Orchestra of St. Luke's
|Orchestra of St. Luke's|
|Location||New York City, US|
|Principal conductor||Bernard Labadie|
Orchestra of St. Luke’s presents over 70 concerts, programs, and events in a variety of diverse musical genres every season, including an annual Carnegie Hall Orchestra Series, Chamber Music Series, Bach Festival, Free Community Concerts serving all five boroughs, Free School Concerts that reach over 11,000 public schoolchildren, and an annual Composition Institute dedicated to the fostering of compositional talent and creation of new work for chamber orchestra. OSL puts classical music performances and training within reach for all New Yorkers through its Education & Community programs, and provides rehearsal, recording, education, and performance space through The DiMenna Center for Classical Music, its home in New York City's Hell's Kitchen neighborhood.
The orchestra performs at several venues in New York City, including, Carnegie Hall, Caramoor Center for Music and the Arts, Saint Thomas Church (Manhattan), Congregation Emanu-El of New York, Morgan Library & Museum, Brooklyn Museum, and Merkin Concert Hall.
The core of the orchestra is the St. Luke's Chamber Ensemble, which was founded in 1974 as an ensemble of 21 to 22 musicians. It is named for the Church of St. Luke in the Fields, Greenwich Village, in Manhattan, where the ensemble first performed. Michael Feldman, a music teacher in Manhattan, was the first de facto conductor of the ensemble. The larger Orchestra of St. Luke's was formally founded in the summer of 1979 at the Caramoor International Music Festival in Katonah, New York, as the festival's resident orchestra.
In the 1984/85 season, Carnegie Hall invited the orchestra to perform as part of a Handel Opera Festival, conducted by Charles Mackerras, Raymond Leppard, and John Nelson, and which featured performers including Marilyn Horne, June Anderson, Tatiana Troyanos and Kathleen Battle. In the 1986/87 season Carnegie Hall began presenting the orchestra in an annual subscription series, which continues to this day.
The organization of the orchestra's musicians falls into a three-tier roster, with the second tier of 20 players utilized for chamber orchestra concerts, and the third tier of 20 to 30 musicians for use in concerts that require larger ensembles. The pool of musicians for the orchestra generally derives from freelance New York City musicians. The orchestra musicians themselves decide on the hiring and dismissal, and assignments, of the players, without a central music director.
The orchestra's first titled conductor was Roger Norrington, the music director from 1990 to 1994. Sir Charles Mackerras was the orchestra's second music director, from 1998 to 2001, but with limited administrative work and only for the designated 3-year period, per his request. Donald Runnicles was the orchestra's next titled conductor, with the title of principal conductor, from 2001 to 2007. In December 2011, the orchestra announced the appointment of its current principal conductor, Pablo Heras-Casado, with immediate effect, and with an initial contract through 2015 and an extension through September 2017. Heras-Casado is scheduled to conclude his principal conductorship of the orchestra at the close of the 2018–2019 season, and subsequently to take the title of conductor laureate, the first conductor to be named to this titled post with the orchestra.
Orchestra of St. Luke's has premiered more than 100 orchestral and chamber works by such composers as John Adams, Joan Tower, Gabriela Lena Frank, Anthony Davis, Nicholas Maw, André Previn, George Tsontakis, Bryce Dessner, Ellen Taaffe Zwilich and Alma Deutscher. The orchestra has appeared on more than 100 recordings, four of which have won Grammy Awards: John Adams's Nixon in China, Samuel Barber's Knoxville: Summer of 1915, Listen to the Storyteller with Wynton Marsalis, and Bel Canto with Renée Fleming. In 2003, the orchestra launched its own record label, St. Luke's Collection.
The orchestra's current president and executive director is James Roe. Its current board chairman is Norman S. Benzaquen.
Music directors and principal conductorsEdit
- Brian Seibert (2018-03-11). "Paul Taylor Classics Outshine New Dances". The New York Times. Retrieved 2018-10-14.
- James R. Oestreich (2011-03-09). "House Warmed, the Orchestra of St. Luke's Settles In". The New York Times. Retrieved 2011-12-24.
- Page, Tim (1984-11-23). "Handel Series to Open at Carnegie". The New York Times. ISSN 0362-4331. Retrieved 2020-01-19.
- "Orchestra of St. Luke's". www.carnegiehall.org. Retrieved 2020-01-19.
- Susan Elliott (1998-06-19). "St. Luke's: Playing Where The Action". The New York Times. Retrieved 2011-12-24.
- Allan Kozinn (2002-02-03). "A Courtship of Conductor and Orchestra". The New York Times. Retrieved 2011-12-24.
- "Pablo Heras-Casado Named Principal Conductor of Orchestra of St. Luke's" (PDF) (Press release). Orchestra of St. Luke's. 6 December 2011. Archived from the original (PDF) on 24 September 2015. Retrieved 2011-12-24.
- "Bernard Labadie Named Principal Conductor of Orchestra of St. Luke's" (PDF) (Press release). Orchestra of St. Luke's. 3 May 2017. Retrieved 2017-05-06.
- Michael Cooper (2018-09-13). "With Bach and Paul Taylor, Orchestra of St. Luke's Plans Its Future". The New York Times. Retrieved 2018-10-13.
- "Orchestra of St. Luke's Announces the Creation of The Annual DeGaetano Composition Institute" (PDF) (Press release). Orchestra of St. Luke's. 25 September 2018. Retrieved 2018-09-25.
- James R. Oestreich (2003-05-04). "No One Tells Them What to Record". The New York Times. Retrieved 2011-12-24.