Heat and Dust is a 1983 British historical romantic drama film, with a screenplay by Ruth Prawer Jhabvala based on her novel, Heat and Dust (1975). It was directed by James Ivory and produced by Ismail Merchant. It stars Greta Scacchi, Shashi Kapoor and Julie Christie.[3]
| Heat and Dust | |
|---|---|
 Theatrical release poster by Drew Struzan | |
| Directed by | James Ivory |
| Screenplay by | Ruth Prawer Jhabvala |
| Based on | Heat and Dust by Ruth Prawer Jhabvala |
| Produced by | Ismail Merchant |
| Starring | Greta Scacchi Shashi Kapoor Julie Christie Zakir Hussain |
| Cinematography | Walter Lassally |
| Edited by | Humphrey Dixon |
| Music by | Richard Robbins Zakir Hussain |
Production company | |
| Distributed by | Curzon Film Distributors |
Release date |
|
Running time | 133 minutes |
| Country | United Kingdom |
| Languages | English Urdu Hindi |
| Budget | £2.2 million[1] or £1.1 million[2] |
| Box office | $2.6 million (overseas est.) |
The plot of Heat and Dust follows two intertwined stories. The first is set in British India of the 1920s, and deals with an illicit affair between Olivia, the beautiful young wife of a British colonial official, and an Indian Nawab. The second, set in 1982, deals with Anne, Olivia's great-niece, who travels to India hoping to find out about her great-aunt's life, and while there, also has an affair with a married Indian man.
Heat and Dust form part of a cycle of film and television productions which emerged during the first half of the 1980s, reflecting Britain's growing interest in the British Raj.[4] In addition to Heat and Dust, this cycle included the films Gandhi (1982) and A Passage to India (1984), and the television series The Jewel in the Crown (1984) and The Far Pavilions (1984).[4] Heat and Dust was nominated for the Palme d'Or at the 1983 Cannes Film Festival. At the 1984 BAFTA Awards, it earned eight nominations, including Best Film, and won Best Adapted Screenplay for Ruth Prawer Jhabvala.
Plot
editThis article's plot summary may be too long or excessively detailed. (December 2021) |
In 1982, an Englishwoman named Anne (Julie Christie) begins an investigation into the fate of her great-aunt Olivia (Greta Scacchi), whose letters and the diary she has inherited. She interviews the elderly Harry Hamilton-Paul (Nickolas Grace), who in his youth was Olivia's close friend when they were both living in India.
Anne's search brings her to India, where the story of Olivia's life is told in flashbacks. In 1923, during the British Raj, Olivia, recently married to Douglas Rivers (Christopher Cazenove), a civil servant in the colonial administration, has come to join her husband in Satipur, in central India. Douglas is an attentive husband and the couple seems to be very much in love. When he insists that Olivia spend the summer in Simla to avoid the extreme heat, she refuses in order to remain with him. However, the conventional narrow society of the English memsahibs bores her. Mrs. Saunders (Jennifer Kendal), the morbid wife of the local doctor, warns Olivia that all Indian men are potential rapists. Mrs. Crawford (Susan Fleetwood), the Burra Memsahib, is kindly but equally conservative. The racist Doctor Saunders takes an instant dislike to Olivia. While Anglo-Indian society seems to have little to offer Olivia, she is slowly enthralled by India itself. The region is being ransacked by a group of sanguinary bandits, and intrigues are opposing the British community led by Major Minnies and Mr. Crawford against the ruler of the neighboring princely state, the Nawab of Khatm (Shashi Kapoor). The British suspect him of being in league with a gang of bandits, allowing them to operate with impunity in exchange for a share of their booty.
The Nawab, a romantic and decadent minor prince who combines British distinction with Indian pomp and ruthlessness, invites all the Anglo-Indian officials and their wives for a dinner party at his palace. At the dinner, Olivia attracts the attention of the Nawab. Harry Hamilton-Paul enjoys a close intimacy with the Nawab and is a permanent guest at the palace. With his good humor and charm, Harry serves as a sort of court jester and he is well-liked even by the chain-smoking and proud Begum Mussarat Jahan (Madhur Jaffrey), the Nawab's mother. In the midst of the intense summer heat, Harry falls ill and Olivia comes often to visit him at the Nawab's palace. The Nawab easily seduces Olivia and they engage in an illicit affair.
Following in Olivia’s footsteps, Anne comes to Satipur to live in the same surroundings that framed Olivia’s story more than fifty years earlier. She stays as the guest of an Indian family. The head of the household, Inder Lal (Zakir Hussain), is a polite civil servant who serves as her guide while she tries to get connected with the world that Olivia lived. Inder Lal is worried that their hitherto innocent relationship will be perceived as sexual. Lal is married with children and lives with his wife and his mother. Ritu, Lal's young wife, is an epileptic and he slowly, but surely, endears himself to Anne to whom he is attracted. Anne befriends Chid (Charles McCaughan), an American charlatan posing as a sanyasi and a would-be convert to Hindu mysticism. Chid tries to seduce Anne with his antics, but she firmly rebuffs his sexual advances while becoming closer to Inder Lal. Eventually, Anne invites Lal into her bed.
