This article needs additional citations for verification. (April 2010) (Learn how and when to remove this template message)
In 3D computer graphics, 3D modeling is the process of developing a mathematical representation of any surface of an object (either inanimate or living) in three dimensions via specialized software. The product is called a 3D model. Someone who works with 3D models may be referred to as a 3D artist. It can be displayed as a two-dimensional image through a process called 3D rendering or used in a computer simulation of physical phenomena. The model can also be physically created using 3D printing devices.
Three-dimensional (3D) models represent a physical body using a collection of points in 3D space, connected by various geometric entities such as triangles, lines, curved surfaces, etc. Being a collection of data (points and other information), 3D models can be created by hand, algorithmically (procedural modeling), or scanned. Their surfaces may be further defined with texture mapping.
3D models are widely used anywhere in 3D graphics and CAD. Their use predates the widespread use of 3D graphics on personal computers. Many computer games used pre-rendered images of 3D models as sprites before computers could render them in real-time. The designer can then see the model in various directions and views, this can help the designer see if the object is created as intended to compared to their original vision. Seeing the design this way can help the designer/company figure out changes or improvements needed to the product.
Today, 3D models are used in a wide variety of fields. The medical industry uses detailed models of organs; these may be created with multiple 2-D image slices from an MRI or CT scan. The movie industry uses them as characters and objects for animated and real-life motion pictures. The video game industry uses them as assets for computer and video games. The science sector uses them as highly detailed models of chemical compounds. The architecture industry uses them to demonstrate proposed buildings and landscapes in lieu of traditional, physical architectural models. The engineering community uses them as designs of new devices, vehicles and structures as well as a host of other uses. In recent decades the earth science community has started to construct 3D geological models as a standard practice. 3D models can also be the basis for physical devices that are built with 3D printers or CNC machines.
Almost all 3D models can be divided into two categories.
- Solid – These models define the volume of the object they represent (like a rock). Solid models are mostly used for engineering and medical simulations, and are usually built with constructive solid geometry
- Shell/boundary – these models represent the surface, e.g. the boundary of the object, not its volume (like an infinitesimally thin eggshell). Almost all visual models used in games and film are shell models.
Solid and shell modeling can create functionally identical objects. Differences between them are mostly variations in the way they are created and edited and conventions of use in various fields and differences in types of approximations between the model and reality.
Shell models must be manifold (having no holes or cracks in the shell) to be meaningful as a real object. Polygonal meshes (and to a lesser extent subdivision surfaces) are by far the most common representation. Level sets are a useful representation for deforming surfaces which undergo many topological changes such as fluids.
The process of transforming representations of objects, such as the middle point coordinate of a sphere and a point on its circumference into a polygon representation of a sphere, is called tessellation. This step is used in polygon-based rendering, where objects are broken down from abstract representations ("primitives") such as spheres, cones etc., to so-called meshes, which are nets of interconnected triangles. Meshes of triangles (instead of e.g. squares) are popular as they have proven to be easy to rasterise (the surface described by each triangle is planar, so the projection is always convex); . Polygon representations are not used in all rendering techniques, and in these cases the tessellation step is not included in the transition from abstract representation to rendered scene.
There are three popular ways to represent a model:
- Polygonal modeling – Points in 3D space, called vertices, are connected by line segments to form a polygon mesh. The vast majority of 3D models today are built as textured polygonal models, because they are flexible and because computers can render them so quickly. However, polygons are planar and can only approximate curved surfaces using many polygons.
- Curve modeling – Surfaces are defined by curves, which are influenced by weighted control points. The curve follows (but does not necessarily interpolate) the points. Increasing the weight for a point will pull the curve closer to that point. Curve types include nonuniform rational B-spline (NURBS), splines, patches, and geometric primitives
- Digital sculpting – Still a fairly new method of modeling, 3D sculpting has become very popular in the few years it has been around. There are currently three types of digital sculpting: Displacement, which is the most widely used among applications at this moment, uses a dense model (often generated by subdivision surfaces of a polygon control mesh) and stores new locations for the vertex positions through use of an image map that stores the adjusted locations. Volumetric, loosely based on voxels, has similar capabilities as displacement but does not suffer from polygon stretching when there are not enough polygons in a region to achieve a deformation. Dynamic tessellation is similar to voxel but divides the surface using triangulation to maintain a smooth surface and allow finer details. These methods allow for very artistic exploration as the model will have a new topology created over it once the models form and possibly details have been sculpted. The new mesh will usually have the original high resolution mesh information transferred into displacement data or normal map data if for a game engine.
