André George Previn, KBE (//; born Andreas Ludwig Priwin; April 6, 1929) is a German-American pianist, conductor, and composer. Previn is the winner of four Academy Awards for his film work and ten Grammy Awards for his recordings (and one more for his Lifetime Achievement).
André Previn (2012)
|Birth name||Andreas Ludwig Priwin|
April 6, 1929 |
|Origin||Los Angeles, California, U.S.|
|Occupation(s)||Musician, conductor, composer|
Previn was born in Berlin, Germany, the son of Charlotte (née Epstein) and Jack Previn (Jakob Priwin), who was a lawyer, judge, and music teacher. He is said to be "a distant relative of" the composer Gustav Mahler. However, in a pre-concert public interview at the Lincoln Center, in May 2012, Previn laughed at the suggestion that he is related to Mahler. The year of his birth is uncertain. Whilst most published reports give 1929, Previn himself has stated that 1930 is his birth year.
In 1939, his family, being Jewish, left Nazi Germany and moved to Los Angeles, where his great-uncle, Charles Previn, was music director of Universal Studios. André grew up in Los Angeles and became a naturalized citizen of the United States in 1943. At Previn's 1946 graduation from Beverly Hills High School he played a musical duet with Richard M. Sherman; Previn played the piano, accompanying Sherman (who played flute). He first came to prominence by arranging and composing Hollywood film scores in 1948. Coincidentally, in 1964, both composers won Oscars for different films, both winning in musical categories.
Work as a pianistEdit
In the mid-to-late 1950s, and more recently, Previn toured and recorded as a jazz pianist. In the 1950s, mainly recording for Contemporary Records, he worked with J.J. Johnson, Shelly Manne, Leroy Vinnegar, Benny Carter, and others. An album he recorded with Manne and Vinnegar of songs from My Fair Lady was a best-seller (see My Fair Lady (Shelly Manne album)). As a solo jazz pianist, Previn largely devoted himself to interpreting the works of major songwriters such as Jerome Kern (recorded in 1959), Frederick Loewe, Vernon Duke (recorded in 1958), and Harold Arlen (recorded in 1960). Previn made two albums with Dinah Shore as arranger, conductor, and accompanist in 1960, and another, "Duet", with Doris Day in 1961. He made appearances on The Ford Show, Starring Tennessee Ernie Ford as well as The Dinah Shore Chevy Show. He collaborated with Julie Andrews on a collection of Christmas carols in 1966, focusing on rarely heard carols. This popular album, reissued many times over the years, is now available on CD. His main influences as a jazz pianist include Art Tatum, Hank Jones, Oscar Peterson, and Horace Silver. Previn's more recent work also shows the influence of Bill Evans. Previn has recorded solo classical piano compositions by Mozart, Gershwin, Poulenc, Shostakovich, an album for RCA Victor with violinist Erick Friedman of the Franck and Debussy violin sonatas, and many chamber works for piano.
Work as a conductorEdit
In 1967, Previn succeeded Sir John Barbirolli as music director of the Houston Symphony Orchestra. In 1968, he began his tenure as principal conductor of the London Symphony Orchestra (LSO), serving in that post until 1979. During his LSO tenure, he and the LSO appeared on the BBC Television programme André Previn's Music Night. From 1976 to 1984, he was music director of the Pittsburgh Symphony Orchestra (PSO) and, in turn, had another television series with the PSO entitled Previn and the Pittsburgh. He was also principal conductor of the Royal Philharmonic Orchestra from 1985 to 1988.
In 1985, he became music director of the Los Angeles Philharmonic. Although Previn's tenure with the orchestra was deemed satisfactory from a professional perspective, other conductors including Kurt Sanderling, Simon Rattle, and Esa-Pekka Salonen, did a better job at selling out concerts. Previn clashed frequently with Ernest Fleischmann (the orchestra's Executive VP and General Manager), most notably when Fleischmann failed to consult him before naming Salonen as Principal Guest Conductor of the orchestra, complete with a tour of Japan. Because of Previn's objections, Salonen's title and Japanese tour were withdrawn; however, shortly thereafter, in April 1989, Previn resigned. Four months later, Salonen was named Music Director Designate of the Los Angeles Philharmonic, officially taking the post of Music Director in October 1992.
