Music Macro Language
Early automatic music generation functions were used in arcade games, which used many computer sounds. An example of an early popular Arcade game with music is The Circus from Exidy Corporation in 1977.
The music was all proprietary (closed source). The 1978 release of the Programmable interval timer by Intel was significant. The Intel 8253 Mode 3 Square Wave generator was used for music, in the Kit computer MZ-40K(Microcomputer Doctor (Maikon Hakase, マイコン博士/まいこんはかせ)) by SHARP Corporation, made in Japan at May 1978. Another Micro computer BASIC MASTER MB-6880(ja)BASIC Master (BASIC Master, ベーシックマスター) used a 5Bit D/A converter music automated reference signal. Also important was the development of a method to generate using BASIC software. The machine was assembled by Hitachi, Ltd. and made in Japan in September 1978.
The first commands for classical MML appeared in the internal architecture of the SP-1002 MONITOR IOCS and SP-5001 BASIC Operating Systems on the MZ-80K 8-bit computer. Made by SHARP Corporation at 1978 in Japan. It incorporated Intel 8253 hardware and memory mapped I/O. The sound-related BASIC Statements were MUSIC, TEMPO, and BEEP. 
Classical MML as used in BASIC is described here. "MML Commands" are supplied to the MUSIC statement. Notes are specified in a three-octave range. A song is a sequence of mono single tones.
"+" (or in some old code, "￣") indicates upper octave, "- " (or in some old code, "＿") indicates the lower octave. The characters "CDEFGAB" correspond to a scale ("Doremi Faso Lassi"). A semitone is indicated by following the note with a '#' character. The note names are followed by a tone length, indicated by a number from 0-9. Similarly, R indicates a rest, and is also followed by a number from 0-9 indicating length. Sound length Internal value × TEMPO values.Tone length Demisemiquaver is 0 (SP-1002 Internal value is 1)- Whole note is 9 (SP-1002 Internal value is 32). Music played on Call to $0030 SP-1002 IOCS program routine.
Statements TEMPO n is 1-9, the slowest 1.TEMPO 4 is similar T=120.
10 TEMPO 4 20 A$="E5R1E3R0D3R0E3R0E1R0D1R0-G4R1" 30 B$="F3R0F1R0F1R0A3R0F1R0E1R0D1R0D1R0E5R0" 40 C$="C3R0C1R0C1R0E3R0C1R0-B1R0C1R0-B1R0-A1R0-A1-B5R0" 50 D$="E1R0E1R0E1R0E1R0E1R0E1R0D1R0E1R0E1R0E1R0D1R0-A1R0-A1R0B3R1" 60 E$="-A1R0-B1R0C1R0D1R0E1R0F1R0E1R0F3R1A3R1B1R0A1R0F3R0E3R0E1R0E4R0" 100 MUSIC A$+B$+B$ 110 MUSIC C$+C$+B$ 120 MUSIC C$+D$+E$
Modern MML originally appeared in Microsoft BASIC and was common in the early 1970s and 1980s on 8-bit and 16-bit era Japanese personal computers. The NEC PC-6001 included Microsoft BASIC and the Programmable Sound Generator in 1981. The MML was especially popular on NEC's personal computers, such as the NEC PC-8801. With the 2001 release of the mck (Music Creation Kit) software for compiling MML to play music on the Nintendo Entertainment System, awareness and use of MML increased. MML is presently popular among Japanese electronic musicians and musicians who create chiptunes as a way to write music for the Nintendo Entertainment System.
Modern MML originated as a sub-language of BASIC, then generally included in ROM on micro-computers. A
PLAY statement uses an argument to define a string of tones that the sound-chip played. MML code has a simple text format whereby letters and numbers are used to describe the musical notes to be played. In addition, various implementations of MML add system extensions allowing parameters of audio synthesis to be altered with specialized commands or to simplify the entry of common musical figures such as arpeggios.
Though many platforms feature custom extensions and letter case requirements and other minor syntactical features vary slightly in some implementations, the fundamental syntax rules, commands and features that define MML and are present in whole or in part in all implementations are as follows:
cdefgab— The letters
gcorrespond to the musical pitches and cause the corresponding note to be played. Sharp notes are produced by appending a
#, and flat notes by appending a
-. The length of a note is specified by appending a number representing its length as a fraction of a whole note — for example,
c8represents a C eighth note, and
f+2an F♯ half note.
p— A pause or rest. Sometimes also
r, although the original IBM and Microsoft BASIC used
p, as do all clones (e.g. the Linux and BSD speaker devices). The length of the rest is specified in the same manner as the length of a note — for example,
r1produces a whole rest.
o— Followed by a number,
oselects the octave the instrument will play in.
<— Used to step up or down one octave.
l— Followed by a number, specifies the default length used by notes or rests which do not explicitly define one. For example,
l8 g a b g l16 g a b gproduces a series of four eighth notes followed by a series of four sixteenth notes.
v— Followed by a number, sets the volume of the instrument. The range of values allowed is dependent upon the specific sound hardware being used. Some implementations also allow an ADSR envelope to be applied to the amplitude of each note.
t— Followed by a number, sets the tempo in beats per minute. On hardware with more than one sound channel, it is often possible to set each channel to a different tempo.
