Far from the Madding Crowd (1967 film)
Far from the Madding Crowd is a 1967 British epic drama film adapted from Thomas Hardy's book of the same name. The film, starring Julie Christie, Alan Bates, Terence Stamp and Peter Finch, and directed by John Schlesinger, was Schlesinger's fourth film (and his third collaboration with Christie). It marked a stylistic shift away from his earlier works exploring contemporary urban mores. The cinematography was by Nicolas Roeg and the soundtrack was by Richard Rodney Bennett. He also used traditional folk songs in various scenes throughout the film.
|Far from the Madding Crowd|
|Directed by||John Schlesinger|
|Produced by||Joseph Janni|
|Written by||Frederic Raphael|
|Music by||Richard Rodney Bennett|
|Edited by||Malcolm Cooke|
|Box office||$3.5 million (US/Canada)|
Set in the rural West Country in Victorian England, the story features Bathsheba Everdene (Julie Christie), a beautiful, headstrong, independently-minded woman who inherits her uncle's farm and decides to manage it herself. This engenders some disapproval from the local farming community. She employs a former neighbour, Gabriel Oak (Alan Bates), as a shepherd; rejected by her earlier as a suitor, Gabriel lost his own flock after one of his dogs drove them off a steep cliff.
Bathsheba impulsively sends a valentine to William Boldwood (Peter Finch), a nearby gentleman farmer. Misinterpreting her capriciousness, he falls passionately in love with her and proposes; Bathsheba promises to consider his offer. However, she soon meets and becomes enamoured of Frank Troy (Terence Stamp), a dashing cavalry sergeant.
Troy was to marry young Fanny Robin (Prunella Ransome), a maidservant pregnant with his child, but she went to the wrong church on their wedding day; Troy, unreasonably insulted and humiliated, refuses to go through with the ceremony. He was then posted to a different town. Bathsheba marries Troy but soon regrets her impulsive decision. Troy gambles away much of Bathsheba's money and creates disharmony among the farmhands. He is filled with remorse upon learning that Fanny has died in childbirth and swears he never loved Bathsheba. He leaves her and his clothes are later found by the ocean where he has presumably drowned.
Boldwood coerces Bathsheba to marry him once Troy is declared legally dead. However, the sergeant reappears at their engagement party to reclaim his wife; Boldwood shoots and kills him.
Boldwood is last seen in a prison cell, awaiting execution. Gabriel tells Bathsheba that he is emigrating to America. Realising how much she needs his quiet strength and unselfish devotion, Bathsheba persuades Gabriel to remain in Weatherbury, and they marry.
- Julie Christie as Bathsheba Everdene
- Terence Stamp as Frank Troy
- Peter Finch as William Boldwood
- Alan Bates as Gabriel Oak
- Fiona Walker as Liddy
- Prunella Ransome as Fanny Robin
- Alison Leggatt as Mrs. Hurst
- Paul Dawkins as Henry Fray
- Julian Somers as Jan Coggan
- John Barrett as Joseph Poorgrass
- Freddie Jones as Cainy Ball
- Andrew Robertson as Andrew Randle
- Brian Rawlinson as Matthew Moon
The film keeps close to the book.
The film is memorable for the subtly erotic scene between Sgt. Troy and Bathsheba in which he flaunts his expert skills as a swordsman in a private fencing display in a prehistoric earthwork (actually Maiden Castle). An enthralled Bathsheba stands immobile before him.
Roger Ebert found the scenes of the rural area and rural life to be "splendid". His strongest criticism is that the film missed the point of the small society of rural life:
Thomas Hardy's novel told of a 19th century rural England in which class distinctions and unyielding social codes surrounded his characters. They were far from the madding crowd whether they liked it or not, and got tangled in each other's problems because there was nowhere else to turn. It's not simply that Bathsheba (Julie Christie) was courted by the three men in her life, but that she was courted by ALL three men in her life.
The film performed well at the box office in the UK but was a commercial failure in the US.
- National Board of Review Award for Best Film
- National Board of Review Award for Best Actor (Peter Finch)
References in popular cultureEdit
- Going Loco by Lynne Truss, 1999,
- "Far from the Madding Crowd (U)". British Board of Film Classification. 15 September 1967. Retrieved 14 April 2015.
- Alexander Walker, Hollywood, England, Stein and Day, 1974, p. 362.
- "Big Rental Films of 1968", Variety, 8 January 1969 p 15. Please note this figure is a rental accruing to distributors.
- Film Company a Hardy Lot: Film Company a Hardy Lot Marks, Sally K. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 8 January 1967: n11.
- IMDB.com, retrieved 25 January 2018
- Roger Ebert (23 January 1968). "Far from the Madding Crowd". Ebert Reviews. Chicago Sun-Times. Retrieved 30 April 2015.
- Far from the Madding Crowd at Rotten Tomatoes