Previn's discography contains hundreds of recordings in film, jazz, classical music and contemporary classical music. Because of the huge number of recordings, the following lists are necessarily highly selective. A full discography (including LP/CD record codes) is available in Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 295-319.
Most films are still available as Videos/DVDs or/and as soundtrack records, at least antiquarian. Some soundtracks have been reissued in recent years like the ones from Elmer Gantry, Four Horsemen of the Apocalypse or Inside Daisy Clover Dead Ringer.
Previn made dozens of jazz recordings as leader and sideman, primarily during two periods of his career: from 1945 to 1967, and then again from 1989 to 2001, with just a handful of recordings in between and afterward (while he focused his career on conducting/recording classical music, and later on composing contemporary art music). Previn also did several crossover recordings with classical singers like Eileen Farrell, Leontyne Price or Kiri Te Kanawa, too, as well as several Easy-Listening records with piano and orchestra in the 1960s (beginning with Like Young. Secret Songs for Young Lovers, 1959. with David Rose and His Orchestra).
Like Oscar Peterson, whom Previn admires a lot, and Bill Evans – or more recently Keith Jarrett, Brad Mehldau or Esbjörn Svensson – Previn has worked a lot as a trio pianist (usually with bass and drums). Following his performance on Shelly Manne's huge hit record Modern Jazz Performances of Songs from My Fair Lady in 1956, Previn released several albums of jazz interpretations of songs from broadway musicals as well as several solo piano recordings focussed on the songbooks of popular composers (André Previn Plays Songs by Vernon Duke, 1958; André Previn Plays Songs by Harold Arlen, 1960; Ballads. Solo Jazz Standards, 1996; Alone: Ballads for Solo Piano, 2007), the late recording of songs by Harold Arlen with singer Sylvia McNair and bass player David Finck (Come Rain or Shine. The Harold Arlen Songbook, 1996), and his TV shows with Oscar Peterson (1974) – which Marlon Brando simply called "one of the greatest hours I ever saw on television" – and Ella Fitzgerald (1979) respectively.
[His] projects varied greatly in terms of quality and jazz content, but at his best Previn could be a persuasive, moving jazz musician. [...] Despite his deep roots in symphonic music, Previn largely steered clear of Third Stream classicism in his jazz work, aiming more at an earthy, hard-swinging piano style at times reminiscent of Horace Silver. Long before his eventual retreat from his jazz work, Previn had become something of a popularizer of jazz rather than a serious practitioner of the music. At his best, however, his music reflected a strong indigenous feel for the jazz idiom.
Dizzy Gillespie has stated,
He has the flow, you know, which a lot of guys don't have and won't ever get. Yeah. I heard him play and I knew. A lot of guys, they have the technique, the harmonic sense. They've got the perfect coordination. And, yeah, all that's necessary. But you need something more, you know? Even if you only make an oooooooo, like that, you got to have the flow.
