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  • Cilento Saltzman news google books google
  • finish cites McClory

search harry-saltzman-co-producer-of-the-james-bond and saltzman-lawsuit, try also Saltzman-frawley

  • Saltzman claims he worked on Rene Clair's film The Flame of New Orleans. Saskatoon Star-Phoenix - Oct 30, 1965, pg.18 "First Night" by Richard Savage

http://news.google.com/newspapers?id=TDVgAAAAIBAJ&sjid=im8NAAAAIBAJ&pg=7050,5565706&dq=harry-saltzman-co-producer-of-the-james-bond&hl=en

  • Grefe http://articles.sun-sentinel.com/1991-09-08/features/9102040404_1_real-shark-jaws-movie/5
  • The Greek http://news.google.com/newspapers?id=Mg5OAAAAIBAJ&sjid=9K0DAAAAIBAJ&pg=5986,1411994&dq=harry-saltzman-co-producer-of-the-james-bond&hl=en
  • Richard Burton declines Saltzman's offer to distribute X, Y and Zee, page 498, HS offered US$6M, RB hoped they wouldn't accept offer because if offered 6 it means he thought it would gross more. Burton enjoy Diamonds film though he considers it amateurish and is rather negative on Fleming's Twice.
  • Michael Munn's 1989 book Trevor Howard: The Man and His Films claims "Trevor and Bernie Lee worked on together, and from then on anyone who knew them realised that when those two got together there was going to be some high-spirited fun. Said Patrick Newell: "They [Bernard Lee and Trevor Howard] used to do some outrageous things together when they'd had a couple of beers. Like they'd crawl across the floor in restaurants pretending to be a couple of dogs. Bernie would go `Woof, woof!' and Trevor would bark back, `Get off, amigo!' They didn't really care about what other people thought. But I never heard Trevor embarrass anyone, even if he'd had one or two." Obviously the Vienna taverns became a regular haunt for Trevor who would usually be joined by Lee and sometimes Carol Reed. It was outside one of these taverns that Trevor heard an unusual musical sound that totally enchanted him. He went to investigate its source and discovered Anton Karas, a busker playing a zither. Trevor brought Karas and his zither to the ..."
  • Spoken Word, Inc. v. Steven S. A. and Another, the plaintiffs, an American corporation, had entered into an agreement with the first defendants, a Swiss company of film producers and distributors, to whom the plaintiffs agreed to advance $150,000 in connection with the making of a film by April 1, 1965, and the plaintiffs served a writ on the second defendant in England. The first defendants attempted to get the issues determined in New York, for the contract stated that it was to be interpreted according to the law of that State. They also started proceedings in Maryland, asking for a declaration that the plaintiffs were in breach of contract. The plaintiffs applied to the English court for leave to serve the first defendants with notice of the writ out of the jurisdiction, under R.S.C. Ord. 11, r.l(i)© (which gives the court jurisdiction if a person out of the jurisdiction is a necessary or proper person to an action properly brought against a person already served within the jurisdiction). It was held (C.A.: Lord Denning M.R., Davies and Widgery L.J.J.: October 16, 1968) that the application would be granted. The action against the second defendant had been properly brought. On balance, it was preferable that all the issues should be litigated and disposed of in one action. The convenient forum was the English court. The Times, October 17, 1968
  • S.W., incorporated in Maryland, had been refused leave to serve S., a Swiss company which had contracted to produce and distribute a film on the life of Pope John. The contract was to be construed according to New York law and S. had already started an action in Maryland. Saltzman, the controller of S. had already been properly served in England. On the balance the Court reversed the decision, holding that neither Switzerland nor Maryland was a convenient forum, and neither party could insist on New York. Whether this case supports a visible trend away from the bias in the defendant's favour, and towareds a balancing of all the considerations, is not clear from the summary reports at hand.
  • Tussy is Me, by Michael Hastings, Steven S.A. is U.S. copyright claimaint, check U.S. lib cong copyright database; Hastings also wrote novelization of Brando film The Nightcomers.

lede

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Roth and Saltzman — as are figures in Russell's own career

http://books.google.ca/books?id=D9RdXCkhC5YC&q=%22michael+anderson%22+%22harry+salzman%22&dq=%22michael+anderson%22+%22harry+salzman%22&hl=en&sa=X&ei=Ua4uUeTVJYGJrAf9j4GQBQ&ved=0CDAQ6AEwAA

By this time, the confident Ken Russell, initiator of the whole business, had been fired by Harry Salzman (The Dancer)

Other films

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  • Also looks up "Warfield Productions" in google books
  • In 1967 composer John Barry called lawyer A. Joseph Tandet who held the rights to The Little Prince. Barry wanted to write the music for a potential film adaptation. Harry Saltzman would produce, David Lean would direct and Rudolf Nureyev would star. Unfortunately when Tandet didn't hear back from John Barry, he entered into negotiations with Paramount Pictures. John Barry phoned Tandet back: Harry Saltzman wanted Tandet to fly to London to meet him. Saltzman had the plane tickets, John Barry would book a room at The Cavendish Hotel and would meet Tandet at the airport. After going to his room, Tandet met John Barry & Barry's wife the actress Jane Birkin in the hotel's bar. Saltzman believed that Paramount only attempted to get the rights because they knew Saltzman was interested and still held a grudge against him because of a falling out on Saltzman's Second World War film Battle of Britain where the studio had sued Saltzman for defamation. Back in New York, Tandet met with Saltzman's lawyer Harry Moscowitz. In May 1967, Paramount paid Tandet $80,000 otherwise he threatened to go to Saltzman.

