit had been shut down, Davis directed a cartoon for Warners again using Freleng's unit. (There were several shorts released around this time, from not only Freleng's unit but Chuck Jones' as well, where the direction was credited to varying subordinates.) This cartoon, "Quackodile Tears", was also his last Warner Brothers short. After the studio closed in 1963, Davis went to Walter Lantz Productions as an animator. He left Lantz in 1965 to work briefly for Hanna-Barbera Productions, before moving over to DePatie-Freleng Enterprises to direct Pink Panther shorts and other cartoon series.

Outliving most of his peers, Davis died on May 9, 2000, aged 94 in Sunnyvale, California.[6][7]


  1. ^ a b "Animator Profiles: ARTHUR DAVIS |". Retrieved 2020-01-27.
  2. ^ Barrier, Michael (1999). Hollywood cartoons : American animation in its golden age. Oxford University Press. pp. 24, 28, 52.
  3. ^ Barrier, Michael (1999). Hollywood cartoons : American animation in its golden age. Oxford University Press. pp. 171, 379.
  4. ^ Barrier, Michael (1999). Hollywood cartoons : American animation in its golden age. Oxford University Press. p. 469.
  5. ^
  6. ^ Lenburg, Jeff (2006). Who's who in Animated Cartoons: An International Guide to Film & Television's Award-winning and Legendary Animators. Hal Leonard Corporation. pp. 60. ISBN 155783671X.
  7. ^ DeMott, Rick. "Warner Bros. Director Arthur Davis Passes". Retrieved 5 December 2018.

External linksEdit