Jazz recordings as leader/co-leaderEdit
- Collaboration (RCA Victor, 1955) - with Shorty Rogers
- Double Play! (Contemporary, 1957) with Russ Freeman
- Pal Joey (Contemporary, 1957)
- Gigi (Contemporary, 1958)
- André Previn Plays Songs by Vernon Duke (Contemporary, 1958)
- King Size! (Contemporary, 1959)
- André Previn Plays Songs by Jerome Kern (Contemporary, 1959)
- West Side Story (Contemporary, 1959)
- The Subterraneans (Soundtrack) (MGM, 1960)
- Like Previn! (Contemporary, 1960)
- André Previn Plays Songs by Harold Arlen (Contemporary, 1960)
- André Previn and J. J. Johnson (Columbia, 1961) with J.J. Johnson
- Duet (Columbia, 1962, with Doris Day, Red Mitchell and Frank Capp)
- 4 to Go! (Columbia, 1963) with Herb Ellis, Ray Brown and Shelly Manne
- A Different Kind of Blues (EMI/Angel, 1980, with Itzhak Perlman, Jim Hall, Red Mitchell and Shelly Manne)
- Nice Work if You Can Get It (1983, with Ella Fitzgerald and Niels-Henning Ørsted Pedersen)
- After Hours (Telarc, 1989, with Joe Pass and Ray Brown)
- Uptown (Telarc, 1990, with Mundell Lowe and Ray Brown)
- Old Friends (Telarc, 1992, with Mundell Lowe and Ray Brown)
- Kiri Sidetracks: The Jazz Album (1992, with Kiri Te Kanawa, Mundell Lowe and Ray Brown)
- André Previn and Friends Play Show Boat (Deutsche Grammophon, 1995, with Mundell Lowe, Ray Brown and Grady Tate)
- Sure Thing: The Jerome Kern Songbook (1996, with Sylvia McNair and David Finck)
- Ballads: Solo Jazz Standards (Angel1996)
- Come Rain or Shine: The Harold Arlen Songbook (1996, with Sylvia McNair and David Finck)
- Jazz at the Musikverein (Verve, 1997, with Mundell Lowe and Ray Brown)
- We Got Rhythm: A Gershwin Songbook (Deutsche Grammophon, 1998, with David Finck)
- We Got It Good and That Ain't Bad: An Ellington Songbook (Deutsche Grammophon, 1999, with David Finck)
- Live at the Jazz Standard (Decca, 2001, with David Finck)
- Alone: Ballads for Solo Piano (Decca, 2007)
Jazz recordings as sideman/group memberEdit
With Buddy Bregman
- Swinging Kicks (Verve, 1957)
With Benny Carter
- Jazz Giant (Contemporary, 1958)
With Helen Humes
- Tain't Nobody's Biz-ness if I Do (Contemporary, 1959)
- Songs I Like to Sing! (Contemporary, 1960)
With Barney Kessel
With Shelly Manne
- Shelly Manne & His Friends (Contemporary, 1956)
- My Fair Lady (Contemporary, 1956)
- Li'l Abner (Contemporary, 1957)
- Bells Are Ringing (Contemporary, 1959)
With Lyle Murphy
- 12-Tone Compositions and Arrangements by Lyle Murphy (Contemporary, 1955)
With Pete Rugolo
- An Adventure in Sound: Reeds in Hi-Fi (Mercury, 1956 )
- An Adventure in Sound: Brass in Hi-Fi (Mercury 1956 )
- Percussion at Work (EmArcy, 1957)
Classical music (as conductor or pianist – selection)Edit
Chamber music / solo piano musicEdit
As in Jazz, Previn, the classical pianist, worked most of the time as a trio pianist (with violin and cello) in classical chamber music. Accordingly, most of his recordings as pianist are in this genre.
- Samuel Barber: Four Excursions, Paul Hindemith: Piano Sonata No. 3, Frank Martin: Prelude No. 7 (1961)
- Gabriel Fauré: Piano Trio D-minor op. 120, Felix Mendelssohn: Piano Trio D-minor op. 120 (1964, with Nathan Roth and Joseph Schuster)
- Serge Rachmaninoff: Music for Two Pianos. Suite Nr. 1 op. 5, Suite Nr. 2 op. 17, Symphonic Dances op. 45 (1974, with Vladimir Ashkenazy)
- Maurice Ravel: Piano Trio A-minor, Dmitri Shostakovich: Piano Trio No. 2 E-minor op. 67 (1974, with Kim Young Uck and Ralph Kirshbaum)
- Claude Debussy: Piano Trio G-major, Maurice Ravel: Piano Trio A-minor (1995, with Julie Rosenfeld and Gary Hoffmann)
- Ludwig van Beethoven: Piano Trio No. 7 B flat-major op. 97, Johannes Brahms: Piano Trio B-major op. 8 (1995, with Viktoria Mullova and Heinrich Schiff)
- American Scenes. André Previn: Sonata for Violin and Piano "Vineyard", George Gershwin: Three Preludes, Aaron Copland: Sonata for Violin and Piano, Nocturne, Samuel Barber: Canzone (Elegy) op. 38a (1998, with Gil Shaham)
Orchestral music / concertos / balletsEdit
Previn's recording repertoire as a conductor is focused on the standards of classical and romantic music, with notable exceptions like Anton Bruckner, most of Gustav Mahler and opera in general, instead favoring the symphonic music of contemporaries like Hector Berlioz, Johannes Brahms and Richard Strauss and with a special emphasis on violin and piano concertos and ballets. Just very few recordings deal with music before Joseph Haydn and Wolfgang Amadeus Mozart (both favourites of Previn's programmes) or contemporary avant-garde art music based on atonality, minimalism, serialism, stochastic music etc. Instead, in 20th-century music Previn's repertoire highlights specific composers of late romanticism and modernism like Samuel Barber, Benjamin Britten, George Gershwin, Erich Wolfgang Korngold, Serge Prokofiev, Serge Rachmaninoff, Maurice Ravel, Dmitri Shostakovich, Richard Strauss, Ralph Vaughan Williams, Harold Shapero and William Walton.