Saltzman the dancer google search http://www.google.ca/#hl=en&q=%22harry+saltzman%22+cuthbert&um=1&ie=UTF-8&tbo=u&tbm=bks&source=og&sa=N&tab=wp&ei=B4QNUcOfGoyGrAfy0oHADQ&bav=on.2,or.r_gc.r_pw.r_qf.&bvm=bv.41867550,d.bmk&fp=c8c38d5b9ce5c69d&biw=1016&bih=564


  • Saltzman "Young Wolf" 1967 French novel
  • Korshak Saltzman, cite in Cloete article, March 1974, Saltzman trying to sell his half to Paramount (misspelled in article)
  • Mank 137 "As they kept making pictures, Harry decided to become Hughes-like. He bought the Eclair camera company [in 1968], which quickly went belly up. [1973] Then he decided to buy Technicolor. He went to board members privately and offered them all kinds of things, and suddenly they threw out the chairman of the board and Harry was now chairman of the board of Technicolor. Technicolor's stock was selling at thirty. When Harry was outsted two years later, it was selling at eight. Harry said to me, "Those bastards, I just walked in there one day and I'm out the fuckin' door. How can people do something like that?" I thought, Harry, that's just what you did. You fucked the last guy, they're not going to fuck you?"
  • Robert Natol (Dana B's maiden name is Natol) Rags of glory

Document number:V1655P476

Date of Recordation:March 8, 1978

Entire Copyright Document:V1655P476 (Single page document)

Date of Execution:October 10, 2066

Registration Number Not Verified:A643564 (1963)

Title:Rags of glory; literary work / By Stuart Cloete. A643564 (1963)

Party 1 personal name:Robert Natol

Names:Robert Natol. Robert Natol Albert R. Broccoli (7 documents)

http://www.copyrightencyclopedia.com/thunderball-motion-picture-by-danjaq-sa-thunderball/#ixzz2KFePS8es

  • Some time in the 1960s Saltzman asked Freddie Francis to direct a film, p.228 "The Horror People", John Brosnan "Harry never made this film so that was that."