In addition to these, most implementations add their own keywords and symbols for system-specific enhancements or extensions.
Languages, platforms and softwareEdit
- Epic Games's ZZT and Super ZZT, as well as the open-source clone named MegaZeux, use a very compact variant of MML for the PLAY command, with only one channel for the PC Speaker
- Microsoft's QBASIC, BASICA, and GW-BASIC all feature a
PLAYstatement which takes a string argument in the SMX format (Standard Musical eXpression, a variant of Modern MML). The name "Music Macro Language" may originate with GW-BASIC, which provided a facility "to play music by embedding a music macro language into the string data type." The SBasic compiler from the German magazine DOS Extra, produced by DMV Widuch, offers the same PLAY command, and a few-line BASIC programme could be compiled into a small (few KiB) tool to play any MML files (often called *.PLY) given on the command line.
- The NEC PC-8801's BASIC dialect, N88-BASIC, used MML in its
PLAYstatement, as did several other implementations of BASIC produced or sold by NEC.
- Various MML utilities were written for the NEC PC-9801 family of computers, including PMD (Professional Music Driver) by game composer Masahiro Kajihara (most commonly known as KAJA), which was used by composer Ryu Umemoto for games like EVE Burst Error and Grounseed, as well as by game developer ZUN for most of his first five Touhou Project games.
- The mck, pmck, and ppmck utilities for creating Nintendo Entertainment System music, and a number of other tools for creating music for other hardware, such as the Bandai WonderSwan, the NEC PC Engine, and the Sega Mega Drive.
- The xpmck utility for creating music for various systems, including the Sega Master System, Sega Game Gear, Sega Mega Drive, Nintendo Game Boy and Commodore 64.
- Some cellular phones utilize MML as a ringtone format. The RTTTL ringtone language exhibits many of the characteristics of MML.
- An escape sequence was defined to allow terminal programs play music encoded in MML. Because of this music in MML is sometimes called ANSI Music.
- On the MSX computer system, the built-in MSX BASIC also uses MML with PLAY-command. Comma separated strings represent separate voice channels. Music hardware expansions such as MSX-Music, MSX-Audio and MSX-MIDI expand PLAY-command so that also FM-chips and external MIDI devices can be controlled through MML.
- OpenBSD and MirOS BSD offer /dev/speaker in a GW-BASIC-compatible format
- Sharp Pocket computer music routine PLAYX - MyArchive.Nihongo -> ja:ポケットコンピュータの製品一覧.
- Macrotune is a free MML editor available for Windows and OS X while also offering Shared libraries for software/game developers.
- Floppi-Music uses an extended format with a file header with metadata (such as Author, Title, etc.), a newline, and then one line for each staff, supporting multiple instruments, with bar lines. It’s designed to output to up to eight 3½″ floppy disc drives on Raspberry Pi GPIO ports. It also contains a standalone MML parser and MusicXML exporter[permanent dead link] library and utility, tested with MuseScore, allowing easy debugging of especially mass-parallel MML files, score sheet printing (ideally after some minimal postprocessing, but the defaults are usually legible), etc. – Floppi-Music and MMLlib is Free Software written in pure Python.
- Petit Computer and SmileBASIC both offer
BGMPLAYfunctions, which can either take a preset MML track or one provided as a string.
- Compiled by "Tomohiro Nishikado" (西角友宏/にしかどともひろ) worked in the Pacific Industrial Co.,Ltd. All compiled alone.
- PDF file;Micro Computer BASIC MASTER MB-6880 Music method[permanent dead link] - Kunihiko (圀彦), Nagai (長井); Teruhiro (輝洋), Takezawa (竹澤); Kazuma (一馬), Yoshimura (吉村); KaTsutoshi (活利), Tajima (田島) (26 April 1979). "Hitachi Hyoron April 1979 Special Features:A micro-computer, the application method". digital.hitachihyoron. HITACHI. Archived from the original on 8 May 2015. Retrieved 26 August 2013.
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"twitter PlayTrueName". 2012-09-22. Retrieved 2012-09-22."twitter(twilog) PlayTrueName". 2012-09-22. Retrieved 2012-12-28.SHARP Corporation (1978). MZ-80 BASIC マニュアル. SHARP Corporation. p. 110.
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- Motoi, Kenkichi. "Viewpoint of the eye. She said "you playing" I'm crying/Awamomo Office". Archived from the original on 2013-02-18. Retrieved 2012-09-20. Programmed and arranged by Motoi, Kenkichi. "Twitter @PlayTrueName Σ:D『So long time wake up to the◎Programming to sound of music". Retrieved 2012-09-22. Licensed #AAAP(Including Creative Commons CC-BY-SA and Text of GNU Free Documentation License.).
- Selfridge-Field, Eleanor (1997). Beyond Midi: The Handbook of Musical Codes. Cambridge: MIT Press. ISBN 0-262-19394-9.
- "VORC Internet Chiptune Encyclopedia - mck". Archived from the original on 2008-01-03. Retrieved 2008-02-13.
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