Things get complicated for Olivia when she gets pregnant. She informs Douglas and the Nawab about it. Both men welcome the news. Douglas, unaware of his wife's infidelity, wishes for a son as blond as he is. The Nawab does not doubt that he is the father and he is overjoyed. He is in the midst of being deposed by the British, and views having a mixed-race heir as the ultimate revenge. Suspecting that the Nawab is the child's father, Olivia has an abortion in secret with Harry and the Begum's help, pretending to have a miscarriage. However, Olivia continues bleeding and is admitted to the hospital, where Dr. Saunders immediately discovers her ruse. Olivia runs away from the hospital early in the morning, eloping with the Nawab to Kashmir. She leaves Douglas broken-hearted, though he eventually remarries.
Like Olivia, Anne gets pregnant and she also decides to get an abortion but backs down at the last minute. The Indian diet makes Chid fall sick and he returns to the United States. Anne also leaves behind the heat and dust of Satipur. She travels to the snowy mountains of Kashmir where Olivia spent her last years in solitude, seldom visited by the Nawab. Anne plans to bear her child in a hospital nearby.
Cast
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Background
editHeat and Dust is based on the novel written by Ruth Prawer Jhabvala, which won the Booker Prize in 1975. The screenplay for the film was written by the writer herself.
Jhabvala planned Heat and Dust while writing the screenplay for Autobiography of a Princess (1975), which had a similar theme. The novel was also influenced by E. M. Forster's A Passage to India (1924) which dealt with the English in India and the cultural factors that separate them from the country's natives.[5]
Heat and Dust also borrow from Forster's own life in the construction of two characters: the Nawab and his English close friend Harry. They were inspired by Forster and his younger friend J. R. Ackerley.[6] Both men were homosexual and wrote reminiscences about their time living in India. Ackerley, in Hindoo Holiday (1932), leaves an account of his experience as secretary to an Indian Maharajah in the city of Chhatarpur, while Forster's The Hill of Devi (1953) recounts his time as secretary of the Maharajah of Dewas, in central India.[6] The character of the secretary appeared first as Cyril Sahib, the Maharajah's tutor in Autobiography of a Princess, and then as the gay house guest of the Nawab in Heat and Dust. The Maharajah, a Hindu prince, is transformed into the Muslim Nawab in Heat and Dust.[6]
Production
editThe novel was made into a film by Merchant Ivory Productions, an independent production company founded in 1961 to make art-house films. They were for the most part produced by Ismail Merchant, directed by James Ivory, with scripts usually written by Ruth Prawer Jhabvala.
The idea of making the film came from Ismail Merchant who explained:
I wanted Heat and Dust not only to celebrate our twenty-one years together, but to unite all three of us again in India, as The Householder had- but with a much larger theme, and I hoped, with much more money. Ruth wrote the screenplay, and as usual, I submitted it to all the Hollywood studios, who politely—and not so politely declined—one executive wrote, saying, we are returning Ruth Jhabvala's Eat my Dust. We knew we must find our financing in Europe.[1]
Merchant secured backing in England with a budget of £2.2 million, but halfway through the project some of the expected financings failed to materialize and the production ran out of money. The cast and crew continued working despite not being paid.[1] Sir Jacob Rothschild, after watching some dailies, provided the money to complete the film.[1]
Reception
editBox office
editHeat and Dust was an art-house hit in Europe, particularly in England.[4] By March 1983 the film had reached number four on the London box office charts, behind Gandhi, The Verdict, and An Officer and a Gentleman.[7]
In the United States, the film grossed $1,761,291.[8] It fared poorly in the United States, where it had distribution problems. As a whole, Heat and Dust was Merchant Ivory's biggest commercial success up to that date.[4] In France, Heat and Dust sold 362,777 tickets,[9] equivalent to an estimated box office gross revenue of approximately €979,498[10] ($845,966).[11] Combined, the film grossed an estimated $2,607,257 overseas in the United States and France, not including the United Kingdom.