His recordings of works by Gershwin, Korngold (especially the Violin Concerto in D major op. 35, which he recorded three times with Itzhak Perlman, Gil Shaham and Anne-Sophie Mutter), Prokofiev (esp. the 5 piano concertos with Vladimir Ashkenazy and the LSO, Romeo and Juliet op. 64 with the LSO, and the Symphonies 1 and 5, the score to Alexander Nevsky, and the Symphony-Concerto for Cello & Orchestra with Heinrich Schiff as soloist with the Los Angeles Philharmonic), Rachmaninoff (esp. the Symphony No. 2 E minor op. 27 and The Bells op. 35), Shostakovich, Richard Strauss (esp. the recordings of all tone poems with the Vienna Philharmonic) Tchaikowsky (esp. the three ballets Swan Lake, The Sleeping Beauty, and The Nutcracker), Vaughan Williams (a complete cycle of the nine symphonies for RCA), and Walton (esp. the Symphony No. 1 B-flat minor and Belshazzar's Feast) have been particularly prized.
Contemporary classical music (recordings of Previn's own compositions – selection)Edit
- Guitar Concerto (1972, with John Williams and the London Symphony Orchestra)
- Every Good Boy Deserves Favour (1978, with the London Symphony Orchestra)
- Piano Concerto and Guitar Concerto (1990, with Vladimir Ashkenazy, Eduardo Fernandez and the Royal Philharmonic Orchestra)
- Honey and Rue (1995, with Kathleen Battle and the Orchestra of St. Luke's)
- "From Ordinary Things": Sonata for Cello and Piano; Four Songs for Soprano, Cello and Piano; Two Remembrances for Soprano, Alto Flute and Piano; Vocalise for Soprano, Cello and Piano (1997, with Sylvia McNair, Yo-Yo Ma and Sandra Church)
- Trio for Piano, Oboe and Bassoon (1997, with Cynthia Koledo de Almeida and Nancy Goeres)
- "Music of André Previn": Trio for Piano, Oboe and Bassoon, Peaches for Flute and Piano, Triolet for Brass, Variations on a Theme by Haydn for Piano, A Wedding Waltz for Two Oboes and Piano (1998, with the St. Luke's Chamber Ensemble)
- "American Scenes": Sonata for Violin and Piano "Vineyard" (1998, with Gil Shaham)
- A Streetcar Named Desire (1998; with Renée Fleming, Elizabeth Futral, Rodney Gilfry, Anthony Dean Griffey, San Francisco Opera Orchestra)
- "Diversions – Songs": Diversions; Sallie Chisum Remembers Billy the Kid; Vocalise; The Giraffes Go to Hamburg; Three Dickinson Songs (2001, with Renée Fleming, Barbara Bonney, Moray Welsh, Vienna Philharmonic, London Symphony Orchestra)
- Tango Song and Dance (2003, Anne-Sophie Mutter)
- Violin Concerto "Anne-Sophie" (2003, with Anne-Sophie Mutter and the Boston Symphony Orchestra)
- Double Concerto for Violin, Contrabass and Orchestra; Piano Concerto; Violin Concerto "Anne-Sophie"; Three Dickinson Songs; Diversions; "I Can Smell The Sea Air" from A Streetcar Named Desire (2009, with Renée Fleming, Anne-Sophie Mutter, Vladimir Ashkenazy, Roman Patkolo, Boston Symphony Orchestra, London Symphony Orchestra, Vienna Philharmonic, San Francisco Opera Orchestra)
- Brief Encounter (2011, with Elizabeth Futral, Nathan Gunn, Kim Josephson, Houston Grand Opera Orchestra, Patrick Summers)
Previn became known to a broad public through his television work. In the United Kingdom he worked on TV with the London Symphony Orchestra. In the United States the TV show "Previn and the Pittsburgh" (1977) featured him in collaboration with the Pittsburgh Symphony Orchestra.
