Help! is the fifth studio album by English rock band the Beatles and the soundtrack from their film Help!. It was released on 6 August 1965. Produced by George Martin, it was the fifth UK album release by the band, and contains fourteen songs in its original British form. Seven of these, including the singles "Help!" and "Ticket to Ride", appeared in the film and took up the first side of the vinyl album. The second side contained seven other releases including the most-covered song ever written, "Yesterday".
|Studio album by|
|Released||6 August 1965|
|Recorded||15 February – 17 June 1965|
|Studio||EMI Studios, London|
|The Beatles chronology|
|Singles from Help!|
The American release was a true soundtrack album, mixing the first seven songs with instrumental material from the film. Of the other seven songs that were on the British release, two were released on the US version of the next Beatles album, Rubber Soul, two were back-to-back on the next US single and then appeared on Yesterday and Today, and three had already been on Beatles VI.
Help! was nominated in the category of Album of the Year at the 1966 Grammys Awards, marking the first time that a rock band had been recognised in this category. In 2012, it was ranked 331st on Rolling Stone magazine's list of the "500 Greatest Albums of All Time". In September 2013, after the British Phonographic Industry changed its sales award rules, the album was certified platinum for recorded sales since 1994.
The album includes Paul McCartney's "Yesterday", arranged for guitar and string quartet and recorded without the other group members. John Lennon's "You've Got to Hide Your Love Away" indicates the influence of Bob Dylan and includes flutes. McCartney's "I've Just Seen a Face" had a country flavour.
"Ticket to Ride", released as a single in April 1965, was felt by Lennon to be "heavy" in its sound compared to the group's previous output and daring in its reference to a boy and girl living together. McCartney called the arrangement "quite radical". During the recording sessions for the album, the band used the studio's multitracking capabilities to layer their sound. In this, author Mark Prendergast highlights George Harrison's use of a volume pedal and incorporation of "more intricate chordal devices to enrich his guitar sound".
The record contained two cover versions and a few tracks more closely related to the group's previous pop output, but still marked a decisive step forward. The record sleeve-note shows that Lennon and McCartney made more extensive and prominent use of keyboards, previously played unobtrusively by Martin. Four-track overdubbing technology encouraged this. Lennon, for his part, made much greater use of acoustic guitar, forsaking his famous Rickenbacker.
The original LP's format of featuring songs from the soundtrack on side one and non-soundtrack songs on side two follows the format of A Hard Day's Night.
In later years, Lennon stated that the album's title track was a sincere cry for help; he regretted changing it from a downbeat, piano-driven ballad to an uptempo pop song, which was done only as a result of commercial pressures.
Help! was the band's final British album (aside from the late 1966 compilation A Collection of Beatles Oldies) to feature any cover songs until 1970's Let It Be (which included a performance of the traditional folk song "Maggie Mae"). In 1966, Capitol would release "Act Naturally", already on the British Help! album, on Yesterday and Today. "Bad Boy" and "Dizzy Miss Lizzy" (both written by Larry Williams and recorded on 10 May 1965, Williams' birthday) were both aimed at the American market and originally not intended to appear on Help!, but "Dizzy Miss Lizzy" ultimately did. Both songs appeared on Beatles VI, released in the US in June 1965. "Bad Boy" was not released in the UK until A Collection of Beatles Oldies, and was that album's only cover song.
A few songs that were recorded and intended for the film were not used because of the Beatles' suggestions. Lennon and McCartney wrote "If You've Got Trouble" for Ringo Starr to sing, but the song was rejected and Starr sang "Act Naturally" instead. "That Means a Lot" was written for the film, but the Beatles were not satisfied with their performance of the song and gave it to P.J. Proby, who released it as a single. Lennon said "Yes It Is" was "me trying a rewrite of 'This Boy', but it didn't work"; it was released as the B-side of "Ticket to Ride" and was also on Beatles VI. "You Like Me Too Much" and "Tell Me What You See" were turned down for use in the film by its director, Richard Lester, although they did appear on the album (and also on Beatles VI).
In June 1965, at the end of the Help! sessions, the song "Wait" was recorded for the album. Instead, the Beatles completed the track for Rubber Soul in November, when a final song was needed to complete that album.
The album cover shows the Beatles with their arms positioned to spell out a word in flag semaphore. According to cover photographer Robert Freeman, "I had the idea of semaphore spelling out the letters 'HELP'. But when we came to do the shot, the arrangement of the arms with those letters didn't look good. So we decided to improvise and ended up with the best graphic positioning of the arms."
On the UK Parlophone release, the letters formed by the Beatles appear to be "NUJV", whilst the slightly re-arranged US release on Capitol Records appeared to indicate the letters "NVUJ", with McCartney's left hand pointing to the Capitol logo. The Capitol LP was issued in a "deluxe" gatefold sleeve with several photos from the film and was priced $1 more than standard Capitol releases at the time.
