Introduction edit
- scope, background
Western approach edit
- academic study, Western aesthetic use, colonialism, historiography
Production edit
Imagery edit
Forms edit
Materials edit
Regions edit
- + diaspora?
Contemporary edit
As of 2016, 80 percent of African art collectors are based in the United States and United Kingdom, and works have seen tenfold value increases. Works of contemporary artists Julie Mehretu, El Anatsui, and Irma Stern have sold for millions of dollars.[1]
Collections edit
- museums, libraries, collectors, market, shows, exhibitions, forgery
Notes edit
- ^ Gbadamosi, Nosmot (October 14, 2016). "Your next art purchase will come from Africa". CNN. Archived from the original on January 2, 2017. Retrieved January 2, 2017.
References edit
- Willett, Frank (2003). African Art. New York: Thames & Hudson. ISBN 978-0-500-20364-4.
- Kerchache, Jacques; Paudrat, Jean Louis; Stéphan, Lucien; Stoullig-Marin, Françoise (1993). Art of Africa. New York: H.N. Abrams. ISBN 978-0-8109-0628-0. OCLC 26307817.
- Visonà, Monica Blackmun; Poynor, Robin; Cole, Herbert M; Harris, Michael D; Blier, Suzanne Preston; Abiodun, Rowland (2001). A history of art in Africa. ISBN 978-0-8109-3448-1. OCLC 43445774.
- Ben-Amos, Paula (1989). "African Visual Arts from a Social Perspective". African Studies Review. 32 (2): 1–53. doi:10.2307/523969. ISSN 0002-0206. JSTOR 523969. S2CID 144832997.
- Adams, Monni (1989). "African Visual Arts from an Art Historical Perspective". African Studies Review. 32 (2): 55–103. doi:10.2307/523970. ISSN 0002-0206. JSTOR 523970. S2CID 145648008.
- Arnoldi, Mary Jo (1991). "Review of African Studies Review: African Visual Arts from a Social Perspective, ; African Studies Review: African Visual Arts from an Art Historical Perspective". African Arts. 24 (2): 24–31. doi:10.2307/3336848. ISSN 0001-9933. JSTOR 3336848.