Previn is particularly remembered in Britain for his performance as "Mr. Andrew Preview" (or "Privet") on the Morecambe and Wise Christmas Show in 1971, which involved his conducting a performance of Edvard Grieg's Piano Concerto with Eric Morecambe as the comically inept soloist (being swindled into it by being told that Yehudi Menuhin would be his solo violinist). "Preview" then remarks that "I'll go fetch my baton. It's in Chicago." This comic ad-lib made Morecambe immediately realise the sketch would be a success. Later in the sketch "Mr Preview" accuses Eric Morecambe of playing all the wrong notes; Eric retorts that he has been playing "all the right notes, but not necessarily in the right order". Because of other commitments the only time available for Previn to learn his part in the show was during a transatlantic flight but the talent he showed for comedy won high praise from his co-performers. He made a second appearance in their eighth series. In the sketch, he is tricked into visiting the pair again, and they suggest that if he works with them again, he could receive a knighthood. He conducted a 1920s-style dance band as the pair sang, then joined them at the end of the episode in singing Bring Me Sunshine. He is also seen as a London bus conductor and ting ting and at least he hit the right note that time with a comptometer in the 1973 Christmas Show.
At a concert with the Grieg Concerto in Britain afterwards, Previn had to pause the playing to allow the audience time to stop giggling as they remembered the sketch. Previn himself notes that people in Britain still recall the sketch years later: "Taxi drivers still call me Mr Preview".
Previn has been married five times. His first marriage, in 1952, was to jazz singer Betty Bennett, with whom he had two daughters, Claudia Previn Stasny and Alicia Previn (a violinist for the Irish band In Tua Nua and a founding member of the Young Dubliners). Previn divorced Bennett in 1957, a few months before she gave birth to their second daughter.
In 1959, he married Dory Langan, better known as Dory Previn. A singer-songwriter, Dory became widely known as a lyricist with whom André Previn collaborated on several Academy Award-nominated film scores during their marriage. After Previn divorced her in 1969 during her hospitalization for a mental breakdown, Dory Previn resumed her career as a singer-songwriter with On My Way to Where (1970), an "influential" and "critically acclaimed" album whose "searingly honest" confessional lyrics famously chronicled both her mental health struggles and the infidelity that she alleged had at once precipitated the end of her marriage to Previn and exacerbated her intermittent mental illness. In 2013, jazz singer Kate Dimbleby and pianist Naadia Sheriff revisited Dory Previn's musical reflections on her marriage to André Previn in the London cabaret show, Beware Of Young Girls: The Dory Previn Story.
Previn's third marriage, in 1970, was to Mia Farrow. Before their divorce in 1979, Previn and Farrow had three biological children together—twins Matthew and Sascha, born in 1970, and Fletcher, born in 1974. They then adopted Vietnamese infants Lark Song and Summer "Daisy" Song (born October 6, 1974), followed by Soon-Yi Previn, a Korean child whose age a physician's bone scan placed between 6 and 8 years old and whose unknown birth date her adoptive parents estimated as October 8, 1970. Lark died on Christmas Day 2008. In the aftermath of the scandal involving Soon-Yi and Mia Farrow's partner Woody Allen, Previn has been quoted as saying about Soon-Yi, "She does not exist."
Previn's longest marriage was his fourth. In January 1982 he married Heather Sneddon. With Heather he had two children, Li-An Mary, adopted 1982 and Lukas Alexander, born 1983. Previn wrote a brief memoir of his early years in Hollywood, No Minor Chords, which was published in 1991, edited by Jacqueline Kennedy Onassis and dedicated to Heather. This marriage ended after 20 years in 2002.
