The Adventures of Lucky Pierre: Director's Cut is a novel by Robert Coover, published in 2002. The title is the same as a 1961 nudie cutie film, and like the film, the novel is divided into multiple vignettes, starring the title character Pierre.
 First edition | |
| Author | Robert Coover |
|---|---|
| Cover artist | Charles Rue Woods and Marcia Salo, based on a Duane Reider/Getty Images photograph |
| Language | English |
| Genre | Post-modern erotica |
| Published | 2002 (Grove Press) |
| Media type | Print (Hardback) |
| Pages | 405 |
| ISBN | 978-0-8021-1724-3 |
The subtitle is an allusion to the now widespread practice of releasing director's cuts in addition to final cuts. There is no director's cut for the film.
An alternate subtitle "Raw Footage," had been used until publication, including the advanced reading copies. Several reviews were published with the alternate subtitle, while illustrating the book cover with the final subtitle. See, for example, Publishers Weekly. See also Internet Archive.
Unlike the film, the novel has an overriding metafictional theme, driven by Pierre seeking to escape from fiction.
Excerpts edit
Lucky Pierre was written over a period of thirty years,[1] with numerous excerpts published separately.
Three excerpts were published in Golden Handcuffs Review, vol. 1, Winter 2002–03:
- "The Wedding of Lucky Pierre".
{{cite journal}}: Cite journal requires|journal=(help) - "Home Movies: Lucky Pierre and the Phantom Ass".
- "Lucky Pierre in the Bath".
Dedication edit
The novel was dedicated to "Saint Buster, Saint Luis, and Saint Jean-Luc.” These are Buster Keaton, Luis Buñuel, Jean-Luc Godard, as is clear from a brief interview Coover gave in The New Yorker, where he mentioned the dedication, and said several of their films would be in his top fifty.[2]
Organization edit
The novel is divided into nine chapters, called "reels". (The first chapter also includes the "titles".) Each reel is named for the woman director who is controlling Pierre for that chapter. In the ninth reel, all nine women are present, parading in Greek costume, identifying themselves as the nine muses:
| Director | Nickname | Muse |
|---|---|---|
| Cecilia | Cissy | Euterpe |
| Cleo | Clio | |
| Clara | Urania | |
| Cassandra | Cassie | Polyhymnia |
| Constance | Connie | Erato |
| Carlotta | Lottie | Melpomene |
| Cora | Terpsichore | |
| Catherine | Kate | Thalia |
| Calliope | Cally | Calliope |
Reception edit
Robert Coover remains our foremost verbal wizard, our laugher in the dark, Samuel Beckett reborn: Lucky Pierre is a hilarious, radical, and essential book.
Coover ... returns with this metafictional romp through a fantastic city where art is the highest form of reality. The title character appears in nine movies whose female directors cast him in diverse sexual roles running the gamut from the creative to the perverse. ... A meditation on truth and a narrative in the high postmodern style ...
— Philip Santo, Library Journal, 2002
A wild, pornographic, funny, postmodern rant ... In the tradition of Tristram Shandy or Finnegans Wake, this is a story that can be opened at any point and read at length with great pleasure.
— ?, Kirkus Reviews,2002
Further reading edit
- Evenson, Brian (2003). Understanding Robert Coover. University of South Carolina Press. pp. 253–274. ISBN 978-1-57003-482-4.
- Hoffman, Gerhard (2005). From Modernism to Postmodernism: Concepts and Strategies of Postmodern American Fiction. Rodopi, B. V. pp. 637–638. ISBN 978-90-420-1886-0.
- Malcom, Cheryl; Nyman, Jopi, eds. (2005). Eros.usa: Essays on the Culture and Literature of Desire. Wydawnictwo Uniwersytetu Gdańskiego. pp. 13–15. ISBN 978-83-7326-282-9.
References edit
- ^ Dust jacket information
- ^ Treisman, Deborah (18 July 2011). "This Week in Fiction: Robert Coover". The New Yorker. Retrieved 30 December 2012.