The Beatles at Shea Stadium
The Beatles at Shea Stadium is a fifty-minute-long documentary of The Beatles' August 15, 1965, concert at Shea Stadium in New York City, the highlight of the group's 1965 tour. The documentary was produced by Ed Sullivan (under his Sullivan Productions, Inc. banner), NEMS Enterprises Ltd. (which owns the 1965 copyright), and the Beatles company Subafilms Ltd. The project, placed under the direction of manager of production operations M. Clay Adams, was filmed by a large crew led by cinematographer Andrew Laszlo. Fourteen cameras were used to capture the euphoria and mass hysteria that was Beatlemania in America in 1965. The documentary first aired on BBC1 on March 1, 1966. In West Germany, it aired on August 2, 1966. It aired in the United States on ABC on January 10, 1967.
|The Beatles at Shea Stadium|
|Produced by||Ed Sullivan Productions
|Music by||The Beatles|
|March 1, 1966 (BBC Television)|
The film captures not only the concert, the attendance of which was 55,600, the largest Beatles concert up to that time, but also the events leading up to the concert, including the Beatles' helicopter ride from Manhattan to Flushing Meadows, their preparation in the dressing room (i.e. the visiting baseball team's locker) at Shea Stadium, and clips from the show's other acts, including Motown singer Brenda Holloway ("I Can't Help Myself (Sugar Pie Honey Bunch)"), King Curtis ("Soul Twist"), Sounds Incorporated ("Fingertips"), and Killer Joe Piro and The Discothèque Dancers ("It's Not Unusual", "Downtown", "Can't Buy Me Love"), managed by Jerry Weintraub. Murray the K, Neil Aspinall, Nat Weiss, with his step-son Shaun Weiss, Mal Evans, Brian Epstein, and announcer Cousin Brucie Morrow are also featured. Mick Jagger and Keith Richards were also in attendance. Marvin Gaye was introduced but did not perform. The Young Rascals and Cannibal & the Headhunters also performed but were not featured in the documentary. The concert had been presented by promoter Sid Bernstein. Television host Ed Sullivan introduced the band when they took the stage: "Now, ladies and gentlemen, honored by their country, decorated by their Queen, and loved here in America, here are The Beatles!"
The film is not a completely accurate representation of the actual concert performance. The songs "She's a Woman" and "Everybody's Trying to Be My Baby" are omitted from the film due to time and likely camera reel change issues (audio of the latter song was released on The Beatles Anthology Volume 2 CD). The audio for the songs that remained went through a heavy post-production process as well. Some songs were treated with overdubs, or even re-recorded entirely, by The Beatles at London's CTS Studios on January 5, 1966, to cover audio problems throughout the concert recording. In addition, the audio for "Twist and Shout" comes from a show at the Hollywood Bowl later on the same tour, and the audio for "Act Naturally" was simply replaced by the studio version of the song (released on the Help! LP in Britain and on the B-side of "Yesterday" in the US), sped up slightly and poorly edited to sync up to the film.
Although the film has not been officially available on DVD or VHS (except via a 1978 release by Media Home Entertainment that was successfully sued by Northern Songs), it has been widely available on the bootleg circuit for decades, including in a "raw audio" form that restores the original Shea Stadium audio track.
A thirty-minute reissue of the footage of the actual concert was remastered and released simultaneously with the release of the Ron Howard film The Beatles: Eight Days a Week on September 15, 2016.
- "Twist and Shout" (Phil Medley, Bert Russell)
- "She's a Woman" (not included in film. audio added to the end credits of 2016 release.)
- "I Feel Fine"
- "Dizzy Miss Lizzy" (Larry Williams)
- "Ticket to Ride"
- "Everybody's Trying to Be My Baby" (Carl Perkins) (not included in film)
- "Can't Buy Me Love"
- "Baby's in Black"
- "Act Naturally" (Voni Morrison, Johnny Russell)
- "A Hard Day's Night"
- "I'm Down"
The concert itself was a milestone in popular musical history as the first major stadium concert. The documentary was a highlight of the 1995 Beatles Anthology series, which featured extensive clips from the film.
Ringo Starr described the concert in The Beatles Anthology: "What I remember most about the concert was that we were so far away from the audience. ... And screaming had become the thing to do. ... Everybody screamed. If you look at the footage, you can see how we reacted to the place. It was very big and very strange."
In 1970, John Lennon recalled the show as a career highlight: "At Shea Stadium, I saw the top of the mountain."
- "Today's Programmes". Daily Mail. 1 March 1966. p. 18.
- "The Beatles at Shea Stadium". 10 January 1967. Retrieved 18 September 2016 – via IMDb.
- "Television". New York Times. January 10, 1967. p. 87.
- "Tuesday's TV Programs". Los Angeles Times. January 10, 1967. part IV p.12.
- Everett, Walter. The Beatles as Musicians: The Quarry Men through Rubber Soul. USA: Oxford University Press, 2001, p. 307.
- Myers, Marc. "A Home Run for Rock." Wall Street Journal, August 12, 2015.
- "The Beatles at Shea Stadium: An Interview with Dave Schwensen". 7 February 2014. Retrieved 18 September 2016.
- "Beatles videos". Retrieved 18 September 2016.
- "Beatles' Shea Stadium Concert Finally Sees Re-Release". Retrieved 18 September 2016.
- "The Beatles Setlist at Shea Stadium, New York". Retrieved 18 September 2016.
- Fleming, Colin. "Why the Beatles' Shea Stadium Show Was Even Greater Than You Knew." Rolling Stone, August 14, 2015.
- Harry Castleman & Walter J. Podrazik, All Together Now: The First Complete Beatles Discography (New York: Ballantine Books, 1976), p. 317.
- Mark Lewisohn, The Complete Beatles Chronicles (New York: Harmony Books, 1992), pp. 199–200.
- Bob Spitz, The Beatles: The Biography (New York: Little, Brown and Company, 2005).
- The Beatles, The Beatles Anthology (San Francisco, CA: Chronicle Books, 2000).
- Schwensen, Dave. The Beatles at Shea: The Story Behind Their Greatest Concert (North Shore Publishing, 2013).