Other films

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  • German book claims Saltzman suffered stroke in 1986 and moved to France in 1990; James Bond XXL: das weltweit umfangreichste 007-Nachschlagewerk - Volume 2 - Page 409; Danny Morgenstern, Manfred Hobsch - 2006
  • Broccoli other films: The Day of the Triffids, The Professor, King Tut, The Marriage Game (with Saltzman), Rags of Glory (with David Lean directing)
  • "Before resorting to work on Gypsies, he considered a theme proposed by his London-based producer, Harry Saltzman. Dukhobors (a.k.a. The Spirit Wrestlers) was supposed to take place in western Canada, amidst a group of old Orthodox [...]" Emir Kusturica - Page 92 books.google.ca/books?isbn=0851708986 Dina Iordanova - 2002
  • Films and filming - Volume 12, Issue 3 - Page 47 1966 "Harry's Western" Canadian history
  • Saltzman pays half a million, buys rights to book "The Greek" http://news.google.com/newspapers?id=gsBRAAAAIBAJ&sjid=G1gDAAAAIBAJ&pg=7095,3950246&dq=harry+saltzman+petersburg&hl=en The Evening Independent - Dec 13, 1973 p.9B http://select.nytimes.com/gst/abstract.html?res=F40B12FF3B59147A93C4A9178AD85F408785F9 paid $500,000 for film rights to "The Greek," the best-selling French novel about the super-rich international set by Pierre Rey that G. P. Putnam's Sons is planning to publish in June. He will produce "The Greek" with Serge Silberman.
  • David L. Wolper, TriMedia taped encyclopedia "Harry Saltzman and TriMedia"
  • hobby horse coin operation: http://books.google.ca/books?id=VR8EAAAAMBAJ&pg=PA69&dq=%22harry+saltzman%22+rhea+fink&hl=en&sa=X&ei=b-sGUf2DM6mAiQfk9oDwBg&ved=0CC4Q6AEwAA#v=onepage&q=%22harry%20saltzman%22%20rhea%20fink&f=false Rhea Fink
  • Saltzman companies: Hilary Music, CFD(sp?), Jacky Films SA, Stephen Films SA
  • lawsuit: http://www.leagle.com/xmlResult.aspx?page=2&xmldoc=19751308527F2d781_11151.xml&docbase=CSLWAR1-1950-1985&SizeDisp=7 David Haft involved
  • http://news.google.com/newspapers?id=EuQnAAAAIBAJ&sjid=PVoDAAAAIBAJ&pg=6368,806896&dq=saltzman+petersburg&hl=en J. Saltzman obituary
  • David Lax, One man show - Page 171 1976 books.google.com/books?id=mxtQAAAAMAAJ
  • Tony Bramwell: Harry Saltzman also owned Technicolor Laboratories (which was losing money at the time), and a large slice of the company that made Eclair movie cameras. he also had, of all things, something to do with the Open University. He had companies and properties like some people collect paintings. He also acquired scripts and plays and was always running out of cash. it didn't trouble him too much. His films earned tons of money and his royalties were accruing very cozily in the Alps.
  • Richler interviews Saltzman: Notes on an endangered species and others - Page 100 books.google.ca/books?id=ujZbAAAAMAAJ Mordecai Richler - 1974 - Snippet view
  • Saltzman sues Kirshner in 1977, shareholder in Kirshner's company
  • Saltzman puts goods up for auction in 1977 http://books.google.ca/books/about/Art_Nouveau_Art_D%C3%A9co_and_Studio_Pottery.html?id=fS1hXwAACAAJ Nouveau, Art Déco and Studio Pottery, the Property of Harry Saltzman... Vente À Londres, Christie, Manson & Woods Ltd, 18 Juillet 1977
  • http://books.google.ca/books?id=rh8VYAAACAAJ&dq=Harry+saltzman&hl=en&sa=X&ei=lfACUeiCDMuOrgft1oG4DQ&ved=0CDIQ6AEwAQ Impressionist and Modern Paintings, Drawings and Sculpture, the Properties of Mrs B. Astor,... J. M. Bayron,... Prince Rittler,... Mrs Nera Prince-Littles, Harry Saltzman,... and from Various Sources: Vente 28 Juin 1977 Publisher Christie, Manson & Woods, 1977
  • more goods, url broken: Nineteenth Century, Impressionist and Modern Paintings, Drawings (1977)
  • No. Dennis Salinger put me up several times, because he was great friends with Harry Saltzman; they were very close. But, no, I don't know why. Perhaps he thought I hadn't done enough big work. . . . He was also very loyal to the people who worked with him, you see. Peter Hunt, who was the editor and then edited what was shot under the second-unit, he then gave him [the job]. To be fair, you know, you've got to admire him for that; not a lot of loyalty around in the business. I worked for Harry later on for a while. God, he was a strange man. I'll tell you about that another time. http://www.cinemaretro.com/index.php?/archives/6475-DON-SHARP,-DIRECTOR-AN-APPRECIATION-BY-JOHN-EXSHAW.html
  • "Harry Saltzman will get a break"
  • Saltzman - The Little Prince adaptation, David Lean, Rudolph Nureyev
  • Saltzman - Once in Aleppo, by Donald Barton
  • Chrisfilm
  • Against the Evidence: The Becker-Rosenthal Affair" by Andy Logan, "Salt/man" announced to be making film in 1970 The New Yorker - Volume 46, Part 3 - Page 82
  • "Faye Meets Frank; Faye Meets Frank* .By A. H. WEILER (); January 10, 1971, Section ARTS AND LEISURE, Page D11, Column , words: Andy Logan is female, "in fact, who persuaded Miss Logan to write the book"; to be released by United Artists.
  • Against the Evidence: Document number:V3459D694 ; Entire Copyright Document:V3459 D694 P1-12 ; Date of Execution: December 31, 1969 ; Title:Against the evidence; motion picture project. ; Names:SA. Chrisfilm ; Harry Saltzman ; http://www.copyrightencyclopedia.com/thunderball-motion-picture-by-danjaq-sa-thunderball/#ixzz2IjvGbsGV
  • Monte Carlo Summer: Document number:V1828P150 ; Date of Recordation: February 2, 1981 ; Entire Copyright Document:V1828P150 (Single page document) ; Date of Execution:November 26, 1980 ; Title:Monte Carlo summer / Story idea written by Harry Saltzman, original treatment based thereon written by Leslie Stevens. ; Names:Inc. Svengali ; http://www.copyrightencyclopedia.com/monte-carlo-and-quasi-monte-carlo-methods-1996-proceedings-2/#ixzz2Ijr5DTQG
  • https://groups.google.com/forum/?fromgroups#!topic/alt.fan.james-bond/ijFbcRGVG_M Bean, Robin (September 1969). "Blazing the Trail: Harry Saltzman". Films and Filming. 15 (12): 4-7. Interviewed by Robin Bean, Films And Filming, September 1969 (with thanks to Mark Fremaux for transcribing it for us) And Tussy Is Me, which is the story of Eleanor Marks, who started the Labour Movement in this country. There's also His Brother's Keeper, which I hope to do with Peter O'Toole and Michael Caine. All the scripts are in preparation. Edward Bond is writing The Dancer, David Cregan is doing Tussy Is Me, and Clive Exton is writing His Brother's Keeper. I also have a book called The Becker Case by Andy Logan which I hope to have Lee Marvin and Michael Caine in. This is 1970-71, Then I'm preparing a big Western in Canada which Andre de Toth is going to direct, with George Lazenby starring. These are relatively high budget pictures. The French operation is next year's big picture, The Circus Starts At Ten, with Jean-Paul Belmondo and Delphine Seyrig. The director is Michel Deville, who did Benjamin. [/] (What about your interests in Europe - do you involve yourself very much in these productions?) Well, I have producers and one group of films, and then I form another group of films... I've been involved in the creative aspects. Once we agree on the script, cast and director, they do the actual production. But I'm in France at least three times a month, sometimes more frequently. (Do you have very much to do with the films after they're completed?) With the distribution decisions, sometimes. It's a joint venture between Serge Silberman and myself. (Will you open Luis Bunuel's La Voie Lactee in London soon?) We open first in America - we have to get the dubbed print. (But in England you'd show the film with subtitles?) I don't know yet - I don't think so. It's a very unusual picture. I'm doing another film with Bunuel this fall in Spain. A comedy with Catherine Deneuve. A very funny idea. Luis is coming here to complete the screenplay.
  • "Very quietly it seems, Harry Saltzman is getting together a
  • Rene Clement - Play Dirty, Colin, mother-in-law
  • Saltzman has presenter credit on Shock Troops.
  • an actor he never much liked, in the James Bond producer Harry Saltzman's Written on the Sand, later retitled Play Dirty. ... I told Saltzman, "You are a contemptible, low-life fucker" and I walked off' Director Rene Clement supported Harris's
  • Harry SALZMAN (no T) - Sex and Shopping: The Confessions of a Nice Jewish Girl: An Autobiography By Judith Krantz; proposed to her
  • HS befriends Colette
  • Salzman / Saltzman - Sweet Music
  • Herschel Saltzman /Salzman
  • John McGrath - Salzman - Naked Thoughts that Roam about: Reflections on Theatre, 1958-2001 - Page 21
  • Tudor Gates - Salzman
  • Salzman - Terry Southern and the American Grotesque By David Tully
  • Salzman - In the wake of Diaghilev: autobiography two - Page 266 - Richard Buckle
  • The Academy Award Show gave a tribute to Harry Salzman because of the James
  • In 1966 Costa-Gavras persuaded Harry Saltzman, the producer of several money -making James Bond films, to produce the World War II melodrama Un Homme de Trop (One Man Too Many). In the screenplay, which Costa-Gavras adapted from a novel by Jean Pierre Chabrol, a band of resistance commandos free a group of men from a German prison camp and are faced with a dilemma over whether to kill one of the prisoners
  • The success of "The Sleeping Car Murders" led to producer Harry Saltzman more or less giving Costa-Gavras carte blanche to choose his next project. He set his sights on an adaptation of the 1933 novel Man's Fate by Andre Malraux. Unfortunately for Saltzman, the Chinese setting was too much and the movie was never made.
  • Terry Southern contracted to write script or did write script for project called The Marriage Game, to be directed by Peter Yates and produced by the James Bond team of Harry Saltzman and Cubby Broccoli. Southern's widow Carol confirms both producers in an RS.
  • Saltzman Off NBC Show. Harry Saltzman has resigned as production supervisor of Robert. Montgomery's NBC-TV show effec- tive August 18. He has been with
  • The Miracle Job 687, Miracle, The - Movie, 1954-1959: Summary: NBG, Kay Harrison, Harry Saltzman and Blevins Davis proposed to produce a Cinerama motion picture based on Maeterlinck's play. The screen treatment is by NBG, Michael Dyne, and Edith Lutyens Geddes, with editorial censorship advice by Monsignor John Devlin. http://norman.hrc.utexas.edu/nbgpublic/details.cfm?id=602
  • Flight of the Dancing Bear: Kasher-Malden-Gleason (*no* Saltzman): Upcoming also for his own company is "Flight of the Dancing Bear" to be filmed in Russia next winter. Kasher and novelist Julian More teamed on the screenplay after Bill Friedman brought the Marc Rascovitch novel to him.