The film's success marked a turning point for the company, and heralded the success of its subsequent films A Room with a View (1985), Howards End (1992) and The Remains of the Day (1993).[4]
Critical response
editThe film was entered into the 1983 Cannes Film Festival, in competition for the Palme d'Or.[12] For her screenplay, Jhabvala received both Britain's National Film Critics Award (London Film Critics' Circle) and the British Academy of Film and Television Arts (BAFTA) Award for best screenplay.[13]
The film garnered favourable critical reaction. Writing for The New York Times, Vincent Canby commented: "If the contemporary story is not as involving as that of Olivia and the Nawab, it's partly because the contemporary problems are far more prosaic. It's as if the passage of time that witnessed the independence of India and its partition, as well the introduction of jet travel for the budget-minded, had neutralized all possibility of heroic romance... Mr. Ivory and Mrs. Jhabvala have been working together so long that it's difficult for an outsider to know exactly who contributed what to any of their collaborations. Together, over the years, they have evolved a kind of ironic, civilized cinema that doesn't quite correspond to anyone else's. Of all their collaborations, none has been more graceful, funny, literate or entertaining than Heat and Dust".[14]
In the words of influential film critic Roger Ebert: "Heat and Dust contains wonderful sights and sounds and textures. It is seductive, treating both of its love stories with seriousness; these are not romances, but decisions to dissent. It is fully at home in its times and places... And when it is over, we're a little surprised to find that it is angry, too. Angry that women of every class and every system, women British and Indian, Women of the 1920s and of the 1980s, are always just not quite the same caste as men".[15]
In their film review, Frederic and Mary Ann Brussat wrote: "James Ivory directs Heat and Dust with a firm grasp of India past and present — especially the natives' responses to outsiders. Thanks to the finely etched character portraits of Greta Scacchi and Julie Christie, we open our eyes to the manifold mysteries of Indian life. Both as an exploration of romance and as a sensitive cross-cultural study, Heat and Dust weaves a magical spell".[16]
Heat and Dust holds a 79% rating on Rotten Tomatoes based on fourteen reviews.[17]
Awards
edit| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 1983 | Cannes Film Festival | Palme d'Or | Heat and Dust | Nominated | [12] |
| 1984 | London Film Critics' Circle | Screenwriter of the Year | Ruth Prawer Jhabvala | Won | [13] |
| 37th British Academy Film Awards | Best Film | Ismail Merchant | Nominated | [18] | |
| Best Direction | James Ivory | Nominated | |||
| Best Adapted Screenplay | Ruth Prawer Jhabvala | Won | |||
| Best Newcomer to Film | Greta Scacchi | Nominated | |||
| Best Cinematography | Walter Lassally | Nominated | |||
| Best Costume Design | Barbara Lane | Nominated | |||
| Best Makeup and Hair | Gordon Kay | Nominated | |||
| Best Production Design | Wilfred Shingleton | Nominated |
Home media
editIn 2003, a special edition DVD of the film was released as part of The Criterion Collection.[19] The special features include an audio commentary with producer Ismail Merchant and actors Greta Scacchi, and Nickolas Grace. There is also an on-camera interview with the Merchant Ivory team: Ismail Merchant, James Ivory, Ruth Prawer Jhabvala and composer Richard Robbins.[20]
The DVD also includes Autobiography of a Princess (1975), a 55-minute film about Royal India starring James Mason and Madhur Jaffrey. It was directed by James Ivory and written by Ruth Prawer Jhabvala.[20]
Notes
edit- ^ a b c d Long, The Films of Merchant Ivory, p. 120
- ^ "Back to the Future: The Fall and Rise of the British Film Industry in the 1980s - An Information Briefing" (PDF). British Film Institute. 2005. p. 23.
- ^ Long, James Ivory in Conversation, p. 109
- ^ a b c d e Long, The Films of Merchant Ivory, p. 128
- ^ Long, The Films of Merchant Ivory, p. 121
- ^ a b c Long, The Films of Merchant Ivory, p. 122
- ^ Singh, Uday (15 April 1983). "Merchant-Ivory Productions' Heat And Dust hits London's box-office charts". India Today. Retrieved 30 May 2014.
- ^ "Heat and Dust". Box Office Mojo. Retrieved 15 July 2020.
- ^ "Heat and Dust (1983)". JP's Box-Office (in French). Retrieved 15 July 2020.
- ^ "Cinema market". Cinema, TV and radio in the EU: Statistics on audiovisual services (Data 1980-2002) (2003 ed.). Office for Official Publications of the European Communities. 2003. pp. 31–64 (61). ISBN 92-894-5709-0. ISSN 1725-4515. Retrieved 23 May 2020.
{{cite book}}:|website=ignored (help) - ^ "Historical exchange rates (EUR)". fxtop.com. 1983. Retrieved 15 July 2020.
- ^ a b "Festival de Cannes: Heat and Dust". festival-cannes.com. Retrieved 14 June 2009.
- ^ a b Long, The Films of Merchant Ivory, p. 123
- ^ Canby, Vincent (15 September 1983). "Heat and Dust set in India". The New York Times. Retrieved 5 April 2015.
- ^ Ebert, Roger (20 October 1983). "Heat and Dust". Chicago Sun-Times. Retrieved 5 April 2015.
- ^ Brussart, Frederic and Mary Ann (September 1983). "Heat and Dust". Spiritualiy and Practice. Retrieved 5 April 2015.
- ^ "Heat and Dust". Rotten Tomatoes.
- ^ "Film in 1984". BAFTA Awards. Retrieved 15 July 2020.
- ^ "Heat and Dust". The Criterion Collection. Retrieved 23 April 2015.
- ^ a b "Heat and Dust". DVD Talk. Retrieved 25 April 2015.
References
edit- Long, Robert Emmet. The Films of Merchant Ivory. Citadel Press. 1993, ISBN 0-8065-1470-1
- Long, Robert Emmet. James Ivory in Conversation. University of California Press, 2005, ISBN 0-520-23415-4.