His fifth marriage, in 2002, was to the German violinist Anne-Sophie Mutter, for whom he later wrote a violin concerto. They announced their divorce in August 2006, but continue to work together in concerts.
Awards and recognitionsEdit
Previn has received a total of thirteen Academy Award nominations, winning in 1958, 1959, 1963 and 1964. He is one of few composers to accomplish the feat of winning back-to-back Oscars, and one of only two to do so on two occasions (the other being Alfred Newman). In 1970 he was nominated for a Tony Award as part of Coco's nomination for Best Musical. In 1977 he became an Honorary Member of the Royal Academy of Music. The 1977 television show Previn and the Pittsburgh was nominated for three Emmy awards. Previn was appointed an honorary Knight Commander of the Order of the British Empire in 1996. (Not being a citizen of a Commonwealth realm, he may use the post-nominal letters KBE but is not called "Sir André".) Previn received the Kennedy Center Honors in 1998 in recognition of his contributions to classical music and opera in the United States. In 2005 he was awarded the international Glenn Gould Prize and in 2008 won Gramophone magazine's Lifetime Achievement Award for his work in classical, film, and jazz music. In 2010, the Recording Academy honored Previn with a Lifetime Achievement Grammy.
- Best Music – Scoring of a Musical Picture
- Best Score – Adaptation or Treatment
- 2010 André Previn
- 1974 William Walton: Belshazzar's Feast with the London Symphony Orchestra & Chorus
- 1977 Rachmaninoff: The Bells with the London Symphony Orchestra & Chorus
- Stephen Moss (June 6, 2005). "Baton charged". The Guardian. London. Retrieved September 6, 2009.
- "Andre Previn Biography (1930-)". Filmreference.com. Retrieved 2013-06-24.
- André Previn Video | Celebrity Interview and Paparazzi, Ovguide, Undated..Accessed 15 February 2012.
- Previn mentioned in the liner notes of the programme printed for his appearance as guest conductor of the Boston Symphony Orchestra during the 2006–07 season that his year of birth is 1930, and not 1929 as many sources claim.
- Canarina J. Pierre Monteux, Maître. Amadeus Press, Pompton Plains, Cambridge, 2003, p204-5.
- Conductors, London Symphony Orchestra website. Accessed 15 February 2012.
- Bernheimer, Martin (October 8, 1989). "The Tyrant of Philharmonic". Los Angeles Times. Retrieved October 4, 2009.
- Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 127.
- "Oscar Peterson and Andre Previn Part 1". YouTube. 2008-02-17. Retrieved 2013-06-24.
- As quoted in Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 16.
- "Ella Fitzgerald in concert 1979 last part (6)". YouTube. 2009-01-16. Retrieved 2013-06-24.
- Ted Gioia, West Coast Jazz. Modern Jazz in California, 1945–1960, Berkeley 1998, p. 278 – as quoted in Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 140.
- Martin Bookspan/Ross Yockey, André Previn. A Biography, London 1981, S. 124 – as quoted in Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 139-140.
- "All the right words – just not necessarily in the right order". Jonathan Crossfield. 2011-01-23. Retrieved 2016-11-13.
- "Morecambe and Wise - Andre Previn (The full sketch)". YouTube. 2011-01-22. Retrieved 2013-06-24.
- "Ancestry.com". Search.ancestry.com. Retrieved 2013-06-24.
- "Ancestry.com". Search.ancestry.com. Retrieved 2013-06-24.
- "Dory Previn: Singer and songwriter hailed for hersearing honesty". The Independent. London. February 16, 2012.
- Video on YouTube
- Mia Farrow mourns the death of adopted daughter Lark Previn on Christmas Day Mail Online
- Swaine, Jon (October 2, 2013). "Mia Farrow: Woody Allen's son Ronan 'possibly' Frank Sinatra's". The Daily Telegraph. London.
- "Conductor's fifth marriage fades out". Daily Mail. London. August 26, 2006.
- Tim Ashley (June 26, 2008). "LSO/Previn/Mutter (Barbican, London)". The Guardian. Retrieved September 6, 2009.
