Notre-Dame Cathedral, Luxembourg

Notre-Dame Cathedral (Luxembourgish: Kathedral Notre-Dame, French: Cathédrale Notre-Dame, German: Kathedrale unserer lieben Frau) is the Roman Catholic Cathedral of Luxembourg City, in southern Luxembourg. It was originally a Jesuit church, and its cornerstone was laid in 1613. It is the only cathedral in Luxembourg.

Cathedral of Our Lady
Kathedral Notre-Dame
Cathédrale Notre-Dame
Kathedrale unserer lieben Frau
Our Lady of Luxembourg
AffiliationCatholic Church
ProvinceArchdiocese of Luxembourg
Ecclesiastical or organizational statusCathedral
LocationLuxembourg City, Luxembourg
Geographic coordinates49°36′34.8″N 06°07′53.6″E / 49.609667°N 6.131556°E / 49.609667; 6.131556
Nave of the cathedral
Organ gallery and stained glass
The cathedral quire
Tomb of John of Bohemia

The church is a noteworthy example of late gothic architecture; however, it also has many Renaissance elements and adornments. At the end of the 18th century, the church received the miraculous image of Our Lady of Consolation (Latin: Sancta Maria Consolatricis Afflictorum), the patron saint of both the city and the nation.

Fifty years later, the church was consecrated as the Church of Our Lady and in 1870, it was elevated by Pope Pius IX to the Cathedral of Notre-Dame.

At the cemetery of the cathedral is the National Monument to the Resistance and to the Deportation. The centerpiece of the monument is the famous bronze monument by the 20th century Luxembourgish sculptor Lucien Wercollier called The Political Prisoner.

The high altar of the cathedral enshrines an image of the Blessed Virgin Mary under the nationally venerated title of Our Lady of Consolation. The cathedral was expanded and enlarged from 1935 to 1938.

History Edit

Jesuits from Belgium, which like Luxembourg belonged to the Spanish Netherlands at the time, opened a college in Luxembourg city in 1603, where the majority of young Luxembourgers were taught until 1773. The first stone of the church was laid on 7 May 1613, under Father François Aldenard. The constructor of the building was Ulrich Job, from Lucerne. Under him, the decoration of the columns also took place. The Jesuit church was consecrated and dedicated to the Immaculate Conception on 17 October 1621 by auxiliary bishop Georg von Helfenstein.

Artistically, it was above all the German sculptor Daniel Muller (died 1623) from Freiberg (Saxony) who contributed to the appearance of the church, his work including the organ tribune. The decorations in alabaster, a favourite material of Dutch Renaissance sculptors, represent early Baroque angels, who play music between leaves and floral decorations.

After the Jesuits had left the city in 1773, Empress Maria Theresa of Austria gifted the church to the City of Luxembourg in 1778, and it became the new parish church under the name "Saint Nicolas et Sainte Thérèse". This was convenient, as at the time the old parish church, the church of St. Nicholas on the Krautmaart was small and decrepit, and was demolished in 1779. For this reason, a statue of St. Nicholas stands over the cathedral entrance in Rue Notre-Dame. In 1801 the church was dedicated to Saint Peter.

It received the name "Notre-Dame" on 31 March 1848 under the apostolic vicar Jean-Théodore Laurent. His successor, Nicolas Adames, had the Baroque interior refurbished from 1854 in a neo-Gothic style. When Luxembourg was elevated to a bishopric by Pope Pius IX on 27 June 1870, the Notre-Dame Church became Notre-Dame Cathedral.

Architecture Edit

Though a noteworthy example of late gothic architecture, the cathedral has many Renaissance elements and adornments.

20th century enlargement Edit

From 1935 to 1938 the cathedral was enlarged and expanded. This enlargement, which influenced the silhouette of the fortress city of Luxembourg, went ahead according to plans by and under the supervision of the Luxembourgish architect Hubert Schumacher. The expanded area, which connects to the two choir bays of 1613–1621, characterises the image of the former Jesuit church both due to its spaciousness and through the architectural unity. The rebuilding of the exterior architecture on the Gothic-style cathedral presented a challenge, since the goal was to harmoniously integrate the church with the surrounding buildings, such as the former Athénée building from the 17th century, the national library, the old church of St. Maximin (1751) (now the Foreign Ministry), as well as the old residential houses.

Towers Edit

The cathedral has three towers: the west tower, which was the tower of the Jesuit church and which contains the bells, the east tower, and the central tower, which stands over the transept.

When the cathedral was enlarged in 1935–1938, the east and central towers were added. The central tower, which is only a third of the height of the other towers, consists of a wide, pyramid-shaped base and a narrow peak covered with copper. The roof itself is carried by a steel frame, consisting of two PN20 beams from ARBED-Belval.

On Good Friday, 5 April 1985, around mid-day, work on the roof caused the west tower to catch fire.[1] The church bells, i.e. the Virgin Mary bell, the Willibrord bell, the Peter bell, and the Cunigunde bell, were destroyed in the fire. When the tower collapsed, the roof of the central aisle was also partly damaged. It took until 17 October 1985 for the tower to be repaired.

Burials in the crypt Edit

The crypt of the cathedral contains the remains of Grand Dukes and Grand Duchesses of Luxembourg. The following people are interred here:

See also Edit

References Edit

  1. ^ Pierre Weimerskirch (23 April 2019). "The 1985 Luxembourg Cathedral fire: An incident that was very similar to the fire in Paris". RTL Today. Retrieved 31 January 2021.
  • The information in this article is based on a translation of its German equivalent.