The modeling stage consists of shaping individual objects that are later used in the scene. There are a number of modeling techniques, including:
Modeling can be performed by means of a dedicated program (e.g., Cinema 4D, Maya, 3ds Max, Blender, LightWave, Modo) or an application component (Shaper, Lofter in 3ds Max) or some scene description language (as in POV-Ray). In some cases, there is no strict distinction between these phases; in such cases modeling is just part of the scene creation process (this is the case, for example, with Caligari trueSpace and Realsoft 3D).
3D models can also be created using the technique of Photogrammetry with dedicated programs such as RealityCapture, Metashape, 3DF Zephyr, and Meshroom, and cleanup applications such as MeshLab, netfabb or MeshMixer. Photogrammetry creates models using algorithms to interpret the shape and texture of real-world objects and environments based on photographs taken from many angles of the subject.
Complex materials such as blowing sand, clouds, and liquid sprays are modeled with particle systems, and are a mass of 3D coordinates which have either points, polygons, texture splats, or sprites assigned to them.
The first widely available commercial application of human virtual models appeared in 1998 on the Lands' End web site. The human virtual models were created by the company My Virtual Mode Inc. and enabled users to create a model of themselves and try on 3D clothing. There are several modern programs that allow for the creation of virtual human models (Poser being one example).
The development of cloth simulation software such as Marvelous Designer, CLO3D and Optitex, has enabled artists and fashion designers to model dynamic 3D clothing on the computer. Dynamic 3D clothing is used for virtual fashion catalogs, as well as for dressing 3D characters for video games, 3D animation movies, for digital doubles in movies as well as for making clothes for avatars in virtual worlds such as SecondLife.
Compared to 2D methodsEdit
3D photorealistic effects are often achieved without wireframe modeling and are sometimes indistinguishable in the final form. Some graphic art software includes filters that can be applied to 2D vector graphics or 2D raster graphics on transparent layers.
Advantages of wireframe 3D modeling over exclusively 2D methods include:
- Flexibility, ability to change angles or animate images with quicker rendering of the changes;
- Ease of rendering, automatic calculation and rendering photorealistic effects rather than mentally visualizing or estimating;
- Accurate photorealism, less chance of human error in misplacing, overdoing, or forgetting to include a visual effect.
Disadvantages compare to 2D photorealistic rendering may include a software learning curve and difficulty achieving certain photorealistic effects. Some photorealistic effects may be achieved with special rendering filters included in the 3D modeling software. For the best of both worlds, some artists use a combination of 3D modeling followed by editing the 2D computer-rendered images from the 3D model.
3D model marketEdit
A large market for 3D models (as well as 3D-related content, such as textures, scripts, etc.) still exists – either for individual models or large collections. Several online marketplaces for 3D content allow individual artists to sell content that they have created, including TurboSquid, CGStudio, CreativeMarket Sketchfab, CGTrader and Cults. Often, the artists' goal is to get additional value out of assets they have previously created for projects. By doing so, artists can earn more money out of their old content, and companies can save money by buying pre-made models instead of paying an employee to create one from scratch. These marketplaces typically split the sale between themselves and the artist that created the asset, artists get 40% to 95% of the sales according to the marketplace. In most cases, the artist retains ownership of the 3d model; the customer only buys the right to use and present the model. Some artists sell their products directly in its own stores offering their products at a lower price by not using intermediaries.
Over the last several years numerous marketplaces specialized in 3D printing models have emerged. Some of the 3D printing marketplaces are combination of models sharing sites, with or without a built in e-com capability. Some of those platforms also offer 3D printing services on demand, software for model rendering and dynamic viewing of items, etc. 3D printing file sharing platforms include Shapeways, Sketchfab, Pinshape, Thingiverse, TurboSquid, CGTrader, Threeding, MyMiniFactory, and GrabCAD.
3D printing is a form of additive manufacturing technology where a three dimensional object is created by laying down or build from successive layers of material.
3D printing is a great way to create objects because you can create objects that you couldn't make otherwise without having complex expensive molds created or by having the objects made with multiple parts. A 3D printed part can be edited by simply editing the 3D model. That avoids having to do any additional tooling which can save time and money. 3D printing is great for testing out an idea without having to go through the production process which is great for getting a physical form of the person/company's idea
In recent years, there has been an upsurge in the number of companies offering personalized 3D printed models of objects that have been scanned, designed in CAD software, and then printed to the customer's requirements. As previously mentioned, 3D models can be purchased from online marketplaces and printed by individuals or companies using commercially available 3D printers, enabling the home-production of objects such as spare parts, mathematical models, and even medical equipment.
