The Wheeler Dealers

The Wheeler Dealers (a.k.a. Separate Beds in the UK) is a 1963 American romantic comedy film produced by Martin Ransohoff, directed by Arthur Hiller, and starring James Garner and Lee Remick. The script was written by George Goodman and Ira Wallach based on Goodman's 1959 novel of the same name. The film was produced by Filmways and distributed by MGM.

The Wheeler Dealers
The Wheeler Dealers FilmPoster.jpeg
Theatrical release poster
Directed byArthur Hiller
Screenplay byGeorge Goodman
Ira Wallach
Based onThe Wheeler Dealers
1959 novel
by George Goodman
Produced byMartin Ransohoff
StarringJames Garner
Lee Remick
CinematographyCharles Lang
Edited byTom McAdoo
Music byFrank De Vol
Distributed byMetro-Goldwyn-Mayer
Release date
  • November 14, 1963 (1963-11-14)
Running time
107 minutes
CountryUnited States
Box office$3,200,000 (US/ Canada)[1]

Garner called the film "a broad comedy in which my character is a lot like Bret Maverick."[2] For his performance, he was nominated for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.[3]


Molly Thatcher is a stockbroker languishing in a New York company run by male chauvinist Bullard Bear. When the company does poorly, he decides that he has to fire somebody. As the only female broker, Molly is the obvious choice since dismissing a male broker would make people think the company is in trouble. He assigns her the seemingly impossible task of unloading shares of an obscure company called Universal Widgets, figuring that she will fail, and he will have the excuse he needs to fire her.

Molly meets Henry Tyroon, an aggressive wheeler dealer who dresses, talks, and acts like a stereotypical Texas millionaire. He is interested in her romantically, not Universal Widgets, but decides to help out in order to get closer to her. As they spend time together, Molly watches Henry make complicated business deals, often in partnership with his Texan cronies, Jay Ray, Ray Jay, and J.R. One example is speculative dealing in modern abstract art, with the aid of Stanislas, a cynical avant-garde painter.

Molly and Henry have trouble figuring out Universal Widgets' reason for existence; its only factory burned down around the time of World War I. It manufactures nothing and provides no services. (Widgets had something to do with horse-drawn carriages.) It is just a corporation on paper whose sole asset is a huge block of shares in AT&T, bought long, long ago when the stock was ridiculously cheap. Now it pays out hefty, regular dividends to its few complacent shareholders.

When Henry makes attempts to take control of Universal Widgets by what appears to be questionable methods, over-enthusiastic government regulator Hector Vanson takes him to court. Henry, against all advice, orders oil drilling done on the property, and spreads rumors that investment banks are interested in the company, causing the share price to soar. Further complications arise when Jay Ray, Ray Jay, and J.R. get Molly fired so that she will spend more time with Henry. She thinks Henry is responsible for her firing. She also discovers that he is actually an Easterner and a Yale University graduate; masquerading as a Texan just helps him with his wheeling and dealing. The judge dismisses the Federal Securities Commission case when it is determined that all the Universal Widgets shares are in the hands of just a handful of shareholders, not the general public. Henry and the Texas trio's shares are sold back to the original owners, the Whipple family, then and there, for a sizable profit. The trio also confesses that they were the ones who had Molly fired from her job. Upon hearing this from them, she quickly makes up with Henry, and they kiss.



In a contemporary review for The New York Times, critic Bosley Crowther wrote of the film: "Its gags are so studiously pegged to the business of doing money business that very little monkey business is done. And the business is so complicated–so glib with the percentages and stuff–that anybody but another wheeler dealer might have a hard time keeping up. ... What might be brightly satiric simply isn't because it lacks wit. Too much double entry and too little double entendre".[4]

Dallas Morning News critic John Rosenfield was more positive, calling the film "raucous in its lampoonery" and praising the cast: "Garner and Miss Remick play delightfully. He is as feathery as a Fred MacMurray and of more plausible personal stature. Miss Remick ... is quite pleasantly watchable. This is, we think, her first effort at farce and she's good at it".[5]

Home mediaEdit

The Wheeler Dealers was released on June 27, 2011 by Warner Home Video as a widescreen Region 1 DVD through its Warner Archive DVD-on-demand service. The film was released on Blu-ray on April 25, 2017.[6]

See alsoEdit


  1. ^ "Top Rental Features of 1963", Variety, 8 January 1964 p 71. Please note figures are rentals as opposed to total gross.
  2. ^ Garner, James; Winokur, Jon (2011). The Garner Files: A Memoir. Simon & Schuster. p. 253.
  3. ^ "James Garner". Golden Globe Awards.
  4. ^ Crowther, Bosley (1963-11-15). "Screen: Manipulating Financial Deals". The New York Times. p. 25.
  5. ^ Rosenfield, John (1963-11-20). "Screen in Review: New Farceurs In Brisk Opus". The Dallas Morning News. pp. 6, Section 3.
  6. ^ The Wheeler Dealers Blu-ray, retrieved 2017-09-08

External linksEdit