^^^^^^^^^^^^^^^^^^^^^^^^^^^

1974: (independent) HS: He has an ecological science-fiction suspenser, The Mic- ronauts. scheduled to begin in June. The Anglo-Italian production is slated to star Gregory Peck, Lee Remick, James Mason and Honor Blackman, with Don Sharp directing. Lensing will take place at Rome's Cinecittà Studios.[1] (1974 date appears to be correct as it refers to "Las Vegas Lady", a summer 1975 release which magazine claims began shooting in early May.

"He's very funny and we laughed all the way through. As an acting thing, it was not my most favorite; she was usually bewildered." Remick and Peck were scheduled to co- star in The Micronauts, directly following The Omen, "but we were told that they were not able to conquer the photographic tricks of it. That may or may not have been true. lt had a lot to do with photographing insects and fauna very large and then reducing the people to an inch in height."[2]

Popular photography - Volume 77 - Page 16 books.google.ca/books?id=66cbAQAAMAAJ 1975 : p.16 SUPERMACRO. The soon-to-be-filmed The Micronauts, a science-fiction film, is about man's battle to survive after an ecological disaster that pits man against insects for the remaining world food supply. The people are small, the insects are giant, as this is science fiction. Thusly, the sets were built 96 times larger than a six-foot man. Sic of these six-footers could stand on the Coca Cola bottle cap in the 30-foot high blades of plastic grass. One problem Harry Saltzman (James Bond, co-producer) has is that the live ants used for the macro photography eat the sets daily.[3]

"In June 1976 yet another twist to the Shepperton saga occurred. producer Harry Saltzman made a bid, estimated at L8 million, for the entire sixty-acre site. Unfortunately for Saltzman (and arguably for the British film industry), a deal had already been agreed between the studio board and the local authority, Spelthorne Council, for the council to purchase fourteen acres of the studio site for housing development and a further twenty acres for open space amenity. [/] According to Saltzman's Publicity Director, Tom Carlile: Basically, the purpose [of Saltzman's bid] is to stimulate American finance in England. Mr Saltzman feels that there had been a healthy pick-up at the box office world-wide. He was waiting for a response to his bid and was hopeful it would be accepted.4 Sir John Terry, Managing Director of the NFFC, had given Saltzman's bid the NFFC's blessing: This would be excellent for the British film industry. Mr Saltzman is known to believe that, with the rapid decline of the British pound, American film companies will seek the relatively cheap facilities for film production here.5 (Sir John Terry, who chose not to co-operate with research for this book, retired from the battle on 31 December 1978.) [/] Unfortunately, none of this enthusiasm for Shepperton Studios again to be run by film-makers seeped through to the studio board. Their decision to sell land to Spelthorne Council further underlined the scepticism about their repeated assurances of a film-making future for the studio. Managing Director Charles Gregson claimed: 'Owning a studio is rather like owning a racehorse. There are always punters, but Saltzman was the only other serious interseted party.'6 Saltzman's bid failed.[4]

The production went through several directors. In 1975 (1974, actually) Don Sharp was announced to direct.[5]

"The Micronauts is scheduled to begin filming at England's Shepperton studios after numerous delays which have caused the film's U.S. distributor, Columbia, and director, Loncralne, to withdraw from the production. Loncraine has been replaced with Ronald Neame, director of SCROOGE and THE POSEIDON ADVENTURE. No U. S. distributor has shown an interest In replacing Columbia on the $8 million budgeted picture. Delays also caused the withdrawal of stars Gregory Peck and Lee Remick. neither of whom had signed for the picture, and producer Harry Saltzman is now courting actor Charlton Heston for the lead. An estimated $1.8 million has already been expended on the picture's preproduction work, mostly in the area of special effects equipment and techniques, including revolutionary micro-photography devices developed by pharmaceutical manufacturer Smith, Kline & French. The new equipment enables separate filming of live actors and insects to be combined on negative stock without the use of mattes or conventional composite photography techniques. Script by Gordon Williams, soon to appear as a novelization in Bantam paperback, pits mankind against the insect world for survival after an ecological disaster. Because of high development costs, Saltzman already plans a sequel called THE COLONY and perhaps a sequel of films.(4:4:37)"[6]

Allegedly paperback had blurb "Soon to be a major motion picture starring Charlton Heston!".

http://archive.org/stream/starlog_magazine-202/202_djvu.txt

http://archive.org/stream/starlog_magazine-002/002_djvu.txt

The production went through several directors. In 1975 (1974, actually) Don Sharp was announced to direct.[7] In 1976 Richard Loncraine took over. Loncraine spent a year working on a "unique system of first generation matting which would allow actors and insects to be combined on the same original negative."[8]

Ronald Neame was then signed to direct,[9] followed by Michael Anderson. Finally special effects wizard John Stears would make his directorial debut.[10] Stears had just won an Best Visual Effects Academy Award for his work on Star Wars; prior to this Stears had done special effects work on the earlier James Bond films which Saltzman had co-produced with Albert R. Broccoli. Stears had also won a "Special Visual Effects" Academy Award for his work on the 1965 Bond film Thunderball.

Saltzman invested much money into the doomed project that was finally shelved in 1979. http://sffrd.library.tamu.edu/search/subject/8208/

anonymous (19 May 1976). "Harry Saltzman in Comeback With $8 Million Micronauts". Variety: 4.

anonymous (29 September 1976). "Micronauts Stays Stalled in London". Variety: 3.

http://newspaperarchive.com/european-stars-and-stripes/1975-09-08/page-19 European Stars and Stripes Monday, September 08, 1975

Film bulletin - Volumes 45-46 books.google.ca/books?id=bZcqAQAAIAAJ 1976 - Snippet view - More editions A strong possibility for a July or August start is The Micronauts, for which a number of complicated special effects are now being worked on. Reports have it that (cast)... already signed for top roles. It will lens in London with Harry Saltzman producing ... Loncraine, JG futuristic


Popular photography - Volume 77 - Page 16 books.google.ca/books?id=66cbAQAAMAAJ 1975 - Snippet view - More editions SUPERMACRO. The soon-to-be-filmed 'The Micronauts", a science- fiction film, is about man's battle ... One problem Harry Saltzman (James Bond, co-producer) has is that the live ants used for the macro photography eat the sets daily.

http://www.filmscoremonthly.com/board/posts.cfm?threadID=42011&forumID=1&archive=0

American cinematographer - Volume 56 - Page 900 books.google.ca/books?id=F0s9AAAAMAAJ American Society of Cinematographers - 1975 - Snippet view - More editions Oxford Scientific Films, doing the micro and macro work for Harry Saltzman's 'The Micro- nauts' have a Samcinevision system incorporated with a Mitchell S/35. In addition, an increasing number of producers of TV commercials use

