Talk:Barry Harris
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editWikiProject Biography Assessment
The article may be improved by following the WikiProject Biography 11 easy steps to producing at least a B article. -- Yamara 00:59, 26 May 2007 (UTC)
Fair use rationale for Image:Barryharrisalbumcover.jpg
editImage:Barryharrisalbumcover.jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in Wikipedia articles constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.
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Lee Morgan
editWould it be appropriate to list Lee Morgan under Associated Acts? CopaceticThought (talk) 06:30, 18 July 2009 (UTC)
Very hard to understand paragraph "theoretical concepts"
editCan someone who is familiar with the Barry Harris Method please rewrite that paragraph by expanding it, giving examples, adding wiki links, etc. I am learning Jazz improvisation and I do not understand that paragraph. It is just too short. As Mr. Harris is famous for his method, it would be more than appropriate to give more space to the fundamentals of this method... Thank you very much! —Preceding unsigned comment added by Digisus (talk • contribs) 18:36, 23 May 2010 (UTC)
Try reading it now. "...a major scale with a half step between the 5th and 6th degrees" suggested a standard 7-note major scale but with a flatted sixth (or raised fifth) degree. This is not at all what the original author intended. Rather, an extra ("8th") scale degree is inserted between 5 & 6 (e.g. G#/Ab between G & A in the C major scale). This lets the exercise make sense: C E G A, D F Ab B, E G A C, F Ab B D, G A C E...
The reference to minor sixth and diminished b5 chords substitutes C Eb G A and C E F# Bb, respectively, for C E G A in the the above example. In all cases the fully dimished seven represented by the enharmonic equivalents of D F Ab & B (In C major) remain the same. Hope this helps.Sinnis (talk) 12:43, 8 December 2010 (UTC)
- Simplifying, here are the three scales in the key of C: [C D E F G Ab A B] [C D Eb F G Ab A B] [C D E F Gb Ab Bb B]. --98.154.203.28 (talk) 05:56, 19 June 2012 (UTC)
OK guys hear is one more explanation: remember we have 3 diminishes Cdim C sharp D dim. in major C6 chord C&A are from C dim, E & G are from C# dim. there is one diminish that is not there. that is D dim. we put that D dim with C6 and we are having THE BEST SCALE. same with minor 6 dim C Efl G A. C Efl & A are from C dim. G is from C# dim D dim is missing ,so we put D dim with Cm6 and we have Cm 6 dim scale. same with dim scale. It is 2 diminishes together Cdim and C# dim (some dump , so called jazz collages teaching some stupid shit , like half step whole step, but thats just some nonsense. Thats why Barry always talks about 3 DIMINISHES . They fop the chromatic scale which is our universe
peace everyone.
enjoy the music and have fun with movements . LOVE&MUSIC VAHAG.
External links modified
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- Added archive https://web.archive.org/web/20081026004221/http://www.wbgo.org:80/ontheair/artists/BarryHarris.php to http://www.wbgo.org/ontheair/artists/BarryHarris.php
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