This article includes a list of general references, but it remains largely unverified because it lacks sufficient corresponding inline citations. (October 2010) (Learn how and when to remove this template message)
Dawn Catherine Menzer (April 18, 1947 – April 4, 2010), known professionally as Lori Martin, was an American actress. A child actress for most of her career, she first achieved recognition as the title character of the NBC drama series National Velvet (1960–1962). Her most prominent film role was in the 1962 thriller Cape Fear, where she portrayed Gregory Peck's daughter.
Dawn Catherine Menzer
April 18, 1947
Glendale, California, U.S.
|Died||April 4, 2010 (aged 62)|
Oakhurst, California, U.S.
|Cause of death||Suicide by gunshot|
|Occupation||Film and television actress|
(m. 19??; died 1999)
Lori Martin was born Dawn Catherine Menzer in Glendale, California, at 10:02 a.m.; her fraternal twin sister, Doree, arrived four minutes later. As she weighed only 5 pounds and measured just 18 inches at birth, she spent the first few weeks of her life in an incubator, during which time her survival was somewhat doubtful. Her father, Russell C. Menzer, was an MGM and Warner Brothers commercial artist and art director. She had a younger brother, Stephen Menzer, and an older sister, Jean Coulter, a veteran Hollywood stuntwoman who doubled for the lead actresses on Ironside and Charlie's Angels.
When Lori was six years old, her mother took her to an agent who specialized in child actors. She thought that acting might be a healthy outlet for Lori. When later asked what inspired her to be an actress, Martin said, "The best time in my life was when I was about four. Doree and I had to go live with my aunt in Ponca City, Oklahoma. My mother got sick and Daddy had to go to work every day, so we couldn't stay here. I didn't want to come back. I cried and cried. That was when I decided, if I had to come back, I'd be an actress. I started getting parts immediately, and my little brother was signed by the same agent, but he lacked my interest in acting. I just loved it."
Martin auditioned so well that her parents soon allowed her to attend them by herself. Her mother recalled, "I'll never forget the first interview she went on. It was for a Chrysler commercial, and my car broke down about six blocks from the studio. I had to stay with the car, but Lori was all for going on in herself. She got out of the car, walked six blocks, found the right office, told the receptionist who she was, went in for her interview and got the job. Since then I've usually waited outside in the car and she's handled everything herself."
As well as appearing in several commercials, including one for which her father designed the set and a Milky Way candy commercial, she won parts in the films Machine-Gun Kelly (1958), The FBI Story (1959), and Cash McCall (1959). She appeared in several television series, including Medic, Wagon Train, Alfred Hitchcock Presents, Leave It to Beaver, and Whirlybirds.
At the age of 12, Martin was the 975th young hopeful to be auditioned for the role of Velvet Brown in the NBC television version of National Velvet, a role which brought her to wide attention. After being included in the final three, she was interviewed ten more times before winning the part. When she won the role, her name was changed from Dawn Menzer to "Lori Martin". On the change of name, Martin later said, "I didn't like the name Lori at first. But I like it now. The reason I like it now is I've been brainwashed!" The show ran for fifty-eight episodes between 1960 and 1962.
In 1962, at age 14, Martin gained further attention in the role of Nancy Bowden in the film Cape Fear, in which the character played by Robert Mitchum intends to do harm to her family. Martin later said that she delivered her best performance as Nancy but had nightmares for weeks after the filming of the scene in which her character is stalked by Mitchum's character. The director of the film, J. Lee Thompson, originally wanted Hayley Mills for Martin's part. Because he could not get Mills, however, he later admitted to having deliberately given Martin a hard time during filming.
Martin released her only single on Del-Fi Records. Recorded at Radio Recorders in Hollywood in September 1963, the girl group-styled "The Home of the Boy I Love", backed with "Mine 'Til Monday" (Del Fi 4201), was mistakenly released with songwriting credits given to the successful team of Barry Mann and Cynthia Weil when in fact it was produced by Barry Mann and written by lesser known hit-man Sylvester Bradford, who wrote the 1958 hit "Tears On My Pillow".
After Cape Fear, Martin made guest appearances in such television series as The Donna Reed Show, Slattery's People, Sam Benedict, Breaking Point, Please Don't Eat The Daisies, My Three Sons, and Family Affair.
During the early 1970s, Martin decided to put her acting career on hold. She later recalled her reasoning behind her decision. "I'd been in the business long enough to know I'd been stereotyped. My mother was in poor health and I felt I had worked from such an early age I could take some time off and get a college education." A few years later, she tried to reactivate her career, but unfortunately she became "discouraged by the many changes in casting and techniques".
Martin married Charles Breitenbucher, had a son, Brett, and moved to Westlake Village, California, under her married name, Dawn Breitenbucher. She later moved to Oakhurst, California. She occasionally attended autograph signings and ran a medical supplies company with her husband until his death in 1999.
In an article which was written at the height of her fame, she was quoted as saying that what she wanted to be when she grew up was "normal". Martin later recalled after her acting career had finished that it "was probably an accurate quote because that's what I wanted and as it turns out, that's what I am." 
Lori Martin, known legally as Dawn Breitenbucher, died on April 4, 2010, in Oakhurst, California, two weeks before her 63rd birthday, as a result of suicide via gunshot wound. She struggled with mental illness (bipolar schizophrenia) and illicit drug use in the decade after her husband died. She was survived by her son, Brett Breitenbucher, and her siblings, Doree Thompson Kelly, Jean Marek and Stephen Menzer, as well as extended family.
|1958||Machine-Gun Kelly||Sherryl Vito|
|1959||The FBI Story||Anne Hardesty at 8||Uncredited|
|1962||Cape Fear||Nancy Bowden|
|1963||Cri Cri el grillito cantor||Princesa Caramelo|
|1968||The Angry Breed||Diane Patton|
|1960–1962||National Velvet||Velvet Brown||58 episodes|
|1963||Leave It to Beaver||Mary Margaret Matthews||Episode: "Beaver Sees America"|
|1969||Family Affair||Dana Mason||Episode: "A Family Group"|
- Chibnall, Steve (2000). J. Lee Thompson. Manchester University Press. p. 283. ISBN 978-0-7190-6012-0.
- Lamparski, Richard (1985). Whatever became of ... ? All new ninth series: 100 profiles of the most asked about personalities from television series, documentaries, and movies, Volume 9. New York: Crown. pp. 112–113. ISBN 978-0-5175-5541-5.
- "Obituaries: Dawn Breitenbucher". The Sierra Star. April 15, 2010. Archived from the original on January 4, 2011.
- "Obituary". filmnoirliveshere. Retrieved February 15, 2015.
- "Lori Martin". Find-a-Grave. Retrieved February 15, 2015.