Animals in Film books.google.ca/books?isbn=1861895720 Jonathan Burt 2004 footnote #4: Oxford Scientific Films did get involved with the film producer Harry Saltzman in 1973 to provide imagery for a film about man-size insects. The film was never made, although OSF did design a large and elaborate camera for the filming of the insects. See the designs in Crowson, Animals in Focus, pp. 120-122 (Animals in focus: the business life of a natural history film unit books.google.ca/books?isbn=0904573346 Paul Spiller Crowson - 1981)


The first of these is a refinement to the optical bench that gives apparently impossible depth of field, allowing two or three focal planes to be incorporated in one camera shot. This means that the camera can include a full scale close-up and a person 10 m away in the same shot with both in focus. The device is known as an Aerial Image Bench, and works by locating the smallest foreground object in the same image plane as a lens beyond. This lens is focused on another object which then appears in focus behind the first object.

They soon realised that this had a tremendous potential for miniaturisation special effects, and many sequences in the Micronauts, Harry Saltzman's un-finished film about tiny explorers, were shot using this technique. The sequence quoted earlier involving the miniaturised man and the giant spider was also done in this way."

"Dr John Cooke introduced his paper on 'New Developments from Oxford Scientific Films', showing some incredible visuals [...] Dr Cooke showed slides of some of the equipment they had developed. One such piece was the aerial image relay bench by which, for example, a praying mantis on one stage could be superimposed against another on a stage about 18in (and normally well outside the depth of field away and against a twig on yet another well separated plane. Such a set-up had been used on the ill-fated Micronauts series when people appeared in frame with spiders on the same scale and all running around. Another development was their periscope for filming submarine life. Peter Parks developed the system of using a snorkel in which a 35mm camera peered down a series of relay lenses so that he could get to the 'grass roots' of a mangrove swamp.[11] [[[check other link: British journal of photography - Volume 126, Issue 2 - Page 756 books.google.ca/books?id=Mm1AAQAAIAAJ ]]]


Film bulletin - Volumes 45-46 - Page 199 books.google.ca/books?id=bZcqAQAAIAAJ 1976 - Snippet view - More editions Loncraine, who worked for a year on Harry Saltzman's aborted The Micro- nauts, spreads layers of ambiguity which do marvels for a muddled script. It is a badly thought-out script rescued by stylish direction, but its exact market is difficult to

Directors in British and Irish cinema: a reference companion - Page 383 books.google.ca/books?isbn=1844571262 Robert Murphy, Geoff Brown, Alan Burton - 2006 - Snippet view - More editions Following work on the abortive Harry Saltzman project The Micro- nauts, Loncraine directed Full Circle, a mystery diriller starring Mia Farrow.The film was poorly received and he returned to work in television, where he re-established his ...

"Milton Forman has been appointed Executive Producer on the forthcoming Saltzman film. The Micronauls, an Arts & Sciences Films Ltd. production. The announcement was made by Harry Saltzman who produced the famed James Bond films. The Micronauls will be filmed at Shepperton Studios in England with Peter Ha(n)nan as Director of Photography. Richard Loncraine has been named Director of the film. As Executive Producer of The Micronauls, Forman will draw on his technical expertise to solve some of the trickiest depth-of-field problems involved involved in the filming of "miniature-size" live actors against larger-than -life sets. According to Forman, "The most complex and advanced cinematography as well as the newest technology available to us. will be used to achieve technical breakthroughs that will produce truly real-life effects of the greatest realism avoiding the limitations generally associated with special effects photography." An authority of film studio stage design, Forman has recently acted as consultant for Goldwyn Studios on the design and construction of their newest and most modern sound stages. Earlier he received a Scientific/Technical Academy Award for his contribution to the development of quartz lighting."[12]

Micronauts' to be filmed? Boston Globe - Nov 30, 1975 'Micronauts' to be filmed Columbia Pictures will distribute in the and Canada the forthcoming Harry Saltzman production The Micronauts starring Gregory Peck. The science fiction drama will be filmed in ts entirety at London's Shepperton Studios next year utilizing all of the studio s seven sound stages for the film s vast sets in which all elements will be scaled 96 times larger than the human figure.

Date: Nov 30, 1975 Start Page: A12 Pages: 1 Section: A

MOVIE CALL SHEET? Los Angeles Times - Aug 25, 1975 Producer Harry Saltzman. making his first independent film in six years. is taking over Shepperton Studios in London for an upcoming science fiction adventure film, "The Micronauts" starring Gregory Peck and Lee Remick.

MOVIE CALL SHEET: Liza, Father to Team for First Time Los Angeles Times Date: Aug 25, 1975 Start Page: E13 Pages: 1 Section: PART IV

"making his first independent film in six years, in England. [...] maintains a home in northeast St. Petersburg. Saltzman's new film, The Micronauts, stars Gregory Peck and Lee Remick, and others, to be filmed in Shepperton Studios in London for Arts Ltd. The multi-million dollar sci-fi film, scheduled for a Christmas release, will be directed by Don Sharp (Hennessy) from a screenplay by John Gay. The Micronauts will be concerned with mankind's efforts to survive after an ecological disaster that threatens the world with mass starvation. With all nations working together, it becomes obvious that man must begin competing with the insects and other sub-human species for the remaining food supply. Filming is scheduled to begin in February. nearly three months will be required for building the film's sets, in which all background elements will be scaled 96 times larger than the human figure. Blades of grass, for example, will be of supple plastic and stand 30 feet high."[13]

http://www.worthpoint.com/worthopedia/complete-house-hammer-magazine-248628373

is so high - if that's the word - on the hero that he has acquired not only "Cold War" but four sequels still in outline. Luna monthly - Issues 13-31 - Page 12 books.google.ca/books?id=SilZAAAAMAAJ 1970 & Publishers weekly - Volume 199 - Page 21 1971

