Michael Riedel (journalist)

Michael Riedel is an American theatre critic, broadcaster, and columnist. He is the co-host of "Len Berman and Michael Riedel in the Morning" on 710 WOR in New York City, weekdays 6-10am. Riedel has been a controversial and influential Broadway columnist of the New York Post for over 20 years. Riedel's book Razzle Dazzle: The Battle for Broadway won the 2015 Marfield Prize for arts writing and is widely considered to be the successor to The Season, William Goldman's classic 1967 book about Broadway. He is currently researching his second book.

Riedel's skewering of Broadway shows and personalities in his column have made him a controversial and often feared figure on the New York theater scene. He has been called "the enfant terrible of the New York press".[1]

Early life and educationEdit

Riedel was born on December 24, 1966, and grew up in Geneseo, New York. His father was the athletic director for SUNY Geneseo and his mother was a grade-school librarian. He has been described as a "smart, sarcastic kid" who joined the Young Republicans at 12 and originally planned to become a lawyer and politician.[2]

He initially enrolled at Johns Hopkins University, but transferred after a year to Columbia University. While at Columbia, he acted in plays and regularly appeared on a radio show devoted to musical theater. The summer after his sophomore year, he interned for Liz McCann while she was producing the Broadway production of Les liaisons dangereuses. In 1989, he graduated magna cum laude and Phi Beta Kappa with a BA in History.

CareerEdit

After graduating from Columbia, Riedel served as Managing Editor of the now-defunct TheaterWeek magazine, which he attempted to make more literary by hiring highly respected theater figures such as critic Eric Bentley to write articles. In 1993, he was hired as a gossip columnist for The Daily News and subsequently launched his now-famous column reporting the latest news and speculation about the Broadway theater scene. In 1998, he moved his column to the New York Post, where he remains today. In September 2015, the Post announced that it was cutting the column from two columns a week to one. Riedel said of the change: "I'm happy about the changes. It's all part of a redesign of the features pages. If there's any 'breaking news,' I'll get it on the website and in the paper the next day."[3] Riedel's Wednesday column was reinstated in the paper in 2016 after advertisers complained of its absence.

David Leveaux controversyEdit

In 2005, Riedel was the subject of considerable press himself when he was in an altercation with English director David Leveaux at the Manhattan theater hangout Angus McIndoe. Riedel, who later admitted to being "tipsy," insulted Leveaux by claiming that English directors often ruin classic American musicals. While rumors circulated that Leveaux hit Riedel so hard that the columnist had to go to the emergency room, the truth is that Riedel was merely shoved to the floor and was not injured.[4]

Cultural referencesEdit

In view of his notorious reputation as a theater columnist, Riedel was referred to as a "Napoleonic little Nazi" in the premiere episode of the NBC musical drama Smash on February 6, 2012. He later made cameo appearances as himself on episodes "Hell on Earth," "The Fallout," and "The Nominations." Riedel also appeared regularly on the "Imus in the Morning" program, "The Mark Simone Show," "The Mike Gallagher Show" and Fox News' "Red Eye."

ReferencesEdit

  1. ^ Heyman, Marshall (June 9, 2003). "Broadway Snarls at New Butcher, Michael Riedel". New York Observer. Retrieved April 3, 2012.
  2. ^ Gordon, Meryl (May 21, 2005). "Assassin". New York Magazine. Retrieved April 3, 2012.
  3. ^ Viagas, Robert. "Controversial Columnist Michael Riedel Says He's "Happy" With Changes at NY Post" Playbill, September 30, 2015
  4. ^ Zinoman, Jason (March 5, 2004). "ON STAGE AND OFF". The New York Times. Retrieved April 3, 2012.

External linksEdit