- Emma Brockes (October 1, 2008). "'I gambled on my talent'". The Guardian. London. Retrieved September 6, 2009.
- "Honorary Members of the Royal Academy of Music (Oct.14, 2009)". Royal Academy of Music. October 14, 2009. Archived from the original on December 3, 2009. Retrieved October 14, 2009.
- Chris Jones (August 9, 2002). "André Previn: Striking the right chord". BBC News: Newsmakers. Retrieved September 6, 2009.
- "Lifetime win for composer Previn". BBC. September 26, 2008. Archived from the original on October 1, 2008. Retrieved October 1, 2008.
- Martin Bookspan / Ross Yockey: André Previn. A Biography, Garden City/New York 1981.
- Frédéric Döhl, André Previn. In: German Historical Institut Washington DC: Transatlantic Perspectives. Europe in the Eyes of European Immigrants to the United States, 1930–1980, Washington 2012.
- Frédéric Döhl, André Previn. In: Charles Hiroshi Garrett: New Grove Dictionary of American Music. 2nd Edition, Oxford University Press, New York 2013, Vol. 6, p. 597–599.
- Frédéric Döhl, About the Task of Adapting a Movie Classic for the Opera Stage: On André Previn’s A Streetcar Named Desire (1998) and Brief Encounter (2009). In: Frédéric Döhl & Gregor Herzfeld (eds.): In Search of the Great American Opera: Tendenzen des amerikanischen Musiktheaters, Münster 2016, p. 147–175.
- Michael Freedland: André Previn, London 1991.
- Edward Greenfield: André Previn. In: The New Grove Dictionary of Music and Musicians, hrsg. von Stanley Sadie, London 2001, Vol. 20, p. 309–310.
- Edward Greenfield: André Previn, London/New York 1973.
- Lawrence Kramer: The Great American Opera: Klinghoffer, Streetcar, and the Exception. In: The Opera Quarterly 23/1 (2007), p. 66–80.
- David McKee: A Streetcar Named Desire. André Previn. In: The Opera Quarterly 16/4 (2000), p. 718–723.
- André Previn, No Minor Chords. My Days in Hollywood, New York 1991.
- André Previn (Ed. and Introduction): Orchestra, London 1979.
- André Previn / Antony Hopkins: Music Face to Face, London 1971.
- Helen Drees Ruttencutter: Previn, New York 1985.
- Frédéric Döhl: Book Musicals im Jazz um 1960: André Previns ›Modern Jazz Performances‹ von My Fair Lady (1956) und Porgy & Bess (1959). In: Lied und populäre Kultur/Song and Popular Culture. Jahrbuch des Deutschen Volksliedarchivs 58 (2013), p. 73–105.
- Frédéric Döhl: Brief Encounter: Zu David Leans Film (1945) und André Previns Oper (2009). In: Archiv für Musikwissenschaft 70/4 (2013), p. 311–332.
- Frédéric Döhl: André Previn. In: Hanns-Werner Heister/Walter Wolfgang Sparrer (Ed.): Komponisten der Gegenwart, München 2013 (contains sheet music examples, a full catalog raisonné and a selected filmography and discography).
- Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung (engl. André Previn. Musical Versatility and Aesthetic Experience), Stuttgart 2012, 351 p. (contains sheet music samples from Violin Concerto Anne-Sophie (2001), Brief Encounter (2009), Cello Concerto (2011), and for the first time full catalog raisonné, filmography and discography).
- Frédéric Döhl: Movie for the stage? Zu André Previns Opern. In: Archiv für Musikwissenschaft 69/1 (2012), p. 51–64.
- Frédéric Döhl: André George Previn. In: Claudia Maurer Zenck, Peter Petersen (Ed.): Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit, Hamburg ²2012.
- Frédéric Döhl: If the Image is valid. André Previn und die Rezeption musikalischer Diversifikation (engl. If the Image is valid. André Previn and the reception of musical diversification). In: Miriam Drewes / Ruth Reiche / Iris Romanos / Berenika Szymanski (Ed.): Transformationen – Entgrenzung in den Künsten (engl. Transformations – The Dissolution of Limits in the Arts), Bielefeld 2011, p. 96–113.