Compact disc releaseEdit
There have been four CD releases of Help! The first was on 30 April 1987, using the 14-song UK track line-up. Having been available only as an import in the US in the past, the original 14-track UK version replaced the original US version with its release on LP and cassette as well on 21 July 1987. As with the CD release of the 1965 Rubber Soul album, the Help! CD featured a contemporary stereo digital remix of the album prepared by Martin in 1986. Martin had expressed concern to EMI over the original 1965 stereo remix, claiming it sounded "very woolly, and not at all what I thought should be a good issue". Martin went back to the original four-track tapes and remixed them for stereo. One of the most notable changes is the echo added to "Dizzy Miss Lizzy", something that was not evident on the original mix of the LP.
When the album was originally released on CD in Canada, pressings were imported from other countries, and used the 1987 remix. However, when the Disque Améric and Cinram plants in Canada started pressing the album, the original 1965 stereo mix was used by mistake. This was the only source for the 1965 stereo mix in its entirety until the release of the mono box set in 2009.
The 2009 remastered stereo CD was released on 9 September. It was "created from the original stereo digital master tapes from Martin's CD mixes made in 1986". The original 1965 stereo mix was included as a bonus on the mono CD contained in The Beatles in Mono boxed set.
The 1965 stereo mix was reissued again on the Help! CD contained in the Beatles collection The Japan Box released in 2014.
Reception and legacyEdit
|The A.V. Club||A|
|Consequence of Sound||B|
|The Daily Telegraph|||
|Encyclopedia of Popular Music|||
|The Rolling Stone Album Guide|||
Help! was another worldwide commercial success for the Beatles. Derek Johnson of the NME said that the LP "maintains the Beatles' usual high standards" and was a "gay, infectious romp which doesn't let up in pace or sparkle from start to finish – with the exception of one slow track". Despite the band's introduction of new instrumentation into their sound, particularly a string quartet on "Yesterday", the reviewer also wrote of the album: "It's typical Beatles material, and offers very few surprises. But then, who wants surprises from the Beatles?" While typical of the unsophisticated critiques commonplace in the pop press at the time, according to music journalist Michael Halpin, these comments angered McCartney, who, like his bandmates, believed that artists should constantly develop through their work.
In the United States, where the mainstream press had long focused on the Beatlemania phenomenon and had derided the group's music, as well as rock 'n' roll generally, the summer of 1965 coincided with the first examples of artistic recognition for the Beatles from the country's cultural mainstream. Among these endorsements, Richard Freed of The New York Times likened the band's songs to works from the European art music tradition. Adding to what he described as the Beatles' impact on "serious music", Freed cited musicologists and composers such as Leonard Bernstein and Abram Chasins as admirers of the group's work. Along with several nominations for "Yesterday", Help! was nominated in the category of Album of the Year at the 1966 Grammys Awards. The nomination marked the first time that a rock band had been recognised in this category.
In his review of the Beatles' 1987 CD releases, for Rolling Stone magazine, Steve Pond remarked on the "unstoppable momentum" evident in the band's pre-Rubber Soul albums and recommended Help! "for the relatively quiet and understated way in which they consolidated their strengths". Writing in 2004 edition of The Rolling Stone Album Guide, Rob Sheffield says that the US version of Help! was "utterly ruined" through the replacement of the Beatles songs with the soundtrack music, and that, as a result, the album remained relatively overlooked. He describes the full album as "a big step forward" and "the first chapter in the astounding creative takeoff the Beatles were just beginning".
Mark Kemp of Paste considers it to be the equal of A Hard Day's Night and cites "Help!", "Ticket to Ride" and "Act Naturally" as highlights, along with Harrison's return as a songwriter. Kemp identifies "Yesterday" as "the album's masterpiece" and a song that "set the stage for one of the most groundbreaking and innovative periods in The Beatles' career, not to mention pop music in general". Neil McCormick of The Daily Telegraph says that the album evokes "a band in transition, shifting slightly uncomfortably from the pop thrills of Beatlemania to something more mature", with Lennon's writing increasingly autobiographical and the group's sound growing more sophisticated. McCormick concludes: "Help! may not be their greatest album, but it contains some of their greatest early songs."
In 2012, Help! was ranked 331st on Rolling Stone's list of the "500 Greatest Albums of All Time".