"Soon after completing the film,[14] Harry Saltzman gave Bert and Frank George two copies of a book entitled Cold War in a Country Garden which he was planning to turn into a feature film. They were immediately captivated with the story, and set about thinking how they'd approach the effects. "I think it was absolutely fascinating. It never came off, however, probably for reasons of finance, and although the idea has been used in films of recent times, it was - to my knowledge - the first time a project of that sort and scope had been muted. It was all about the future population explosion and how there just wouldn't be enough room on the earth for everyone to live, so a group of government-funded scientists initiated a 'shrinking' research program. Basically, they wanted to shrink people to one and a half inches to make more room in the world. One particular group of volunteers were shrunk in size and put back in their own garden, to see how they would survive. Of course, little things like ants and spiders were absolute giants to them, and blades of grass would have been the equivalent to six foot high. In those days, there were no computers and they really would have had to build sets ten times bigger than normal to create the vastness of the surroundings. Frank and I were bursting with ideas, but alas didn't get the chance to realize any of them. I really regret that."[15]


^^^^^^^^^^^^^^^^^^

Arts & Science Films Ltd in national archives: http://discovery.nationalarchives.gov.uk/SearchUI/details?Uri=C10828152

TR

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http://newspaperarchive.com/european-stars-and-stripes/1975-09-08/page-19 European Stars And Stripes (Newspaper) - September 8, 1975, Darmstadt, Hesse t THE STARS AND STRIPES 19 By WALT TROTT entertainment editor THE OMINOUS possibility of threatening to dominate perhaps destroy man will be the theme of yet another motion picture The n might seem by now that sub i matter is wearing a bit thin movie As long ago as James was battling 15foot lont ants in the shocker Them while the same year Charlton Heston was fighting off hordes of locusts Naked

THE co ordinated jand ant In the recent Hellstrom and Phase in Castles new release Bugt the creepy adversaries are There have been numerous other efforts posing crawly in vertebrates as a terror to civ but in London veteran

[Saltzman: Fact or fiction?]

film publicist Tom Carlile has promised that Micronauts will focus on some new He noted that the movie marks Harry first dent production since The Battle of Britain in How the Albert man team has produced 10 James Bond epics with the latest The Spy Who Loved Me now being as a Christmas present for 007 also represents a reunion for the Saltzman and Yank who stuck together through several Bonds after first working er on a Bob Hope opus Call Me Carlile has been working Stateside the first half of the year touting his 25th movie as Norman sci ence fiction feature he will take over the entire stage complex of Englands Shepperton Studios for his forthcoming scifi It is expected to take three months to build all the lar sets under supervision of art director Peter 1 may be by the time we get around to ing with confided who said a form of mi had already started at Londons Oxford Scien Film

ALTHOUGH the multimillion dollar project is In tion stages the cast to in clude Gregory Peck and Lee Remick wont report to the English location until AH background elements will be scaled 96 times larger than the human said the

[Conducted by Travel writer]

[A moneysaving tip Visitors to Austria may save I nearly 14 per cent on most pur chases by shopping at stores ad shopping and by then applying for a refund of the value added According to the Austrian Na tional Travel here is the way to get a per cent refund Jon that dirndl or little wooden carved fugure you just had to Ask the person who sold you I the goods to fill out a Form I including your passport number land place of Have this stamped at the border customs control point as Austria and submit it to the the customs office get your refund on the are located at several major border crossing If there is ino branch at the border crossing through which you are ex have the customs official p the Mail it back M e store where you purchased he The store will then you the according to Austrian duty military members and their dependents FRANKFURT r NEW 12 im Sept V 1 12 Mi 14 W IX and 17 j R 11 and 30 2 MCW tm II Jt XV WASHINGTON If Oct M M H The Davis Agency announce ne following flights for active H nt NtW 9tP if Dops and parents pay Davis Agency offers a plan for all actively their dependents and Phone Frankfurt 0611 or contact Davis agents ]

located adjacent to mast larger installation slender who pointed a Coca Cola bottle for will be large enough for six men to stand on without Blades of to be created from supple will be approximately 30 feel John Gays Micronauts screenplay has all nations work ing together for a solution to a grim threat of starvation follow ing an ecological It be comes obvious that man must begin competing with insects and other subhuman species for the remaining food Our story is more than insists pro ducer who Most scientists are now agreed that mankinds greatest threat is the alarming damage we are wreaking upon our environ Saltzmans director Don Sharp is currently seeing to the filming of two key sequences involving stag beetles and army ants on miniaturized sets by slated to be reproduc ed in gigantic form on Shep sound The 52yearold Sharp first began his career as an actor in but after leaving Down Under he switched to screen writ ing for Group Three Productions in England in He got his di start four years later doing childrens before becoming a di rector on TV and for feature His earlier directing consisted mostly of horror movies such as Curse of the Fly and Face of Fu Sharp is now receiving good no tices for his newest release Hennessy with Remick and

CARLILES as a film are equally im dating back to his first venture la 1ISS or George Ste Among other pro he publicized are John Hustons Moby Joshua Logans lack Webbs The John Waynes The Alamo and Sa muel El Two years ago he decided to

[Weddings Jodi Buckli became the bride of Arthur Elder at a ceremony in The daughter of Mr and Warren Buckli of where he teaches at the Ameri can high and the bride groom will both attend Duquesne University in Pittsburgh this

[An ant enlarged 50 times looms as a formidable (foe?)]

leave the movie grind to settle in Florida as promotion chief for the National Enquirer but that work proved too tame for Thus he was ripe when offer came along for A graduate of hid once been a writer for Holly wood fan magazines and a staf fer for the now defunct Life magazine before Home now is a cottage near London where retreats after a 10 or 12hour day promoting lat est he is a multimillion dollar production tentatively scheduled for release in the by American Interna tional Pictures during Christmas Carlile said the cameramen suffered a minor setback last week when an imported flock of ants were left overnight in a set to become ac before By all of the grass and other greenery had been completely devoured by the hun gry

[Remick (is considering?) s g new kind of ] [Peck has signed on for the battle of the ]

[Sharon daughter of William J of Hick exchanged vows with Richard Dale soff of and Richard Martin of The ceremony at the Bitburg housing was followed by a reception at home of the grooms The newlyweds making home in employed by THE films have been scheduled for showing vn and Force Exchange Services overseas military theater AND THE DIXIE DANCE KINGS PGJ A gum alking child of the ambition is to rob every seventh station in the USA going just tine until he met the ce King and teB f or we only virgin inthe Comedy and country music are the main of thit new Burt Reynolds ad starring Art SUNDAY IN THE COUNTRY R r A quiet farmer is turned a lavase fighter when hts home is invaded by a murter of criminals Jwm Uw and Death this new drama how an deals With the threat of death and harm to Starring Mi Pollard and Ernest PATTON A barred portrait of the legen dary Patton whose victories to World War IK were among in whose boyani earned and toss of]

