Music visualization or music visualisation, a feature found in electronic music visualizers and media player software, generates animated imagery based on a piece of music. The imagery is usually generated and rendered in real time and in a way synchronized with the music as it is played.

Screenshot of preset included in MilkDrop, a PC based music visualization software (version 1.04d, 2001)

Visualization techniques range from simple ones (e.g., a simulation of an oscilloscope display) to elaborate ones, which often include a number of composited effects. The changes in the music's loudness and frequency spectrum are among the properties used as input to the visualization.

Effective music visualization aims to attain a high degree of visual correlation between a musical track's spectral characteristics such as frequency and amplitude and the objects or components of the visual image being rendered and displayed.

Definition edit

Music visualization can be defined, in contrast to previous existing pre-generated music plus visualization combinations (as for example music videos), by its characteristic as being real-time generated. Another possible distinction is seen by some in the ability of some music visualization systems (such as Geiss' MilkDrop) to create different visualizations for each song or audio every time the program is run, in contrast to other forms of music visualization (such as music videos or a laser lighting display) which always show the same visualization. Music visualization may be achieved in a 2D or a 3D coordinate system where up to six dimensions can be modified, the 4th, 5th and 6th dimensions being color, intensity and transparency.

History edit

The Atari Video Music, available in 1976. The unit never gained enough popularity and was in production for only a year.

The first electronic music visualizer was the Atari Video Music introduced by Atari Inc. in 1976, and designed by the initiator of the home version of Pong, Robert Brown. The idea was to create a visual exploration that could be implemented into a Hi-Fi stereo system.[1] In the United Kingdom music visualization was first pioneered by Fred Judd.

Music and audio players were available on early home computers, Sound to Light Generator (1985, Infinite Software) used the ZX Spectrum's cassette player for example.[2] The 1984 movie Electric Dreams prominently made use of one, although as a pre-generated effect, rather than calculated in real-time.

For PC/DOS one of the first modern music visualization programs was the open-source, multi-platform Cthugha in 1993. In the 1990s the emerging demo and tracker music scene pioneered the real-time technics for music visualization on the PC platform; resulting examples are Cubic player (1994), Inertia Player (1995) or in general their real-time generated Demos.[3][4]

Subsequently, PC computer music visualization became widespread in the mid to late 1990s as applications such as Winamp (1997), Audion (1999), and SoundJam (2000). By 1999, there were several dozen freeware non-trivial music visualizers in distribution. In particular, MilkDrop (2001) and its predecessor "geiss-plugin" (1998) by Ryan Geiss, G-Force by Andy O'Meara, and AVS (2000) by Nullsoft became popular music visualizations. AVS is part of Winamp and has been recently open-sourced,[5] and G-Force was licensed for use in iTunes[6] and Windows Media Center[citation needed] and is presently the flagship product for Andy O'Meara's software startup company, SoundSpectrum. In 2008, iTunes added the "Magnetosphere" visualizer created by The Barbarian Group.[7]

Use by deaf people edit

There have been applications of electronic music visualization in order to enhance the music listening experience for deaf and hard of hearing people. Richard Burn, a PhD candidate at Birmingham City University, as of 2015, is researching a device that displays detailed visual feedback from electronic instruments. These visuals will provide information on the specifics of what is being played, such as the pitch and the harmonics of the sound. This allows deaf musicians to better understand what notes they are playing, which enables them to create music in a new way.[8]

Researchers from the National University of Singapore have also created a device that seeks to enhance musical experiences for deaf people. This technology combines a music display and haptic chair that integrates sound qualities from music into vibrations and visual images that correlate with the specific qualities found within the music. The visual display shows various shapes that change size, color, and brightness in correlation with the music. Combining this visual display with a haptic chair that vibrates along with the music aims to give a more all-around experience of music to those hard of hearing.[9]

Music visualization can also be used in education of deaf students. The Cooper Union in New York City is using music visualization to teach deaf children about sound. They have developed an interactive light studio in the American Sign Language and English Lower School in New York City. This consists of an interactive wall display that shows digital output created by sound and music. Children can trigger the playing of instruments with their movement, and they can watch the visual feedback from this music. They are also able to view a "talking flower" wall, in which each flower can transform sound into light based on the specific frequencies of the sounds.[10]

List of electronic music visualizers edit

  • Atari Video Music, designed by the initiator of the home version of Pong, Robert Brown, and introduced by Atari Inc. in 1976.
  • Pixelmusic 3000,[11] open source music visualizer on a microcontroller, made by Uncommon Projects in 2008.

List of music visualization software edit

OpenCubic Player, PC/DOS Module file player with real-time STFT based music visualization from 1994.

List of media players supporting visualization edit

See also edit

Notes edit

  1. ^ US 4081829, Brown, Robert J., "Audio activated video display", published 1978-03-28, assigned to Atari Inc. 
  2. ^ "Sound to Light Generator". World of Spectrum. Retrieved 2009-02-20.
  3. ^ Hartmann, Doreen (2010). Computer Demos and the Demoscene: Artistic Subcultural Innovation in Real-Time (PDF). 16th International Symposium of Electronic Art. Archived from the original (PDF) on 2014-09-12. Retrieved 2015-05-02.
  4. ^ Boris Burger; Ondrej Paulovic; Milos Hasan (2002-03-21). "Realtime Visualization Methods in the Demoscene". CESCG-2002. Technische Universität Wien. Retrieved 2015-05-02.
  5. ^ AVS on
  6. ^ "About iTunes" - iTunes credits
  7. ^ "Apple iTunes team did acquire Magnetosphere visualiser". 9to5mac. 11 September 2008.
  8. ^ "Music-making for the deaf". ScienceDaily. Retrieved 2019-04-09.
  9. ^ Nanayakkara, S.; Taylor, E.; Wyse, L.; Ong, S. H. (4 April 2009). "An Enhanced Musical Experience for the Deaf: Design and Evaluation of a Music Display and a Haptic Chair". CHI. doi:10.1145/1518701.1518756. S2CID 3185792.
  10. ^ Varrasi, John (25 July 2014). "How Visuals Can Help Deaf Children 'Hear'". Live Science. Retrieved 9 April 2019.
  11. ^ "Pixelmusic 3000: Visual Nostalgia from the 70ies Era". Digital Tools. 2008-06-06. Retrieved 2016-03-30.
  12. ^ Center for Computer Assisted Research in the Humanities (1992). Computing in musicology, Volume 8. Center for Computer Assisted Research in the Humanities. ISBN 978-0-936943-06-0.
  13. ^ "Turn on visual effects in iTunes on PC". Apple Support. Retrieved 10 June 2023.
  14. ^ "Turn on visual effects in Music on Mac". Apple Support. Retrieved 10 June 2023.

External links edit