3D modeling is used in various industries like films, animation and gaming, interior designing and architecture. They are also used in the medical industry for the interactive representations of anatomy. A wide number of 3D software are also used in constructing digital representation of mechanical models or parts before they are actually manufactured. CAD/CAM related software are used in such fields, and with these software, not only can you construct the parts, but also assemble them, and observe their functionality.
3D modelling is also used in the field of Industrial Design, wherein products are 3D modeled before representing them to the clients. In Media and Event industries, 3D modelling is used in Stage/Set Design.
The OWL 2 translation of the vocabulary of X3D can be used to provide semantic descriptions for 3D models, which is suitable for indexing and retrieval of 3D models by features such as geometry, dimensions, material, texture, diffuse reflection, transmission spectra, transparency, reflectivity, opalescence, glazes, varnishes, and enamels (as opposed to unstructured textual descriptions or 2.5D virtual museums and exhibitions using Google Street View on Google Arts & Culture, for example). The RDF representation of 3D models can be used in reasoning, which enables intelligent 3D applications which, for example, can automatically compare two 3D models by volume.
Testing a 3D Solid ModelEdit
3D Solid models can be tested in different ways depending on what is needed by using simulation, mechanism design, and analysis. If a motor is designed and assembled correctly (this can be done differently depending on what 3D modeling program is being used), using the mechanism tool the user should be able to tell if the motor or machine is assembled correctly by how it operates. Different design will need to be tested in different ways. For example; a pool pump would need a simulation ran of the water running through the pump to see how the water flows through the pump. These test verify if a product is developed correctly or if it needs to me modified to meet its requirements.
This article is in a list format that may be better presented using prose. (November 2016)
- List of 3D modeling software
- List of common 3D test models
- List of file formats : 3D graphics
- 3D computer graphics software
- 3D printing
- 3D scanner
- 3D scanning
- Additive Manufacturing File Format
- Building information modeling
- Cloth modeling
- Computer facial animation
- Digital geometry
- Edge loop
- Geological modeling
- Industrial CT scanning
- Marching cubes
- Open CASCADE
- Polygon mesh
- Polygonal modeling
- Scaling (geometry)
- Stanford Bunny
- Triangle mesh
- Utah teapot
Media related to 3D modeling at Wikimedia Commons
|Look up modeler in Wiktionary, the free dictionary.|
- "ERIS Project Starts". ESO Announcement. Retrieved 14 June 2013.
- "What is Solid Modeling? 3D CAD Software. Applications of Solid Modeling". Brighthub Engineering. Retrieved 2017-11-18.
- "3D Scanning Advancements in Medical Science". Konica Minolta. Archived from the original on 2011-09-07. Retrieved 24 October 2011.
- Jon Radoff, Anatomy of an MMORPG Archived 2009-12-13 at the Wayback Machine, August 22, 2008
- "Lands' End First With New 'My Virtual Model' Technology: Takes Guesswork Out of Web Shopping for Clothes That Fit". PRNewswire. Lands' End. February 12, 2004. Retrieved 2013-11-24.
- "All About Virtual Fashion and the Creation of 3D Clothing". CGElves. Retrieved 25 December 2015.
- "3D Clothes made for The Hobbit using Marvelous Designer". 3DArtist. Retrieved 9 May 2013.
- "What is 3D Printing? The definitive guide". 3D Hubs. Retrieved 2017-11-18.
- "3D Printing Toys". Business Insider. Retrieved 25 January 2015.
- "Printout3D—Wolfram Language Documentation". reference.wolfram.com. Retrieved 2016-08-06.
- "New Trends in 3D Printing – Customized Medical Devices". Envisiontec. Retrieved 25 January 2015.
- Sikos, L. F. (2016). Rich Semantics for Interactive 3D Models of Cultural Artifacts. Communications in Computer and Information Science. 672. Springer International Publishing. pp. 169–180. doi:10.1007/978-3-319-49157-8_14.
- Yu, D.; Hunter, J. (2014). "X3D Fragment Identifiers—Extending the Open Annotation Model to Support Semantic Annotation of 3D Cultural Heritage Objects over the Web". International Journal of Heritage in the Digital Era. 3 (3): 579–596. doi:10.1260/2047-49220.127.116.119.