Lindsay Gutteridge

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Author

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Lindsay Gutteridge, born Thomas Gordon Lindsay Gutteridge (20 May 1923 Easington, Durham - June 2007 Downham Market, Norfolk)[16], was a commerical artist and art teacher.[17] Gutteridge "was born in a mining village near Durham in England. He studied art and worked as a commercial artist in advertising. Gutteridge came to Australia in the 1940s and worked in the outback as a fencer, boundary rider, herder and shearer. Later he was a professional photographer. Gutteridge returned to London in his thirties where he became director of an advertising agency."[18]

Born, Easington, County Durham, 20 May 1923. Education: an art school in Newcastle-upon-Tyne. Family: Married Marjorie Kathleen Carpenter; one daughter. Career: Freelance commercial artist, London 1939-41, 1950-68; art teacher, King Edward School of Art, Newcastle, 1941-43; cattle stockman in Australia, 1946-48; freelance photographer, 1958-60; former art director, Robert Sharp and Partners, advertising agency, London. Address: 15 Howdale Road, Downham Market, Norfolk PE38 9AB, England.

Commercial artist for various London firms, 1939-46, 1950-68; Art Teacher, King Edward School of Art, Newcastle, England, 1941-43; stockman on Australian sheep and cattle stations, 1946-48; self-employed photographer, 1958-60; Art Director, Robert Sharp & Partners (an advertising agency), London.

Born May 20, 1923, at Easington, Durham, England. Son of Thomas Gutteridge (a tailor) and Alice Lindsay. Married Marjorie Kathleen Carpenter. One daughter, Susan Jane. Education: Attended art school in Newcastle, England.

Gutteridge obituary: http://www.edp24.co.uk/news/obituaries/lindsay_gutteridge_1_697301

Matthew Dilke trilogy

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"Dilke is a pioneer of the new espionage: he has been miniaturized and is only a quarter of an inch tall."[19] Describing the trilogy as "tales of futuristic espionage", The MUP Encyclopaedia of Australian Science Fiction & Fantasy says, Dilke, a government agent, is "miniaturised in an experiment to counteract overpopulation."[18]

Gutteridge published two sequels, also published by Jonathan Cape: Killer Pine (1973); and Fratricide is a Gas (1975) where Dilke travels to Peru with his colleague Bellamy to investigate a plastics factory believed to be a front for biological warfare research.[19]

Stephen King unfavourably compares Gutteridge's novel ("tiny people battle beetles and praying mantises") to Richard Matheson's The Shrinking Man "because Matheson couches his story in such intimate and riveting terms - and because he is ultimately so persuasive."[20]

  • Spectator review
  • New York Times book review ("This observation of Maeterlinck is brought horridly home to a squad of British micronauts - soldiers of science who have been miniaturized to quarter-inch size in an experiment to beat the population explosion. These four chaps battle ants and centipedes, dine off grilled leg of earwig, and are finally dispatched to Rumania on a mission of micro-espionage. Mr. Gutteridge's buggy adventures counterbalance the fantastic with stolid British composure.") New York Times - Aug 29, 1971
  • The Bookseller review
  • Publishers Weekly review
  • Kirkus review: https://www.kirkusreviews.com/book-reviews/lindsay-gutteridge/cold-war-in-a-country-garden/
  • Sunday Mirror (on Panther paperback, Chris Foss cover): "A brilliant and compelling feat of imagination."
  • Eugene Register, "You'll Never Guess What is Going on in the Garden" ""This is a very odd story. Part of it reads like science fiction and part of it is a thriller about a secret agent.. [...] This very imaginative first novel was concocted by the art director of a british advertising agency. it is full of crazy ideas, but that's what catches the fancy of raeders who want some bizarre entertainment." Miles A. Smith, Associated Press http://news.google.com/newspapers?nid=1310&dat=19710725&id=ItxVAAAAIBAJ&sjid=T-EDAAAAIBAJ&pg=3629,5473463 Eugene Register-Guard - 25 July 1971 p 13

Killer Pine paperback blurb (Panther 1975, Chris Foss cover): "The Canadian forests are dying and Dilke is called in to solve the mystery."

British Book News wrote of Fratricide is a Gas, "The details of his equipment and methods are fascinating as ever, but the possibilities of his adventures are beginning to be exhausted: the insects of the South American jungle are not, to him, really much more perilous than those of the English country garden of his first mission and, as for piranha fish, Ian Fleming dealt conclusively with those a long time ago. But if you have not read the earlier Dilke books, this one is diverting, and there is an excellent comic twist to the plot at the end."[19]

The MUP Encyclopaedia of Australian Science Fiction & Fantasy claims a planned fourth book was to have been set in Australia, though gives no further information nor a citation to support the claim.[18] However a 1971 Publishers Weekly article claims that four sequels exist in outline.[21][22]

Lindsay Gutteridge is the author of three espionage novels featuring Matthew Dilke as hero, a micro-man one quarter of an inch in height. They are all splendid adventure stories and powerfully engage the sense of wonder. Gutteridge plays rough with his miniature spies and their normal-sized masters and foes, so that these should perhaps be classified as adult entertainments, but there is nothing very special in the books considered as offbeat spy thrillers. Their distinctive quality is science-educational: they are the closest fictional equivalents I have found to The Hellstrom Chronicle. Whereas that film's overwhelming images of the alien life we overlook projected an inimical world, in which ants are far better adapted for survival than we hubristic humans. Gutteridge, better balanced, discovers not only beauty and terror, monstrosity and indifference, but delightful nourishment. By not being insect-sized, Gutteridge suggests, we are missing the marvellous abundant food of pollen and nectar. If only we could be miniaturized, our survival problems would be over. There, of course, is the rub which would lead us to classify these works as pure fantasies were it not that they belong to a tradition of micro-people in SF established by such writers as Asimov, Blish, and Leinster, and that they use the convention to instruct us about natural history so fully and sensitively. The microscopic eye is a human one, and the wonders seen are related to human fears, needs and desires. [/] Cold War in a Country Garden, in which the mission of three micro-men is to implant transmitters in the hair of a Russian, is closest perhaps to the conventional spy thriller, substituting a box of centipedes for the snake pit or piranha pool as a persuasive thread to the captured Dilke. When he escapes, rescuing a micro-negress, Hyacinthe, who aids him in his second adventure, the pursuers are caught by an ant-lion. Killer Pine is a novel of ecological warfare, in which the enemy are Russian micro-men who inhabit a metal container on a pine in a Canadian forest, breeding termites to spread a viral death. We are given fascinating and horrid glimpses of life in a termite colony, in a tree which, for the micro-climbers, has the scale of Mount Everest. The third novel, Fratricide Is a Gas, has affinities with novels of industrial espionage: here Matthew Dilke is pitted alone against a sadistic Nazi chemist in Peru. The highlight of this novel is a sequence in which Dilke climbs jungloid thorns and creepers, enjoying on the way an idyllic repose in the bloom of an orchid, where he is visited by a humming-bird and witnesses the giant courtship of butterflies and the predations of parasitic wasps and shaggy spiders. [/] Gutteridge's micro-man's view gives us the pleasure of a sardonic perspective on the conventions of spy fiction and also a Swiftian magnification of some of our physical and spiritual coarseness, as when Dilke spies from a perch on the top of Lippe's study chair not only the eroded massif of his head but also the monstrous cruelty of his mind, revealed by his most private occupations.

