|Sapara Monastery |
Georgian: საფარის მონასტერი
Sapara Monastery, St. Saba church
|Affiliation||Georgian Orthodox Church|
|Completed||Church: 9th century,|
It has existed from at least the 9th century, and has numbered among its monks many important figures in Georgian ecclesiastical history. At the end of the 13th century Sapara became a possession of the Jakeli family, whose leader, Sargis Jakeli, was adept at staying on good terms with the Mongols, which enabled Samtskhe to enjoy a peace unusual for the time. When he grew old, Sargis took monastic orders and changed his name to Saba. His son Beka built the largest of the 12 churches here, St Saba's Church, named after the saint whose name his father had adopted, one of the most architecturally important churches of its time. The 14th-century frescoes inside are of high quality.
From the end of the 16th century until the beginning of the 17th century the Sapara Monastery became empty due to the expansion of Ottoman Empire policy into Samtskhe and during this process the monastery's icons and other treasures were taken to more protected areas of Georgia.
Set in a green forested canyon, the monastery is contrastingly distinguished by its pink and yellow stones. The ensemble is composed of church buildings and remnants of a palace and fortifications walls. The most important is the cross-in-square temple of St. Saba. Another significant church is St. Mary's Assumption Church.
St. Mary's Assumption ChurchEdit
This was the earliest church in the ensemble, built, probably, in the 10th century. The large hall church has two entrances: original, western, and northern, which was opened after the construction of St. Saba's Church. The western part, unusually for hall churches, has two floors. Its eastern part contains the apse with the conch. The fragments of frescos date to the beginning of 14th century. The facades are decorated by reliefs.
St. Saba's ChurchEdit
Best example of the 13th century temple architecture in Georgia, this church also survived in rather good condition till modern times. Ordered to be constructed by Beka I Jaqeli, it was built architect Petesasdze. His name can be found on the western window arch of the portal. Due to complex relief and little space he had to built a wall from the southern side.
The church probably had three entrances. Currently only the northern and western remain. The eastern facade is distinguished by contrastingly produced square altar part.
An archaic feature is the presence of choirs in the upper floor of the western part. The upper floor is connected with the entire space by the arches.
The interior is illuminated rather weakly by four windows, one in each arm of the cross, and eight windows in the dome tholobate.
- Noble, John; Kohn, Michael; Systermans, Danielle (2008). Georgia, Armenia and Azerbaijan. Lonely Planet Publications Pty Ltd. p. 122. ISBN 9781741044775.
- Patrich, Joseph (2001). The Sabaite Heritage in the Orthodox Church from the Fifth Century to the Present. p. 373. ISBN 90-429-0976-5.
- Zakaraya, P. (1983) Pamyatniki Vostochnoi Gruzii. Iskusstvo, Moskva, 376 s. [Monuments of Eastern Georgia](In Russian)
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