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Death Machine is a 1994 British-Japanese cyberpunk horror film written and directed by Stephen Norrington. It stars Brad Dourif, Ely Pouget, William Hootkins, John Sharian, and Richard Brake. Rachel Weisz, still early in her career at the time of the film's release, appears in a brief supporting role. The film was the directorial debut of Norrington, who had previously worked as a special effects artist on films such as Lifeforce, Aliens, Hardware, The Witches, and Split Second.
Theatrical release poster
|Directed by||Stephen Norrington|
|Produced by||Dominic Anciano|
|Written by||Stephen Norrington|
|Music by||Crispin Merrell|
|Cinematography||John de Borman|
|Edited by||Paul Endacott|
|Distributed by||Entertainment Film Distributors|
The film garnered controversy for both its violent content and Dourif's character. These factors resulted in the film being banned in some countries, including Sri Lanka, Iran, China, Malaysia, Iraq, New Zealand, and Australia. Despite the controversy, the film received mixed reviews. Many critics praised the special effects, production design, and cinematography, but criticized the acting and plot.
In the near future, the controversial megacorporation Chaank Armaments is the world's leading manufacturer of cutting-edge weapons and military hardware. A cybernetically-enhanced supersoldier, codenamed "Hard Man", malfunctions and massacres the patrons of a roadside diner before being deactivated by security operatives led by John Carpenter. Soon, public outcry ensues following the incident. The majority of complaints are directed towards the company's new chief executive Hayden Cale.
Chairman of the board Scott Ridley, fearful of the potential termination of Chaank's lucrative military contracts due to the bad publicity, tries to cover up the incident, and the numerous issues with the Hard Man project itself that had caused it. Cale demands immediate and full public disclosure from the board, having purposely leaked a number of top-secret documents to the press in defiance of Ridley's attempts to suppress knowledge about his illegal activities. She also demands that Jack Dante, a deranged weapon designer and lead developer for "Project: Hard Man", be fired from the company. Despite Carpenter's acknowledgement of the project's numerous fatal flaws, the board simply ignores Cale's requests, with no one seeming to care about her interests at all except for Dante himself. Soon, Cale is warned by a junior executive about Dante's unstable behavior and the fate of Nicholson, her late predecessor. Cale goes to confront him, demanding to know about Dante's secret project in Vault 10, for which he never submits progress reports on. Far from cooperative, he instead threatens Cale. Dante blackmais her with detailed knowledge of Cale's living situation, place of residence, and personal information. Cale asks Ridley for help, but he refuses while telling her that Nicholson took a similar interest in Dante's work. However, he was killed in a mysterious accident believed to have been an animal mauling. During their confrontation, Cale manages to lift Ridley's access card so she can investigate on her own. Dante learns that Cale has the card and confronts Ridley, subsequently killing him with a mysterious weapon.
Meanwhile, a trio of eco-warriors (Raimi, Weyland, and Yutani) infiltrate the Chaank headquarters in order to destroy its digitally-stored assets and send the company into bankruptcy. Carpenter calls Cale after finding Ridley's mutilated corpse which had an implanted life-sign transmitter. She investigates Ridley's death and discovers that whatever killed him came from Vault 10. Taking matters into her own hands, she terminates Dante's employment and seals the vault. Dante is about to shoot her when the eco-warriors show up and take everyone hostage. They demand access to the building's secure area in order to destroy the company's digital bonds, but Cale refuses to cooperate. Raimi goes to their alternate plan to cut through the bulkhead leading to the containment area. Dante, sensing his chance, "helps" them by suggesting they cut through one of the vaults surrounding the containment instead, suggesting they start at Vault 10.
Once the vault is open, Dante jumps in and activates his invention called the Frontline Morale Destroyer (a.k.a. "Warbeast"), which promptly kills Weyland. Raimi flees, meeting up with Yutani, Cale, and Carpenter. Dante broadcasts his demands over a monitor system, ordering that his employment be reinstated and Cale to "interface with him on a regular basis".
Raimi and Yutani cancel their operation while attempting to get out of the building along with Carpenter and Cale, but Carpenter ends up killed by the Warbeast while inside a lift. Raimi, Yutani, and Cale manage to reach the top floor of the building, which holds classified items, whose existence even Cale had been unaware of. Among the classified items are the primary components of Hard Man, including advanced weaponry and armour. Raimi is suited up and the Hard Man data is downloaded into his brain. Fighting against the Warbeast, he manages to slow it down long enough to allow an escape via an outdoor service elevator. Yutani, however, is killed by the Warbeast after hitting his head and falling in front of it. Once the two are at ground level outside the building, Cale removes the Hard Man data from Raimi, and they have an encounter with a police officer who is quickly killed by the Warbeast when it leaps down onto him from the rooftop. It chases Cale and Raimi back into the building, where they partially incapacitate it with explosives. However, Raimi is knocked unconscious. The Warbeast takes Cale back to Dante. During their conversation, Cale distracts Dante so that Raimi, who had regained consciousness, can subdue him. The two escape, and Cale traps Dante inside of Vault 10 with his own Warbeast.
Sitges Film FestivalEdit
|1995||Best Special Effects||Nominated|
|1995||Best Actor (Brad Dourif)||Nominated|
|1994||Best Special Effects||Won|
- Erlewine, Iotis. "Death Machine". Allmovie. Retrieved 10 November 2012.
- "Death Machine". British Film Institute. London. Archived from the original on 26 August 2011. Retrieved 10 November 2012.