Paperback blurb Cold War: "James Bond meets The Incredible Shrinking Man. Matthew Dilke is miniaturised and has to survive in his own garden - then he takes on eastern Europe."

Gutteridge also published essay in collection that also featured Angela Carter.

  • search Gutteridge painter
  • Science Fiction and Fantasy Literature, Volume 2
  • Brian Ash and Gutteridge
  • Doctor Who Planet of Giants
  • For instance, in Lindsay Gutteridge's Cold War in a Country Garden (1971) the protagonist is a British intelligence officer reduced to a miniature size and smuggled into Rumania. His reduction reflects an instrumentalisation of humans into means to an end, and reflects too fears of the sheer size of Soviet bloc forces as embodied in the monstrous body of a Rumanian army commander. Gutteridge literalises the traditional association between size and power to present Cold War confrontation as a latter-day version of the David and Goliath story.[23]


1972 Luna Monthly has book review of CWIACG Charlotte Moslander reviewer, mixed-negative http://books.google.ca/books?id=tilZAAAAMAAJ&q=%22in+size+to+explore+the+possibilities+of+using%22&dq=%22in+size+to+explore+the+possibilities+of+using%22&hl=en&sa=X&ei=zIMqUcasC4rRrQf4-YGYCA&ved=0CDEQ6AEwAA

Williams' trilogy

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  • Mark Buckmaster refers to the hackneyed theme of miniature humans: "have long been a staple of SF." "Gudenian, a former guard fleeing murder charges and the strict political atmosphere of the colony, leads a group of prisoners in escape. On the outside they are harassed by a series of dangers, including a fox, and an attempt by two political factions to regain Magda Gudenian's lover, the first microwoman to ever conceive a child. The fox is killed, and Gudenian escapes. A third novel is hinted at by the inconclusive ending. The prose is awkward and disjointed as Williams on several occasions shifts scenes and narrators bewilderingly. A micro-effort.Neil Barron, Robert Reginald, ed. (2009). Science Fiction and Fantasy Book Review. Wildside Press. p. 87. ISBN 9780893706098.

References

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  1. ^ Film bulletin - Volumes 43-44 - Page 287, books.google.ca/books?id=ASFAAQAAIAAJ 1974
  2. ^ Buckley, Michael (November(?) 1988). "Lee Remick". Films in Review. 39: 526. {{cite journal}}: Check date values in: |date= (help)
  3. ^ Nathan, Simon (1975). "For Your Information: Another Photo Mag, and Brave Shark Photog: Supermacro". Popular Photography. 77: 16.
  4. ^ Threadgall, 146-147
  5. ^ unknown (1975). "unknown". Films and Filming. 22: 9. {{cite journal}}: Cite uses generic title (help)
  6. ^ Cinefantastique - Volume 5 - Page 89-90, 1976
  7. ^ Films and Filming, Volume 22, page 9, 1975
  8. ^ "More Richard Loncraine Bios & Profiles: HBO biography for [[The Gathering Storm (2002 film)|The Gathering Storm]]". 1 January 2000. {{cite web}}: URL–wikilink conflict (help)
  9. ^ Cinefantastique. 5: 90. 1976. {{cite journal}}: Missing or empty |title= (help)
  10. ^ Variety
  11. ^ Clement, James ((unintelligible day) August 1979). William Crookes, T. A. Malone, George Shadbolt (ed.). "Film '79: A Report on the Technical Papers: Part 3: Horses for Courses". The British Journal of Photography. 126: 752, 756 (and perhaps other pages). {{cite journal}}: Check date values in: |date= (help)CS1 maint: multiple names: editors list (link) This linked website contains further quotes.
  12. ^ anonymous (1 May 1976). "Industry News & Educational Activities" (PDF). SMPTE Journal. 85 (5). Society of Motion Picture and Television Engineers: 360.
  13. ^ anonymous (19 August 1975). "Saltzman In Midst Of Independent Film". St. Petersburg Independent. p. 8B.
  14. ^ The author claims this was shortly after making the 1966 film Funeral in Berlin however this is impossible as Cold War in a Country Garden was not published until 1971. Other reliable sources dispute the author's claim.
  15. ^ title=Albert J. Luxford, the Gimmick Man: Memoir of a Special Effects Maestro|year=2002|last1=Luxford|first1=Albert J.|last2=Owen|first2=Gareth|publisher=McFarland & Company|year=2002|isbn=9780786411504|page=118-119}}
  16. ^ "Gutteridge, Lindsay".
  17. ^ "Watercolour of a Siamese Cat".
  18. ^ a b c Collins, Paul; Paulsen, Steven; McMullen, Sean (1988). The MUP Encyclopaedia of Australian Science Fiction & Fantasy. Melbourne University Press. p. 83. ISBN 9780522847710.
  19. ^ a b c unknown (1976). "Fratricide is a Gas". British Book News: 237.
  20. ^ King, Stephen (2011). Danse Macabre. Simon and Schuster. p. 375. ISBN 9781439171165.
  21. ^ unknown (1970). "unknown". Luna Monthly (13–31): 12. {{cite journal}}: Cite uses generic title (help)
  22. ^ unknown (1971). "unknown". Publishers Weekly. 199: 21. {{cite journal}}: Cite uses generic title (help)
  23. ^ Seed, David (2000). "Imagining the Worst: Science Fiction and Nuclear War". Journal of American Studies of Turkey. pp. 39–49.
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