All tracks written by Lennon–McCartney, except where noted.
|2.||"The Night Before"||McCartney||2:34|
|3.||"You've Got to Hide Your Love Away"||Lennon||2:09|
|4.||"I Need You" (George Harrison)||Harrison||2:28|
|6.||"You're Going to Lose That Girl"||Lennon||2:18|
|7.||"Ticket to Ride"||Lennon||3:09|
|1.||"Act Naturally" (Johnny Russell, Voni Morrison)||Starr||2:30|
|2.||"It's Only Love"||Lennon||1:56|
|3.||"You Like Me Too Much" (George Harrison)||Harrison||2:36|
|4.||"Tell Me What You See"||McCartney with Lennon||2:37|
|5.||"I've Just Seen a Face"||McCartney||2:05|
|7.||"Dizzy Miss Lizzy" (Larry Williams)||Lennon||2:54|
North American Capitol releaseEdit
|Soundtrack album by|
|Released||13 August 1965|
|Recorded||15 February – 17 June 1965|
|Studio||EMI Studios, London|
|Producer||George Martin, Dave Dexter, Jr.|
|The Beatles North American chronology|
|Singles from Help!|
The North American version, the band's eighth Capitol Records album and tenth overall, includes the songs in the film plus selections from the film's orchestral score composed and conducted by Ken Thorne, which contains one of the first uses of the Indian sitar on a rock/pop album. "Ticket to Ride" is the only song on the American release in duophonic stereo (also known as "fake stereo") reprocessed from the mono mix. Likewise, the mono version of the album uses a folded-down mix of "Help!" instead of the true mono version used on the single, which features a different vocal track. Help! is available on CD as part of The Capitol Albums, Volume 2 box set. This CD contains both the stereo and mono versions of the American release. A second CD release of this album, which contains the seven songs in true mono was issued in 2014 individually and as part of the Beatles The U.S. Albums boxed set.
All of the non-movie tracks from Side 2 of the British album were spread out through three American albums. Three were already issued on the previously released Beatles VI: "You Like Me Too Much", "Tell Me What You See", and "Dizzy Miss Lizzy". "I've Just Seen A Face" and "It's Only Love" were placed on Rubber Soul with its follow-up album Yesterday and Today receiving the remaining two tracks: "Yesterday" and "Act Naturally".
The American version of Help! reached the number one spot on the Billboard album charts for nine weeks starting on 11 September 1965.
All tracks written by Lennon–McCartney, except where noted.
|1.||"Help!" (preceded by an uncredited instrumental intro based on the "James Bond Theme")||Lennon||2:39|
|2.||"The Night Before"||McCartney||2:36|
|3.||"From Me to You Fantasy" (Lennon–McCartney; arranged by Thorne)||instrumental||2:08|
|4.||"You've Got to Hide Your Love Away"||Lennon||2:12|
|5.||"I Need You" (Harrison)||Harrison||2:31|
|6.||"In the Tyrol" (Ken Thorne)||instrumental||2:26|
|2.||"Another Hard Day's Night" (Lennon–McCartney; arranged by Thorne)||instrumental||2:31|
|3.||"Ticket to Ride"||Lennon with McCartney||3:07|
|4.||"The Bitter End/You Can't Do That" (Ken Thorne/Lennon–McCartney; arranged by Thorne)||instrumental||2:26|
|5.||"You're Going To Lose That Girl"||Lennon||2:19|
|6.||"The Chase" (Ken Thorne)||instrumental||2:31|
Charts and certificationsEdit
In the US, the album sold 1,314,457 copies by 31 December 1965 and 1,594,032 copies by the end of the decade.
BPI certification awarded only for sales since 1994.
- John Lennon – lead, harmony and background vocals; rhythm and acoustic guitars; electric piano, organ on "Dizzy Miss Lizzy"; tambourine on "Tell Me What You See"; snare drum on "I Need You"
- Paul McCartney – lead, harmony and background vocals; bass, acoustic and lead guitars; piano, electric piano
- George Harrison – harmony and background vocals; lead, acoustic and rhythm guitars; lead vocals on "I Need You" and "You Like Me Too Much"; guiro on "Tell Me What You See"
- Ringo Starr – drums and miscellaneous percussion; claves on "Tell Me What You See"; lead vocals on "Act Naturally"
|United Kingdom||6 August 1965||Parlophone||mono LP||PMC 1255|
|stereo LP||PCS 3071|
|United States||13 August 1965||Capitol||mono LP||MAS 2386|
|stereo LP||SMAS 2386|
|Worldwide reissue||15 April 1987||Apple, Parlophone, EMI||Compact Disc||CDP 7 46439 2|
|United States||21 July 1987||Capitol||stereo LP||CLJ 46439|
|Japan||11 March 1998||Toshiba-EMI||CD||TOCP 51115|
|Japan||21 January 2004||Toshiba-EMI||Remastered LP||TOJP 60135|
|Worldwide reissue||11 April 2006||Apple/Capitol/EMI||CD reissue of US LP||CDP 0946 3 57500 2 7|
|Worldwide reissue||9 September 2009||Apple/Capitol/EMI||CD stereo remaster||CDP 0946 3 82415 2 2|
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the unabashed more-or-less traditional pop rock of A Hard Day's Night and Help!...
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...after the unabashed more-or-less traditional pop rock of A Hard Day's Night and Help!...
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