Gordon Watson (pianist)
Gordon Charles Watson AM (28 February 1921 – 16 April 1999) was an Australian classical pianist and teacher. He taught at the Sydney Conservatorium of Music from 1964 to 1986, retiring as Head of the Keyboard Department.
As early as 1943, commentators such as Neville Cardus were noticing that his piano playing, while showing great skill and promise, revealed the soul of someone other than a performer (Cardus suggested composing or conducting might be Watson's natural bents).
Watson spent some years living in the United Kingdom as a touring performer. On 22 October 1951, to celebrate the 140th anniversary of the birth of Franz Liszt, he performed the complete Transcendental Études in a concert at the Wigmore Hall. On that occasion he also premiered Humphrey Searle's Piano Sonata, Op. 21, written for the occasion. (The sonata was loosely based on Liszt's Sonata in B minor and has been described as "probably, both the finest and most original piano work ever produced by a British composer".) Watson later recorded the sonata, but the recording was quickly deleted. In 1957 he was able to introduce Searle to his teacher Egon Petri. Watson wrote the sleeve notes for the LP recording of classic Egon Petri performances issued by EMI in 1967 as number 7 in its Great Instrumentalists series.
In 1951 he was chosen by Constant Lambert to play the difficult piano part in the premiere of his final ballet, Tiresias. In late 1952 he gave the premiere performance of Darius Milhaud's 1st Piano Concerto, in London.
In 1954/55, Watson commissioned a piano concerto from Humphrey Searle (his first), but was unable to be the soloist at the premiere at the Cheltenham Festival in July 1955 as he was touring in Australia. He did, however, premiere Searle's 2nd Piano Concerto, Op. 27, on 14 August 1956, at the Royal Albert Hall, with the BBC Symphony Orchestra under John Hollingsworth. On 20 August 1956 Watson and Thea King gave the first performance of Humphrey Searle's Suite for Clarinet and Piano.
In 1958 on a visit home to Sydney he was asked by Winifred Burston, a renowned piano teacher at the Sydney Conservatorium of Music, to assess the young Larry Sitsky's skills. He did so, and he and Burston jointly formed the view that Sitsky would benefit from study with Egon Petri, who accepted him as a pupil. Sitsky went on to study with Petri for over three years, from May 1958 until the end of 1961. In 1950 in London he also gave some months of lessons to another of Burston's pupils, Geofrey Parsons.
In 1964 Sir Bernard Heinze appointed Watson to succeed Winifred Burston on the teaching staff of the Sydney Conservatorium. He was the head of the Keyboard Department until 1986, being succeeded by Elizabeth Powell. His students included: Gerard Willems, Michael Kieran Harvey, Stephanie McCallum (she dedicated her album "Perfume: The Exquisite Piano Music of France" to her teacher Gordon Watson), Elena Kats-Chernin, Carey Beebe, Barry Walmsley, Brennan Keats, Garry Laycock (1944–88; who also used the professional name Leon Gibbons), Romano Crivici and Peter Carthew.
Gordon Watson recorded:
- Benjamin Britten: The Holy Sonnets of John Donne, with Alexander Young, tenor
- Frederick Delius: songs ("Autumn", "Cradle Song", "Evening Voices", "In the Seraglio Garden", "Let Springtime Come", "Love's Philosophy", "The Nightingale Has a Lyre of Gold"), with Joan Stuart, soprano; 2 other songs 
- Horace Keats: (1972) songs, with the mezzo-soprano Lauris Elms.
- Heinrich Marschner: (1952) Trio in F major, Op. 167, with Granville Jones (violin) and Norina Semino (cello)
- Roger Quilter: Song Cycle To Julia; Seven Elizabethan Lyrics; Three Songs by Shelley
- Humphrey Searle: Piano Sonata, Op. 21 (Watson had given the world premiere performance in 1951)
- Ralph Vaughan Williams: On Wenlock Edge with Alexander Young and the Sebastian String Quartet.
- Vaughan Williams: Seven Songs from The Pilgrim's Progress, with John Cameron, baritone; Patricia Bartlett, soprano; Iris Kell, soprano
- Peter Warlock: (1954) song cycle The Curlew with Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English horn; and the Sebastian String Quartet. It may be heard on YouTube.
- (1955) piano pieces by Roy Agnew, Horace Keats and Alex Burnard.
- The Courier-Mail, 2 January 1953
- Sitsky: Conversations with the Composer
- Sorabji Resource Site
- Music Web International, Quadrille With a Raven: Memoirs by Humphrey Searle, Chapter 11, "Lesley and Rosie's Pub"
- The Sydney Morning Herald, 20 May 1964
- Music Web International, Quadrille With a Raven: Memoirs by Humphrey Searle, Chapter 15, "Two New Continents"
- Neville Cardus, "Young Pianist of Promise", The Sydney Morning Herald, 8 December 1943
- The Sydney Morning Herald, 27 March 1947
- David C F Wright, Humphrey Searle
- The Music Parlour
- Music Web International, Quadrille With a Raven: Memoirs by Humphrey Searle, Chapter 12, "Breakthrough"
- World Cat org
- Graeme Skinner, musicologist Archived 2013-04-09 at the Wayback Machine
- Arts and Humanities Research Council
- Current Issues in Music, Volume 2 (2008), In Search of New Worlds: A Festschrift for Larry Sitsky
- Richard Davis, Geoffrey Parsons: Among Friends, p. 25
- Cast of Peeping Tom (1960) at IMDb
- Gordon Watson on IMDb
- Sydney Conservatorium of Music
- Elizabeth Powell.com
- Southern Highlands International Piano Competition
- University of Tasmania Conservatorium of Music
- David C F Wright, A Second Set of Pianists
- Stephanie McCallum
- Sydney Symphony Orchestra Archived 2014-04-21 at the Wayback Machine
- Music Teachers Association of NSW
- State Library of New South Wales
- Australian Piano Teachers
- Larry Sitsky, Australian Piano Music of the Twentieth Century, p. 76
- Ryerson Index; Retrieved 4 May 2013
- It's an Honour
- Delius Society Newsletter, September 1969
- British Classical Music: The Land of Lost Content
- Australian Music Centre, Echo: The Songs of Horace Keats
- Symposium Records
- Klassic Haus Restorations
- University of Newcastle